Best Selection

~ Veröffentlichung von Melissa Manchester (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I Don’t Care What People Say
Techniker(in):
Jeremy Smith (producer/engineer)
Produzent(in):
Arif Mardin
Mix:
Michael O’Reilly (engineer)
Gitarre:
Dan Huff
Klavier [acoustic piano]:
Robbie Buchanan (Canadian producer)
Perkussion:
Michael Boddicker
Schlagzeug:
Carlos Vega
Synthesizer:
Michael Boddicker und Robbie Buchanan (Canadian producer)
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
zusätzlich Synthesizer:
Peter Cannarozzi und Bob Christianson
Hintergrundgesang:
Robin Clark (soul vocalist), Gordon Grody, Ula Hedwig, David Lasley, Marcy Levy und Millie Whiteside
Sologesang:
Melissa Manchester
arranger:
Robbie Buchanan (Canadian producer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1983)
recording of:
I Don’t Care What the People Say
Texter und Komponist(in):
Tom Snow (US keyboardist/songwriter)
43:38
2Nice Girls
assistierende(r) Techniker(in):
Robert Feist, John Kovarek und Gary Skardina
Techniker(in):
Jeremy Smith (producer/engineer)
Produzent(in):
Arif Mardin
assistierende(r) Mix:
Julie Last und Steve Benben
Mix:
Arif Mardin und Michael O’Reilly (engineer)
Bassgitarre [bass]:
Nathan East
Gitarre:
Dan Carter (guitarist), Michael Landau und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Hybrid-Piano und Synthesizer:
Robbie Buchanan (Canadian producer)
Schlagzeug:
Carlos Vega
Tenorsaxophon:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Vibraphon:
Arif Mardin
zusätzlich Synthesizer:
Pete Cannarozzi
Hintergrundgesang:
Robin Beck, Eva Haskell, Jude Johnstone, Will Lee (US jazz/rock bassist), Sharon O’Neal und Millie Whiteside
Sologesang:
Melissa Manchester
arranger:
Robbie Buchanan (Canadian producer) und Arif Mardin
recording of:
Nice Girls
Verfasser(in):
Jan Buckingham, Steve Buckingham (producer) und Mark Gray (US country music artist)
publisher:
Daticabo Publishing Co., Duck Songs (US publisher) und Warner House of Music
3:42
3You Should Hear How She Talks About You
Produzent(in):
Arif Mardin
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Bassgitarre [bass]:
Abe Laborielle
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Schlagzeug:
Jeff Porcaro
Synthesizer:
Robbie Buchanan (Canadian producer)
Hintergrundgesang:
Ula Hedwig, Will Lee (US jazz/rock bassist) und Millie Whiteside
Sologesang:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
recording of:
You Should Hear How She Talks About You
Texter:
Dean Pitchford
Komponist(in):
Tom Snow (US keyboardist/songwriter)
publisher:
Body Electric Music, Pitchford Music und Snow Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
4.54:17
4Come In From the Rain
Produzent(in):
Arif Mardin
Bassgitarre:
Abe Laborielle
Gitarre:
Dean Parks (American session guitarist)
Klavier und Synthesizer [Prophet]:
Robbie Buchanan (Canadian producer)
Schlagzeug:
Jeff Porcaro
Synthesizer:
Bob Christianson
Sologesang:
Melissa Manchester
vocals:
Melissa Manchester
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
recording of:
Come In From the Rain
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Rumanian Pickle Works Co. Inc., The Times Square Music Publ. Co. und Trio Music Company
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
44:22
5Looking for the Perfect Ahh
Produzent(in):
Arif Mardin
Bassgitarre:
Abe Laborielle
Gitarre:
Dean Parks (American session guitarist)
Keyboard und Synthesizer:
Robbie Buchanan (Canadian producer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Robin Beck, Lani Groves, Will Lee (US jazz/rock bassist), Melissa Manchester und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
Sologesang:
Melissa Manchester
arranger:
Robbie Buchanan (Canadian producer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
recording of:
Looking for the Perfect Ahh
Texter:
Carole Bayer Sager und Melissa Manchester
Komponist(in):
Robbie Buchanan (Canadian producer) und Melissa Manchester
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Carole Bayer Sager Music, Nanacub Publishing, Rumanian Pickleworks Company und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
43:15
6If This Is Love
Produzent(in):
