Lieblings… 80er

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:36
2Fade to Grey
tecnico:
John Hudson (producer, recording and mixing engineer)
produttore:
Midge Ure e Visage (new romantic band from London)
esecutore:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) e Midge Ure
arrangiatore:
Visage (new romantic band from London)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1980)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito
mixata presso:
Mayfair Sound (England) in London (Greater London), England, Regno Unito
registrazione di:
Fade to Grey
autore:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) e Midge Ure
editore:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) e Performance Music Ltd
Visage4.13:43
3Somebody’s Watching Me (Single Version)
produttore:
Curtis Anthony Nolen e Rockwell (R & B – “Somebody’s Watching Me”)
voce di accompagnamento:
Jermaine Jackson (soul/pop singer, of Jackson 5)
voce ospite:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 20)
registrazione di:
Somebody’s Watching Me
paroliere e compositore:
Rockwell (R & B – “Somebody’s Watching Me”)
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:55
4Sunglasses at Night
tecnico:
Jon Astley, Phil Chapman (engineer) e Andy MacPherson
produttore:
Jon Astley e Phil Chapman (engineer)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 30)
registrazione di:
Sunglasses at Night
paroliere e compositore:
Corey Hart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edition Meridian
Corey Hart3.75:16
5Atomic
tecnico:
Peter Coleman (British engineer & producer) e David Tickle
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1979-05 al 1979-06)
chitarra :
Frank Infante (dal 1979-05 al 1979-06) e Chris Stein (dal 1979-05 al 1979-06)
chitarra basso :
Nigel Harrison (dal 1979-05 al 1979-06)
tastiera :
Jimmy Destri (dal 1979-05 al 1979-06)
voce di accompagnamento ospite:
Ellie Greenwich (dal 1979-05 al 1979-06)
voce principale:
Deborah Harry (dal 1979-05 al 1979-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979), Chrysalis Records, Inc. (not for release label use!) (nel 1979) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (dal 1979-05 al 1979-06), Mediasound Studios in New York, New York, Stati Uniti (dal 1979-05 al 1979-06) e Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1979-05 al 1979-06)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
parte di:
Songs banned by the BBC (numero: Gulf War ban)
registrazione di:
Atomic (dal 1979-05 al 1979-06)
autore:
Jimmy Destri e Deborah Harry
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) e Rare Blue Music Inc
Blondie43:48
6You Keep Me Hangin’ On
registrata a:
England, Regno Unito
tecnico:
Peter Wade Schwier (producer, mixing and recording engineer)
produttore:
Ricky Wilde
chitarra :
Steve Byrd
tastiera :
Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1986) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001)
è stato produttore per:
Big M Productions (British record and publishing company)
registrata presso e mixata presso:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, Stati Uniti, Select Sound Studios in Knebworth, Hertfordshire, England, Regno Unito e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
parte di:
Cachitos Nochevieja 2022 (numero: 108)
registrazione cover di:
You Keep Me Hangin’ On
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Kim Wilde3.454:13
7Temptation (Digital Remaster)
registrazione di:
Temptation
autore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
editore:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Heaven 173:34
8Don’t You (Forget About Me) (2001 Digital Remaster)
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
9Love Is a Shield (Single Version)
Camouflage3:57
10Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:58
11Funkytown (Single Version)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980)
edit di:
Funkytown (12″ version) di Lipps, Inc.
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 37)
registrazione di:
Funkytown
paroliere e compositore:
Steven Greenberg
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.14:01
12Maniac • Flashdance (Soundtrack Version)
produttore:
Phil Ramone e Michael Sembello
voce:
Michael Sembello (nel 1983)
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1983)
registrazione di:
Maniac (nel 1983)
autore:
Dennis Matkosky e Michael Sembello
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1983 nominee)
Michael Sembello4.154:08
13Karma Chameleon
tecnico:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) ospite :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2002, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club44:13
14More Than This (Remaster 1999)
produttore:
Rhett Davies e Roxy Music
tecnico di missaggio:
Bob Clearmountain
batteria :
Andy Newmark (nel 1982)
chitarra :
Neil Hubbard (nel 1982) e Phil Manzanera (nel 1982)
chitarra basso :
Alan Spenner (nel 1982)
percussione :
Jimmy Maelen (percussion) (nel 1982)
sassofono :
Andy Mackay (of Roxy Music) (nel 1982)
tastiera :
Bryan Ferry (nel 1982)
voce:
Bryan Ferry (nel 1982)
voce di accompagnamento:
Fonzi Thornton (nel 1982)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1982) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1999)
parte di:
Mixtape – Game Soundtrack (numero: 16)
registrazione di:
More Than This (nel 1982)
paroliere e compositore:
Bryan Ferry
editore:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. e E.G. Music Ltd. (publisher) (nel 1982)
Roxy Music3.84:30
15Blueprint
Rainbirds5:31
16The Look of Love (Part 1)
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC43:29
17Come on Eileen (Album Edit)
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Kevin Rowland & Dexys Midnight Runners4.154:07
18Addicted to Love (Edit)
produttore:
Bernard Edwards (American bassist and record producer)
tecnico di missaggio:
Eric Thorngren
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1985)
registrazione di:
Addicted to Love
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) e WC Music Corp.
Robert Palmer4.53:56
19Just Like Heaven (Album Version)
registrazione di:
Just Like Heaven
paroliere:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
compositore:
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst e Boris Williams
editore:
APB Music Co.
The Cure3:32
20Maid of Orleans
Orchestral Manoeuvres in the Dark4:10

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