The Very Best of the 80's: 1983, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Temptation
produttore:
B.E.F. e Greg Walsh (producer and engineer)
voce:
Carol Kenyon
orchestratore:
John Wesley Barker (synthesizer player)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983)
registrazione di:
Temptation
autore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
editore:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Heaven 173.653:34
2Whamp Rap!
tecnico:
Chris Porter (engineer and producer) e John Potoker (producer/engineer aka Tokes)
produttore:
Bob Carter (Production music composer), Bob Carter (keyboardist for Linx) e George Michael
tecnico di missaggio:
François Kevorkian
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1986)
registrazione di:
Wham Rap! (Enjoy What You Do?)
paroliere e compositore:
George Michael e Andrew Ridgeley
editore:
Morrison Leahy Music Ltd.
Wham!56:47
3Maniac
produttore:
Phil Ramone e Michael Sembello
voce:
Michael Sembello (nel 1983)
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1983)
registrazione di:
Maniac (nel 1983)
autore:
Dennis Matkosky e Michael Sembello
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1983 nominee)
Michael Sembello4.154:03
4Wouldn't It Be Good
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore corno :
Jerry Hey e Nik Kershaw
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983, nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 88)
registrazione di:
Wouldn’t It Be Good (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
parte di:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:30
5Gold
registrazione di:
Gold
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet34:49
6Moonlight Shadow
tecnico:
Nigel Luby
produttore:
Mike Oldfield e Simon Phillips (rock drummer)
batteria :
Simon Phillips (rock drummer) (dal 1982-11 al 1983-04)
chitarra acustica, chitarra elettrica e sintetizzatore :
Mike Oldfield (dal 1982-11 al 1983-04)
chitarra basso :
Phil Spalding (dal 1982-11 al 1983-04)
voce:
Maggie Reilly (dal 1982-11 al 1983-04)
diritti fonografici (℗) detenuti da:
Mike Oldfield (nel 2013)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1983) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983)
registrata presso:
Denham Studios (dal 1982-11 al 1983-04)
registrazione di:
Moonlight Shadow (dal 1982-11 al 1983-04)
paroliere e compositore:
Mike Oldfield
editore:
EMI Virgin Music Publishing Australia P/L, Mushroom Music Pty. Ltd., Oldfield Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music Publishing Ltd. (nel 1983)
Mike Oldfield3.93:33
7Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 21) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work3.953:41
8Total Eclipse of the Heart
voce:
Bonnie Tyler (nel 1983)
esecutore:
Rory Dodd (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1983) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione di:
Total Eclipse of the Heart (nel 1983)
paroliere e compositore:
Jim Steinman
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) e Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:29
9Tonight I Celebrate My Love
tecnico di registrazione:
Alan R. Hirshberg (nel 1983)
tecnico:
Howard Wolin e Jeremy Smith (producer/engineer)
produttore:
Michael Masser
tecnico di missaggio:
Dick Bogart (Recording and mixing engineer) e Russ Terrano
batteria :
Carlos Vega (nel 1983)
chitarra :
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (nel 1983)
chitarra basso [bass] :
Nathan East (nel 1983)
pianoforte :
Randy Kerber (nel 1983)
voce:
Peabo Bryson (nel 1983) e Roberta Flack (singer and pianist) (nel 1983)
arrangiatore:
Michael Masser e Gene Page (conductor, composer, arranger and record producer)
orchestratore:
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
A&M Records Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983) e Studio Sound in North Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
mixata presso:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti
registrazione di:
Tonight, I Celebrate My Love (nel 1983)
paroliere:
Gerry Goffin
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-editore:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:32
10Hey Little Girl
registrazione di:
Hey Little Girl
paroliere e compositore:
Iva Davies
editore:
EMI Songs Australia Pty. Ltd.
