Bach 333 - J.S. Bach The New Complete Edition

~ Veröffentlichung von Johann Sebastian Bach (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Anmerkung

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Anmerkung zuletzt geändert am 2020-03-13 23:27 UTC.

Titelliste

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)
2▶CD: Cantatas 131, 106, 143, 18 (1708-1713)
3▶CD: Cantatas 182, 12, 54, 172 (1714)
4▶CD: Cantatas 21, 199 (1714)
5▶CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶CD: Cantatas 75, 76, 24 (1723)
9▶CD: Cantatas 167, 147, 186, 136 (1723)
10▶CD: Cantatas 105, 46, 179, 50, 69a (1723)
11▶CD: Cantatas 77, 25, 119, 138 (1723)
12▶CD: Cantatas 95, 148, 48, 109 (1723)
13▶CD: Cantatas 89, 60, 90, 70, 40 (1723)
14▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶CD: Cantatas 73, 81, 83, 144, 181 (1724)
16▶CD: Cantatas 18, 66, 134, 67 (1724)
17▶CD: Cantatas 104, 166, 86, 37, 44 (1724)
18▶CD: Cantatas 173, 184, 194 (1724)
19▶CD: Cantatas 20, 2, 7, 135 (1724)
20▶CD: Cantatas 10, 93, 107, 178 (1724)
21▶CD: Cantatas 94, 101, 113 (1724)
22▶CD: Cantatas 33, 78, 99, 8 (1724)
23▶CD: Cantatas 130, 114, 96, 5 (1724)
24▶CD: Cantatas 180, 38, 115, 139 (1724)
25▶CD: Cantatas 26, 116, 62, 91, 121 (1724)
26▶CD: Cantatas 133, 122, 41, 123 (1724-1725)
27▶CD: Cantatas 124, 3, 111, 92 (1725)
28▶CD: Cantatas 125, 126, 127 (1725)
29▶CD: Cantatas 1, 6, 42 (1725)
30▶CD: Cantatas 85, 103, 108, 87, 128 (1725)
31▶CD: Cantatas 183, 74, 68, 175, 176 (1725)
32▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
33▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
34▶CD: Cantatas 32, 13, 72, 43 (1726)
35▶CD: Cantatas 146, 129, 39 (1726)
36▶CD: Cantatas 88, 170, 187, 45 (1726)
37▶CD: Cantatas 102, 35, 17, 19 (1726)
38▶CD: Cantatas 27, 47, 169, 56 (1726)
39▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶CD: Cantatas 82, 157, 84 (1727)
41▶CD: Cantatas 34, 193, 117, 188 (1727-1728)
42▶CD: Cantatas 171, 156, 159, 120a (1729)
43▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶CD: Cantatas 29, 140, 36 (1731)
45▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
46▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶CD: 4-Part Chorales, BWV 250-318 AC-GO
50▶CD: 4-Part Chorales, BWV 319-381 GO-ME
51▶CD: 4-Part Chorales, BWV 382-438 MI-WO
52▶CD: Magnificat BWV 243, 243a
53▶CD: Motets
54▶CD: Mass in B minor (1 Mortensen)
55▶CD: Mass in B minor (2 Mortensen)
56▶CD: Mass in B minor (1 Brüggen)
57▼CD: Mass in B minor (2 Brüggen) / Missa BWV 233
Nr.TitelBewertungLänge
1Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 1. Credo in unum Deum
Chorgesang:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
2:02
2Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 2. Patrem omnipotentem
Chorgesang:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
1:46
3Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 3. Et in unum Dominium
Hochgesang:
Michael Chance (British countertenor) (in 1989-03)
Soprangesang:
Jennifer Smith (soprano) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
4:31
4Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 4. Et incarnatus est
Chorgesang:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
3:05
5Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 5. Crucifixus
Chorgesang:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
3:00
6Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 6. Et resurrexit
Chorgesang:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
3:46
7Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 7. Et in Spiritum sanctum
Bass-Gesang:
Harry van der Kamp (operatic bass) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
5:07
8Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 8. Confiteor
Chorgesang:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
3:02
9Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 9. Et expecto
Chorgesang:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
3:46
10Mass in B minor, BWV 232: Part III: Sanctus
