A Portrait of Louis Armstrong

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Packaging is a Fatbox in a card slip-case.

Anmerkung zuletzt geändert am 2017-06-29 15:43 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1When the Saints Go Marching In
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-13) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-13)
Gitarre:
Lee Blair (am 1938-05-13)
Klavier:
Luis Russell (am 1938-05-13)
Kontrabass:
George "Pops" Foster (am 1938-05-13)
Posaune:
J.C. Higginbotham (am 1938-05-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-13)
Tenorsaxophon:
Bingie Madison (am 1938-05-13)
Trompete:
Louis Armstrong (am 1938-05-13) und Shelton "Scad" Hemphill (am 1938-05-13)
vocals:
Louis Armstrong (am 1938-05-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (am 1938-05-13)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Louis Armstrong
Version von:
When the Saints Go Marching In
2:46
2Red Sails in the Sunset
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-13)
Gitarre:
Lee Blair (am 1935-12-13)
Klavier:
Luis Russell (am 1935-12-13)
Kontrabass:
George "Pops" Foster (am 1935-12-13)
Posaune:
Jimmy Archey (am 1935-12-13) und Harry White (jazz trombonist) (am 1935-12-13)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-13), Henry “Moon” Jones (swing era reeds) (am 1935-12-13) und Bingie Madison (am 1935-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-13)
Tenorsaxophon:
Greely Walton (am 1935-12-13)
Trompete:
Gus Aiken (am 1935-12-13), Louis Armstrong (am 1935-12-13), Louis Bacon (am 1935-12-13) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-13)
vocals:
Louis Armstrong (am 1935-12-13)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-13)
recording of:
Red Sails in the Sunset (am 1935-12-13)
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
3:04
3Ain't Misbehavin'
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Bob Cusumano (am 1938-06-24) und Johnny McGee (am 1938-06-24)
Ventilposaune:
Al Philburn (am 1938-06-24)
Sologesang:
Louis Armstrong (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Orchester:
Louis Armstrong & His Orchestra (am 1938-06-24)
recording of:
Ain’t Misbehavin’ (am 1938-06-24)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
32:58
4What Is That Thing Called Swing?
3:08
5Lazy Bones
recorded in:
New York, New York, Vereinigte Staaten (am 1939-02-20)
alto saxophone:
Glen Gray (am 1939-02-20), Clarence Hutchenrider (am 1939-02-20), Murray McEachern (am 1939-02-20), Art Ralston (am 1939-02-20) und Kenny Sargent (am 1939-02-20)
baritone saxophone:
Kenny Sargent (am 1939-02-20)
Gitarre:
Jack Blanchette (am 1939-02-20)
Klavier:
Joe "Horse" Hall (US jazz pianist, swing era) (am 1939-02-20)
Kontrabass:
Stanley Dennis (am 1939-02-20)
Posaune:
Pee Wee Hunt (am 1939-02-20), Murray McEachern (am 1939-02-20) und Billy Rauch (US jazz trombonist) (am 1939-02-20)
Rohrblattinstrumente:
Art Ralston (am 1939-02-20)
Schlagzeug:
Tony Briglia (am 1939-02-20)
Tenorsaxophon:
Dan D’Andrea (am 1939-02-20) und Pat Davis (Jazz saxophonist) (am 1939-02-20)
Trompete:
Louis Armstrong (am 1939-02-20), Sonny Dunham (am 1939-02-20), Frank Ryerson (am 1939-02-20) und Grady Watts (trumpeter and composer) (am 1939-02-20)
vocals:
Pee Wee Hunt (am 1939-02-20) und Louis Armstrong (am 1939-04-05)
Orchester:
Glen Gray & the Casa Loma Orchestra (am 1939-02-20)
recording of:
Lazy Bones (am 1939-02-20)
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
53:17
6In the Shade of the Old Apple Tree
recorded in:
New York, New York, Vereinigte Staaten (am 1937-06-29)
Gitarre:
Bernard Addison (am 1937-06-29) und John Mills, Sr. (am 1937-06-29)
Trompete:
Louis Armstrong (am 1937-06-29)
Baritongesang:
Harry Mills (am 1937-06-29)
Bass-Gesang:
John Mills, Sr. (am 1937-06-29)
Tenor-Gesang:
Donald Mills (am 1937-06-29) und Herbert Mills (am 1937-06-29)
vocals:
Louis Armstrong (am 1937-06-29) und The Mills Brothers (am 1937-06-29)
recording of:
In the Shade of the Old Apple Tree (am 1937-06-29)
Verfasser(in):
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) und Egbert Van Alstyne (in 1905)
publisher:
Francis, Day & Hunter Ltd. und Redwood Music Ltd. (Carlin)
2:20
7Rockin' Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:18
8Sweet as a Song
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-13)
Gitarre:
Lee Blair (am 1938-01-13)
Klavier:
Luis Russell (am 1938-01-13)
Kontrabass:
George "Pops" Foster (am 1938-01-13)
Posaune:
J.C. Higginbotham (am 1938-01-13)
Saxophon:
Bingie Madison (am 1938-01-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-13)
