Summer of Love: The Hits of 1967

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1San Francisco (Be Sure to Wear Flowers in Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:59
2Happy Together
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner (singer and songwriter) e Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
editore:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.42:54
3Windy
produttore:
Bones Howe
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 310)
registrazione di:
Windy
paroliere e compositore:
Ruthann Friedman
editore:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:54
4Creeque Alley
produttore:
Lou Adler
è stato produttore per:
Dunhill Records USA
registrazione di:
Creeque Alley
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Trousdale Music Pub., Inc.
The Mamas & the Papas3.753:47
5Gimme Some Lovin'
produttore:
Chris Blackwell (Island Records) e Jimmy Miller (producer for Rolling Stones/Nirvana etc)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 244)
registrazione di:
Gimme Some Lovin’
autore:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) e Steve Winwood
editore:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) e Island Music Ltd. (dal 1966 al ????)
The Spencer Davis Group4.152:56
6Incense and Peppermints
produttore:
Frank Slay
registrazione di:
Incense and Peppermints
autore:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) e Tim Gilbert
autore aggiunto:
Ed King (US guitarist, bassist & songwriter) e Mark Weitz (keyboardist)
editore:
MCA Music Ltd.
Strawberry Alarm Clock4.52:48
7Little Bit o' Soul
produttore:
Jerry Kasenetz e Jeff Katz (music producer)
registrazione di:
Little Bit o’ Soul
paroliere e compositore:
Carter-Lewis (British songwriter duo)
autore:
John Carter (songwriter & producer, b. 1942) (nel 1964) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men) (nel 1964)
The Music Explosion32:21
8The 59th Street Bridge Song (Feelin' Groovy)
produttore:
Lenny Waronker
registrazione cover di:
The 59th Street Bridge Song (Feelin’ Groovy)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:38
9The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.151:52
10Heroes and Villains (single version)
produttore:
Brian Wilson (Beach Boys co‐founder)
registrazione di:
Heroes and Villains
paroliere:
Van Dyke Parks
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI)
The Beach Boys3:37
11Reflections
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
Reflections
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) e Stone Agate Music (nel 1967)
Diana Ross & The Supremes42:52
12Let's Live for Today
produttore:
Steve Barri e P.F. Sloan
registrazione di:
Let’s Live for Today
autore:
Michael Julien (British songwriter), Mogol (Italian lyricist) e Shel Shapiro
versione tradotta di:
Piangi con me
The Grass Roots32:48
13Darling Be Home Soon
produttore:
Erik Jacobsen
registrazione di:
Darling Be Home Soon
paroliere e compositore:
John Sebastian
The Lovin’ Spoonful3:34
14I Was Made to Love Her
produttore:
Henry Cosby
armonica (a bocca) e voce principale:
Stevie Wonder (il 1967-03-31)
basso :
James Jamerson (il 1967-03-31)
sitar elettrico :
Eddie Willis (il 1967-03-31)
strumenti:
The Funk Brothers (il 1967-03-31)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1966) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-03-31)
registrazione di:
I Was Made to Love Her (il 1967-03-31)
autore:
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.72:36
15Pleasant Valley Sunday
produttore:
Chip Douglas
basso :
Chip Douglas
batteria e percussione :
Eddie Hoh
chitarra acustica :
Bill Chadwick
chitarra elettrica :
Michael Nesmith
pianoforte :
Peter Tork
voce di accompagnamento:
Davy Jones (The Monkees member) e Michael Nesmith
voce principale:
Micky Dolenz
registrata presso:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, Stati Uniti (dal 1967-06-10 al 1967-06-13)
registrazione di:
Pleasant Valley Sunday (dal 1967-06-10 al 1967-06-13)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.353:15
16Carrie-Anne
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967) e The Hollies Ltd. (nel 1967)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1967-05-01)
registrazione di:
Carrie Anne (il 1967-05-01)
paroliere e compositore:
Allan Clarke (of The Hollies), Tony Hicks e Graham Nash
editore:
PolyGram Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
The Hollies3.652:55
17Talk Talk
produttore:
Maurie Bercov (US woodwind player)
registrazione di:
Talk Talk (The Music Machine)
paroliere e compositore:
Sean Bonniwell
editore:
ATV Music Ltd., Bike Music, Lovolar Music e Thrush Music Publishing (dal 1966 al ????)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Music Machine1:58
18Sunday Will Never Be the Same
produttore:
Jerry Ross Production (production)
registrazione di:
Sunday Will Never Be the Same
autore:
Terry Cashman e Eugene Pistilli
Spanky & Our Gang3:02
19Kind of a Drag
produttore:
Carl Bonafede e Dan Bellock
registrazione di:
Kind of a Drag
autore:
James Holvay
The Buckinghams2:08
20A Whiter Shade of Pale
produttore:
Denny Cordell (producer & label boss)
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:06
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Accreditamenti

Pubblicazione

ASIN:US: B000PFUALO [info]

Gruppo di pubblicazioni

parte di:Time Life: Flower Power (ordine: 9)
Discogs:https://www.discogs.com/master/1480176 [info]