Australian Legends

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Beds Are Burning
A&R-Management:
S. Ralbovsky
assistierende(r) Techniker(in):
Kathy Naunton (editor)
Techniker(in):
Guy Gray
Produzent(in):
Warne Livesey und Midnight Oil (Australian rock band)
Bass:
Peter Gifford
Cello:
John Ockwell (Cello Artist)
Gitarre:
Jim Moginie und Martin Rotsey
Keyboard:
Warne Livesey und Jim Moginie
Posaune:
Glad Reed
Schlagzeug [drums]:
Rob Hirst
Waldhorn:
Jeremy Smith (Horns)
phonographisches Urheberrecht (℗) von:
Midnight Oil (Australian rock band) (in 1987)
phonographisches Urheberrecht (℗) von:
Midnight Oil Ents Pty Ltd (in 1987) und Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1987)
aufgenommen bei:
Alberts Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 18) und VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 95)
recording of:
Beds Are Burning
Verfasser(in):
Peter Garrett, Rob Hirst und Jim Moginie
publisher:
Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sprint Music Pty. Ltd.
Midnight Oil4.54:17
2Help Is on Its Way
assistierende(r) Techniker(in):
John Hodge (engineer)
Techniker(in):
Ross Cockle und Paul Grupp
Produzent(in):
John Boylan und Little River Band
Bass:
George McArdle (in 1977-03)
Gitarre:
Beeb Birtles (in 1977-03) und David Briggs (producer, guitarist of Little River Band) (in 1977-03)
Klavier:
Peter Sullivan (in 1977-03)
Schlagzeug:
Derek Pellicci (in 1977-03)
vocals:
Beeb Birtles (in 1977-03), Graham Goble (in 1977-03) und Glenn Shorrock (in 1977-03)
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!) (in 1972, in 1977, in 2002), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1976, in 1977), EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1977), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1977) und Capitol Records Ltd. (not for release label use; UK company) (in 1989)
produced for:
Tumbleweed Productions
aufgenommen bei:
Armstrong Audio/Video (later renamed AAV Studios) in Melbourne, Victoria, Australien und Armstrong Audio Video (later renamed AAV Studios) in Melbourne, Victoria, Australien (in 1977-03)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Help Is on Its Way (in 1977-03)
Texter und Komponist(in):
Glenn Shorrock
publisher:
Australian Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) und Wheatley Music Pty Ltd.
Little River Band3.353:57
3Don’t Dream It’s Over
recording engineer:
Tchad Blake und Dennis Kirk
assistierende(r) Techniker(in):
Glen Holguin (engineer)
Produzent(in):
Mitchell Froom
Mix:
Michael Frondelli
Bass:
Nick Seymour (Nicholas More Seymour)
Conga, Mbira [kalimba] und shakers:
Jorge Bermudez
E-Gitarre [Gibson Les Paul Goldtop] und Sologesang:
Neil Finn
E-Gitarre [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
Keyboard und Orgel:
Mitchell Froom
Schlagzeug:
Paul Hester (Australian drummer for Crowded House/Split Enz)
Hintergrundgesang:
Noel Crombie, Jim Gilstrap, Andy Milton und Joe Satriani
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 5)
recording of:
Don’t Dream It’s Over
Texter und Komponist(in):
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing und Roundhead Music (Neil Finn)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 2)
Crowded House3.93:54
4What You Need
Techniker(in):
Steve Churchyard
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Garry Gary Beers
Schlagzeug:
Jon Farriss
vocals:
Michael Hutchence
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1985)
recording of:
What You Need
Verfasser(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
Tol Muziek
INXS3.653:34
5Khe Sanh
Techniker(in):
Alan Wright (engineer)
Akustikgitarre:
Peter Walker (Australian producer & engineer)
Bass:
Phil Small
Gitarre:
Ian Moss
Klavier und Orgel:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
Mundharmonika:
Dave Blight
Schlagzeug:
Steve Prestwich
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Cold Chisel Pty Ltd (in 1991, in 2001) und Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1991)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 8)
recording of:
Khe Sanh
Texter und Komponist(in):
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Rondor Music, Rondor Music (Australia) Pty Ltd und Universal Music Publishing Group, Pty. Ltd
Cold Chisel4:10
6Not Pretty Enough
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 2001)
recording of:
Not Pretty Enough
Texter und Komponist(in):
Kasey Chambers (Australian country singer‐songwriter)
publisher:
Mushroom Music Pty. Ltd. und Sony/ATV Music Publishing Australia Pty Ltd.
