40 Single Hits, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Young Girl
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
lyricist and composer:
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:14
2Joy to the World
edit of:
Joy to the World by Three Dog Night (American rock band)
recording of:
Joy to the World
lyricist and composer:
Hoyt Axton
publisher:
Rondor Music
Three Dog Night4.23:19
3Your Mama Don’t Dance
additional engineer:
John Fiore
recording of:
Your Mama Don’t Dance
writer:
Kenny Loggins and Jim Messina
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Loggins & Messina4.52:50
4If You Could Read My Mind
recording engineer:
Gary Brandt and Lee Herschberg
producer:
Lenny Waronker and Joe Wissert
mixer:
Lee Herschberg
vocals:
Gordon Lightfoot
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 8)
recording of:
If You Could Read My Mind
lyricist and composer:
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Gordon Lightfoot4.63:49
5Brandy (You’re a Fine Girl)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 2), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 11) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 40)
recording of:
Brandy (You’re a Fine Girl) (in 1972)
lyricist and composer:
Elliot Lurie
Looking Glass4.253:06
6Rock Me Gently
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 1992)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 91)
recording of:
Rock Me Gently
lyricist and composer:
Andy Kim (pop singer & songwriter)
Andy Kim53:31
7I Can Help
engineer:
Chip Young (American session guitarist, bassist, producer in the genre of country)
producer:
Billy Swan and Chip Young (American session guitarist, bassist, producer in the genre of country)
acoustic guitar:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (in 1974)
bass:
Mike Leech (Nashville session musician and arranger) (in 1974)
drums (drum set):
Hayward Bishop (in 1974)
electric guitar:
Chip Young (American session guitarist, bassist, producer in the genre of country) (in 1974) and Reggie Young (guitarist and songwriter) (in 1974)
instruments:
Paul Richmond (engineer) (in 1974)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1974)
recorded at:
Youngun Sound Studio in Murfreesboro, Tennessee, United States (in 1974)
recording of:
I Can Help (in 1974)
lyricist and composer:
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Billy Swan4.353:59
8I’d Love You to Want Me
recording of:
I’d Love You to Want Me
lyricist and composer:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo3:42
9Seasons in the Sun
producer:
Terry Jacks
arranger:
Terry Jacks
phonographic copyright (℗) by:
Bell Records Inc. (record company behind the Bell Records and Mala labels) (in 1973), Arista Records, LLC (holding company - file NO releases here!) (in 1974) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980)
produced for:
Poppy Family Productions Ltd.
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 19)
cover recording of:
Seasons in the Sun
lyricist and translator:
Rod McKuen
composer:
Jacques Brel
publisher:
E.B. Marks Music Corp. and Francis, Day & Hunter Ltd. (in 1973)
translated version of:
Le Moribond
Terry Jacks3.553:28
10Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony BMG Music Entertainment (2004–2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 411) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
LaBelle3.33:58
11Yes Sir, I Can Boogie
producer:
Rolf Soja
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1977) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music and Peermusic (UK) Ltd.
Baccara4.64:34
12Le Freak
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak (in 1978)
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.43:26
13Darlin’
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
cover recording of:
Darlin’
lyricist and composer:
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:10
14Airport
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1978)
part of:
TV Cream: Real 100 Best Singles Ever (number: 19)
recording of:
Airport
writer:
Andy McMaster
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Island Music Ltd. (from 1978 to present)
The Motors3.754:31
15If I Can’t Have You
producer:
Freddie Perren
bass:
Scott Edwards (bassist)
drums (drum set):
James Gadson (American drummer)
guitar:
Bob Bowles
keyboard and synthesizer:
Freddie Perren
percussion:
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) and Freddie Perren
piano:
Sonny Burke (soul/jazz/funk keyboardist)
background vocals [additional background vocals] and lead vocals:
Yvonne Elliman
background vocals [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters and Maxine Waters
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 19) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 343)
recording of:
If I Can’t Have You
written in:
France
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.253:00
16Romeo’s Tune
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979)
recording of:
Romeo's Tune
lyricist and composer:
Steve Forbert
publisher:
Colgems-EMI Music Inc.
