Songs: The Best of the Singer Songwriters

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1CD
Nr.TitelKünstlerBewertungLänge
1Baby Can I Hold You
Techniker(in) und Mix:
Kevin Smith (American DJ, producer and hip hop pioneer based in New York City)
Produzent(in):
David Kershenbaum
Bassgitarre:
Larry Klein
E-Geige:
David LaFlamme
E-Sitars und Hammond-Orgel:
Jack Holder
Gitarre [rhythm]:
Tracy Chapman (American singer‐songwriter)
Keyboard:
Bob Marlette
Perkussion und Schlagzeug:
Denny Fongheiser
vocals:
Tracy Chapman (American singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) und Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2015)
aufgenommen bei und mixed at:
Powertrax Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Baby Can I Hold You
Texter und Komponist(in):
Tracy Chapman (American singer‐songwriter)
publisher:
EMI Songs Ltd., Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Tracy Chapman43:15
2Your Song
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Gus Dudgeon
Akustikgitarre:
Frank Clark (Guitar/bassist)
Bassgitarre:
Dave Richmond
Gitarre:
Colin Green
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Barry Morgan (English drummer)
zwölfsaitige Gitarre:
Clive Hicks
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 54), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 136) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 202)
recording of:
Your Song
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (beendet), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.754:02
3Layla (unplugged version)
Produzent(in):
Russ Titelman
phonographisches Urheberrecht (℗) von:
Viacom International Inc. (in 1992)
aufgenommen bei:
Bray Film Studios in Windsor, Windsor and Maidenhead, England, Vereinigtes Königreich (am 1992-01-16)
live recording of:
Layla (am 1992-01-16)
Verfasser(in):
Eric Clapton und Jim Gordon (US drummer with Derek and the Dominos)
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Eric Clapton44:34
4Father and Son
Produzent(in):
Paul Samwell-Smith
Bassgitarre:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
Gitarre und Keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Gitarre [2nd]:
Alun Davies (in 1970-07)
Schlagzeug:
Harvey Burns (in 1970-07)
Solo-Geige / Violine:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Saiteninstrumente arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) und Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1970-07)
instrumental version of:
Father and Son von Giacomo Bucci
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 408)
recording of:
Father and Son (Cat Stevens) (in 1970-07)
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Cat Stevens4.253:41
5Babylon
Programmierung und Techniker(in):
Iestyn Polson
Produzent(in):
Clune, David Gray (British singer/songwriter) und Iestyn Polson
Bass und Schlagzeug:
Clune
Gitarre und Klavier:
David Gray (British singer/songwriter)
Keyboard:
Tim Bradshaw
vocals:
Clune und David Gray (British singer/songwriter)
recording of:
Babylon
Texter und Komponist(in):
David Gray (British singer/songwriter)
publisher:
Chrysalis und Chrysalis Music Ltd. (music publisher, affiliated with PRS)
David Gray4.354:26
6Ironic (unplugged)
phonographisches Urheberrecht (℗) von:
Maverick Recording Company (not for release label use, for copyrights use only) (in 1999)
live recording of:
Ironic
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
publisher:
Aerostation Corporation, Arlovol Music und Vanhurst Place Music
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette33:56
7Wicked Game
recording engineer und Mix:
Mark Needham
Produzent(in):
Erik Jacobsen
assistierende(r) Mix:
Lee Herschberg
Bassgitarre:
Rowland Salley
Gitarre:
Chris Isaak und James Calvin Wilsey
Schlagzeug:
Kenney Dale Johnson
Hintergrundgesang:
Cynthia Lloyd und Christine Wall
Sologesang:
Chris Isaak
phonographisches Urheberrecht (℗) von:
Reprise Records und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
