School Reunion: The Disco

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1Crazy Little Thing Called Love
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Koproduzent(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) und Roger Taylor (Queen drummer)
Akustikgitarre [acoustic rhythm guitar] und Sologesang:
Freddie Mercury (von 1979-06 bis 1979-07)
Bass, Bassgitarre, Gitarre und Keyboard:
John Deacon (von 1979-06 bis 1979-07)
E-Gitarre und Solo-Gitarre:
Brian May (Queen guitarist) (von 1979-06 bis 1979-07)
Händeklatschen:
John Deacon (von 1979-06 bis 1979-07), Brian May (Queen guitarist) (von 1979-06 bis 1979-07), Freddie Mercury (von 1979-06 bis 1979-07) und Roger Taylor (Queen drummer) (von 1979-06 bis 1979-07)
Schlagzeug:
Roger Taylor (Queen drummer) (von 1979-06 bis 1979-07)
Hintergrundgesang:
Brian May (Queen guitarist) (von 1979-06 bis 1979-07), Freddie Mercury (von 1979-06 bis 1979-07) und Roger Taylor (Queen drummer) (von 1979-06 bis 1979-07)
phonographisches Urheberrecht (℗) von:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1979, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1979, in 2011) und Raincloud Productions Ltd. (in 1979, in 2014)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-06 bis 1980-05)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 371)
recording of:
Crazy Little Thing Called Love (von 1979-06 bis 1979-07)
Texter und Komponist(in):
Freddie Mercury (in 1979)
publisher:
EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. (, in 1979), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), Beechwood Music Corp. (in 1979) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.452:44
2Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:40
3Wake Me Up Before You Go‐Go
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Keyboard:
Tommy Eyre
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
Musikvideos:
Wake Me Up Before You Go-Go von Wham! (British pop-duo)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 28) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 269)
recording of:
Wake Me Up Before You Go‐Go
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:51
4The Sun Always Shines on TV
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 11) und The Downloader’s Music Source Book (Nummer: 283)
recording of:
The Sun Always Shines on T.V.
Texter und Komponist(in):
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und Sony ATV Publishing
a‐ha3.95:05
5Rio
Produzent(in):
Colin Thurston
recording of:
Rio
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran45:14
6Love Shack
assistierende(r) Techniker(in):
Martin Kunitz
Techniker(in):
Dave Cook (US engineer and producer)
Produzent(in):
Don Was
Mix:
Tom Durack
Gast-Bassgitarre:
Sara Lee (UK bassist, singer & songwriter)
Gast-Horn:
Uptown Horns (US horn section, formed in 1980)
Gast-Schlagzeug:
Charley Drayton
Gitarre:
Keith Strickland
Keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) und Cindy Wilson
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1989)
aufgenommen bei:
Dreamland Studios in Hurley, New York, Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
additionally produced at:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten
Musikvideos:
Love Shack von The B‐52’s
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 243)
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s4.25:23
7Baggy Trousers
recording of:
Baggy Trousers
Texter:
Mike Barson, Mark Bedford, Carl Smyth, Graham McPherson, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Carl Smyth, Chris Foreman (UK musician, aka “Chrissy Boy”), Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness52:47
8Denis
Techniker(in):
Rob Freeman (engineer)
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
Bassgitarre:
Frank Infante (von 1977-06 bis 1977-07) und Chris Stein (von 1977-06 bis 1977-07)
E-Gitarre [lead guitar] und Vibraphon:
Chris Stein (von 1977-06 bis 1977-07)
E-Gitarre [rhythm guitar]:
Frank Infante (von 1977-06 bis 1977-07)
Farfisa-Orgel, Flügel, Saiteninstrumente, Synthesizer [Polymoog] und Synthesizer [Roland]:
Jimmy Destri (von 1977-06 bis 1977-07)
Schlagzeug:
Clem Burke (von 1977-06 bis 1977-07)
Hintergrundgesang:
Clem Burke (von 1977-06 bis 1977-07) und Jimmy Destri (von 1977-06 bis 1977-07)
Sologesang:
Deborah Harry (von 1977-06 bis 1977-07)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (von 1977-06 bis 1977-07)
cover recording of:
Denise (von 1977-06 bis 1977-07)
Texter und Komponist(in):
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. und Taking Care of Business Music Inc. (BMI)
