Blue Skies: Irving Berlin Songbook

~ Veröffentlichung von Irving Berlin (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Blue Skies
assistierende(r) Techniker(in):
Angela Gomez (engineer)
Techniker(in):
Joe Ferla
Produzent(in):
Stefan F. Winter (producer)
Klavier:
Mulgrew Miller (in 1988-02)
Kontrabass:
Lonnie Plaxico (in 1988-02)
Schlagzeug:
Terri Lyne Carrington (in 1988-02)
vocals:
Cassandra Wilson (in 1988-02)
phonographisches Urheberrecht (℗) von:
Polydor K.K. (DO NOT USE AS A RELEASE LABEL!)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1988-02)
recording of:
Blue Skies (in 1988-02)
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Cassandra Wilson3:08
2Let Yourself Go
cover recording of:
Let Yourself Go (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
Ella Fitzgerald2:16
3You’re Just in Love
cover recording of:
You’re Just in Love (Call Me Madam)
Texter und Komponist(in):
Irving Berlin (in 1950)
publisher:
Irving Berlin Music Corp.
Teil von:
Call Me Madam
Billy Eckstine & Sarah Vaughan3:42
4Say It Isn’t So
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-03 bis 1957-01-07)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (von 1957-01-03 bis 1957-01-07)
Gitarre:
Barney Kessel (von 1957-01-03 bis 1957-01-07, am 1957-01-08)
Klavier:
Jimmy Rowles (von 1957-01-03 bis 1957-01-07, am 1957-01-08)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-08) und Joe Mondragon (am 1957-01-08)
Schlagzeug:
Alvin Stoller (von 1957-01-03 bis 1957-01-07, am 1957-01-08) und Larry Bunker (am 1957-01-08)
Tenorsaxophon:
Ben Webster (von 1957-01-03 bis 1957-01-07, am 1957-01-08)
Trompete:
Harry “Sweets” Edison (von 1957-01-03 bis 1957-01-07, am 1957-01-08)
vocals:
Billie Holiday (von 1957-01-03 bis 1957-01-07, am 1957-01-08)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-08)
recording of:
Say It Isn’t So (von 1957-01-03 bis 1957-01-07)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Corp.
recording of:
Say It Isn’t So (am 1957-01-08)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Corp.
Billie Holiday2.53:16
5Slumming on Park Avenue
cover recording of:
Slumming on Park Avenue
Texter und Komponist(in):
Irving Berlin (in 1937)
Ella Fitzgerald & Paul Weston & His Orchestra2:21
6Remember
Erroll Garner & Johnny Hartman2:43
7No Strings
recording of:
No Strings (I’m Fancy Free) (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
Patti Lupone2:16
8The Song Is Ended
cover recording of:
The Song Is Ended (but the Melody Lingers On)
Texter:
Irving Berlin
Komponist(in):
Irving Berlin (in 1927)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
Ella Fitzgerald2:26
9I Used to Be Color Blind
Produzent(in):
Norman Granz und Anita O’Day
Gitarre:
Barney Kessel (am 1956-12-18)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-12-18)
Kontrabass [bass]:
Joe Mondragon (am 1956-12-18)
Schlagzeug:
Alvin Stoller (am 1956-12-18)
Trompete:
Harry Edison (am 1956-12-18)
Vibraphon:
Larry Bunker (am 1956-12-18)
vocals:
Anita O’Day (am 1956-12-18)
recording of:
I Used to Be Color Blind (from "Carefree")
Texter und Komponist(in):
Irving Berlin (in 1938)
Anita O’Day3:07
10How Deep Is the Ocean (How High Is the Sky)
Assistent recording engineer:
Lawrence Manchester
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
assistierende(r) Mix:
Koji Egawa
Gitarre:
Russell Malone
Klavier und Sologesang:
Diana Krall
Kontrabass:
Christian McBride (American jazz bassist)
phonographisches Urheberrecht (℗) von:
GRP Records, Inc. (do not use as a release label!) und Verve Music Group (now known as Verve Label Group; not for release label use!)
aufgenommen bei:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
How Deep Is the Ocean?
Texter und Komponist(in):
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. und Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Diana Krall4:45
11Count Your Blessings Instead of Sheep
recording of:
Count Your Blessings
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 2)
Patti Lupone3:11
12Supper Time
recording of:
Suppertime
Texter und Komponist(in):
Irving Berlin (in 1933)
publisher:
Irving Berlin Music Corp.
Ethel Waters3:16
13It’s a Lovely Day Today
cover recording of:
It’s a Lovely Day Today
Texter und Komponist(in):
Irving Berlin (in 1950)
Ella Fitzgerald2:25
14Always
cover recording of:
Always
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
Billy Eckstine & Sarah Vaughan2:38
15Top Hat, White Tie and Tails
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug [drums]:
Alvin Stoller (in 1952-12)
tap dance:
Fred Astaire
Tenorsaxophon:
Flip Phillips (in 1952-12)
Trompete:
Charlie Shavers (in 1952-12)
vocals:
Adele Astaire und Fred Astaire (in 1952-12)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1952)
cover recording of:
Top Hat, White Tie and Tails (from “Top Hat”) (in 1952-12)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
Fred Astaire3:48
16Isn’t This a Lovely Day?
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
Louis Armstrong, Ray Brown, Herb Ellis, Ella Fitzgerald, Oscar Peterson & Buddy Rich6:15
17Let’s Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
Anita O’Day3:14
18Waiting at the End of the Road
recording of:
Waiting at the End of the Road (from “Hallelujah”)
Texter und Komponist(in):
Irving Berlin
Frankie Laine2:25
19All by Myself
cover recording of:
All by Myself
Texter und Komponist(in):
Irving Berlin (in 1921)
Ella Fitzgerald2:26
20Be Careful It’s My Heart
recording of:
Be Careful, It’s My Heart (in 1956)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Company und Irving Berlin Music Corp.
Eydie Gorme2:26
21They Say It’s Wonderful
recording of:
They Say It’s Wonderful (from “Annie Get Your Gun”)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Co. und Irving Berlin Music Corp.
Teil von:
Annie Get Your Gun
Cleo Laine2:47
22The Girl That I Marry
cover recording of:
The Girl That I Marry (from "Annie Get Your Gun")
Texter und Komponist(in):
Irving Berlin
Teil von:
Annie Get Your Gun
Billy Eckstine2:59
23You’re Laughing at Me
cover recording of:
You’re Laughing at Me
Texter und Komponist(in):
Irving Berlin (in 1937)
Ella Fitzgerald3:19
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