mixed at:
Amigo Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Wicked Game (in 1989)
Texter und Komponist(in):
Chris Isaak
publisher:
Arc Music Corp. (U.S. rock & blues publisher), C. Isaak Music Publishing Co. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Chris Isaak4.354:49
8Oh My Sweet Carolina
assistierende(r) Techniker(in):
Patrick Himes
Techniker(in), Produzent(in) und Mix:
Ethan Johns
Klavier:
Pat Sansone
vocals:
Emmylou Harris
aufgenommen bei:
Woodland Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Oh My Sweet Carolina
Texter und Komponist(in):
Ryan Adams (US singer-songwriter, multi-instrumentalist, producer & poet)
Ryan Adams2.54:55
9Wildflowers
assistierende(r) Techniker(in):
Joe Barresi (recording engineer, mixer, producer), Steve Holroyd und Jeff Sheehan
Techniker(in):
David Bianco (American engineer and record producer), Richard Dodd (mastering engineer, producer and engineer) und Jim Scott (US recording engineer and producer)
zusätzliche(r) Techniker(in):
Stephen McLaughlin (American audio engineer at Rensselaer, EMPAC)
Produzent(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Tom Petty und Rick Rubin (US record producer, former co‐president of Columbia Records)
assistierende(r) Mix:
Kenji Nasai
Mix:
Richard Dodd (mastering engineer, producer and engineer)
Akustikgitarre:
Tom Petty
andere Instrumente:
George Drakoulias
Bassgitarre und Cembalo:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
Harmonium und Klavier:
Benmont Tench
Instrumente:
George Drakoulias
Perkussion:
Lenny Castro
Schlagzeug:
Steve Ferrone
vocals:
Tom Petty
conductor:
Michael Kamen (American score composer)
Orchestrator(in):
Michael Kamen (American score composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1994) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
mixed at:
Andora Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Wildflowers
Orchestrator(in):
Michael Kamen (American score composer)
Texter und Komponist(in):
Tom Petty (in 1993)
publisher:
Gone Gator Music (ASCAP affiliated)
Tom Petty33:12
10A New England
recording engineer, Techniker(in) und Produzent(in):
Oliver Hitch (producer/engineer)
Gitarre:
Billy Bragg (von 1983-02-02 bis 1983-02-04)
vocals:
Billy Bragg (von 1983-02-02 bis 1983-02-04)
phonographisches Urheberrecht (℗) von:
Go! Discs und Utility Records
aufgenommen bei:
Chappell Music in London (Greater London), England, Vereinigtes Königreich (von 1983-02-02 bis 1983-02-04)
recording of:
A New England (von 1983-02-02 bis 1983-02-04)
Texter und Komponist(in):
Billy Bragg
publisher:
BMG Music Publishing Ltd. und Chappell Music Ltd.
Billy Bragg4.752:14
11You're So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (The Rolling Stones) (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:20
12Love the One You're With
Techniker(in):
Andy Johns
Produzent(in):
Bill Halverson und Stephen Stills
Bass:
Calvin Samuels (in 1970-03)
Conga:
Jeff Whittaker (in 1970-03)
Gitarre, Orgel, Perkussion und Sologesang:
Stephen Stills (in 1970-03)
Steel Pan:
Stephen Stills
Hintergrundgesang:
Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (American folk, rock and pop singer) (in 1970-03) und John Sebastian (in 1970-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970-03)
recording of:
Love the One You’re With (in 1970-03)
Texter und Komponist(in):
Stephen Stills
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Gold Hill Music, Inc. (in 1970)
sub-publisher:
EMI Music Publishing Scandinavia AB (in 1997)
Stephen Stills3.53:06
13Cat's in the Cradle
Produzent(in):
Paul Leka
arranger:
Paul Leka
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
aufgenommen bei:
Connecticut Recording Studios in Connecticut, Vereinigte Staaten
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09)
Harry Chapin3.83:48
14Time Has Told Me
Techniker(in):
John Wood (UK producer)
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records)
Akustikgitarre und Sologesang:
Nick Drake (English singer‐songwriter)
E-Gitarre:
Richard Thompson (UK folk rock singer/songwriter/guitarist)
Gast-Bass:
Danny Thompson (English double bass player)
Gast-Klavier:
Paul Harris (American keyboardist/pianist session player)
recording of:
Time Has Told Me
Texter und Komponist(in):
Nick Drake (English singer‐songwriter)
Nick Drake4.454:26
15Piano Man
Techniker(in):
Ron Malo
Produzent(in):
Michael Stewart (US producer/guitarist from California, 1945–2002)
accordion und Keyboard [keyboards]:
Michael Omartian (in 1973)
E-Bass:
Wilton Felder (in 1973)
Gitarre:
Larry Carlton (in 1973) und Dean Parks (American session guitarist) (in 1973)
Gitarre [guitar overdubs]:
William Bennett (guitarist) (in 1973)
Mundharmonika und Klavier und Sologesang:
Billy Joel (American singer‐songwriter and pianist) (in 1973)
Perkussion:
Bobbi Hall (in 1973)
Schlagzeug:
Ron Tutt (drummer) (in 1973)
arranger:
Michael Omartian
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973, in 1975), Sony BMG Music Entertainment (2004–2008) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1973)
Musikvideos:
Piano Man von Billy Joel (American singer‐songwriter and pianist)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 421)
recording of:
Piano Man (in 1973)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1973) und Joelsongs (in 1973)
Billy Joel4.45:38
16Catch the Wind
recording of:
Catch the Wind
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music, Peer Music UK Ltd und Southern Music (publisher)
Donovan2:17
17Morning Glory
Techniker(in):
Bruce Botnick
Produzent(in):
Jerry Yester
Bass:
Jimmy Bond (in 1967-05)
flute und Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Gitarre und Sologesang:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05)
Klavier:
Don Randi (in 1967-05)
membranophone:
John Clauder (in 1967-05)
Hintergrundgesang:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05) und Jerry Yester (in 1967-05)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967-05)
recording of:
Morning Glory
Texter und Komponist(in):
Larry Beckett und Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
publisher:
Third Story Music, Inc.
Tim Buckley32:52
18Everybody Here Wants You
Produzent(in):
Tom Verlaine
Mix:
Andy Wallace (engineer)
recording of:
Everybody Here Wants You
Texter und Komponist(in):
Jeff Buckley (American singer, guitarist and songwriter)
Jeff Buckley3.554:46
19Down River
recording of:
Down River
Texter und Komponist(in):
David Ackles
David Ackles3:58
20Love and Affection
recording of:
Love and Affection
Texter und Komponist(in):
Joan Armatrading
publisher:
Irving Music (BMI)
Joan Armatrading4:23
2CD
Nr.TitelKünstlerBewertungLänge
1Mr. Tambourine Man
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 106) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 164)
recording of:
Mr. Tambourine Man (am 1965-01-15)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
adaptations:
Setä pelimanni
Bob Dylan4.35:30
2Brown Eyed Girl (alternate take)Van Morrison3:30
3Walking in Memphis
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Bass und Orgel:
John Leventhal
Gitarre:
Marc Cohn und John Leventhal
Hammond-Orgel:
Chris Palmaro
Keyboard:
Eric Rehl
Schlagzeug:
Dennis McDermott
Gast Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) und Darryl Tookes
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) und Warner Music H.K. Ltd. (in 1997)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 415)
recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:20
4Mother and Child Reunion
Produzent(in):
Paul Simon (of Simon & Garfunkel)
Bass:
Jackie Jackson (reggae bassist)
Gitarre:
Huks Brown, Paul Simon (of Simon & Garfunkel) und Wallace Wilson (JM reggae musician, memb. "The Crystallites")
Klavier:
Larry Knechtel
Orgel:
Neville Hinds
Perkussion:
Denzil Laing
Schlagzeug:
Winston Grennan
Hintergrundgesang:
Cissy Houston, Renelle Stafford und Deidre Tuck
vocals:
Paul Simon (of Simon & Garfunkel)
