Greatest Ever! Bubblegum Pop

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

| |
1▼CD
#TitoloArtistaValutazioneDurata
1Crazy Horses
registrazione di:
Crazy Horses
paroliere e compositore:
Alan Osmond, Merrill Osmond e Wayne Osmond
editore:
Kolob Music e Mike Curb Music
versione di:
Crazy Horses
The Osmonds2:33
2Sugar Sugar
video musicali:
Sugar, Sugar di The Archies
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (numero: 18), Billboard: Greatest of All Time Hot 100 Songs (numero: 90) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 155)
registrazione di:
Sugar, Sugar (nel 1969)
autore:
Jeff Barry e Andy Kim (pop singer & songwriter)
editore:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:51
3Keep On Dancing
registrazione di:
Keep On Dancing
autore:
Allen Jones (producer/songwriter/musician/engineer) e Willie David Young
editore:
Tristan Music Ltd.
Bay City Rollers2:08
4I’m a Tiger
registrazione di:
I’m a Tiger
autore:
Ronnie Scott (a British pop music promoter, group manager and songwriter) e Marty Wilde
Lulu2:45
5Rubber Bullets
edit di:
Rubber Bullets (original album version) di 10cc
registrazione di:
Rubber Bullets
autore:
Lol Creme, Kevin Godley e Graham Gouldman
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e St. Anne’s Music Ltd. (nel 1973)
10cc34:08
6Magic
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974, nel 1975, nel 2003)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 41)
registrazione di:
Magic
autore:
Billy Lyall e David Paton (of Pilot)
editore:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Robbins Music Corp. Ltd.
Pilot4.753:05
7Devil Gate Drive
registrazione di:
Devil Gate Drive
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing Ltd. e Universal Music Publishing MGB Australia
Suzi Quatro3:48
8Wig Wam Bam
produttore:
Phil Wainman
registrazione di:
Wig Wam Bam
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
The Sweet53:02
9Me and You and a Dog Named Boo
registrazione di:
Me and You and a Dog Named Boo
paroliere e compositore:
Lobo (American singer-songwriter Roland Kent LaVoie)
Lobo42:59
10I’m a Believer
registrazione cover di:
I’m a Believer
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
The Monkees2:46
11I’ve Got You on My Mind
White Plains2:42
12Ob La Di‐Ob La Da
registrazione cover di:
Ob‐La‐Di, Ob‐La‐Da
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP)
Marmalade3:02
13Spirit in the Sky
produttore:
Erik Jacobsen
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1969), Seven Arts Records, Inc. (not a label) (nel 1969), Transtone Productions (nel 1970) e Craft Recordings (US jazz label; reissue division of Concord) (nel 2023)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 5), Billboard Year-End Hot 100 singles of 1970 (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 333)
registrazione di:
Spirit in the Sky (nel 1969)
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Norman Greenbaum4.054:00
14Dancin (On a Saturday Night)
produttore:
Barry Blue (singer, producer, and songwriter)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1973), Crimson Copyrights Ltd. (nel 1973) e Demon Music Group (nel 1973)
registrazione di:
Dancin’ (On a Saturday Night)
autore:
Barry Blue (singer, producer, and songwriter) e Lynsey de Paul
editore:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:12
15Everything Is Beautiful
tecnico:
Charlie Tallent
produttore:
Ray Stevens (US singer‐songwriter & comedian)
arrangiatore:
Ray Stevens (US singer‐songwriter & comedian)
diritti fonografici (℗) detenuti da:
Barnaby Records, Inc. (nel 1970)
registrazione di:
Everything Is Beautiful (1970 song)
paroliere e compositore:
Ray Stevens (US singer‐songwriter & comedian)
editore:
J. Albert & Son Pty. Ltd.
Ray Stevens3:32
16All Kinds of Everything
parte di:
Ireland in the Eurovision Song Contest (Irlanda all'Eurovision Song Contest) (numero: 1970) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1970)
registrazione di:
All Kinds of Everything (1970 eurovision song)
autore:
Derry Lindsay (Songwriter) e Jackie Smith (Songwriter)
Dana23:04
17Early in the Morning
tecnico:
Barry Ainsworth (engineer)
produttore:
Des Champ (UK musician, bandleader, producer & arranger) e Roger Easterby
registrazione di:
Early in the Morning
autore:
Mike Leander e Edward Seago
Vanity Fare2:46
18Son of My Father
diritti fonografici (℗) detenuti da:
Santa Ponsa Productions (nel 1972)
registrazione di:
Son of My Father
paroliere:
Michael Holm (German musician) (nel 1971) e Pete Bellotte (English lyricist and producer) (nel 1972)
compositore:
Giorgio Moroder (nel 1971)
editore:
IQ Music Ltd. e Sony/ATV Music Publishing (UK) Ltd.