Chorgesang:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
4:11
11Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 1. Osanna in excelsis
Chorgesang:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
2:26
12Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 2. Benedictus
Tenor-Gesang:
Nico van der Meel (tenor) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
3:59
13Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 3. Osanna in excelsis
Chorgesang:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
2:25
14Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 4. Agnus Dei
Hochgesang:
Michael Chance (British countertenor) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
5:08
15Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 5. Dona nobis pacem
Chorgesang:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
Orchester:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
aufgenommen bei:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1989-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Dona nobis pacem
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
3:06
16Sanctus in C major, BWV 237
Produzent(in):
Sieuwert Verster
Orchester:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-09)
Tonmeister(in):
Jens Braun (classical engineer)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
Sanctus C-Dur, BWV 237
Premiere in:
Leipzig, Sachsen, Deutschland
komponiert in:
Leipzig, Sachsen, Deutschland
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 237)
1:31
17Sanctus in D major, BWV 238
Produzent(in):
Christopher Adler (American composer & musician) und Christopher Alder (editor/engineer/producer)
Baritongesang und Bass-Gesang:
Peter Harvey (bass-baritone) (in 1997-05)
Countertenorgesang und Hochgesang:
Angus Davidson (Countertenor) (in 1997-05)
Soprangesang:
Ann Monoyios (soprano) (in 1997-05)
Tenor-Gesang:
Charles Daniels (tenor) (in 1997-05)
Orchester:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
Tonmeister(in):
Andrew Wedman (producer and engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
aufgenommen bei:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Deutschland (in 1997-05)
recording of:
Sanctus D-Dur, BWV 238 (in 1997-05)
Premiere in:
Leipzig, Sachsen, Deutschland
komponiert in:
Leipzig, Sachsen, Deutschland
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 238)
2:35
18Missa in F major, BWV 233: 1. Kyrie
Produzent(in):
Christopher Adler (American composer & musician)
Orchester:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
aufgenommen bei:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Deutschland (in 1997-05)
recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (in 1997-05)
Premiere in:
Leipzig, Sachsen, Deutschland
komponiert in:
Leipzig, Sachsen, Deutschland (in 1738)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
Teil von:
Messe F-Dur, BWV 233
5:03
19Missa in F major, BWV 233: 2. Gloria
Produzent(in):
Christopher Adler (American composer & musician)
Chorgesang:
Gabrieli Consort (in 1997-05)
Orchester:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
aufgenommen bei:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Deutschland (in 1997-05)
recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (in 1997-05)
Premiere in:
Leipzig, Sachsen, Deutschland
komponiert in:
Leipzig, Sachsen, Deutschland (in 1738)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Messe F-Dur, BWV 233
5:09
20Missa in F major, BWV 233: 3. Domine Deus
Produzent(in):
Christopher Adler (American composer & musician)
Bass-Gesang:
Peter Harvey (bass-baritone) (in 1997-05)
Orchester:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
aufgenommen bei:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Deutschland (in 1997-05)
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (in 1997-05)
Premiere in:
Leipzig, Sachsen, Deutschland
komponiert in:
Leipzig, Sachsen, Deutschland (in 1738)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Messe F-Dur, BWV 233