arranger:
Paul Simon (of Simon & Garfunkel)
aufgenommen bei:
Dynamic Sounds in Kingston (Kingston Parish), Jamaika
recording of:
Mother and Child Reunion
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) und Paul Simon Music (in 1971)
Paul Simon4.253:02
5Wild Wood
Bassgitarre:
Marco Nelson
Gitarre und Sologesang:
Paul Weller (English singer‐songwriter and musician)
mellotron und Minimoog:
Brendan Lynch (London producer)
Orgel:
Helen Turner
Schlagzeug:
Steve White (Style Council drummer)
recording of:
Wild Wood
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
Paul Weller4.153:25
6Mandolin Wind
Produzent(in):
Rod Stewart
Akustikgitarre:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) und Rod Stewart (in 1971-01)
Bass:
Andy Pyle (in 1971-01)
Bassgitarre, Gitarre und Pedal-Steel-Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
Geige / Violine:
Dick Powell (Violinist and double-bass player) (in 1971-01)
Klavier:
Pete Sears (in 1971-01)
Kontrabass:
Danny Thompson (English double bass player) (in 1971-01)
Orgel:
Ian McLagan (in 1971-01)
Schlagzeug:
Micky Waller (in 1971-01)
Slide-Gitarre:
Sam Mitchell (in 1971-01)
Sologesang:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
recording of:
Mandolin Wind (in 1971-01)
Texter und Komponist(in):
Rod Stewart
publisher:
MRC Music, Inc.
Rod Stewart35:35
7Short People
Techniker(in):
Loyd Clifft und Lee Herschberg
Produzent(in):
Russ Titelman und Lenny Waronker
Mix:
Lee Herschberg
Bass:
Klaus Voorman (von 1977-07 bis 1977-09)
Conga:
Milt Holland (von 1977-07 bis 1977-09)
Gitarre:
Waddy Wachtel (von 1977-07 bis 1977-09)
Schlagzeug:
Jim Keltner (von 1977-07 bis 1977-09)
Hintergrundgesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (von 1977-07 bis 1977-09), J.D. Souther (von 1977-07 bis 1977-09) und Tim Schmit (von 1977-07 bis 1977-09)
conductor:
Randy Newman (American singer‐songwriter and score composer) (von 1977-07 bis 1977-09)
arranger:
Randy Newman (American singer‐songwriter and score composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
remixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 41)
recording of:
Short People (von 1977-07 bis 1977-09)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Six Pictures Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Hightree Music (in 1977)
Randy Newman3.752:57
8All This Useless Beauty
recording of:
All This Useless Beauty
Texter und Komponist(in):
Elvis Costello
Elvis Costello4:42
9Rainy Night in Georgia
recording of:
Rainy Night in Georgia
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Songs Limited
Tony Joe White3:37
10Ain't No Sunshine
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Bill Withers4.552:07
11Song From Hope St.
David Kitt4:20
12The Shining
assistierende(r) Techniker(in) und assistierende(r) Koproduzent(in):
Andrea Wright
Techniker(in):
Ken Nelson (UK record producer)
Koproduzent(in):
Ken Nelson (UK record producer)
Produzent(in):
Badly Drawn Boy
Akustikgitarre und Klavier:
Badly Drawn Boy
Cello:
Matt McGeever
Vibraphon:
Ian Smith (Alfie, The Beep Seals)
Waldhorn:
Sam Morris
vocals:
Badly Drawn Boy
Saiteninstrumente arranger:
Badly Drawn Boy
recording of:
The Shining
Texter und Komponist(in):
Damon Gough
Badly Drawn Boy4.355:22
13Anchorage
recording of:
Anchorage
Texter und Komponist(in):
Michelle Shocked
publisher:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
Michelle Shocked3:26
14Frederick
Techniker(in) und Produzent(in):
Todd Rundgren
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1979, in 1988) und Arista Records, LLC (holding company - file NO releases here!) (in 1979)
recording of:
Frederick
Texter und Komponist(in):
Patti Smith
publisher:
ARZO Publishing, Ninja Music und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Patti Smith Group43:06
15Me and Bobby McGee
recording of:
Me and Bobby McGee
Texter und Komponist(in):
Fred Foster und Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Keith Prowse Music Publishing Co. Ltd.
