| # | Title | Artist | Rating | Length |
|---|
| 1 | Rocket Man | Elton John | 3.8 | 4:41 |
| 2 | 1999- recording engineer:
- Peggy McCreary (from 1982-07 until 1982-08)
- producer:
- Prince Rogers Nelson
- cowbell, cymbal, drum machine [Linn LM-1], electric bass guitar, electric guitar, electronic drum set [Pearl SY-1 Syncussion], handclaps, synthesizer [ARP Omni-2], synthesizer [Oberheim OB-Xa] and tambourine:
- Prince (from 1982-07 until 1982-08)
- background vocals:
- Jesse Johnson (from 1982-07 until 1982-08)
- lead vocals:
- Lisa Coleman (from 1982-07 until 1982-08), Dez Dickerson (from 1982-07 until 1982-08), Jill Jones (from 1982-07 until 1982-08) and Prince (from 1982-07 until 1982-08)
- arranger:
- Prince Rogers Nelson
- edit of:
- 1999 by Prince
- music videos:
- 1999 by Prince
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 212) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 339)
- recording of:
- 1999 (from 1982-07 until 1982-08)
- lyricist and composer:
- Prince
- publisher:
- Controversy Music, Warner Chappell Music and フジパシフィックミュージック 第2事業部
| Prince | 4 | 3:39 |
| 3 | I’ve Gotta Get a Message to You- producer:
- Bee Gees and Robert Stigwood
- conductor:
- Bill Shepherd
- arranger:
- Bill Shepherd
- phonographic copyright (℗) by:
- Barry Gibb (in 1968), Maurice Gibb (in 1968) and Robin Gibb (in 1968)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1968), PolyGram International Music B.V. (in 1968) and Robert Stigwood Organisation Ltd. (in 1968)
- recording of:
- I’ve Gotta Get a Message to You (in 1968-07)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Songs of Universal, Inc. , Universal Music Careers and Universal Music Publishing International MGB Ltd.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Bee Gees | 2.75 | 2:59 |
| 4 | Valerie | Steve Winwood | 4 | 4:08 |
| 5 | Echo Beach | Martha and the Muffins | 3.6 | 3:38 |
| 6 | All or Nothing | Small Faces | 3.5 | 3:05 |
| 7 | That’s Entertainment | The Jam | | 3:17 |
| 8 | Lola | The Kinks | | 4:02 |
| 9 | Father and Son- producer:
- Paul Samwell-Smith
- bass guitar:
- John Ryan (in 1970-07)
- drums (drum set):
- Harvey Burns (in 1970-07)
- guitar and keyboard:
- Cat Stevens (in 1970-07)
- guitar [2nd]:
- Alun Davies (in 1970-07)
- solo violin:
- John Rostein (in 1970-07)
- vocals:
- Cat Stevens (in 1970-07)
- strings arranger:
- Del Newman
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1970) and Universal Island Records Ltd. (in 1970)
- recorded at:
- Morgan Studios in Willesden, Brent , London , England, United Kingdom (in 1970-07)
- instrumental version of:
- Father and Son by Giacomo Bucci
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 408)
- recording of:
- Father and Son (in 1970-07)
- lyricist and composer:
- Cat Stevens
- publisher:
- Cat Music Ltd., EMI Music Publishing Ltd. , Island Music Ltd., Island Music, Inc. , Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
| Cat Stevens | 4.25 | 3:41 |
| 10 | A Whiter Shade of Pale | Procol Harum | 4.1 | 4:01 |
| 11 | Maggie May- producer:
- Rod Stewart
- 12 string guitar, bass guitar and electric guitar:
- Ronnie Wood (in 1971)
- acoustic guitar:
- Martin Quittenton (in 1971)
- celesta:
- Pete Sears (in 1971)
- cymbal and membranophone:
- Micky Waller (in 1971)
- Hammond organ:
- Ian McLagan (in 1971)
- mandolin:
- Ray Jackson (in 1971) and David Lindley (in 1971)
- lead vocals:
- Rod Stewart (in 1971)
- phonographic copyright (℗) by:
- Mercury Records Inc. (in 1971), PolyGram Records, Inc. (in 1971), The Island Def Jam Music Group (in 1971) and UMG Recordings, Inc. (in 1971)
- recording of:
- Maggie May (in 1971)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 4.2 | 5:12 |
| 12 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.15 | 3:29 |
| 13 | 20th Century Boy | T. Rex | | 3:40 |
| 14 | Dancing in the Moonlight | Thin Lizzy | 4.4 | 3:30 |
| 15 | You Never Can Tell | Chuck Berry | 4.25 | 2:43 |
| 16 | Take On Me | a‐ha | 4.25 | 3:48 |
| 17 | Tainted Love- engineer:
- Paul Hardiman
- producer:
- Mike Thorne
- mixer:
- Harvey Goldberg
- electronic instruments and other instruments:
- Dave Ball
- saxophone:
- David Tofani
- background vocals:
- Vicious Pink
- vocals:
- Marc Almond
- phonographic copyright (℗) by:
- Mercury Records Ltd. (London) (in 1981)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- music videos:
- Tainted Love by Soft Cell
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (number: 33) and Billboard: The 500 Best Pop Songs (number: 46)
- cover recording of:
- Tainted Love
- lyricist and composer:
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. and Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
| Soft Cell | 3.95 | 2:43 |
| 18 | Voulez‐Vous- engineer:
- Michael B. Tretow (on 1979-02-01)
- producer:
- Benny Andersson and Björn Ulvaeus
- bass guitar:
- Arnold Paseiro (on 1979-02-01)
- drums (drum set):
- Joe Galdo (on 1979-02-01)
- guitar:
- Janne Schaffer (in 1979), Ish Ledesma (on 1979-02-01), George Terry (on 1979-02-01) and Björn Ulvaeus (on 1979-02-01)
- piano:
- Paul Harris (on 1979-02-01)
- soprano saxophone and tenor saxophone:
- Johan Stengård (on 1979-03-19)
- synthesizer:
- Benny Andersson (on 1979-02-01)
- tenor saxophone:
- Halldor Pálsson (on 1979-03-19)
- trombone:
- Nils Landgren (on 1979-03-19)
- phonographic copyright (℗) by:
- Polar Music International AB (in 1979)
- recorded at:
- Criteria Studios in Miami, Florida, United States (on 1979-02-01) and Polar Studios in Stockholm, Stockholms län , Sweden (on 1979-03-19)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1979-03-20)
- remasters:
- Voulez‐vous by ABBA
- recording of:
- Voulez‐Vous (in 1979)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- EMI Music Publishing (ended), Universal Music Publishing Group (ended), Universal/Union Songs Musikförlag AB (ended), EMI Waterford Music, Union Songs Music, Universal PolyGram International Publishing, Inc. and Artwork Music Co., Inc. (from 1979 to ????)
- part of:
- Mamma Mia!
| ABBA | 3.7 | 5:11 |
| 19 | Perfect | Fairground Attraction | 4.25 | 3:38 |
| 20 | Everybody’s Talkin’ | Nilsson | 3.9 | 2:44 |
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