Die großen geistliche Vokalwerke / Great Religious Vocal Works

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD: St. John Passion, BWV 245
2▶CD: St. John Passion, BWV 245
3▶CD: St. Matthew Passion, BWV 244
4▶CD: St. Matthew Passion, BWV 244
5▼CD: St. Matthew Passion, BWV 244
#TitleRatingLength
1Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) / Teil II, Lb. Cori "Lass ihn kreuzigen"
recorded in:
Wien (Vienna), Austria
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir)
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
recording of:
Matthäus-Passion, BWV 244: Teil II, Lb. "Laß ihn kreuzigen" (Chori) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
0:24
2Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) / Teil II, Ld. Cori "Sein Blut komme über uns"
recorded in:
Wien (Vienna), Austria
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir)
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
recording of:
Matthäus-Passion, BWV 244: Teil II, Ld. "Sein Blut komme über uns" (Chori) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
1:15
3Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista)
recorded in:
Wien (Vienna), Austria
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
0:21
4Matthäus-Passion, BWV 244: Teil II, LI. Recitativo "Erbarm es Gott" (Alto)
recorded in:
Wien (Vienna), Austria
alto vocals:
Maria Nussbaumer (contralto)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:18
5Matthäus-Passion, BWV 244: Teil II, LII. Aria "Können Tränen meiner Wangen" (Alto)
recorded in:
Wien (Vienna), Austria
alto vocals:
Maria Nussbaumer (contralto)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:15
6Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) / Teil II, LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" / Teil II, LIIIc. "Und speieten ihn an" (Evangelista)
recorded in:
Wien (Vienna), Austria
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir)
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:22
7Matthäus-Passion, BWV 244: Teil II, LIV. Corale "O Haupt voll Blut und Wunden"
recorded in:
Wien (Vienna), Austria
vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1954)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
1:22
8Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista)
recorded in:
Wien (Vienna), Austria
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:53
9Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo "Ja freilich will in uns das Fleisch und Blut" (Basso)
recorded in:
Wien (Vienna), Austria
bass vocals:
Otto Wiener (baritone)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:42
10Matthäus-Passion, BWV 244: Teil II, LVII. Aria "Komm, süsses Kreuz, so will ich sagen" (Basso)
recorded in:
Wien (Vienna), Austria
bass vocals:
Otto Wiener (baritone)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:06
11Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" (Evangelista)
recorded in:
Wien (Vienna), Austria
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
1:31
12Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da wurden zween Mörder mit ihm gekreuziget" (Evangelista) / Teil II, LVIIIb. Cori "Der du den Tempel Gottes zerbrichst"
recorded in:
Wien (Vienna), Austria
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir)
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:58
13Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista)
recorded in:
Wien (Vienna), Austria
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:13
14Matthäus-Passion, BWV 244: Teil II, LVIIId. Cori "Andern hat er geholfen"
recorded in:
Wien (Vienna), Austria
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
1:04
15Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista)
recorded in:
Wien (Vienna), Austria
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:18
16Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo "Ach Golgotha" (Alto)
recorded in:
Wien (Vienna), Austria
alto vocals:
Maria Nussbaumer (contralto)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:42
17Matthäus-Passion, BWV 244: Teil II, LX. Aria "Sehet, Jesus hat die Hand", Coro "Wohin?" (Alto)
recorded in:
Wien (Vienna), Austria
alto vocals:
Maria Nussbaumer (contralto)
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:51
18Matthäus-Passion, BWV 244: Teil II, LXI. "Und von der sechsten Stunde an" (Evangelista, Jesus)
recorded in:
Wien (Vienna), Austria
bass vocals [Jesus]:
Harold Buchsbaum (bass)
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir)
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:09
19Matthäus-Passion, BWV 244: Teil II, LXII. Corale "Wenn ich einmal soll scheiden"
recorded in:
Wien (Vienna), Austria
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1954)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
1:33
20Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) / Teil II, LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" / Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista)
recorded in:
Wien (Vienna), Austria
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir)
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:01
21Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo "Am Abend, da es kühle war" (Basso)
recorded in:
Wien (Vienna), Austria
bass vocals:
Otto Wiener (baritone)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:27
22Matthäus-Passion, BWV 244: Teil II, LXV. Aria "Mache dich, mein Herze, rein" (Basso)
recorded in:
Wien (Vienna), Austria
bass vocals:
Otto Wiener (baritone)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:18
23Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) / Teil II, LXVIb. Cori "Herr, wir haben gedacht"
recorded in:
Wien (Vienna), Austria
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir)
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIb. "Herr, wir haben gedacht" (Chori) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
2:26
24Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
recorded in:
Wien (Vienna), Austria
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
0:34
25Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo "Nun ist der Herr zur Ruh gebracht", Coro "Mein Jesu, gute Nacht" (Soprano, Alto, Tenore, Basso)
recorded in:
Wien (Vienna), Austria
alto vocals:
Maria Nussbaumer (contralto)
bass vocals:
Otto Wiener (baritone)
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir)
soprano vocals:
Laurence Dutoit (Austrian soprano)
tenor vocals:
Rudolf Kreuzberger (tenor, choral conductor and bandleader)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:04
26Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
recorded in:
Wien (Vienna), Austria
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:21
6▶CD: Christmas Oratorio, BWV 248
7▶CD: Christmas Oratorio, BWV 248
8▶CD: Mass in B minor, BWV 232
9▶CD: Mass in B minor, BWV 232
10▶CD: Mass in B minor, BWV 232

Credits

Release

ASIN:DE: B0007SMGAW [info]