Kris Kristofferson4:32
16Running on Empty
recording engineer und Mix:
Greg Ladanyi
assistierende(r) Techniker(in):
Dennis Kirk
Produzent(in):
Jackson Browne (American singer-songwriter)
Bassgitarre:
Leland Sklar (bassist, session musician)
Gitarre:
Jackson Browne (American singer-songwriter) und Danny Kortchmar (Danny Kootch)
Klavier:
Craig Doerge
Schlagzeug:
Russ Kunkel (session drummer)
Slide-Gitarre:
David Lindley
Hintergrundgesang:
Rosemary Butler und Doug Haywood
Sologesang:
Jackson Browne (American singer-songwriter)
recording of:
Running on Empty
Texter und Komponist(in):
Jackson Browne (American singer-songwriter)
publisher:
Swallow Turn Music (in 1977)
Jackson Browne3.54:59
17If I Were a Carpenter
Techniker(in):
Doc Siegel und Val Valentin (Aufgabe: director of engineering)
Produzent(in):
Charles Koppelman (American businessman and musician) und Don Rubin
arranger:
Donald Peake
recording of:
If I Were a Carpenter (in 1967)
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Faithful Virtue Music
live recording of:
If I Were a Carpenter
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Faithful Virtue Music
Tim Hardin12:45
18She Cries Your Name
Cello:
Oliver Kraus
Geige / Violine:
Beki Doe, Howard Gott und Lucy Wilkins (violinist)
Gitarre:
Ted Barnes
Keyboard:
Lee Spencer (British electronic musician)
Kontrabass:
Ali Friend
Schlagzeug:
Will Blanchard
Sologesang:
Beth Orton
arranger:
Beki Doe und Oliver Kraus
recording of:
She Cries Your Name
Texter und Komponist(in):
William Orbit (English musician, composer and record producer) und Beth Orton
publisher:
Guerilla Studios Ltd. und Kobalt Music Services Ltd. (UK)
sub-publisher:
Kobalt Music Publishing France
Beth Orton3.754:49
19Where the Wild Roses Grow
recording engineer:
Tony Cohen und Victor van Vugt
Produzent(in):
Nick Cave & the Bad Seeds, Tony Cohen und Victor van Vugt
Mix:
Gregg Jackman
Akustikgitarre und Gitarre:
Mick Harvey
Bass:
Martyn P. Casey
Bratsche / Viola:
Kerran Coulter
Cello:
Helen Mountfort
Geige / Violine:
Jen Anderson und Sue Simpson
Gitarre:
Blixa Bargeld (German musician)
Glocken:
Jim Sclavunos
Klavier:
Nick Cave (Australian singer‐songwriter, musician and score composer)
Schlagzeug:
Thomas Wydler
Hintergrundgesang:
Mick Harvey und Conway Savage
Sologesang:
Nick Cave (Australian singer‐songwriter, musician and score composer) und Kylie Minogue
Saiteninstrumente arranger:
Nick Cave (Australian singer‐songwriter, musician and score composer) und Mick Harvey
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1995, in 1996)
mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Where the Wild Roses Grow von Nick Cave (Australian singer‐songwriter, musician and score composer) & Kylie Minogue
recording of:
Where the Wild Roses Grow
Texter und Komponist(in):
Nick Cave (Australian singer‐songwriter, musician and score composer)
publisher:
Mute Song (international) und Mute Song Ltd.
Nick Cave & the Bad Seeds4.43:59
20Perfect Day (live)Lou Reed3:53

Nennungen

Veröffentlichung

ASIN:DE: B000066424 [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0001247695 [Info]