Steve Buckingham (producer)
Mix:
Ed Seay
vocals:
Melissa Manchester
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Barry Fasman
arranger:
Steve Buckingham (producer) und Randy McCormick (session musician and songwriter)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980)
mixed at:
Web IV Studios in Atlanta, Georgia, Vereinigte Staaten
recording of:
If This Is Love
Verfasser(in):
Kerry Chater und Robbie Patton
publisher:
Rocket Songs, Inc. (US work publisher), Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
3:40
7Whenever I Call You “Friend”
Techniker(in):
Ed Seay
Produzent(in):
Steve Buckingham (producer)
Bassgitarre [bass]:
Tom Robb
Gitarre:
Larry Byrom
Keyboard [keyboards]:
Alan Feingold und Randy McCormick (session musician and songwriter)
Perkussion:
Mickey Buckins (American singer-songwriter, session musician, producer and engineer) und James Stroud
Schlagzeug:
James Stroud
Hintergrundgesang:
Arnold McCuller
Sologesang:
Melissa Manchester
Saiteninstrumente arranger:
Steven Cagan
recording of:
Whenever I Call You “Friend”
Texter:
Ken Loggins und Melissa Manchester
Komponist(in):
Ken Loggins
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Milk Money Music (in 1978) und Rumanian Pickleworks Company (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:48
8Through the Eyes of Love
Produzent(in):
Arif Mardin
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1979)
recording of:
Through the Eyes of Love (Ice Castles, theme)
Texter:
Carole Bayer Sager
Komponist(in):
Marvin Hamlisch
publisher:
EMI Gold Horizon Music Corp. und EMI Golden Torch Music Corp.
Teil von:
The 52nd Academy Award for Best Original Song (Nummer: 2)
4:13
9Don’t Cry Out Loud
Techniker(in):
Milt Calise
Produzent(in) und Mix:
Harry Maslin
Bassgitarre:
David Hungate
Gitarre:
Dennis Budimir und Lee Ritenour
Klavier:
Bill Payne
Schlagzeug:
Jim Keltner
Sologesang:
Melissa Manchester
arranger:
Barry Fasman
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
produced for:
Melissa Manchester Productions, Inc.
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Don’t Cry Out Loud
Texter:
Carole Bayer Sager (in 1976)
Komponist(in):
Peter Allen (Australian singer‐songwriter) (in 1976)
publisher:
Begonia Melodies Inc., Chappell Music Co. Inc., Chappell Music Ltd., Irving Music (BMI), Rondor Music, Rondor Music (London) Ltd. und Woolnough Music
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
53:52
10Knowin’ My Love’s Alive
Techniker(in):
Milt Calise
Produzent(in):
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
Mix:
Phil Schier
Bassgitarre:
Chuck Rainey (American bassist)
E-Gitarre:
David T. Walker
Gitarre:
Lee Ritenour
Hybrid-Piano:
Greg Phillinganes
Klavier:
Richard Tee
Perkussion:
Lenny Castro
Schlagzeug:
James Gadson (American drummer)
Hintergrundgesang:
James Gadson (American drummer), Melissa Manchester und Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
Sologesang:
Melissa Manchester
Saiteninstrumente und Holzblasinstrumente arranger:
David Blumberg
arranger:
Dave Blumberg und Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
produced for:
Melissa Manchester Productions, Inc.
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Knowin’ My Love’s Alive
Verfasser(in):
Margo Guryan, Melissa Manchester und Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Rumanian Pickleworks Company
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
24:03
11I Wanna Be Where You Are
assistierende(r) Techniker(in):
Tom Bush
Techniker(in):
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Galen Senogles
Bassgitarre [bass]:
Tony Levin (US rock bassist/Chapman stick player)
flute:
Leo Worth Potts, Michael P. Carnahan und Tom Saviano
Gitarre:
Jeff Mironov und David Spinozza
Keyboard:
Don Grolnick
Perkussion:
Lenny Castro
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang:
Claudia Cagan, Wendy Haas, Brie Howard und Gail Kantor
Hintergrundgesang und Sologesang:
Melissa Manchester
Holzblasinstrumente arranger:
Tom Saviano
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I Wanna Be Where You Are
Texter:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
Komponist(in):
Arthur “T‐Boy” Ross
publisher:
Jobete Music Co., Inc.