Trompete:
Louis Armstrong (am 1938-01-13)
vocals:
Louis Armstrong (am 1938-01-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-13)
recording of:
Sweet as a Song (am 1938-01-13)
Komponist(in):
Mack Gordon und Harry Revel (British-born American composer)
3:06
9The Flat Foot Floogie
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-10)
Gitarre:
Norman Brown (Jazz guitar player active in the 1930s & 1940s) (am 1938-06-10)
Trompete:
Louis Armstrong (am 1938-06-10)
Baritongesang:
Harry Mills (am 1938-06-10)
Bass-Gesang:
John Mills, Sr. (am 1938-06-10)
Tenor-Gesang:
Donald Mills (am 1938-06-10) und Herbert Mills (am 1938-06-10)
vocals:
Louis Armstrong (am 1938-06-10)
recording of:
The Flat Foot Floogie (am 1938-06-10)
Komponist(in):
Slim Gaillard, Bud Green und Slam Stewart
3:00
10Once in a While
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-11-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-11-15)
Gitarre:
Lee Blair (am 1937-11-15)
Klavier:
Luis Russell (am 1937-11-15)
Kontrabass:
Red Callender (am 1937-11-15)
Posaune:
J.C. Higginbotham (am 1937-11-15)
Rohrblattinstrumente:
Bingie Madison (am 1937-11-15)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-11-15)
Trompete:
Louis Armstrong (am 1937-11-15)
vocals:
Louis Armstrong (am 1937-11-15)
Orchester:
Louis Armstrong & His Orchestra (am 1937-11-15)
recording of:
Once in a While (am 1937-11-15)
Texter:
Bud Green (in 1937)
Komponist(in):
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. und Miller Music Corp.
Teil von:
New York, New York (1977 musical film soundtrack)
3:10
11Nobody Knows the Trouble I've Seen
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-14)
Gitarre:
Lee Blair (am 1938-06-14)
Glocken, Schlagzeug, Vibraphon und xylophone:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-06-14)
Klavier:
Luis Russell (am 1938-06-14)
Kontrabass:
George "Pops" Foster (am 1938-06-14)
vocals:
Louis Armstrong (am 1938-06-14) und The CBS Choir (am 1938-06-14)
arranger:
Lyn Murray
recording of:
Nobody Knows the Trouble I’ve Seen (am 1938-06-14)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
C. Mose Music
3:13
12I've Got a Pocketful of Dreams
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Bob Cusumano (am 1938-06-24) und Johnny McGee (am 1938-06-24)
Ventilposaune:
Al Philburn (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Orchester:
Louis Armstrong & His Orchestra (am 1938-06-24)
recording of:
I’ve Got a Pocketful of Dreams (am 1938-06-24)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
publisher:
Santly Joy Select, Inc. (am 1938-05-07)
2:56
13It's Wonderful
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-18) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-18)
Gitarre:
Lee Blair (am 1938-05-18)
Klavier:
Luis Russell (am 1938-05-18)
Kontrabass:
George "Pops" Foster (am 1938-05-18)
Posaune:
J.C. Higginbotham (am 1938-05-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-18)
Tenorsaxophon:
Bingie Madison (am 1938-05-18)
Trompete:
Louis Armstrong (am 1938-05-18) und Shelton "Scad" Hemphill (am 1938-05-18)
vocals:
Louis Armstrong (am 1938-05-18)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-18)
recording of:
It’s Wonderful (am 1938-05-18)
Texter:
Mitchell Parish (in 1937)
Komponist(in):
Stuff Smith (jazz violinist) (in 1937)
2:38
14Hear Me Talkin' to Ya
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
vocals:
Louis Armstrong (am 1939-04-05)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
Hear Me Talkin' to Ya (am 1939-04-05)
Texter und Komponist(in):
Louis Armstrong
3:07
15Naturally
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Bob Cusumano (am 1938-06-24) und Johnny McGee (am 1938-06-24)
Ventilposaune:
Al Philburn (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Orchester:
Louis Armstrong & His Orchestra (am 1938-06-24)
recording of:
Naturally (1938 song) (am 1938-06-24)
Texter und Komponist(in):
Harry Barris und Joseph McCarthy (lyricist, 1885–1943)
publisher:
Larry Spier Music LLC
2:49
16Thanks a Million
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Kontrabass:
George "Pops" Foster (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
Thanks a Million (am 1935-12-19)
Texter:
Gus Kahn
Komponist(in):
Arthur Johnston (American composer and songwriter)
2:39
17Mexican Swing
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-13)
Gitarre:
Lee Blair (am 1938-05-13)
Klavier:
Luis Russell (am 1938-05-13)
Kontrabass:
George "Pops" Foster (am 1938-05-13)
Posaune:
J.C. Higginbotham (am 1938-05-13)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-13)
