Bravo Hits: Best of 91

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1The Shoop Shoop Song (It’s in His Kiss)
Produzent(in):
Peter Asher
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1990)
Musikvideos:
The Shoop Shoop Song (It’s in His Kiss) von Cher
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
Texter und Komponist(in):
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. und Trio Music Company
Cher3.352:50
2All Together Now
Techniker(in):
Noel Rafferty
Produzent(in):
Graham McPherson
zusätzliche(r) Produzent(in):
Heller & Farley
phonographisches Urheberrecht (℗) von:
Produce Records (UK label owned by the band The Farm) und Farmsongs Ltd. (in 1990)
recording of:
All Together Now
Texter:
Peter Hooton
Komponist(in):
Steve Grimes (The Farm)
publisher:
Farm Music (publisher for The Farm), Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) und Windswept Music (London) Ltd.
The Farm4.25:42
3Joyride
Programmierung:
Anders Herrlin (in 1990-07) und Clarence Öfwerman (in 1990-07)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman und Alar Suurna
Bassgitarre:
Anders Herrlin (in 1990-07)
E-Gitarre und Gitarre:
Jonas Isacsson (in 1990-07)
Keyboard:
Clarence Öfwerman (in 1990-07)
Trillerpfeife:
Per Gessle (Swedish singer and guitarist) (in 1990-07)
vocals:
Marie Fredriksson (in 1990-07) und Per Gessle (Swedish singer and guitarist) (in 1990-07)
remixer:
Brian Malouf
phonographisches Urheberrecht (℗) von:
Roxette Recordings und EMI Svenska AB (not for release label use!) (in 1991)
aufgenommen bei:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1990-07)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Joyride (in 1990-07)
Texter und Komponist(in):
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.354:00
4Just the Way It Is, Baby
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1990) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
Just the Way It Is, Baby
Verfasser(in):
Phil Solem und Danny Wilde (The Rembrandts, Great Buildings & The Quick)
publisher:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
The Rembrandts3.54:06
5Summer Dreaming (Baccardi Feeling)
Kate Yanai3:39
6To Love Somebody
Produzent(in):
Stephen Hague
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1990)
cover recording of:
To Love Somebody
geschrieben in:
New York, New York, Vereinigte Staaten (in 1967)
Verfasser(in):
Barry Gibb (in 1967) und Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
Teil von:
50/50
Jimmy Somerville14:18
7I Wanna Sex You Up
Techniker(in):
Angela Piva und Warren Woods
Produzent(in):
Elliot Straite
Mix:
Elliot Straite und Howie Tee
Samples:
La-Di-Da-Di von Doug E. Fresh & M.C. Ricky D (earlier name of hip hop MC Slick Rick) und Tonight Is the Night von Betty Wright (American soul and R&B singer)
recording of:
I Wanna Sex You Up
Verfasser(in):
Bryan Abrams, Bessie Regina Norris (American soul and R&B singer), Mark Calderon, Willie Clarke, Elliot Straite, Kevin Thornton und Sam Watters
publisher:
Boybig Publishing, Color Me Blessed Music, EMI Full Keel Music, EMI Longitude Music, EMI Songs Ltd., Hifrost Publishing und Hip City Music Inc.
Color Me Badd4.64:07
8Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:37
9Walking in Memphis
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Bass und Orgel:
John Leventhal
Gitarre:
Marc Cohn und John Leventhal
Hammond-Orgel:
Chris Palmaro
Keyboard:
Eric Rehl
Schlagzeug:
Dennis McDermott
Gast Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) und Darryl Tookes
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) und Warner Music H.K. Ltd. (in 1997)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 415)
recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:17
10From a Distance
Produzent(in):
Arif Mardin und Bette Midler
Sologesang:
Bette Midler (in 1990)
arranger:
Arif Mardin und Steve Skinner
vocals arranger:
Marc Shaiman (American score composer and lyricist)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US)
cover recording of:
From a Distance (in 1990)
Texter und Komponist(in):
Julie Gold (in 1985)
publisher:
Grow Your Own Music, Wing and Wheel Music, ビクターミュージックアーツ 第四事業部, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bette Midler2.54:38
11Senza una donna
Produzent(in):
Corrado Rustici
arranger:
Corrado Rustici
recording of:
Senza una donna (Spanish version)
übersetzte Version von:
Senza una donna (Without a Woman)
recording of:
Senza una donna (Without a Woman)
Verfasser(in):
Frank Musker und Zucchero
publisher:
Gruppo Intersong S.R.L. (publisher; do NOT use as release label) und Warner Chappell Music Italiana S.r.l.
Zucchero & Paul Young3.654:28
12Wind of Change
assistierende(r) Techniker(in):
Shay Baby, Attie Bauw, Albert Boekholt und Tom Fletcher (engineer)
Techniker(in):
Erwin Musper und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer) und Scorpions (German rock band)
Mix:
Shay Baby, Erwin Musper und Keith Olsen (US producer and engineer)
Akustikgitarre:
Rudolf Schenker (in 1990)
Bassgitarre:
Francis Buchholz (in 1990)
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs (in 1990) und Rudolf Schenker (in 1990)
Gast-Keyboard:
Koen van Baal (in 1990)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany) (in 1990)
Slide-Gitarre:
Matthias Jabs (in 1990)
Hintergrundgesang:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) und Rudolf Schenker (in 1990)
Sologesang:
Klaus Meine (in 1990)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990, in 1991) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
aufgenommen bei:
Goodnight LA Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten (in 1990) und Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
Texter und Komponist(in):
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions3.45:13
13Aloha Heja He
recording engineer:
Thomas Kukuck
assistierende(r) Produzent(in):
Peter Franken
Produzent(in):
Achim Reichel
Mix:
Udo Arndt
Bassgitarre:
Benjamin Hüllenkremer
Gitarre:
Achim Reichel
Keyboard:
Peter Werner (keyboard, guitar, member of Annexus Quam)
Schlagzeug:
Udo Dahmen
vocals:
Achim Reichel
phonographisches Urheberrecht (℗) von:
Tangram (Indigo) (in 2019)
aufgenommen bei:
Gaga Studio in Hamburg, Deutschland
mixed at:
Audio-Studio in Berlin, Deutschland
recording of:
Aloha Heja He
Texter und Komponist(in):
Achim Reichel
publisher:
Gorilla Musik-Verlag GmbH (in 1991)
Achim Reichel4:03
14Unbelievable
Produzent(in) und Mix:
Ralph Jezzard
E-Bass:
Zac Foley (in 1990)
E-Gitarre, Gitarre und Keyboard:
Ian Dench (in 1990)
Sampler [samples]:
Derry Brownson (in 1990)
Schlagzeug:
Mark Decloedt (in 1990)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals) (in 1990)
Sologesang:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 421)
recording of:
Unbelievable (in 1990)
Verfasser(in):
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench und Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Canada Ltd.
EMF3.653:30
15You Could Be Mine
Techniker(in):
Mike Clink
Produzent(in):
Mike Clink und Guns N’ Roses (American hard rock band from Los Angeles)
Mix:
Bill Price (UK producer/engineer)
Bass:
Duff McKagan (von 1990-01-13 bis 1991-08-03)
E-Gitarre [lead/rhythm]:
Slash (Guns N’ Roses guitarist) (von 1990-01-13 bis 1991-08-03)
E-Gitarre [rhythm]:
Izzy Stradlin (US guitarist, singer & songwriter) (von 1990-01-13 bis 1991-08-03)
Schlagzeug:
Matt Sorum (von 1990-01-13 bis 1991-08-03)
Hintergrundgesang:
Duff McKagan (von 1990-01-13 bis 1991-08-03) und Izzy Stradlin (US guitarist, singer & songwriter) (von 1990-01-13 bis 1991-08-03)
vocals:
Axl Rose (von 1990-01-13 bis 1991-08-03)
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1991) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1991)
recording of:
You Could Be Mine (von 1990-01-13 bis 1991-08-03)
Verfasser(in):
Axl Rose und Izzy Stradlin (US guitarist, singer & songwriter)
publisher:
Black Frog Music und Guns N’ Roses Music
Guns N’ Roses3.755:44
16Should I Stay or Should I Go
Techniker(in):
Bob Clearmountain
Produzent(in):
Guy Stevens
Mix:
Glyn Johns
Bassgitarre:
Paul Simonon
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
Schlagzeug:
Topper Headon
Gast vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 42), Indie 88: Top 500 Indie Rock Songs (Nummer: 183) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 228)
recording of:
Should I Stay or Should I Go
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd. und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:09
17Beinhart
recording of:
Beinhart
Verfasser(in):
Klaus Büchner (singer and songwriter, Klaus & Klaus) und Raymond Voß
Torfrock3:18
18Ich bin der Martin, ne
Diether Krebs und Gundula3:51

Nennungen

Veröffentlichungsgruppe

Teil von:Bravo Hits: Best Of / Bravo: The Hits (Nummer: 1991) (Reihenfolge: 2)