Kasey Chambers3:18
7Before Too Long
phonographisches Urheberrecht (℗) von:
Paul Kelly (Australian singer/songwriter) (in 1986)
recording of:
Before Too Long (Paul Kelly song)
Texter und Komponist(in):
Paul Kelly (Australian singer/songwriter)
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing und Sony/ATV Music Publishing Australia Pty Ltd.
Paul Kelly & the Coloured Girls3.53:22
8To the Moon and Back
Produzent(in):
Charles Fisher (Australian producer)
Mix:
Chris Lord‐Alge
phonographisches Urheberrecht (℗) von:
JWM Productions (John Woodruff Management) (in 1997)
mixed at:
Gotham Audio in Melbourne, Victoria, Australien
recording of:
To the Moon and Back
Verfasser(in):
Darren Hayes und Daniel Jones (Australian singer/producer of Savage Garden)
publisher:
EMI (EMI Records, or EMI Music only if there is no other imprint)
Savage Garden5:34
9What’s My Scene
Bass:
Clyde Bramley
Gitarre:
Dave Faulkner (David Faulkner) und Brad Shepherd
Keyboard:
Dave Faulkner (David Faulkner)
Mundharmonika:
Brad Shepherd
Schlagzeug:
Mark Kingsmill
vocals:
Dave Faulkner (David Faulkner)
phonographisches Urheberrecht (℗) von:
Hoodoo Gurus Pty Ltd (in 1987)
recording of:
What’s My Scene?
Verfasser(in):
Dave Faulkner (David Faulkner)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Mushroom Music (Mushroom label’s publishing company) und Sony/ATV Music Publishing
Hoodoo Gurus3.353:48
10Are You Gonna Be My Girl
assistierende(r) Techniker(in):
Evil Chris
Techniker(in):
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
zusätzliche(r) Techniker(in):
Greg Gordon (producer/engineer)
Produzent(in) und Mix:
Brooklyn’s own Dave Sardy (American score composer)
Editing:
Greg Gordon (producer/engineer)
Bassgitarre:
Mark Wilson (Bass player for Jet)
Gitarre:
Cam Muncey und Nic Cester
Schlagzeug:
Chris Cester
zusätzlich Gitarre:
Brooklyn’s own Dave Sardy (American score composer)
vocals:
Cam Muncey, Chris Cester und Nic Cester
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
aufgenommen bei:
Larrabee East in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Are You Gonna Be My Girl von Jet (Australian garage rock band)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 23), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2003), Sean Michaels: The Top 30 Songs of 2003 (Nummer: runner-up) und Indie 88: Top 500 Indie Rock Songs (Nummer: 364)
recording of:
Are You Gonna Be My Girl
Verfasser(in):
Nic Cester und Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:36
11Tomorrow
recording engineer und Mix:
Kevin Shirley (producer & mixer)
Produzent(in):
Kevin ‘Caveman’ Shirley (producer & mixer)
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994) und Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1995)
aufgenommen bei:
Festival Studio in Pyrmont (Pyrmont, New South Wales), New South Wales, Australien
mixed at:
Eclipse Studio in Sydney, New South Wales, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 17)
recording of:
Tomorrow
Texter und Komponist(in):
Ben Gillies und Daniel Johns
publisher:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Control (not for release label use! this is only for copyrights and publishing relationships) (in 1995), Sony/ATV Music Publishing Australia Pty Ltd. (von 1997-10-14 bis 2020-12-15) und Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (vom 2020-12-15 bis heute)
Silverchair4.14:27
12Jessie’s Girl
Produzent(in):
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Keith Olsen (US producer and engineer) und Rick Springfield
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1981, in 2001) und Wizard Records (Germany, hard-trance) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 20) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 55)
recording of:
Jessie’s Girl
Texter und Komponist(in):
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. und Wizard Music
Rick Springfield4.43:14
13Are You Old Enough
Bass:
Todd Hunter (Todd Stuart Hunter of Dragon)
Gitarre:
Robert Taylor (singer-songwriter and guitarist)
Keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
Schlagzeug:
Kerry Jacobson
vocals:
Marc Hunter
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) und Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1976, in 1978)
recording of:
Are You Old Enough
Texter und Komponist(in):
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
EMI Songs und EMI Songs Australia Pty. Ltd.
