Best Ballads

~ Veröffentlichung von Whitney Houston (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1I Will Always Love You
Techniker(in):
David Reitzas, Bill Schnee und Peter Yianilos
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Whitney Houston
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
David Reitzas
künstlerische Leitung:
Rickey Minor (bass player, music director, composer, music producer)
Solo-Saxophon:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 60), New York Post: 100 Greatest Covers (2007) (Nummer: 59), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 60) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 94)
cover recording of:
I Will Always Love You
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
4.54:35
2Exhale (Shoop Shoop)
Produzent(in):
Kenneth “Babyface” Edmonds (R&B musician Kenny Edmonds)
Sologesang:
Whitney Houston
recording of:
Exhale (Shoop Shoop)
Texter und Komponist(in):
Babyface (R&B musician Kenny Edmonds)
publisher:
ECAF Music, Fox Film Music Corporation (BMI-affiliated) und Sony/ATV Songs LLC
Teil von:
Waiting to Exhale (1995 film)
4.153:25
3Didn't We Almost Have It All
assistierende(r) Techniker(in):
Fernando Kral und Tony Maserati (engineer / mixer)
Techniker(in):
Jim Boyer (producer/engineer), Dean Burt, Michael Delugg, Fred Law, Michael Mancini und Russ Terrana
Produzent(in):
Michael Masser
Mix:
Russ Terrana
Bass:
Nathan East
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Rhodes Piano und Klavier:
Robbie Buchanan (Canadian producer)
Schlagzeug:
John “JR” Robinson (session drummer)
Sologesang:
Whitney Houston
Saiteninstrumente arranger:
Robbie Buchanan (Canadian producer)
arranger:
Lee Holdridge
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
aufgenommen bei:
Devonshire Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Leed's L'Mobile in Los Angeles, California (Kalifornien), Vereinigte Staaten, Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten, Sigma Sound Studios (New York) in New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Didn’t We Almost Have It All
Verfasser(in):
Will Jennings und Michael Masser
4.55:07
4Saving All My Love For You
Techniker(in):
Michael Mancini und Russell Schmitt
Produzent(in):
Michael Masser
Mix:
Bill Schnee
Bassgitarre:
Nathan East
Gitarre:
Dann Huff, Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer), Randy Kerber und Richard Marx
Solo-Saxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Hintergrundgesang:
Debbie Thomas, Julia Waters, Maxine Waters und Oren Waters
Sologesang:
Whitney Houston
Herausgeber:
Prince Street Productions, Inc.
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
cover recording of:
Saving All My Love for You
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Prince Street Music (Also known as "Prince St. Music"), Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Universal Music Corporation (France), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.54:01
5All The Man That I Need54:11
6I Have Nothing
Techniker(in):
David Reitzas
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
Mick Guzauski
Saiteninstrumente arranger:
David Foster (Canadian music producer, arranger and composer) und Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1993)
aufgenommen bei:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten, Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Have Nothing
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und Linda Thompson (American actress, lyricist)
Teil von:
The 65th Academy Award for Best Original Song (Nummer: 2)
4.24:52
7You're Still My Man
recording of:
You’re Still My Man
Verfasser(in):
Gerry Goffin und Michael Masser
4:17
8Nobody Loves Me Like You Do
cover recording of:
I Believe in You and Me
Verfasser(in):
Sandy Linzer und David Wolfert
publisher:
Charles Koppelman Music, EMI Sosaha Music, Inc., Linz Music (US work publisher), Martin Bandier Music, R2M Music (BMI) und Songs of Lastrada (BMI-affiliated)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
recording of:
I Believe in You and Me
Verfasser(in):
Sandy Linzer und David Wolfert
publisher:
Charles Koppelman Music, EMI Sosaha Music, Inc., Linz Music (US work publisher), Martin Bandier Music, R2M Music (BMI) und Songs of Lastrada (BMI-affiliated)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
4.53:50
9I Know Him So Well
Techniker(in) und Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson)
Produzent(in):
Narada Michael Walden
Bass:
Randy Jackson (brother of Michael and Janet)
Gitarrensynthesizer:
Corrado Rustici
Keyboard:
Mary Canty und Yvonne Lewis (keyboard)
Saxophon:
Premik Russell Tubbs
Synthesizer:
Preston Glass
Hintergrundgesang:
Cissy Houston
Sologesang:
Whitney Houston
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
recording of:
How Will I Know
Verfasser(in):
Narada Michael Walden
Komponist(in):
George Merrill und Shannon Rubicam
publisher:
Carlin Music Corporation, Irving Music (BMI), Irving Music, Inc. und WB Music Corp. (1929–2019)
44:33
10Why Does It Hurt So Well
recording engineer:
Brad Gilderman
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Jon Gass
Sologesang:
Whitney Houston
recording of:
Why Does It Hurt So Bad
Texter:
Babyface (R&B musician Kenny Edmonds)
Komponist(in):
baby face (R&B musician Kenny Edmonds)
publisher:
ECAF Music und Sony/ATV Songs LLC
Teil von:
Waiting to Exhale (1995 film)
44:39
11All At Once
Techniker(in):
Michael Mancini
Produzent(in):
Michael Masser
Mix:
Bill Schnee
Bassgitarre:
Nathan East
Gitarre:
Dann Huff, Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer), Randy Kerber und Richard Marx
Hintergrundgesang:
Debbie Thomas, Julia Waters, Maxine Waters und Oren Waters
Sologesang:
Whitney Houston
Herausgeber:
Prince Street Productions, Inc.