Steve Forbert3.353:32
17Hearts on Fire
recording engineer:
Val Garay (from 1980-05-26 until 1980-08-20)
assistant engineer:
Niko Bolas and James Ledner
producer:
Val Garay
bass guitar:
Bryan Garofalo
drums (drum set):
Craig Krampf
guitar:
Craig Hull
keyboard:
Sterling Smith
percussion and background vocals:
Don Francisco (vocalist, drummer and percussion)
lead vocals:
Randy Meisner
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1980)
recorded at and mixed at:
Record One in Sherman Oaks, Los Angeles, California, United States (from 1980-05-26 until 1980-08-20)
recording of:
Hearts on Fire
writer:
Eric Kaz and Randy Meisner
publisher:
Glasco Music Company, Nebraska Music, Zena Music Company, 大洋音楽 (Taiyō Music), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Randy Meisner2:47
18The Model
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978)
recording of:
The Model (Kraftwerk)
lyricist:
Ralf Hütter and Emil Schult
composer:
Karl Bartos and Ralf Hütter
additional translator:
Ralf Hütter and Emil Schult
publisher:
Edition Positive Songs (publisher), Kling Klang Musik GmbH (Germany-based licensing and publishing entity controlled by Ralf Hütter), No Hassle Music, Sony/ATV Music Publishing (UK) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
translated version of:
Das Modell
Kraftwerk4.153:41
19I Won’t Let You Down
recording of:
I Won’t Let You Down
writer:
Jim Diamond (Scottish singer/songwriter/guitarist) and Tony Hymas
Ph.D.44:16
20Goody Two Shoes
producer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
acoustic guitar and bass guitar:
Adam Ant (English new wave singer and actor)
drums (drum set):
Bogdan Wiczling
saxophone:
Jeff Daly
trumpet:
Martin Drover
vocals:
Adam Ant (English new wave singer and actor)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1982-06)
remixed at:
Alchemy Studio (London studio owned by Kenny Jones) in London (Greater London), England, United Kingdom (in 1982-06)
music videos:
Goody Two Shoes by Adam Ant (English new wave singer and actor)
part of:
The Downloader’s Music Source Book (number: 149)
recording of:
Goody Two Shoes
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
Sony/ATV Tunes LLC, Universal Music Publishing MGB Limited and EMI Music Publishing Ltd. (PRS‐affiliated) (in 1982)
Adam Ant2.53:31
21Sunglasses at Night
engineer:
Jon Astley, Phil Chapman (engineer) and Andy MacPherson
producer:
Jon Astley and Phil Chapman (engineer)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 30)
recording of:
Sunglasses at Night
lyricist and composer:
Corey Hart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Edition Meridian
Corey Hart3.75:15
2▼CD
#TitleArtistRatingLength
1Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:19
2One Night in Bangkok
recording of:
One Night in Bangkok
lyricist:
Tim Rice
composer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MdW (publisher) and RCA Music Ltd. (publisher)
part of:
Chess (full musical)
Murray Head43:17
3Heaven
phonographic copyright (℗) by:
Sony BMG Music Entertainment (2004–2008) and Nostata Pty. Limited (in 1983, in 1984)
recording of:
Heaven (Must Be There)
lyricist and composer:
Bernie Lynch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orient Pacific Music Pty. Ltd. and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Eurogliders33:47
4The Politics of Dancing
recording of:
The Politics of Dancing
lyricist and composer:
Paul Fishman (UK musician, songwriter and producer. One half of Goldfish Productions.)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited and Metric Music Ltd.
Re‐Flex4:15
5Voices Carry
assistant engineer:
Jeff Lippay and Mike Krowiak
engineer:
Domenic Maita
producer:
Mike Thorne (UK producer & keyboardist)
assistant mixer:
Moira Marquis
mixer:
Bob Clearmountain and Harvey Goldberg
bass guitar:
Aimee Mann
drums (drum set) and percussion:
Michael Hausman
guitar:
Robert Holmes (guitarist, member of 'Til Tuesday)
piano and synthesizer:
Joey Pesce
vocals:
Aimee Mann, Joey Pesce and Robert Holmes (guitarist, member of 'Til Tuesday)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recorded at:
RPM Studios in New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 56)
recording of:
Voices Carry
lyricist:
Aimee Mann
composer:
Michael Hausman, Robert Holmes (guitarist, member of 'Til Tuesday), Aimee Mann and Joey Pesce
publisher:
'til tunes associates and Intersong U.S.A. (publisher)
’Til Tuesday4.554:22
6Obsession
cover recording of:
Obsession
writer:
Michael Des Barres and Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) and The Makiki Publishing Co. Ltd.