versione di:
Nachts scheint die Sonne
Chicory Tip53:11
19Concrete and Clay
tecnico:
Victor Smith
produttore:
John Barker (producer)
esecutore:
Unit 4+2
registrazione di:
Concrete and Clay
autore:
Tommy Moeller e Brian Parker
editore:
Apollo Music Ltd. (UK work publisher), EMI Longitude Music, Universal/MCA Music Publishing Pty Ltd, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Unit 4+23.52:17
20Mouldy Old Dough
registrazione di:
Mouldy Old Dough
autore:
Nigel Francis Fletcher e Robert George Woodward
Lieutenant Pigeon2:43
2▼CD
#TitoloArtistaValutazioneDurata
1Sugar Baby Love
registrazione di:
Sugar Baby Love (The Rubettes)
paroliere:
Wayne Bickerton
compositore:
Tony Waddington
eseguita per la prima volta da:
The Rubettes (nel 1974-01)
editore:
Arlovol Music, Budde Music Inc. (US publisher) e WB Music Corp. (1929–2019)
The Rubettes3:32
2Save Your Kisses for Me
Brotherhood of Man3:05
3I Love to Boogie
registrazione di:
I Love to Boogie
paroliere e compositore:
Marc Bolan
editore:
Wizard (Bahamas) Ltd.
T. Rex2:16
4Mr. Soft
Steve Harley & Cockney Rebel3:19
5Under the Moon of Love
produttore:
Mike Hurst (musician and record producer from London, England)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1976)
è stato produttore per:
Solid Gold Organisation (production company)
registrazione cover di:
Under the Moon of Love
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Curtis Lee (US rock & roll singer, had single “Pretty Little Angel Eyes”)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Showaddywaddy3:11
6The Bump
registrazione di:
The Bump
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kenny3.52:36
7Kung Fu Fighting
arrangiatore:
Gerry Shury
registrazione di:
Kung Fu Fighting
paroliere e compositore:
Carl Douglas
editore:
Carren Music (publisher) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
si basa su:
[Oriental Riff]
Carl Douglas4.23:11
8More Than a Woman
voce:
Tavares (US R&B, funk and soul music)
registrazione cover di:
More Than a Woman (nel 1997)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music e Stigwood Music, Inc.
Tavares33:28
9Lady Bump
registrazione di:
Lady Bump
paroliere:
Stephan Prager (songwriter, aka Michael Kunze)
compositore:
Sylvester Levay
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Penny McLean3:44
10Beach Baby
registrazione di:
Beach Baby
autore:
John Carter (songwriter & producer, b. 1942) e Gillian Shakespeare (songwriter)
editore:
Image Music (Australian) e Peermusic Pty. Ltd. (Australia)
First Class4:51
11There’s a Whole Lot of Loving
registrazione di:
There’s a Whole Lot of Loving
autore:
Chris Arnold (songwriter with Butterscotch/The Stream of Consciousness), David Martin (UK songwriter and Butterscotch member) e Geoff Morrow (Butterscotch/Ammo)
Guys ’n’ Dolls23:15
12Love’s Theme
tecnico:
Paul Elmore (engineer) e Frank Kegmer (engineer)
produttore:
Barry White
orchestra:
Love Unlimited Orchestra
direttore d'orchestra:
Barry White
arrangiatore:
Gene Page (conductor, composer, arranger and record producer) e Barry White
diritti fonografici (℗) detenuti da:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (nel 1973)
registrazione di:
Love’s Theme (instrumental version) (nel 1973)
compositore:
Barry White
editore:
January Music Corp. e Sa‐Vette Music Inc.
