Forrest Gump: The Soundtrack (Columbia House club edition 907097T)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Titelliste

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1▼CD: Disc One
Nr.TitelKünstlerBewertungLänge
1Hound Dog
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) und Sony BMG Music Entertainment (2004–2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
cover recording of:
Hound Dog (am 1956-07-02)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
Elvis Presley3.652:18
2Rebel Rouser
recording of:
Rebel‐’Rouser
Komponist(in):
Duane Eddy und Lee Hazlewood
Duane Eddy3.52:25
3(I Don’t Know Why) But I Do
recording of:
But I Do
Verfasser(in):
Paul Gayton und Robert Guidry
publisher:
Arc Music (U.S. rock & blues publisher) und Chappell Music (UK)
Clarence “Frogman” Henry3.252:22
4Walk Right In
recording of:
Walk Right In
Verfasser(in):
Darling und Svanoe
Komponist(in):
Gus Cannon und Hosea Woods
publisher:
Southern Music (publisher), Southern Music Publ. Co. (A'Asia) und Southern Music Publishing Co. (publishing company)
The Rooftop Singers42:35
5Land of 1000 Dances
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1966-05-08 bis 1966-05-11)
Bassgitarre [bass]:
Tommy Cogbill (von 1966-05-08 bis 1966-05-11)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-05-08 bis 1966-05-11) und Chips Moman (von 1966-05-08 bis 1966-05-11)
Klavier:
Spooner Oldham (von 1966-05-08 bis 1966-05-11)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-05-08 bis 1966-05-11)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-05-08 bis 1966-05-11) und Andrew Love (von 1966-05-08 bis 1966-05-11)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1966-05-08 bis 1966-05-11)
vocals:
Wilson Pickett (von 1966-05-08 bis 1966-05-11)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-05-08 bis 1966-05-11)
cover recording of:
Land of 1000 Dances (von 1966-05-08 bis 1966-05-11)
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
recording of:
Land of 1000 Dances
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
Wilson Pickett42:26
6Blowin’ in the Wind
cover recording of:
Blowin’ in the Wind (in 1967)
Texter und Komponist(in):
Bob Dylan (in 1962-04)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1962 bis 1990) und Special Rider Music (vom 1990 bis heute)
Joan Baez2.652:39
7Fortunate Son
recording engineer und Mix:
Russ Gary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
Hintergrundgesang:
Doug Clifford, Stu Cook und Tom Fogerty
Sologesang:
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten und Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (am 1971-09-01)
mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Hot 100: 2026-07-18 (Nummer: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 99) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 227)
recording of:
Fortunate Son (in 1969-08)
Texter und Komponist(in):
John Fogerty
publisher:
Cody River Music Company, Jondora Music und Prestige Music ltd.
Creedence Clearwater Revival4.452:21
8I Can’t Help Myself (Sugar Pie Honey Bunch)
recording engineer:
Russ Terrana
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (in 1965)
Bass [1962 Fender Precision Bass]:
James Jamerson
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (in 1965)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (in 1965)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (in 1965)
Instrumente:
The Funk Brothers (in 1965)
Klavier:
Earl Van Dyke (in 1965)
Saiteninstrumente:
Detroit Symphony Orchestra (in 1965)
Schlagzeug:
Richard "Pistol" Allen (in 1965)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1965)
Vibraphon:
Jack Brokensha (in 1965)
Hintergrundgesang:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul “Duke” Fakir (in 1965), Jackie Hicks (in 1965) und Lawrence Payton (in 1965)
Sologesang:
Levi Stubbs (in 1965)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 415) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
Texter:
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.62:44
9Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:29
10Rainy Day Women #12 & 35
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1966-03-09)
recording of:
Rainy Day Women #12 & 35 (am 1966-03-10)
Texter und Komponist(in):
Bob Dylan (von 1966-02 bis 1966-03)
publisher:
Dwarf Music (vom 1966 bis heute)
Bob Dylan3.654:38
11Sloop John B
Techniker(in):
Chuck Britz (am 1965-07-12)
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
bass saxophone:
Jack Nimitz (American saxophonist and clarinet player) (am 1965-07-12)
E-Bass:
Carol Kaye (am 1965-07-12)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (am 1965-07-12) und Jay Migliori (am 1965-07-12)
Gitarre:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (am 1965-07-12), Jerry Cole (am 1965-07-12) und Billy Strange (am 1965-07-12)
Glockenspiel:
Frank Capp (am 1965-07-12)
Kontrabass:
Lyle Ritz (am 1965-07-12)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1965-07-12)
tack piano:
Al De Lory (am 1965-07-12)
Templeblocks:
Steve Douglas (American saxophonist, flautist and clarinetist) (am 1965-07-12)
zwölfsaitige Gitarre [12-string electric guitar]:
Billy Strange (am 1965-12-29)
Sologesang:
Mike Love (Beach Boys) (von 1965-12-22 bis 1965-12-29) und Brian Wilson (Beach Boys co‐founder) (von 1965-12-22 bis 1965-12-29)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-07-12, am 1965-12-22, am 1965-12-29)
recording of:
Sloop John B (von 1965-07-12 bis 1965-12-29)
Texter und Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. und New Executive Music
Version von:
The John B. Sails
The Beach Boys3.92:58
12California Dreamin’
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Gitarre:
P.F. Sloan (in 1965)
Solo-Altflöte:
Bud Shank (in 1965)
phonographisches Urheberrecht (℗) von:
Geffen Records und Dunhill Records (in 1966)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 420)
recording of:
California Dreamin’ (in 1965)
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:42
13For What It’s Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:41
14What the World Needs Now Is Love
recording of:
What the World Needs Now Is Love
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
Jackie DeShannon3.63:14
15Break On Through (to the Other Side)
Techniker(in) und Mix:
Bruce Botnick
Produzent(in):
Paul A. Rothchild
E-Gitarre:
Robby Krieger (American guitarist, member of The Doors) (in 1966-08)
elektronische Orgel und Keyboard-Bass:
Ray Manzarek (in 1966-08)
Schlagzeug:
John Densmore (in 1966-08)
Sologesang:
Jim Morrison (lead vocalist of the Doors) (in 1966-08)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1967) und Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1967, in 2017)
engineered at:
Sunset Sound Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1966-08)
recording of:
Break On Through (in 1966-08)
Verfasser(in):
John Densmore, The Doors, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music und Rondor Music (London) Ltd.
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
The Doors4.252:30
16Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (2004–2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.253:51
2▼CD: Disc Two
Nr.TitelKünstlerBewertungLänge
1Volunteers
recording of:
Volunteers
Verfasser(in):
Marty Balin und Paul Kantner
Jefferson Airplane42:08
2Let’s Get Together
recorded in:
New York, New York, Vereinigte Staaten (in 1966-11)
Produzent(in):
Felix Pappalardi
Bass und Sologesang:
Jesse Colin Young (in 1966-11)
Gitarre und Hintergrundgesang:
Jerry Corbitt (in 1966-11) und Lowell Levinger (in 1966-11)
Keyboard:
Lowell Levinger (in 1966-11)
Schlagzeug:
Joe Bauer (founding member of ''The Youngbloods'') (in 1966-11)
cover recording of:
Let’s Get Together (in 1966-11)
Texter und Komponist(in):
Chet Powers
publisher:
Irving Music (BMI) und Irving Music, Inc.
The Youngbloods3.754:39
3San Francisco (Be Sure to Wear Some Flowers in Your Hair)
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.753:02
4Turn! Turn! Turn! (To Everything There Is a Season)
Produzent(in):
Terry Melcher
arranger:
Pete Seeger
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season) (am 1965-09-10)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Pete Seeger (in 1959)
publisher:
Melody Trails und TRO Essex Music Ltd.
The Byrds4.653:57
5Aquarius / Let the Sunshine In
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
Ann McClelland
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographisches Urheberrecht (℗) von:
Arista (American label owned by Sony Music Entertainment) (in 1969)
Musikvideos:
Age of Aquarius / Let the Sunshine In von The 5th Dimension (1960’s group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 435)
medley including a recording of:
Aquarius (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. und United Artist Music Publishing
Teil von:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
Verfasser(in):
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) und Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. und United Artists Music Co., Inc.
adaptations:
Era de aquário / Deixa o sol entrar
Medley von:
Aquarius (from “Hair”)
Medley von:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB und United Artists Music Co., Inc.
The 5th Dimension4.154:50
6Everybody’s Talkin’
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
früheste Veröffentlichung:
Everybody’s Talkin’ von Nilsson (US singer-songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 51)
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Harry Nilsson3.92:46
7Joy to the World
Bearbeitung von:
Joy to the World von Three Dog Night (American rock band)
recording of:
Joy to the World
Texter und Komponist(in):
Hoyt Axton
publisher:
Rondor Music
Three Dog Night4.23:19
8Stoned Love
Produzent(in):
Frank Wilson (Motown singer/songwriter)
Sologesang:
Jean Terrell
arranger:
David Van dePitte
recording of:
Stoned Love
Texter und Komponist(in):
Ken Thomas (British producer and engineer) und Frank Wilson (Motown singer/songwriter)
Verfasser(in):
Yennek Samoht und Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music (UK) Ltd.