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
recording of:
All at Once
Verfasser(in):
Michael Masser und Jeffrey Osborne
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), March 9 Music, Music Sales Corporation (American copyright holder in both popular and classical music), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
44:30
12Where You Are
Programmierung und Produzent(in):
Kashif (Michael Jones, B.T. Express)
assistierende(r) Techniker(in):
Milton Chan (Recording Engineer), Michael Dotson (engineer), John Dranchak, Larry Smith (US hip hop producer), Bob Loftus, Steve MacMillan, Dennis Mitchell (engineer), Michael C. Ross (US engineer, active 1980s–present) und Amy Ziffer
Techniker(in) und Mix:
Darroll Gustamachio
zusätzliche(r) Techniker(in):
Cal Harris und Russ Terrana
Bass:
Marcus Miller (jazz musician)
Gitarre:
Dann Huff, Paul Pesco und Ira Siegel
Keyboard und Synthesizer [synths]:
Kashif (Michael Jones, B.T. Express) und Ralph Schuckett (keyboard, composer, producer)
Schlagzeug:
Paul Leim
Solo-Saxophon:
Vincent Henry
Hintergrundgesang:
Kashif (Michael Jones, B.T. Express)
Hintergrundgesang und Sologesang:
Whitney Houston
Horn und Saiteninstrumente arranger:
Gene Page (conductor, composer, arranger and record producer)
arranger:
Kashif (Michael Jones, B.T. Express)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten, New Music Group Studios in Stamford, Connecticut, Vereinigte Staaten, Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Soundworks (New York) in New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Where You Are (in 1987)
Verfasser(in):
James Calabrese, Dyan Humes und LeMel Humes
44:12
13Hold Me
Assistent recording engineer:
Dean Burt at Devonshire
recording engineer:
Michael Mancini und Rick Riccio at Evergreen Studios
Techniker(in):
Michael Mancini
Produzent(in):
Michael Masser
Mix:
Guy Charbonneau und Bill Schnee
Bassgitarre:
Nathan East
Gitarre:
Dann Huff, Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer), Randy Kerber und Richard Marx
Schlagzeug [drums]:
Carlos Vega
Hintergrundgesang:
Debbie Thomas, Julia Waters, Maxine Waters und Oren Waters
Sologesang:
Whitney Houston
vocals:
Teddy Pendergrass
remixer:
Bill Schnee
andere Instrumente [rhythm] arranger:
Michael Masser und Gene Page (conductor, composer, arranger and record producer)
Saiteninstrumente [string] arranger:
Gene Page (conductor, composer, arranger and record producer)
Herausgeber:
Prince Street Productions, Inc.
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
aufgenommen bei:
Devonshire Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Le Mobile in Carlsbad, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
A&M Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten und Evergreen Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Hold Me
Verfasser(in):
Linda Creed und Michael Masser
publisher:
DeCreed Music Publishing Company (in 1988), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1988) und Prince Street Music (Also known as "Prince St. Music") (in 1988)
46:05
14Count On Me
recording engineer:
Brad Gilderman
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Jon Gass
Sologesang:
Whitney Houston und CeCe Winans
recording of:
Count on Me (Whitney Houston and CeCe Winans song)
Verfasser(in):
Babyface (R&B musician Kenny Edmonds), Whitney Houston und Michael Houston
publisher:
Aurianna Publishing, ECAF Music, Fox Film Music Corporation (BMI-affiliated), Nippy Music Inc. und Sony/ATV Songs LLC
Teil von:
Waiting to Exhale (1995 film)
4:29
15Greatest Love Of All
Techniker(in):
Michael Mancini und Russell Schmitt
Produzent(in):
Michael Masser
Mix:
Bill Schnee
Interpret(in):
Robbie Buchanan (Canadian producer), Nathan East, Dann Huff, Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist), Randy Kerber, Lou Shelton, Richard Marx, Debbie Thomas, Julia Waters, Maxine Waters und Oren Waters
Herausgeber:
Prince Street Productions, Inc.
phonographisches Urheberrecht (℗) von:
Arista Records, LLC (holding company - file NO releases here!) (in 1985)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 1) (Nummer: 3)
cover recording of:
The Greatest Love of All
Texter:
Linda Creed
Komponist(in):
Michael Masser
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited), EMI Music Publishing Australia Pty Ltd (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Golden Horizon Music Corp. (in 1986), Golden Torch Music Corp. (in 1986) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
55:00
16One Moment In Time
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
vocals und Interpret(in):
Whitney Houston
conductor:
Michael Gibbs
arranger:
Narada Michael Walden
vocals arranger:
Whitney Houston
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
One Moment in Time
Texter:
John Bettis
Komponist(in):
Albert Hammond
4.54:45

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