Blondie3.552:17
9(We Want) The Same Thing
Produzent(in):
Rick Nowels
phonographisches Urheberrecht (℗) von:
Artist Management Services Ltd. (in 1989) und Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
(We Want) The Same Thing
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Future Furniture Music (in 1988), Shipwreck Music (publisher) (in 1988) und Virgin Songs, Inc. (in 1988)
Belinda Carlisle3.54:16
10Let’s Dance
Techniker(in) und Mix:
Bob Clearmountain
Produzent(in):
David Bowie (English singer‐songwriter) und Nile Rodgers
assistierende(r) Mix:
David Bowie (English singer‐songwriter) und Nile Rodgers
Solo-Gitarre:
Stevie Ray Vaughan
Sologesang:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
David Bowie (English singer‐songwriter) (in 1983)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1982-12 bis 1983-01)
recording of:
Let’s Dance (von 1982-12 bis 1983-01)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd und Watanabe Music Publishing CM division
David Bowie44:08
11Annie. I’m Not Your Daddy
Musikvideos:
Annie, I’m Not Your Daddy von Kid Creole & the Coconuts
recording of:
Annie, I’m Not Your Daddy
Texter und Komponist(in):
August Darnell (singer, songwriter)
Kid Creole and the Coconuts23:48
12Abracadabra
phonographisches Urheberrecht (℗) von:
Sailor Music (in 1982)
Musikvideos:
Abracadabra von Steve Miller Band (American rock band)
recording of:
Abracadabra
Texter und Komponist(in):
Steve Miller (leader of Steve Miller Band)
publisher:
Sailor Music
Steve Miller Band4.33:40
13Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:49
14Together in Electric Dreams
Produzent(in):
Giorgio Moroder und Philip Oakey
Mix:
Brian Reeves
Bass:
Arthur Barrow
Gitarre:
Richie Zito
Synthesizer:
Giorgio Moroder
Hintergrundgesang:
E.G. Daily (American singer and actress) und Joe Esposito
Sologesang:
Philip Oakey
recording of:
Together in Electric Dreams
Texter:
Philip Oakey
Komponist(in):
Giorgio Moroder
publisher:
BMG Gold Songs und WB Music Corp. (1929–2019)
Philip Oakey & Giorgio Moroder2.53:51
15Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:53
16Heart and Soul
Techniker(in):
Jerry Napier
Produzent(in):
Roy Thomas Baker (producer)
andere Instrumente [other bits] und Solo-Gitarre [guitar solos]:
Taj Wyzgowski
andere Instrumente [some bits] und Gitarre [rhythm guitar]:
Ron Rogers (Ronald Phillip Rogers, T'Pau)
Bass:
Paul Jackson (T'Pau bassist)
Keyboard [keyboards]:
Michael Chetwood
Perkussion und Schlagzeug [drums]:
Tim Burgess (T'Pau drummer)
vocals:
Carol Decker
phonographisches Urheberrecht (℗) von:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987)
produced for:
RTB Audio Visual Productions USA (Also credited as R.T.B. Audio Visual Productions Inc., RTB Audio Visual Productions (USA) Inc. and other similar variants)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 69)
recording of:
Heart and Soul
Verfasser(in):
Carol Decker und Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
AMP Publishing Ltd und Virgin Music (Publishing) Ltd.
T’Pau4.254:16
17Stuck With You
Techniker(in):
Jim Gaines und Robert Missbach
Produzent(in):
Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) und Chrysalis Records, Inc. (not for release label use!) (in 1986)
recording of:
Stuck with You
Texter und Komponist(in):
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hulex Music (publisher) (in 1986)
Huey Lewis & the News44:27
18Alive and Kicking
Bearbeitung von:
Alive and Kicking von Simple Minds (Scottish rock band)
recording of:
Alive and Kicking
Verfasser(in):
Charlie Burchill, Jim Kerr (of Simple Minds) und Michael MacNeil (Primary keyboardist and a main songwriter/composer for Simple Minds from 1978 until 1990.)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. und Simple Minds Ltd
Simple Minds44:34
19The One I Love
zusätzlich recording engineer:
Gary Laney
Techniker(in):
Scott Litt (producer and engineer)
Produzent(in):
Scott Litt (producer and engineer) und R.E.M. (American rock band)
zusätzliche(r) Mix:
Steve Catania
Bassgitarre:
Mike Mills (R.E.M. bass player)
Gitarre:
Peter Buck (R.E.M. guitarist)
Schlagzeug:
Bill Berry (R.E.M. drummer)
Sologesang:
Michael Stipe
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Master Control in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 149)
recording of:
The One I Love
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Night Garden Music, Universal Music Publishing International Ltd., Universal Tunes und Universal/MCA Music Ltd. (not for release label use!)