3:39
21Missa in F major, BWV 233: 4. Qui tollis
Produzent(in):
Christopher Adler (American composer & musician)
Soprangesang:
Ann Monoyios (soprano) (in 1997-05)
Orchester:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
aufgenommen bei:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Deutschland (in 1997-05)
recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1997-05)
Premiere in:
Leipzig, Sachsen, Deutschland
komponiert in:
Leipzig, Sachsen, Deutschland (in 1738)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Teil von:
Messe F-Dur, BWV 233
5:23
22Missa in F major, BWV 233: 5. Quoniam
Produzent(in):
Christopher Adler (American composer & musician)
Hochgesang:
Angus Davidson (Countertenor) (in 1997-05)
Orchester:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
aufgenommen bei:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Deutschland (in 1997-05)
recording of:
Missa in F major, BWV 233: Quoniam tu solus sanctus (for organ, Isoir) (in 1997-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orgel arranger:
André Isoir (organist)
Arrangement von:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus"
3:18
23Missa in F major, BWV 233: 6. Cum Sancto Spiritu
Produzent(in):
Christopher Adler (American composer & musician)
Chorgesang:
Gabrieli Consort (in 1997-05)
Orchester:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
aufgenommen bei:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Deutschland (in 1997-05)
recording of:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (in 1997-05)
Premiere in:
Leipzig, Sachsen, Deutschland
komponiert in:
Leipzig, Sachsen, Deutschland (in 1738)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
Teil von:
Messe F-Dur, BWV 233
2:30
24Kyrie in F major, BWV 233a
Produzent(in):
Johannes Kammann
Orchester:
Die Kölner Akademie
conductor:
Michael Alexander Willens (conductor)
aufgenommen bei:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Deutschland (in 2018-01)
recording of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 233a) und Bach Compendium (Nummer: BC E 7)
3:11
58▶CD: Missas BWV 234-236
59▶CD: St. John Passion (1724) (1 Gardiner)
60▶CD: St. John Passion (1724) (2 Gardiner)
61▶CD: St. John Passion (1749) (1 Suzuki)
62▶CD: St. John Passion (1749) (2 Suzuki)
63▶CD: St. Matthew Passion (1 Gardiner)
64▶CD: St. Matthew Passion (2 Gardiner)
65▶CD: St. Matthew Passion (1 McCreesh)
66▶CD: St. Matthew Passion (2 McCreesh)
67▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶CD: Christmas Oratorio (1 Gardiner)
70▶CD: Christmas Oratorio (2 Gardiner)
71▶CD: Christmas Oratorio (1 Chailly)
72▶CD: Christmas Oratorio (2 Chailly)
73▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶CD: Cantatas 36c, 205, 34a (1725-1726)
76▶CD: Cantatas 207, 204, 216a (1726-1728)
77▶CD: Cantatas 198, 201 (1727-1729)
78▶CD: Cantatas 213, 214 (1733)
79▶CD: Cantatas 211, 215 (1734)
80▶CD: Cantatas 206, 30a (1736-1737)
81▶CD: Cantatas 209, 210, 212 (1730s-1740s)
82▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶CD: Cantatas 56, 82, 4
84▶CD: Cantatas 31, 104, 57
85▶CD: Cantatas 199, 173, 74, 151
86▶CD: Easter Oratorio / Cantata 140
87▶CD: Cantatas 170, 159, 102
88▶CD: Cantatas 80, 52, 84, 209
89▶CD: Cantatas 82, 158, 56
90▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶CD: Cantatas 92, 126, 182 (Easter)
93▶CD: Cantatas 1, 4, 67, 104 (Easter)
94▶CD: Cantatas 34, 68, 39 (Whitsun)
95▶CD: Cantatas 30, 147 (Whitsun)
96▶CD: Cantatas 76, 21 (Trinity)
97▶CD: Cantatas 135, 10, 45, 105 (Trinity)
98▶CD: Cantatas 51, 78, 8, 130 (Trinity)
99▶CD: Cantatas 27, 5, 60, 26 (Trinity)
100▶CD: St. Matthew Passion (1 Richter)
101▶CD: St. Matthew Passion (2 Richter)
102▶CD: St. Matthew Passion (3 Richter)
103▶CD: Great Singers (1952-1965)
104▶CD: Great Singers (1967-2011)
105▶CD: Great Singers (Period Instruments)
106▶CD: Organ Works (Introduction 1)
107▶CD: Organ Works (Introduction 2)
108▶CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶CD: Early Chorale Preludes / Chorale Partitas