The Supremes3.753:02
9Raindrops Keep Falling on My Head
vocals:
B.J. Thomas
conductor:
Burt Bacharach
phonographisches Urheberrecht (℗) von:
Scepter (a/k/a Scepter Records) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 4) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 345)
recording of:
Raindrops Keep Fallin’ on My Head
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
The 42nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1969 winner)
B.J. Thomas43:03
10Mr. President (Have Pity on the Working Man)
Techniker(in) und Mix:
Lee Herschberg
zusätzliche(r) Techniker(in):
Donn Landee
Produzent(in):
Russ Titelman und Lenny Waronker
conductor:
Randy Newman (American singer‐songwriter and score composer)
arranger:
Randy Newman (American singer‐songwriter and score composer)
aufgenommen bei und mixed at:
Warner Bros. Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mr. President (Have Pity on the Working Man)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Randy Newman (publisher) (, bis 1974), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (, in 1974) und WB Music Corp. (1929–2019) (in 1974)
Randy Newman3.752:48
11Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Billboard Hot 100: 2026-07-18 (Nummer: 31), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:45
12It Keeps You Runnin’
Produzent(in):
Ted Templeman
recording of:
It Keeps You Runnin’
Texter und Komponist(in):
Michael McDonald (R&B & soul singer)
publisher:
Tauripin Tunes
The Doobie Brothers3.654:22
13I’ve Got to Use My Imagination
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 9)
recording of:
I’ve Got to Use My Imagination
Verfasser(in):
Gerry Goffin und Barry Goldberg (blues rock keyboardist and producer)
Gladys Knight & the Pips3.83:32
14On the Road Again
recorded in:
Austin, Texas, Vereinigte Staaten (in 1979)
Techniker(in) und Mix:
Bradley Hartman
Produzent(in):
Willie Nelson
Bass:
Bee Spears (in 1979)
Gitarre:
Johnny Gimble (in 1979), Willie Nelson (in 1979) und Jody Payne (in 1979)
Klavier:
Bobbie Nelson (in 1979)
Mundharmonika:
Mickey Raphael (in 1979)
Perkussion:
Paul English (US drummer for Willie Nelson) (in 1979)
Schlagzeug:
Paul English (US drummer for Willie Nelson) (in 1979) und Rex Ludwick (US drummer) (in 1979)
vocals:
Willie Nelson (in 1979)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
engineered at:
The Enactron Truck in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 471)
live recording of:
On the Road Again (in 1979)
Texter und Komponist(in):
Willie Nelson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Full Nelson Music und EMI Music Publishing Australia Pty. Limited (not for release label use!)
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1980 nominee)
Willie Nelson42:33
15Against the Wind
recording engineer, Techniker(in), Produzent(in) und Mix:
Bill Szymczyk
Akustikgitarre, Gitarre und Sologesang:
Bob Seger
Bass und Bassgitarre:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
E-Gitarre und Solo-Gitarre:
Drew Abbott
Gast-Orgel, Klavier, Orgel und Solo-Klavier:
Paul Harris (American keyboardist/pianist session player)
Saxophon:
Alto Reed
Schlagzeug und Schlagzeug und Perkussion:
David Teegarden
Gast Hintergrundgesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Hintergrundgesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Bob Seger
vocals:
Bob Seger
phonographisches Urheberrecht (℗) von:
Hideout Records & Distributors, Inc. (in 1980)
aufgenommen bei und mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, Vereinigte Staaten
recording of:
Against the Wind
Texter und Komponist(in):
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) und Gear Publishing Co (in 1980)
Bob Seger & the Silver Bullet Band3.255:36
16Forrest Gump Suite
recording engineer:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean, Bill Smith (US recording engineer) und Bill Talbott
leitende(r) Produzent(in):
Glen Brunman, Joel Sill und Robert Zemeckis
Produzent(in):
Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Kenneth Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
William Ross (composer, orchestrator, arranger, conductor)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Forrest Gump
Komponist(in):
Alan Silvestri (US score composer)
Teil von:
Forrest Gump
Alan Silvestri3.258:50