R.E.M.4.23:17
20Another Brick in the Wall, Part 2
Techniker(in):
James Guthrie
Koproduzent(in):
James Guthrie
Produzent(in):
Bob Ezrin, David Gilmour (Pink Floyd) und Roger Waters
phonographisches Urheberrecht (℗) von:
Pink Floyd Music Ltd. (in 1979)
recording of:
Another Brick in the Wall, Part 2
Texter und Komponist(in):
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) und Pink Floyd Music Publishers Inc. (in 1979)
Teil von:
Another Brick in the Wall
Pink Floyd3.53:08
2▼CD
Nr.TitelKünstlerBewertungLänge
1Better the Devil You Know
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Ltd (in 1990) und PWL Records Ltd. (not release use) (in 1990)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 40)
recording of:
Better the Devil You Know
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, BMG Music Publishing Ltd., Mike Stock Publishing Ltd., Mushroom Music (Mushroom label’s publishing company) und Sid’s Songs Ltd.
Kylie Minogue33:54
2I’m So Excited
Produzent(in):
Richard Perry (producer)
Bassgitarre:
Nathan East
Gitarre:
George Doering und Lee Ritenour
Keyboard [keyboards] und Synthesizer:
Michael Boddicker und Greg Phillinganes
Klavier:
William D. “Smitty” Smith (organist/keyboardist)
Schlagzeug:
John “JR” Robinson (session drummer)
Hintergrundgesang:
June Pointer und Ruth Pointer
Sologesang:
Anita Pointer
phonographisches Urheberrecht (℗) von:
BMG Music (in 1982)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 5) (Nummer: 6) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 258)
recording of:
I’m So Excited
Verfasser(in):
Anita Pointer, June Pointer, Ruth Pointer und Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. und SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (bis 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Pointer Sisters4.83:50
3Love in the First Degree
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
vocals:
Bananarama
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1987)
produced for:
PWL Productions
recording of:
Love in the First Degree
Verfasser(in):
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Reverb Music Ltd. (Siobhan Fahey), Sid’s Songs Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell Music Ltd. (1996–2019)
Bananarama3.253:29
4Showing Out (Get Fresh at the Weekend)
recording of:
Showing Out (Get Fresh at the Weekend)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mel & Kim2.753:35
5(Hey You) The Rock Steady Crew
recording of:
(Hey You) The Rock Steady Crew
Verfasser(in):
Stephen Hague und Soldier B
The Rock Steady Crew3.53:49
6Upside Down
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) und Motown Records (not for label use; use “Motown” instead) (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 89)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:05
7I Can Make You Feel Good
recording of:
I Can Make You Feel Good
Verfasser(in):
Howard Hewett, Renwick Jackson und William Shelby
Shalamar3:39
8Working My Way Back to You
cover recording of:
Working My Way Back to You
Verfasser(in):
Sandy Linzer und Denny Randell
publisher:
Ardmore and Beechwood Ltd., EMI Music Publishing (do not use as a release label!), Saturday Music, Inc. und Seasons 4 Music
The Spinners54:00
9And the Beat Goes On
recording of:
And the Beat Goes On
Verfasser(in):
William Shelby, Stephen Shockley und Leon Sylvers
publisher:
Notting Hill Music (UK) Ltd. und Sony/ATV Music Publishing (UK) Ltd.
The Whispers3.353:22
10Intuition
recording of:
Intuition
Verfasser(in):
David Grant (pop singer) und Peter Martin (aka Sketch Martin, bass guitarist, songwriter)
publisher:
RSM Music Ltd. und Solid Music Ltd.
Linx43:22
11Cuba
recording of:
Cuba
Verfasser(in):
Jean Kluger (Belgian producer, publisher, songwriter) und Daniel Vangarde
publisher:
Ed. Intro (German publisher), Les Éditions Bleu Blanc Rouge, ROBA Music Verlag GmbH und Zagora (French label and publisher)
Gibson Brothers3:52
12Living in a Box
Koproduzent(in):
Tom Lord Alge
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1987)
produced for:
The Burgess Worldco
recording of:
Living in a Box
Texter und Komponist(in):
Steve Piggott und Marcus Vere
publisher:
Brampton Music International, Brampton Music Ltd. (publisher) und Empire Music Ltd.