Tenorsaxophon:
Bingie Madison (am 1938-05-13)
Trompete:
Louis Armstrong (am 1938-05-13) und Shelton "Scad" Hemphill (am 1938-05-13)
vocals:
Louis Armstrong (am 1938-05-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-13)
recording of:
Mexican Swing (am 1938-05-13)
Komponist(in):
Terry Shand (jazz pianist/composer)
2:40
18The Old Folks at Home
recorded in:
New York, New York, Vereinigte Staaten (am 1937-06-29)
Gitarre:
Bernard Addison (am 1937-06-29)
Trompete:
Louis Armstrong (am 1937-06-29)
vocals:
Louis Armstrong (am 1937-06-29), The Mills Brothers (am 1937-06-29), Donald Mills (am 1937-06-29), Harry Mills (am 1937-06-29), Herbert Mills (am 1937-06-29) und John Mills, Sr. (am 1937-06-29)
recording of:
Old Folks at Home (Swanee River) (am 1937-06-29)
Nationalhymne von:
Florida, Vereinigte Staaten (vom 1935 bis heute)
Texter und Komponist(in):
Stephen Foster (composer) (in 1851)
publisher:
Carlin Music Group
2:24
19So Little Time (So Much to Do)
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-13)
Gitarre:
Lee Blair (am 1938-05-13)
Klavier:
Luis Russell (am 1938-05-13)
Kontrabass:
George "Pops" Foster (am 1938-05-13)
Posaune:
J.C. Higginbotham (am 1938-05-13)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-13)
Tenorsaxophon:
Bingie Madison (am 1938-05-13)
Trompete:
Louis Armstrong (am 1938-05-13) und Shelton "Scad" Hemphill (am 1938-05-13)
vocals:
Louis Armstrong (am 1938-05-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-13)
recording of:
So Little Time (So Much to Do) (am 1938-05-13)
Texter:
Billy Hill (US songwriter)
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
2:45
20The Song Is Ended
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-13)
Gitarre:
Norman Brown (Jazz guitar player active in the 1930s & 1940s) (am 1938-06-13)
Trompete:
Louis Armstrong (am 1938-06-13)
Baritongesang:
Harry Mills (am 1938-06-13)
Bass-Gesang:
John Mills, Sr. (am 1938-06-13)
Tenor-Gesang:
Donald Mills (am 1938-06-13) und Herbert Mills (am 1938-06-13)
vocals:
Louis Armstrong (am 1938-06-13) und The Mills Brothers (am 1938-06-13)
recording of:
The Song Is Ended (but the Melody Lingers On) (am 1938-06-13)
Texter:
Irving Berlin
Komponist(in):
Irving Berlin (in 1927)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
3:12
21Save It, Pretty Mama
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
vocals:
Louis Armstrong (am 1939-04-05)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
Save It, Pretty Mama (am 1939-04-05)
Verfasser(in):
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) und Don Redman
2:59
22My Walking Stick
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-13)
Gitarre:
Norman Brown (Jazz guitar player active in the 1930s & 1940s) (am 1938-06-13)
Trompete:
Louis Armstrong (am 1938-06-13)
Baritongesang:
Harry Mills (am 1938-06-13)
Bass-Gesang:
John Mills, Sr. (am 1938-06-13)
Tenor-Gesang:
Donald Mills (am 1938-06-13) und Herbert Mills (am 1938-06-13)
vocals:
Louis Armstrong (am 1938-06-13) und The Mills Brothers (am 1938-06-13)
recording of:
My Walking Stick (am 1938-06-13)
Texter und Komponist(in):
Irving Berlin
2:44
23Something Tells Me
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-18)
Gitarre:
Lee Blair (am 1938-05-18)
Klavier:
Luis Russell (am 1938-05-18)
Kontrabass:
George "Pops" Foster (am 1938-05-18)
Posaune:
J.C. Higginbotham (am 1938-05-18)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-18)
Tenorsaxophon:
Bingie Madison (am 1938-05-18)
Trompete:
Louis Armstrong (am 1938-05-18) und Shelton "Scad" Hemphill (am 1938-05-18)
vocals:
Louis Armstrong (am 1938-05-18)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-18)
recording of:
Something Tells Me (am 1938-05-18)
Texter:
Johnny Mercer
Komponist(in):
Harry Warren (US composer and lyricist)
2:33
24All of Me
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-01-27)
alto saxophone:
Lester Boone (am 1932-01-27) und George James (US jazz saxophonist) (am 1932-01-27)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-01-27)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-01-27)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-01-27)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-01-27)
Schlagzeug:
Tubby Hall (am 1932-01-27)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-01-27)
Trompete:
Louis Armstrong (am 1932-01-27) und Zilner Randolph (am 1932-01-27)
vocals:
Louis Armstrong (am 1932-01-27)
recording of:
All of Me (am 1932-01-27)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
3:01
2▶CD

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