Dragon4:03
14Live It Up
Techniker(in):
Thom Panunzio
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
phonographisches Urheberrecht (℗) von:
Syray Pty. Limited (Australian record company copyright holder and distributor) (in 1984), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1986) und Festival Records (Australian) (in 1999)
aufgenommen bei:
Rhinoceros Studios in Sydney, New South Wales, Australien
recording of:
Live It Up
Texter und Komponist(in):
Greedy Smith (Australian musician and songwriter with Mental As Anything)
publisher:
Syray Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mental as Anything3.253:48
15Better the Devil You Know
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Ltd (in 1990) und PWL Records Ltd. (not release use) (in 1990)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 40)
recording of:
Better the Devil You Know
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, BMG Music Publishing Ltd., Mike Stock Publishing Ltd., Mushroom Music (Mushroom label’s publishing company) und Sid’s Songs Ltd.
Kylie Minogue33:52
16Solid Rock
phonographisches Urheberrecht (℗) von:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1982, in 1997) und Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1982)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 47)
recording of:
Solid Rock (Sacred Ground)
Verfasser(in):
Shane Howard (Australian singer / songwriter)
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
Goanna4:32
17Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:36
18Great Southern Land
phonographisches Urheberrecht (℗) von:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1997)
recording of:
Great Southern Land
Texter und Komponist(in):
Iva Davies
publisher:
EMI Songs Australia und EMI Songs Australia Pty. Ltd.
Icehouse5:13
19What About Me
Produzent(in):
Charles Fisher (Australian producer)
Bass:
Ian Lees (Australian bassist)
Blechblasinstrumente und Keyboard:
Charlie Cole (Australian keyboards)
Gitarre:
Garry Frost
Schlagzeug:
Paul Freeland
vocals:
Alex Smith (Australian artist ex. Moving Pictures)
phonographisches Urheberrecht (℗) von:
WBE Records (label founded by Glenn Wheatley) (in 1981)
recording of:
What About Me (Moving Pictures song)
Verfasser(in):
Garry Frost und Frances Swan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Unichappell Music, Warner Chapell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Pty. Ltd.
Moving Pictures3:34
20Spicks and Specks
Produzent(in):
Ossie Byrne und Nat Kipner (Australian producer, songwriter, label owner & publisher)
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees) (in 1966)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1966), Maurice Gibb (in 1966) und Robin Gibb (in 1966)
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1966), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1968) und Robert Stigwood Organisation Ltd. (in 1968)
recording of:
Spicks and Specks (in 1966)
Texter und Komponist(in):
Barry Gibb
publisher:
BMG Music, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Unichappell Music, Inc. und Warner/Chappell Music Australia Pty. Ltd.