Living in a Box3.353:04
13A Little Respect
Techniker(in):
Bob Kraushaar
Produzent(in):
Stephen Hague
recording of:
A Little Respect
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony/ATV Music Publishing
Erasure43:28
14Love Action (I Believe in Love)
assistierende Programmierung und assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Programmierung:
Martin Rushent
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981-07), Jo Callis (in 1981-07) und Philip Oakey (in 1981-07)
Hintergrundgesang:
Joanne Catherall (in 1981-07) und Susan Ann Sulley (in 1981-07)
Sologesang:
Philip Oakey (in 1981-07)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981-07)
recording of:
Love Action (I Believe in Love) (in 1981-07)
Texter und Komponist(in):
Ian Burden und Philip Oakey
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), April Musikverlag GmbH (publisher) (in 1981), Dinsong Ltd. (in 1981), Sound Diagrams (publisher) (in 1981) und Virgin Music (Publishers) Ltd. (in 1981)
The Human League4.654:59
15Don’t Go
Techniker(in):
John Fryer (British producer and engineer) und Eric Radcliffe (UK producer / engineer / musician)
Produzent(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) und Daniel Miller (British music producer and founder of Mute Records)
vocals:
Alison Moyet
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Don’t Go
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing Scandinavia KB
Yazoo4.53:04
16Call Me
Produzent(in):
Gary Stevenson
recording of:
Call Me
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
Go West3.654:11
17Love Changes (Everything)
Techniker(in):
Mike Ging und Bob Kraushaar
Produzent(in):
Stephen Hague
Gitarre:
Neil Taylor (guitarist)
Keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
zusätzlich Perkussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Coral Gordon und Soultanas
vocals:
Simon Climie
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:28
18Shattered Dreams
Produzent(in):
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) und Mike Nocito
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Shattered Dreams
Texter und Komponist(in):
Clark Datchler
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sweet Oily Music
Johnny Hates Jazz4.53:26
19Let’s Stay Together
Techniker(in):
Walter Samuel (engineer) und Greg Walsh (producer and engineer)
Produzent(in):
Greg Walsh (producer and engineer) und Martyn Ware
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
cover recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Tina Turner33:36
20It Started With a Kiss
recording of:
It Started With a Kiss
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. und Universal Music Publishing MGB Australia
Hot Chocolate3:49
21Move Closer
Produzent(in):
Yves Dessca und Pascal Rivaton
phonographisches Urheberrecht (℗) von:
OVC Ltd., Dessca Entertainment Company (in 1984) und Capricorn (imprint used by Carrère after 1989) (in 1985)
recording of:
Move Closer
Texter und Komponist(in):
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson34:03
3▼CD
Nr.TitelKünstlerBewertungLänge
1Karma Chameleon
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club3.753:53
2Give It Up
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
Verfasser(in):
Deborah Carter (writer, backing vocalist) und Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.254:02
3Y.M.C.A.
leitende(r) Produzent(in):
Henri Belolo
Produzent(in):
Jacques Morali
Bearbeitung von:
Y.M.C.A. (album version) von Village People
recording of:
Y.M.C.A.
Texter:
Victor Edward Willis (member of the Village People)
Komponist(in):
Jacques Morali
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") und Zomba Music Publishing Ltd.
Village People4.153:40
4D.I.S.C.O.
recording of:
D.I.S.C.O. (catch-all)
Komponist(in):
Jean Kluger (Belgian producer, publisher, songwriter) und Daniel Vangarde
Ottawan3:01
5Stars on 45 Abba Medley
recording of:
More Stars (7″ mix) (7″ mix, duration: ~4:42)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Medley von:
Stars on 45 (the song itself)
Medley von:
Voulez‐Vous
Medley von:
SOS
Medley von:
Bang‐a‐Boomerang
Medley von:
Money, Money, Money
Medley von:
Knowing Me, Knowing You
Medley von:
Fernando (English version)
Medley von:
The Winner Takes It All
Medley von:
Super Trouper
Stars on 4524:30
6Feels Like I’m in Love
recording of:
Feels Like I’m in Love
Texter und Komponist(in):
Ray Dorset
publisher:
Grade One Music, Red Bus Music (International) Ltd. (publisher) und Satellite Music Ltd.
Kelly Marie3:13
7Stars on 45 Beatles Medley
phonographisches Urheberrecht (℗) von:
Red Bullet Productions B.V. (in 1981)
recording of:
Stars on 45 (the song itself)
Verfasser(in):
Martin Duiser und Jaap Eggermont (drummer and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Nada International C.V.