Love Unlimited Orchestra4.54:06
13I’m on Fire
produttore:
Tony Eyers
diritti fonografici (℗) detenuti da:
BR Music Copyrights BV (nel 1975)
registrazione di:
I’m on Fire
paroliere e compositore:
T. Eyers
editore:
Hensley Music (publisher), Intersong Music, MCS Music Ltd., Pocket Full of Tunes, Inc. e Intersong Musikverlag (publisher) (nel 1989)
5000 Volts22:40
14Don’t Call Us We’ll Call You
registrazione di:
Don’t Call Us, We’ll Call You
autore:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) e Jerry Corbetta
Sugarloaf53:25
15Get Up and Boogie
registrazione di:
Get Up and Boogie
paroliere:
Stephan Prager (songwriter, aka Michael Kunze)
compositore:
Sylvester Levay
Silver Convention3:01
16Silver Lady
diritti fonografici (℗) detenuti da:
David Soul (nel 1977)
registrazione di:
Silver Lady (nel 1977)
autore:
Tony Macaulay e Geoff Stephens
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Macaulay Music Ltd., Polygram International Music Publishing Ltd. e PolyGram Music Publishing
David Soul53:43
17When I Need You
tecnico di registrazione:
Howard Steele (US producer, sound engineer) (nel 1976)
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Willie Weeks (US bass player) (nel 1976)
batteria :
Jeff Porcaro (nel 1976)
chitarra :
Dean Parks (American session guitarist) (nel 1976)
pianoforte elettrico :
Michael Omartian (nel 1976)
sassofono :
George Palisky, Jr. (nel 1976)
sintetizzatore :
James Newton Howard (American score composer) (nel 1976)
voce:
Leo Sayer (nel 1976)
arrangiatore sintetizzatore :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1976), Chrysalis Records, Inc. (not for release label use!) (nel 1976), Rhino Records, Inc. (company credits only; not for release label use!) (nel 1977), Silverbird Ltd. (nel 1977) e Warner Music H.K. Ltd. (nel 1997)
registrazione cover di:
When I Need You (nel 1976)
paroliere:
Carole Bayer Sager
compositore:
Albert Hammond
editore:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) e Windswept Music (London) Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:10
18Moonlight Feels Right
diritti fonografici (℗) detenuti da:
Private Stock Records Ltd. (not for release label use, for company relationships only) (nel 1976)
registrazione di:
Moonlight Feels Right
paroliere e compositore:
Bruce Blackman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Starbuck3.53:39
19Nut Rocker
registrazione di:
Nut Rocker
compositore:
Kim Fowley
editore:
Kim Fowley Music
si basa su:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
B. Bumble & the Stingers32:01
20Convoy
C.W. McCall3:50
3▼CD
#TitoloArtistaValutazioneDurata
1The Lion Sleeps Tonight
registrazione cover di:
The Lion Sleeps Tonight
paroliere:
George David Weiss (nel 1961)
autore:
Luigi Creatore, Hugo Peretti e Albert Stanton (pseudonym for Al Brackman)
compositore:
Solomon Linda
editore:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) e Memory Lane Music Ltd.
si basa su:
Mbube
si basa su:
Wimoweh
si basa su:
Wimoweh (The Lion Sleeps Tonight) (Laurie Berkner arrangement)
versione di:
Wimoweh
parte di:
The Lion King (stage musical)
parte di:
The Lion King (2019 film soundtrack)
Tight Fit3:19
2Making Your Mind Up
registrazione di:
Making Your Mind Up
paroliere e compositore:
John Danter e Andy Hill (English producer & songwriter)
editore:
BMG Music Publishers Ltd., Intersong (publisher), Intersong Music Ltd., Paper Music, Paper Music Ltd., RAK Publishing Ltd., Stave and Nickelodeon Ltd., Stave and Nickelodeon Music, Universal Music Publishing MGB Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bucks Fizz2:40
3Video Killed the Radio Star
produttore:
The Buggles
chitarra elettrica e voce principale:
Trevor Horn (nel 1979)
tastiera :
Geoff Downes (English keyboardist) (nel 1979)
cori:
Debi Doss (photographer and singer, Kinks) (nel 1979) e Linda Jardim (nel 1979)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1979)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 40)
registrazione di:
Video Killed the Radio Star
autore:
Geoff Downes (English keyboardist), Trevor Horn e Bruce Woolley
editore:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:26
4House of Fun
produttore:
Clive Langer e Alan Winstanley (English record producer)
registrazione di:
House of Fun
paroliere:
Mark Bedford, Carl Smyth, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Carl Smyth, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:47
5Banana Splits
produttore:
John Hewlett
registrazione cover di:
The Tra La La Song (One Banana, Two Banana)
autore e compositore:
Richie Adams e Mark Barkan
The Dickies51:55
6Can Can
registrazione di:
Can Can (“Bad Manners” version)
compositore:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangiatore:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) e Brian Tuitt
editore:
Magnet Music Ltd. (publisher)
versione di:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
Bad Manners42:50
7B.A.B.Y.