116▶CD: Chorale Preludes (Mühlhausen & Weimar)
117▶CD: Breitkopf Collection, BWV 690-713
118▶CD: Orgelbüchlein (Preston)
119▶CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶CD: Clavier-Übung III (1) (Preston)
123▶CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶CD: Free Works of Unproven Authenticity
125▶CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶CD: Keyboard Works (Introduction 1: Harpsichord)
127▶CD: Keyboard Works (Introduction 2: Piano)
128▶CD: Early Fugues & Capriccios
129▶CD: Early Suites & Sonatas
130▶CD: Toccatas, BWV 910-916
131▶CD: Virtuoso Fantasias & Fugues
132▶CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶CD: English Suites 1-3 (Dreyfus)
135▶CD: English Suites 4-6 (Dreyfus)
136▶CD: French Suites 1-4 (Hogwood)
137▶CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶CD: Partitas 1, 2, 6 (Rousset)
139▶CD: Partitas 3-5 (Rousset)
140▶CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶CD: Goldberg Variations (Rousset)
146▶CD: Goldberg Variations (Esfahani)
147▶CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶CD: French Suites 1-3 (Perahia)
150▶CD: French Suites 4-6 (Perahia)
151▶CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶CD: The Well-Tempered Clavier, Book I (1 Pollini)
155▶CD: The Well-Tempered Clavier, Book I (2 Pollini)
156▶CD: The Well-Tempered Clavier, Book II (1 Schiff)
157▶CD: The Well-Tempered Clavier, Book II (2 Schiff)
158▶CD: Goldberg Variations (Schiff)
159▶CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶CD: Orgelbüchlein (Walcha)
164▶CD: Brandenburg Concertos 1-6 (Goebel)
165▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶CD: Orchestral Suites 1-3 (Goebel)
168▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶CD: Orchestral Suites 1-4 (Pinnock)
170▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶CD: Concertos (Alternative Instrumentations)
181▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶CD: Suites for "Lute"
184▶CD: Cello Suites 1, 3, 5 (Watkin)
185▶CD: Cello Suites 2, 4, 6 (Watkin)
186▶CD: Violin Sonatas BWV 1014-1018
187▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶CD: 5 Flute Sonatas / Partita for Solo Flute
189▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶CD: Musical Offering / Canons (Goebel)
191▶CD: The Art of Fugue (Accademia Bizantina, Dantone)
192▶CD: The Art of Fugue (Aimard)
193▶CD: The Art of Fugue (1742) (Gilbert)
194▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶CD: Cello Suites 1-3 (Fournier)
199▶CD: Cello Suites 4-6 (Fournier)
200▶CD: Solo & Chamber Works (Alternative Instrumentations)
201▶CD: Clavier-Büchlein W. F. Bach (1)
202▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶CD: Notenbüchlein A. M. Bach (1725) (1)
204▶CD: Notenbüchlein A. M. Bach (1725) (2)
205▶CD: Schemelli Gesangbuch BWV 439-474
206▶CD: Schemelli Gesangbuch BWV 475-507
207▶CD: Bach: Early Influences
208▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶CD: Concertos at Weimar (Vivaldi)
210▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶CD: The Bach Family
212▶CD: Bach & Other Composers (c. 1715-1730)
213▶CD: Bach & Other Composers (c. 1730-1742)
214▶CD: Bach & Other Composers (1742-1750)
215▶CD: Bach Renewed (From Bach's Sons to Mahler)
216▶CD: Bach Reimagined (Chaconne & Passacaglia)
217▶CD: Bach Orchestrated (Reger to Stokowski)
218▶CD: Inspired by Bach (Gounod to Pärt)
219▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶CD: Bach & The Virtuoso Piano (The 20th Century)
221▶CD: Bach à la Jazz
222▶CD: New Colours of Bach
223▶DVD-Video: Bach: A Passionate Life

Nennungen

Veröffentlichung

ASIN:US: B07D2Y539K [Info]
Diskografieeintrag:https://www.bach333.com/en/ [Info]

Veröffentlichungsgruppe

Teil von:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (Reihenfolge: 1)
Eigenständige Webseite:US: B07D2Y539K [Info]
https://www.bach333.com/en/ [Info]
https://www.deutschegrammophon.com/en/cat/4798000 [Info]
Wikidata:Q113958674 [Info]