Medley von:
Video Killed the Radio Star
Medley von:
Funkytown
Stars on 4544:43
89 to 5
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
9 to 5
Texter und Komponist(in):
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:17
9They Don’t Know
recorded in:
England, Vereinigtes Königreich
Produzent(in):
Peter Collins (producer)
Musikvideos:
They Don't Know von Tracey Ullman
cover recording of:
They Don’t Know
Texter und Komponist(in):
Kirsty MacColl
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
recording of:
They Don’t Know
Texter und Komponist(in):
Kirsty MacColl
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Tracey Ullman3:01
10We Don’t Talk Anymore
recording of:
We Don’t Talk Anymore
Texter und Komponist(in):
Alan Tarney
publisher:
ATV Music Ltd., Sony/ATV Songs LLC und Warner Chappell
Cliff Richard4:04
11I Could Be So Good for You
recording of:
I Could Be So Good for You
Verfasser(in):
Gerard Kenny und Patricia Maynard
publisher:
Chappell Music Ltd.
Dennis Waterman3:14
12My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack3.94:02
13The One and Only
Produzent(in):
Nik Kershaw und Alan Shacklock
vocals:
Chesney Hawkes (British pop singer, songwriter, and occasional actor)
aufgenommen bei:
Abbey Road in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
The One and Only (first version, Buddy's Song) von Chesney Hawkes (British pop singer, songwriter, and occasional actor)
recording of:
The One and Only
Texter und Komponist(in):
Nik Kershaw
Chesney Hawkes2.53:41
14Bridge to Your Heart
recording of:
Bridge to Your Heart
Verfasser(in):
Andrew Gold und Graham Gouldman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music (Island Music Ltd.), Island Music Ltd., Sluggogsongs und St. Anne’s Music Ltd.
Wax3:59
15Chequered Love
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981)
Gitarre:
Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Chris North (UK drummer of The Enid) (von 1980 bis 1981)
Hintergrundgesang:
Ricky Wilde (von 1980 bis 1981)
Sologesang:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Chequered Love (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde53:21
16Lay Your Love on Me
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), RAK Records (copyrights holder) (in 1978) und RAK (in 1979)
recording of:
Lay Your Love on Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music und Universal Music Publishing MGB Australia
Racey3:14
17Tom Hark
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 75)
recording of:
Tom Hark (The Piranhas revision with added lyrics)
Texter:
Bob Grover
Komponist(in):
Rupert Bopape
Revision von:
Tom Hark (Original instrumental)
The Piranhas4.52:43
18It Ain’t What You Do It’s the Way That You Do It
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
Verfasser(in):
Sy Oliver und Trummy Young
Fun Boy Three & Bananarama2:35
19Straight Up
recording of:
Straight Up
Texter und Komponist(in):
Elliot Wolff
publisher:
Elliot Wolff Music und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Paula Abdul3:42
20Body Talk
leitende(r) Produzent(in):
Eliot M. Cohen
phonographisches Urheberrecht (℗) von:
R&B Division Ltd (in 1981)
recording of:
Body Talk
Verfasser(in):
Ashley Ingram, Leee John, Steve Jolley und Tony Swain (songwriter, producer)
publisher:
Associated Music International Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony/ATV Music Publishing LLC (1995–2020), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Imagination43:32
21Prince Charming
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Bassgitarre:
Adam Ant (English new wave singer and actor) und Gary Tibbs
Gitarre:
Merrick (ex Adam & The Ants) und Marco Pirroni (British musician and producer)
Mundharmonika und Sologesang:
Adam Ant (English new wave singer and actor)
Schlagzeug:
Chris Hughes (producer, aka “Merrick”), Merrick (ex Adam & The Ants) und Terry Lee Miall
vocals:
Adam Ant (English new wave singer and actor)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
Musikvideos:
Prince Charming von Adam and the Ants (English new wave band) und Prince Charming (alt) von Adam and the Ants (English new wave band)
Teil von:
The Downloader’s Music Source Book (Nummer: 144)
recording of:
Prince Charming
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:18
22We All Stand Together
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
flute:
Elena Durán (Mexican American flautist)
Chorgesang:
The King’s Singers und St. Paul’s Cathedral Choir (London)
vocals:
Paul McCartney (The Beatles)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
Orchestrator(in):
Kenneth Sillito (violinist)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1984) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1984)
recording of:
We All Stand Together (von 1980-10 bis 1980-11)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Teil von:
Rupert and the Frog Song
Paul McCartney and the Frog Chorus14:24

Nennungen