| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Cuddly Toy | Roachford | 3.5 | 3:47 |
| 2 | Maid of Orleans | Orchestral Manoeuvres in the Dark | 3 | 4:13 |
| 3 | Send Me an Angel- recorded in:
- Australien
- Techniker(in):
- Andrew Scott
- leitende(r) Produzent(in):
- Mike Curb und Jack Schwartzman
- Produzent(in):
- Ross Cockle und Glenn Wheatley
- phonographisches Urheberrecht (℗) von:
- Curb Records, Inc. (in 1983)
- aufgenommen bei:
- Rhinoceros Studios in Sydney, New South Wales, Australien
- mixed at:
- Fast Forward Studios in Warranwood, Melbourne, Victoria, Australien
- recording of:
- Send Me an Angel
- Texter:
- David Sterry
- Komponist(in):
- Richard Zatorski
- publisher:
- Chappell & Co. GmbH , Warner Chappell, Warner Chappell Music , Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Australia Pty. Ltd. und Wheatley Music Pty Ltd. (in 1983)
| Real Life | 4.5 | 3:52 |
| 4 | We Built This City- assistierende(r) Techniker(in):
- Paul Ericksen
- Techniker(in):
- Jeremy Smith
- Produzent(in):
- Jeremy Smith und Peter Wolf
- Mix:
- Bill Bottrell
- sonstiger Gesang [DJ voice]:
- Les Garland (in 1985)
- arranger:
- Peter Wolf
- phonographisches Urheberrecht (℗) von:
- BMG Music (in 1985) und RCA Records (in 1985)
- mixed at:
- Fantasy Studios in Berkeley, California , Vereinigte Staaten
- remixed at:
- The Soundcastle in Silver Lake, Los Angeles, California , Vereinigte Staaten
- recording of:
- We Built This City (in 1985)
- Verfasser(in):
- Dennis Lambert, Martin Page, Bernie Taupin und Peter Wolf
- publisher:
- BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control , Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. , Universal Music–MGB Songs, Warner/Chappell Music Ltd. , Zomba Enterprises und Zomba Enterprises, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
| Starship | 3.9 | 4:56 |
| 5 | The Time of My Life- recording of:
- (I’ve Had) The Time of My Life
- Texter:
- Franke Previte
- Komponist(in):
- John DeNicola und Donald Markowitz
- publisher:
- Calspen Music, Copyright Control , EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC , Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) und R.U. Cyrius Publishing (in 1987)
- sub-publisher:
- ヤマハミュージックEH(CM) (beendet), Sony Music Publishing (Japan) Inc. , ソニー・ミュージックパブリッシング A事業部 und フジパシフィックミュージック
- Teil von:
- The 60th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1987 winner)
| Bill Medley & Jennifer Warnes | | 4:47 |
| 6 | Rock It | Herbie Hancock | 2.65 | 3:42 |
| 7 | The Riddle | Nik Kershaw | 3.25 | 3:51 |
| 8 | Runaway Boys | Stray Cats | 3.7 | 3:00 |
| 9 | Breakaway | Tracey Ullman | 3.65 | 2:37 |
| 10 | Der Kommisar | Falco | 4.1 | 3:47 |
| 11 | Sunshine Reggae | Laid Back | 3.35 | 4:17 |
| 12 | The Tide Is High- assistierende(r) Techniker(in):
- Gary Boatner und Doug Schwartz
- Techniker(in):
- Lenise Bent
- Produzent(in):
- Mike Chapman
- Bassgitarre:
- Nigel Harrison (in 1980)
- Gast-Perkussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) und Emil Richards (in 1980)
- Gitarre:
- Frank Infante (in 1980) und Chris Stein (in 1980)
- Keyboard:
- Jimmy Destri (in 1980)
- Pauke:
- Chris Stein (in 1980)
- Schlagzeug:
- Clem Burke (in 1980)
- Hintergrundgesang [girl-group backup vocals]:
- The ‘B’ Girls und Deborah Harry
- Sologesang:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographisches Urheberrecht (℗) von:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001), Capitol Records, Inc. (in 2001) und Capitol Records, LLC (in 2001)
- aufgenommen bei:
- Power Station Studios in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California , Vereinigte Staaten (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- Verfasser(in):
- John Holt (in 1967)
- zusätzliche(r) Verfasser(in):
- Howard Barrett (in 1967) und Tyrone Evans (in 1967)
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
| Blondie | 4.15 | 4:36 |
| 13 | Gloria | Laura Branigan | 4.65 | 3:52 |
| 14 | Respectable- Produzent(in):
- Jamie Bromfield , Mark McGuire und Stock Aitken Waterman
- phonographisches Urheberrecht (℗) von:
- Cherry Red Records Ltd. (in 1987), EMI Records Ltd. (in 1987) und The Supreme Record Company Ltd. (in 1987)
- Musikvideos:
- Respectable von Mel & Kim
- recording of:
- Respectable
- Verfasser(in):
- Matt Aitken, Mike Stock und Pete Waterman
- publisher:
- All Boys Music, All Boys Music Ltd., Copyright Control , Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music , Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd.
| Mel & Kim | 2.5 | 3:22 |
| 15 | It’s a Sin | Pet Shop Boys | 4.65 | 5:02 |
| 16 | Someone’s Watching Me | Rockwell | 3.85 | 3:51 |
| 17 | Maniac- Produzent(in):
- Phil Ramone und Michael Sembello
- vocals:
- Michael Sembello (in 1983)
- phonographisches Urheberrecht (℗) von:
- Polygram Records, Inc. (New York) (in 1983) und The Island Def Jam Music Group (in 1983)
- recording of:
- Maniac (in 1983)
- Verfasser(in):
- Dennis Matkosky und Michael Sembello
- publisher:
- Copyright Control , Famous Music Corporation , Intersong Music, Intersong Music Ltd., Intersong USA, Inc. , Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp.
- Teil von:
- The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
| Michael Sembello | 4.15 | 4:05 |
| 18 | It Doesn’t Have to Be This Way | The Blow Monkeys | 3.35 | 4:05 |
| 19 | I Don’t Want to Get Hurt | Donna Summer | | 3:28 |
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