tecnico di registrazione:
Bob Painter
produttore:
Liam Sternberg
basso :
Norman Watt-Roy
batteria :
Charley Charles (UK drummer)
chitarra :
Peter Nardini e Brinsley Schwarz (English rock guitarist)
pianoforte :
Mick Gallagher (UK hammond organ player)
tastiera :
Peter Nardini
voce di accompagnamento:
Lene Lovich e Rachel Sweet
voce principale:
Rachel Sweet
registrazione cover di:
B-A-B-Y
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner/Chappell North America
Rachel Sweet43:06
8Terry
produttore:
Kirsty MacColl e Gavin Povey
voce:
Kirsty MacColl
diritti fonografici (℗) detenuti da:
Stiff Records (nel 1983)
registrazione di:
Terry
autore:
Kirsty MacColl e Gavin Povey
editore:
Stiff Music Ltd.
Kirsty MacColl3:52
9Breakaway
registrata a:
England, Regno Unito
produttore:
Peter Collins (producer)
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1982, nel 1983)
registrazione cover di:
Breakaway
autore:
Jackie DeShannon e Sharon Sheeley
editore:
United Artists Music Ltd.
Tracey Ullman3.652:36
10Lucky Number
produttore:
The Stateless (possibly Lene Lovich and Les Chappell)
tecnico di missaggio:
Roger Bechirian
voce principale:
Lene Lovich
remixer:
Roger Bechirian
diritti fonografici (℗) detenuti da:
Oval Records (nel 1978) e Oval Sounds LLP (nel 1979)
registrazione di:
Lucky Number
autore:
Les Chappell e Lene Lovich
editore:
Oval Music
Lene Lovich2.652:47
11It’s My Party
tecnico:
Nick Bradford
produttore:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
batteria elettronica [SDS V] , strumenti elettronici [claptrap] , tastiera [keyboards] e vocoder :
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
voce di accompagnamento:
Amanda Parsons
voce principale:
Barbara Gaskin
registrata presso e mixata presso:
Matrix Studios in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1981-06 al 1981-07)
registrazione cover di:
It’s My Party
autore:
John Gluck, Jr., Wally Gold, Seymour Gottlieb e Herb Weiner
editore:
A. Schroeder Music Ltd. e Chappell & Co., Inc. (USA)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin3.53:48
12Together We Are Beautiful
registrazione cover di:
Together We Are Beautiful (1977 song)
paroliere, autore e compositore:
Ken Leray (songwriter)
editore:
Brampton Music Ltd. (publisher) e Sony/ATV Music Publishing Australia Pty Ltd.
Fern Kinney4:13
13Feels Like I’m in Love
registrazione di:
Feels Like I’m in Love
paroliere e compositore:
Ray Dorset
editore:
Grade One Music, Red Bus Music (International) Ltd. (publisher) e Satellite Music Ltd.
Kelly Marie3:19
14I Love the Nightlife
Alicia Bridges3:29
15Sometimes When We Touch
diritti fonografici (℗) detenuti da:
GRT of Canada Ltd. (nel 1977), McCauley Music Ltd. (nel 1977) e McCauley Music Masters (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 33)
registrazione di:
Sometimes When We Touch
paroliere e autore:
Dan Hill (Canadian singer/songwriter)
compositore:
Barry Mann
editore:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック (Fujipacific Music, Inc.)
Dan Hill34:09
16Substitute
produttore:
Grahame Beggs
registrazione di:
Substitute (nel 1978)
paroliere e compositore:
Willie Wilson
editore:
Discoton (German club label)
Clout43:27
17Move Closer
diritti fonografici (℗) detenuti da:
Carrere (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (nel 1984)
registrazione di:
Move Closer
paroliere e compositore:
Phyllis Nelson (American singer)
editore:
IQ Music Ltd.
Phyllis Nelson24:34
18Reunited
produttore:
Freddie Perren
registrazione di:
Reunited
autore:
Dino Fekaris e Freddie Perren
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb5:47
19Telephone Man
registrazione di:
Telephone Man
autore:
Meri Wilson
Meri Wilson42:00
20Seven Tears
produttore:
Jochen Petersen (producer and multi-instrumentalist)
registrazione di:
Seven Tears
autore:
Wolfgang Jass (singer-songwriter, producer, composer, bassist) e Wolff-Ekkehardt Stein
editore:
Aloha e Peer (publisher)
Goombay Dance Band3:59

Accreditamenti

Gruppo di pubblicazioni

parte di:Greatest Ever! The Definitive Collection (ordine: 17)