Maria Callas Remastered

~ Veröffentlichung von Maria Callas (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

remastered classics of MC
tracklisting on WC website does not match tracks on release (see cover art)

Anmerkung zuletzt geändert am 2014-10-24 11:22 UTC.

Titelliste

1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1Carmen, Acte I. « L'amour est un oiseau rebelle » (Carmen, Chorus) [Habanera]
Produzent(in):
Michel Glotz
Chorgesang:
Chœurs René Duclos (von 1964-07-06 bis 1964-07-20)
Mezzosoprangesang [Carmen]:
Maria Callas (soprano) (von 1964-07-06 bis 1964-07-20)
Orchester:
Orchestre du Théâtre national de l’Opéra (von 1964-07-06 bis 1964-07-20)
conductor:
Georges Prêtre (French conductor) (von 1964-07-06 bis 1964-07-20)
Tonmeister(in):
Paul Vavasseur (engineer) (von 1964-07-06 bis 1964-07-20)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1964-07-06 bis 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (von 1964-07-06 bis 1964-07-20)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
basiert auf:
El arreglito
Teil von:
Carmen : Acte I
Georges Bizet; Maria Callas, Chœurs René Duclos, Orchestre de l'Opéra National de Paris & Georges Prêtre?:??
A2Norma, Atto I. “Casta diva” (Norma, Chorus)
Techniker(in):
Oswaldo Varesco (engineer)
Produzent(in):
Walter Legge (British classical producer)
Bass-Gesang [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (am 1954-04-23, am 1954-05-03)
Chorgesang:
Coro del Teatro alla Scala di Milano (am 1954-04-23, am 1954-05-03)
Soprangesang [Norma]:
Maria Callas (soprano) (am 1954-04-23, am 1954-05-03)
Orchester:
Orchestre de la Scala de Milan (Orchestra of La Scala, Milan) (am 1954-04-23) und Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1954-05-03)
conductor:
Tullio Serafin (conductor) (am 1954-04-23, am 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (am 1954-04-23, am 1954-05-03)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italien (am 1954-04-23, am 1954-05-03)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (am 1954-04-23)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (am 1954-05-03)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
Vincenzo Bellini; Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano & Tullio Serafin?:??
A3Gianni Schicchi, Atto I. “O mio babbine caro”
Soprangesang:
Maria Callas (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Tullio Serafin (conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini; Maria Callas, Philharmonia Orchestra & Tullio Serafin?:??
A4La Wally, Atto I. "Ebben?...Ne andrò lontana” (Wally)
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Produzent(in):
Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Soprangesang [Wally]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954, von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
conductor:
Tullio Serafin (conductor) (in 1954, von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (von 1954-09-17 bis 1954-09-18)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (von 1954-09-20 bis 1954-09-21)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1954)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (for cello and orchestra, arr. Cosma)
Komponist(in):
Alfredo Catalani (composer)
arranger:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
Arrangement von:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
Alfredo Catalani; Maria Callas, Philharmonia Orchestra & Tullio Serafin?:??
A5La traviata, Atto I. “A, fors'è lui”
Soprangesang [Violetta Valéry]:
Maria Callas (soprano) (in 1953-09)
Orchester:
Orchestra Sinfonica di Torino della RAI (in 1953-09)
conductor:
Gabriele Santini (conductor) (in 1953-09)
aufgenommen bei:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italien (in 1953-09)
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta) (in 1953-09)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi; Maria Callas, Orchestra Sinfonica di Torino della RAI & Gabriele Santini?:??
A6La traviata, Atto I. “Sempre libera”
Soprangesang [Violetta Valéry]:
Maria Callas (soprano) (in 1953-09)
Tenor-Gesang [Alfredo Germont]:
Francesco Albanese (tenor) (in 1953-09)
Orchester:
Orchestra Sinfonica di Torino della RAI (in 1953-09)
conductor:
Gabriele Santini (conductor) (in 1953-09)
aufgenommen bei:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italien (in 1953-09)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta) (in 1953-09)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi; Maria Callas, Orchestra Sinfonica di Torino della RAI & Gabriele Santini?:??
B1Tosca, Atto II. “Vissi d'arte“
Produzent(in):
Walter Legge (British classical producer)
Soprangesang [Floria Tosca]:
Maria Callas (soprano) (von 1953-08-10 bis 1953-08-21)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1953-08-10 bis 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (von 1953-08-10 bis 1953-08-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
IDOL (Independent Distribution On Line) (in 2013)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1953-08-10 bis 1953-08-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (von 1953-08-10 bis 1953-08-21)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini; Maria Callas, Orchestra del Teatro alla Scala di Milano & Victor de Sabata?:??
B2Madame Butterfly, Atto II. “Un bel di vedremo”
Produzent(in):
Walter Legge (British classical producer)
Editing:
Jennifer Howells
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini; Maria Callas, Orchestra del Teatro alla Scala di Milano & Herbert von Karajan?:??
B3Andrea Chénier, Atto III. “La mamma morta”
Produzent(in):
Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
conductor:
Tullio Serafin (conductor) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (von 1954-09-17 bis 1954-09-18)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Andrea Chénier: Atto III
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (von 1954-09-20 bis 1954-09-21)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Andrea Chénier: Atto III
Umberto Giordano; Maria Callas, Philharmonia Orchestra & Tullio Serafin?:??
B4La Bohème, Atto III. “Donde lieta uscì”
Soprangesang:
Maria Callas (soprano)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini; Maria Callas, Orchestra del Teatro alla Scala di Milano & Antonino Votto?:??
B5Il barbiere di Siviglia, Atto I. “Una voce poco fa”
Soprangesang [Rosina]:
Maria Callas (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini; Maria Callas, Philharmonia Orchestra & Alceo Galliera?:??