Bee Gees12:53
2▼CD
Nr.TitelKünstlerBewertungLänge
1You’re the Voice
recording engineer und Mix:
Doug Brady (engineer)
drum machine-Programmierung und Synthesizer [Fairlight]-Programmierung:
Dave (Australian score composer), Jack und Ross
assistierende(r) Techniker(in):
Michael Wickow (engineer)
Produzent(in):
Ross Fraser
Fretless Bass:
Roger McLachlan
Gitarre:
Brett Garsed
Keyboard und Synthesizer [Fairlight]:
David Hirschfelder (Australian score composer)
Hintergrundgesang:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton und Sandy Weekes
Sologesang:
Whispering Jack
arranger:
John Farnham, Ross Fraser und David Hirschfelder (Australian score composer)
phonographisches Urheberrecht (℗) von:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (in 1986), BMG Australia Limited (not for release label use!) (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records Pty. Ltd. (in 1986) und RCA/Ariola (in 1987)
aufgenommen bei und mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 15)
recording of:
You’re the Voice
Texter und Verfasser(in):
Andy Qunta, Keith Reid, Maggie Ryder und Chris Thompson (vocalist with Manfred Mann’s Earth Band)
publisher:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing AB (Sweden)
John Farnham4.15:03
2The Boys Light Up
Techniker(in):
Ross Cockle
Produzent(in):
David Briggs (producer, guitarist of Little River Band)
Gitarre und Slide-Gitarre:
Simon Binks (von 1981-03 bis 1981-04)
Keyboard:
Peter Jones (Australian pianist/composer) (von 1981-03 bis 1981-04), Mal Logan (von 1981-03 bis 1981-04), Keith McKay (von 1981-03 bis 1981-04) und Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer) (von 1981-03 bis 1981-04)
Mundharmonika:
James Reyne (von 1981-03 bis 1981-04)
Perkussion:
Bill McDonough (von 1981-03 bis 1981-04) und Derek Pellicci (von 1981-03 bis 1981-04)
Saxophon:
Bill Harrower (von 1981-03 bis 1981-04)
Schlagzeug:
Bill McDonough (von 1981-03 bis 1981-04)
vocals:
Bill McDonough (von 1981-03 bis 1981-04), James Reyne (von 1981-03 bis 1981-04), Brad Robinson (von 1981-03 bis 1981-04), Mal Stainton (von 1981-03 bis 1981-04) und Paul Williams (bassist in 'Australian Crawl') (von 1981-03 bis 1981-04)
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) und EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 2002)
aufgenommen bei:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien (von 1981-03 bis 1981-04)
mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien
recording of:
Boys Light Up (von 1981-03 bis 1981-04)
Verfasser(in):
James Reyne
publisher:
Warner/Chappell Music Ltd. (1996–2019)
recording of:
The Boys Light Up (von 1981-03 bis 1981-04)
Verfasser(in):
James Reyne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner/Chappell Pty. Ltd.
Australian Crawl34:40
3Amazing
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 2001) und EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 2001)
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2001)
recording of:
Amazing
Texter und Komponist(in):
Alex Lloyd (Australian singer‐songwriter)
publisher:
Rondor Music (Australia) Pty Ltd
Alex Lloyd3.653:22
4The Real Thing
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!) und EMI Music Australia Pty. Limited (not for release label use!) (in 1969)
recording of:
The Real Thing
Texter und Komponist(in):
John B. Young (Australian singer)
Verfasser(in):
Johnny Young (Australian singer)
publisher:
Chappell/Morris Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Russell Morris6:21
5Turn Up the Radio
Bass:
Glenn Wheatley
Gitarre:
Doug Ford
Schlagzeug:
Colin Burgess
vocals:
Jim Keays
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!) (in 1970), EMI Music Australia Pty. Limited (not for release label use!) (in 1970) und EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1970)
recording of:
Turn Up Your Radio
Verfasser(in):
Doug Ford und Jim Keays
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Masters Apprentices3:34
6Sounds of Then (This Is Australia)
phonographisches Urheberrecht (℗) von:
Gajang Productions (in 1985)
recording of:
Sounds of Then
Texter und Komponist(in):
Mark Callaghan
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995) und Sony/ATV Music Publishing
GANGgajang3:56
7Howzat
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1976), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1976) und Sherbet Record Productions (in 1976)
recording of:
Howzat
Verfasser(in):
Tony Mitchell (bass, songwriter, Australia) und Garth Porter
publisher:
Heath Levy Music Ltd. (publisher), Rondor Music und Rondor Music (Australia) Pty Ltd
Sherbet23:47
8Soul Kind of Feeling
phonographisches Urheberrecht (℗) von:
Right On Records (in 2016)
recording of:
