Essential

~ Veröffentlichung von Tracy Huang (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1There’s a Kind of Hush
cover recording of:
There’s a Kind of Hush
Texter und Komponist(in):
Les Reed und Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
?:??
2Mississippi
phonographisches Urheberrecht (℗) von:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1977)
cover recording of:
Mississippi
Texter und Komponist(in):
Werner Theunissen (bass guitarist, guitar teacher, songwriter and composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
?:??
3Fernando
phonographisches Urheberrecht (℗) von:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1977)
cover recording of:
Fernando (English version)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Polar Music AB (beendet), Bocu Music Ltd., Union Songs Music, EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
?:??
4Feelings
cover recording of:
Feelings
Texter:
Morris Albert
Komponist(in):
Louis Gasté
publisher:
Bucks Music Ltd, Fermata International Melodies, Inc., Peter Maurice Music Co. Ltd. und United Artists (publisher)
Version von:
Pour toi
?:??
5Sometimes When We Touch
phonographisches Urheberrecht (℗) von:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1978)
cover recording of:
Sometimes When We Touch
Texter und Verfasser(in):
Dan Hill (Canadian singer/songwriter)
Komponist(in):
Barry Mann
publisher:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
?:??
6Sailing
cover recording of:
I Don’t Want to Talk About It
Texter und Komponist(in):
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music und Rondor Music
cover recording of:
Sailing
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
?:??
7Hopelessly Devoted to You
cover recording of:
Hopelessly Devoted to You (Grease, 1978 film)
Texter und Komponist(in):
John Farrar
Teil von:
The 51st Academy Award for Best Original Song (Nummer: 2)
Teil von:
Grease (1978 film)
?:??
8I Don’t Like to Sleep Alone
phonographisches Urheberrecht (℗) von:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1977)
cover recording of:
I Don’t Like to Sleep Alone
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
?:??
9Here, There and Everywhere
phonographisches Urheberrecht (℗) von:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1977)
cover recording of:
Here, There and Everywhere
geschrieben in:
Weybridge, Surrey, England, Vereinigtes Königreich (in 1966-06)
Verfasser(in):
John Lennon (The Beatles) (in 1966-06) und Paul McCartney (The Beatles) (in 1966-06)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs und Sony/ATV Music Publishing LLC (1995–2020)
?:??
10Love Me Tender
cover recording of:
Love Me Tender
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
?:??
11Woman in Love
cover recording of:
Woman in Love (Life is a moment in space... When the dream is gone)
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
BMG Music, Crompton Songs, Gibb Brothers Music, R.S.O. Publishing Ltd. und Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
?:??
12This Girl Has Turned Into a Woman
phonographisches Urheberrecht (℗) von:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1977)
cover recording of:
This Girl (Has Turned Into a Woman)
Texter:
Mary MacGregor und Peter Yarrow
Komponist(in):
Peter Yarrow
publisher:
Silver Dawn Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
?:??
13Sad Eyes
cover recording of:
Sad Eyes
Texter und Komponist(in):
Robert John (US singer‐songwriter)
publisher:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
14End of the World
cover recording of:
The End of the World
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
?:??
15I Love How You Love Me
cover recording of:
I Love How You Love Me
Verfasser(in):
Larry Kolber und Barry Mann
publisher:
Robert Mellin Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
?:??
16It Doesn’t Matter Anymore
phonographisches Urheberrecht (℗) von:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (in 1977)
cover recording of:
It Doesn’t Matter Anymore
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Robert Mellin Ltd.
?:??
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