Animotion4:51
7I Can Dream About You
recording of:
I Can Dream About You
lyricist and composer:
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) and Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman3:38
8Midnight Man
engineer:
Sam Horsburgh (Australian engineer and A&R manager)
producer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
mixer:
Col Freeman
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recorded at:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australia
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
recording of:
Midnight Man
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
Flash and the Pan3.754:54
9St Elmo’s Fire
producer:
David Walter Foster (Canadian music producer, arranger and composer)
brass [horns] arranger:
David Walter Foster (Canadian music producer, arranger and composer) and Jerry Hey
phonographic copyright (℗) by:
Columbia Pictures Industries, Inc. (in 1985) and John Parr Music Ltd. (in 2016)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 28) and TV Cream: Real 100 Best Singles Ever (number: 85)
recording of:
St. Elmo’s Fire
writer:
David Walter Foster (Canadian music producer, arranger and composer) and John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.654:07
10Tuff Enuff
engineer:
Carey Taylor
producer:
Dave Edmunds
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Dave Edmunds Productions Ltd.
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 96)
recording of:
Tuff Enuff
lyricist and composer:
Kim Wilson
publisher:
Hello Mr. Wilson and Fab Bird Music (in 1986)
The Fabulous Thunderbirds3.53:23
11C’est la Vie
recording of:
C’est la vie
writer:
Mark Holding, Robbie Nevil and Duncan Pain (songwriter)
publisher:
AFG House Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dresden China Music (A), EMI Music Publishing (do not use as a release label!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing, Universal‐MCA Music Publishing (US), Warner/Chappell Music Ltd. (1996–2019) and WC Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Robbie Nevil3:49
12Johnny Calls the Chemist
Falling Mirror4:39
13Calling All the Heroes
recording of:
Calling All the Heroes
writer:
Francis Dunnery
It Bites3.54:04
14China in Your Hand
engineer:
Jerry Napier
producer:
Roy Thomas Baker (producer)
bass:
Paul Jackson (T'Pau bassist)
drums (drum set) [drums] and percussion:
Tim Burgess (T'Pau drummer)
guitar [rhythm guitar] and other instruments [some bits]:
Ron Rogers (Ronald Phillip Rogers, T'Pau)
keyboard [keyboards]:
Michael Chetwood
other instruments [other bits] and solo guitar [guitar solos]:
Taj Wyzgowski
vocals:
Carol Decker
phonographic copyright (℗) by:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987)
produced for:
RTB Audio Visual Productions USA (Also credited as R.T.B. Audio Visual Productions Inc., RTB Audio Visual Productions (USA) Inc. and other similar variants)
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau4.25:07
15The Future’s So Bright I Gotta Wear Shades
engineer and producer:
Dennis Herring
recorded at and mixed at:
Dustbowl Studios in Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 42)
recording of:
The Future's So Bright, I Gotta Wear Shades
lyricist and composer:
Pat MacDonald (singer, songwriter, guitarist for Timbuk3)
publisher:
Bugle Songs Ltd. (publishing label formerly known as Illegal Music Ltd.) and IRS Songs
Timbuk 353:22
16Tango
recording of:
Tango
lyricist and composer:
Lisa Dal Bello
publisher:
Dalbello Toonz Inc.
Dalbello4:09
17Take Me Back
bass:
Steve Balbi
drums (drum set):
Kevin Nicol
guitar:
Stuart Fraser
keyboard:
Justin Stanley
vocals:
Jon Stevens (Australian/NZ rock singer)
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1986) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1987)
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia (from 1987-04-13 to ????)
recording of:
Take Me Back
writer:
Jon Stevens (Australian/NZ rock singer) and Brent Thomas (New Zealand guitarist and songwriter)
publisher:
Greenstone Music, peermusic (“Peermusic—the global independent”) and Warner Chappell
Noiseworks53:29
18Room With a View
recording of:
Room With a View
lyricist and composer:
Tony Carey
publisher:
Red Rooster (publisher)
part of:
Reprise
Tony Carey3:21
19Black Velvet
producer:
David Tyson (Canadian producer/songwriter)
mixer:
Kevin Doyle (award-winning sound engineer, producer)
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 6)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4.54:47