Icehouse34:13
11Johnny B. Goode
produttore:
Chris Kimsey e Peter Tosh
basso :
Leebert "Gibby" Morrison
batteria :
Carlton “Santa” Davis
chitarra :
Donald Kinsey e Stevie Golding
clavinet :
Peter Tosh
organo :
Robbie Lyn
percussione :
Scully Sims e Uziah “Sticky” Thompson
pianoforte :
Keith Sterling
tastiera :
Byron Allred e Peter Couch
voce di accompagnamento:
Audrey Hall (Jamaican reggae singer), Pam Hall, Raymond Hall (Jamaican singer), Donald Kinsey, Dorrett Myers, Peter Tosh e Betty Wright (American soul and R&B singer)
remixer:
Jellybean (US producer John Benitez)
è stato produttore per:
Intel-Diplo Enterprises Inc e Wonderknob Ltd
registrazione cover di:
Johnny B. Goode
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Peter Tosh3.654:03
12Hymn
assistente tecnico:
Jon Jacobs (UK producer/engineer)
tecnico:
Geoff Emerick (British recording engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1982, nel 2025)
è stato produttore per:
AIR Studios Ltd.
registrata in aggiunta presso e mixata in aggiunta presso:
AIR Studios Montserrat in Saint Peter, Montserrat (dal 1982-06 al 1982-08)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
edit di:
Hymn di Ultravox
video musicali:
Hymn di Ultravox
registrazione di:
Hymn
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox54:26
13She Blinded Me With Science
programmazione degli strumenti:
Thomas Dolby
produttore:
Thomas Dolby e Tim Friese‐Greene
moog [Moog bass] ospite :
Matthew Seligman (nel 1982-08)
violino :
Simon House (nel 1982-08)
voce:
Thomas Dolby (nel 1982-08)
voce di accompagnamento:
Robert John “Mutt” Lange (Robert John Lange) (nel 1982-08) e Miriam Stockley (nel 1982-08)
voce parlata:
Magnus Pyke (nel 1982-08)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
Odyssey Studio (London) in London (Greater London), England, Regno Unito (nel 1982-08)
mixata presso:
Odyssey Studio (London) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 76)
registrazione di:
She Blinded Me With Science (nel 1982-08)
paroliere:
Thomas Dolby e Tim Kerr (songwriter working with Thomas Dolby)
compositore:
Thomas Dolby
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Participation Music Inc.
Thomas Dolby43:42
14Give It Up
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982, nel 1983)
registrazione di:
Give It Up
autore:
Deborah Carter (writer, backing vocalist) e Harry Wayne Casey
editore:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.254:14
15Rock it
registrata a:
Stati Uniti (nel 1983)
tecnico di registrazione:
Martin Bisi (nel 1983)
produttore:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Material (group and producer team led by Bill Laswell)
tecnico di missaggio:
Dave Jerden
basso :
Bill Laswell (US bass guitarist and record producer) (nel 1983)
tastiera :
Michael Beinhorn (nel 1983) e Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (nel 1983)
esecutore:
DXT (US 80s hip hop, aka Grandmixer D.ST) (nel 1983)
registrata presso:
OAO Studio in Brooklyn, New York, New York, Stati Uniti (nel 1983)
mixata presso:
Eldorado Recording Studios in Burbank, California, Stati Uniti
video musicali:
Rockit di Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
registrazione di:
Rockit (nel 1983)
autore:
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Bill Laswell (US bass guitarist and record producer)
editore:
Ensign Music Corporation
Herbie Hancock45:26
16Another Life
registrazione di:
Another Life
paroliere:
Barbara Addoms e Mamared
compositore:
Luciano Ninzatti e Stefano Pulga
Kano3:55
17Sunshine Reggae
registrazione di:
Sunshine Reggae
paroliere e compositore:
John Guldberg e Tim Stahl
Laid Back3.354:17
18I Like Chopin
diritti fonografici (℗) detenuti da:
BMG Music (nel 1983)
registrazione di:
I Like Chopin
paroliere:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
compositore:
Pierluigi Giombini (arranger ,composer and producer)
editore:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Gazebo3.54:07

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parte di:The Very Best of the 80's (2 volumes per year) (numero: 1983-2) (ordine: 8)