Messiah, HWV 56: Part I. “But who may abide the day of his coming”
~ Aufnahme von Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
Erscheint in Veröffentlichungen
| Nr. | Titel | Länge | Titelinterpret | Veröffentlichungstitel | Veröffentlichungskünstler | Veröffentlichungsgruppen-Typ | Land/Datum | Label | Katalognr. |
|---|---|---|---|---|---|---|---|---|---|
| Offiziell | |||||||||
| 1.2 | Messiah, HWV 56: Part I. "But who may abide the day of his coming" | 4:18 | George Frideric Handel | All the Great Music from Handel's Messiah | Handel; Academy of Ancient Music, Christ Church Cathedral Choir, Oxford, Christopher Hogwood | Album |
| L’Oiseau‐Lyre | DSLO 592 |
| 1.2 | Messiah, HWV 56: Part I. “But who may abide the day of his coming” | 4:18 | George Frideric Handel | Messiah: A Sacred Oratorio (highlights) | Handel; Academy of Ancient Music, Christ Church Cathedral Choir, Oxford, Christopher Hogwood | Album |
| L’Oiseau‐Lyre | 400 086-2 |
| 1.2 | Messiah, HWV 56: Part I. “But who may abide the day of his coming” | 4:18 | George Frideric Handel | Messiah: A Sacred Oratorio (highlights) (made in West Germany) | Handel; Academy of Ancient Music, Christ Church Cathedral Choir, Oxford, Christopher Hogwood | Album |
| L’Oiseau‐Lyre | 400 086-2 |
| 1.2 | Messiah, HWV 56: Part I. "But who may abide the day of his coming" | 4:18 | George Frideric Handel | Messiah (highlights) | Handel; Academy of Ancient Music, Christ Church Cathedral Choir, Oxford, Christopher Hogwood | Album | Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only) | 400 086-2 | |
Beziehungen
| Techniker(in): | Martin Atkinson (engineer) John Dunkerley (engineer) |
|---|---|
| Chorgesang: | Christ Church Cathedral Choir, Oxford |
| Orchester: | Academy of Ancient Music |
| conductor: | Christopher Hogwood (conductor, harpsichordist) |
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