Soul Kind of Feeling
Verfasser(in):
Robert Susz
publisher:
Mushroom Music Pty. Ltd. und Mushroom Music Publishing
Dynamic Hepnotics3:52
9Six Months in a Leaky Boat
Produzent(in):
Hugh Padgham und Split Enz
recording of:
Six Months in a Leaky Boat
Verfasser(in):
Tim Finn
publisher:
Mushroom Music Publishing
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 5)
Split Enz3:14
10Chained to the Wheel
Produzent(in):
Jeff Burstin, Joe Camilleri und Tomie (producer)
Bassgitarre:
Mick Girasole
Perkussion:
Alex Pertout
Schlagzeug:
Peter Luscombe
vocals:
Joe Camilleri
phonographisches Urheberrecht (℗) von:
CBS Productions Pty. Limited (in 1988), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1988), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1988) und Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1988)
aufgenommen bei:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australien
mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australien und RBX Studios in Melbourne, Victoria, Australien
recording of:
Chained to the Wheel
Texter:
Nick Smith (Australian Guitar Player and Songwriter)
Verfasser(in):
Joe Camilleri
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing, Orient Pacific Music Pty. Ltd. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Black Sorrows3:56
11One Summer
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1988) und Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1988)
recording of:
One Summer
Verfasser(in):
Daniel Braithwaite
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Mushroom Music (Mushroom label’s publishing company)
Daryl Braithwaite3:43
12Come Said the Boy
phonographisches Urheberrecht (℗) von:
M-Rock Pty. Ltd. (in 1983) und Mondo Rock Records (in 1983)
recording of:
Come Said the Boy
Verfasser(in):
Eric McCusker
publisher:
Origin Music (publisher) und Origin Music Publishing Pty Ltd
Mondo Rock45:16
13Pleasure and Pain
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985) und Chrysalis Records, Inc. (not for release label use!) (in 1985)
recording of:
Pleasure and Pain
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
Hebbes Music Group Pty. Ltd., Warner Chappell und Warner/Chappell Music Ltd. (1996–2019)
Divinyls3.353:50
14A Little Ray of Sunshine
Produzent(in):
Axiom (Australian 70's rock band) und Roger Savage (Australian sound engineer)
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1970)
recording of:
A Little Ray of Sunshine
Verfasser(in):
Brian Cadd und Don Mudie
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Universal/MCA Music Publishing Pty Ltd
Axiom3:31
15Jump in My Car
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1974, in 1975)
recording of:
Jump in My Car
Texter und Komponist(in):
Ted Mulry
publisher:
J. Albert & Son Pty. Ltd.
Ted Mulry Gang3:06
16Am I Ever Gonna See Your Face Again
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1976)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 12)
recording of:
Am I Ever Gonna See Your Face Again?
Texter und Komponist(in):
John Brewster, Rick Brewster und Doc Neeson
publisher:
BMG AM Pty Limited und J. Albert & Son Pty. Ltd.
The Angels3:19
17Capricorn Dancer
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1976)
recording of:
Capricorn Dancer
Verfasser(in):
Richard Clapton
publisher:
Festival Music Publishing (APRA-affiliated)
Richard Clapton3:50
18Shape I’m In
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Ltd (in 1979)
recording of:
Shape I'm In
Komponist(in):
Jeff Burstin, Joe Camilleri und Tony Faehse
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Publishing und Warner/Chappell Pty. Ltd.
Jo Jo Zep & the Falcons3:34
19Bedroom Eyes
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1989)
recording of:
Bedroom Eyes
Verfasser(in):
Raymond Jones und Sami McKinney
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Kate Ceberano3:56
20Working Class Man
phonographisches Urheberrecht (℗) von:
Freight Train Music (in 1985)
recording of:
Working Class Man
Texter und Komponist(in):
Jonathan Cain
publisher:
Chappell & Co., Inc. (USA), Frisco Kid Music (publisher), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Australia Pty. Ltd.
Jimmy Barnes3:47

Nennungen

Veröffentlichung

gedruckt in:Australien
urheberrechtlich geschützt (©) von:EMI Music Australia Pty. Limited (not for release label use!) (in 2004)
lizensiert von:BMG Australia Limited (not for release label use!)
lizenziert an:EMI Music Australia Pty. Limited (not for release label use!)
Liberation Music (Australian, big L logo or “Liberation” on one line)
vermarkted von:EMI Music Australia Pty. Limited (not for release label use!)
Discogs:https://www.discogs.com/release/10609746 [Info]