sub-publisher:
EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
43:53
12No One’s Ever Seen This Side of Me
assistierende(r) Techniker(in):
Tom Bush
Techniker(in):
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Galen Senogles
Bassgitarre [bass]:
Tony Levin (US rock bassist/Chapman stick player)
Gitarre:
Jeff Mironov und David Spinozza
Keyboard:
Don Grolnick
Perkussion:
Lenny Castro
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang:
Claudia Cagan, The Faragher Brothers, Wendy Haas, Brie Howard, Gail Kantor und Vini Poncia
Sologesang:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
No One’s Ever Seen This Side of Me
Texter und Komponist(in):
Melissa Manchester
publisher:
Rumanian Pickleworks Company
43:19
13Help Is on the Way
assistierende(r) Techniker(in):
Linda Tyler (engineer)
Techniker(in):
Bob Schaper
Produzent(in):
Vini Poncia
Hintergrundgesang:
Brenda L. Gooch, Theresa Hendricks, Betty Jones (backing vocalist), Jan E. Jones, Charity McCrary, Linda McCrary und Sundray Tucker
vocals:
Melissa Manchester
Saiteninstrumente arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
aufgenommen bei und mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Help Is on the Way
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
Begonia Melodies Inc. und BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
4:10
14Happy Endings
recording engineer und Mix:
Bob Schaper
Produzent(in):
Vini Poncia
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
produced for:
Richard Perry Productions
mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Happy Endings
Texter und Komponist(in):
Melissa Manchester
publisher:
Rumanian Pickleworks Company (beendet) und BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
53:55
15Better Days
recording engineer und Mix:
Bob Schaper
Produzent(in):
Vini Poncia
Synthesizer [ARP synthesizer]:
James Newton Howard (American score composer)
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
produced for:
Richard Perry Productions
mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Better Days (Looks as Though We’re Doing Somethin’ Right)
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
Rumanian Pickleworks Company (beendet), BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), New York Times Music Corp. (publisher) (in 1977) und Rumanian Pickleworks Music Co. (in 1977)
54:21
16Just You and I
recording engineer und Mix:
Bob Schaper
Produzent(in):
Vini Poncia
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records Ltd. (not for release label use!) (in 1976) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
produced for:
Richard Perry Productions
mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Just You and I
Verfasser(in):
Carole Bayer Sager und Melissa Manchester
publisher:
Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Trio Music Company
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
44:09
17Just Too Many People
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Akustikgitarre und E-Gitarre:
David Wolfert
baritone saxophone:
John Rotella (woodwind)
Bassgitarre [bass]:
Cooker LoPresti
Hybrid-Piano:
James Newton Howard (American score composer)
Klavier und Sologesang:
Melissa Manchester
Posaune:
Lew McCreary
Schlagzeug:
Kirk Bruner
Tenorsaxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Trompete:
Steve Madaio
Hintergrundgesang:
Melissa Manchester und Vini Poncia
conductor:
Melissa Manchester (Saiteninstrumente)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Just Too Many People
Verfasser(in):
Melissa Manchester und Vini Poncia
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und EMI Blackwood Music Inc.
53:40
18Midnight Blue
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Akustikgitarre und E-Gitarre:
David Wolfert
Bassgitarre [bass]:
Cooker LoPresti
Hybrid-Piano:
James Newton Howard (American score composer)
Klavier und Sologesang:
Melissa Manchester
Perkussion und Schlagzeug:
Kirk Bruner
Hintergrundgesang:
Melissa Manchester und Vini Poncia
Saiteninstrumente arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight Blue
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
New York Times Music Corp. (publisher) (beendet), Rumanian Pickleworks Company (beendet), Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Trio Music Company
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
43:57
19Bright Eyes
recording engineer:
Billy Radice
Produzent(in):
Dave Appell und Henry Medress
Mix:
Billy Radice und Henry Medress
Bassgitarre [bass]:
Cooker LoPresti
Gitarre:
David Wolfert
Hybrid-Piano und Saxophon:
Stanley Schwartz
Klavier:
Melissa Manchester
Schlagzeug:
Kirk Bruner
Trompete:
Chris Dedrick
vocals:
Melissa Manchester
arranger:
Henry Medress und Melissa Manchester
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1974)
aufgenommen bei:
Le Studio in New York, New York, Vereinigte Staaten
recording of:
Bright Eyes
Texter:
Adrienne Anderson
Komponist(in):
Melissa Manchester
publisher:
Angela Music Co., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Universal Music Careers
4:30
20Funny That Way
Techniker(in):
Bill Radice
Produzent(in):
Dave Appell und Hank Medress
Mix:
Hank Medress
Akustikgitarre:
Michael Johnson (singer, songwriter & guitarist)
Harfe:
Corky Hale
Klavier und Sologesang:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
aufgenommen bei:
Century Sound Studios in New York, New York, Vereinigte Staaten
recording of:
Funny That Way
Texter und Komponist(in):
Melissa Manchester
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Little Max Music Co.
2:43

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Veröffentlichung

ASIN:JP: B00005653S [Info]