The Million Sellers of the 70's

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1We Don't Talk Anymore
registrazione di:
We Don’t Talk Anymore
paroliere e compositore:
Alan Tarney
editore:
ATV Music Ltd., Sony/ATV Songs LLC e Warner Chappell
Cliff Richard4:13
2Brass in Pocket
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
Pretenders4.43:05
3You Sexy Thing
registrazione di:
You Sexy Thing
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate (also credited as Choclat and Chokolate), EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate4:06
4She's Not There
registrazione cover di:
She’s Not There
paroliere e compositore:
Rod Argent
editore:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA e Parker Music
sub-editore:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana3:53
5Tired of Toeing the Line
Rocky Burnette3:32
6Love Is Like Oxygen
registrazione di:
Love Is Like Oxygen
autore:
Trevor Griffin e Andy Scott (Member of Sweet)
editore:
Maxwood Music Ltd., Sweet Publishing Ltd. e Warner Bros. Music (publisher; do NOT use as release label)
The Sweet3:48
7Baby It's You
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978)
registrazione di:
Baby It’s You (Promises song)
autore:
Benny Knauer (member of Promises) e Leslie Knauer
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
Promises3:52
8Hot Love
produttore:
Tony Visconti
voce:
Marc Bolan
registrazione di:
Hot Love
paroliere e compositore:
Marc Bolan
editore:
Essex Music International Ltd., Onward Music Ltd. e Westminster Music Ltd.
T. Rex4.35:00
9Boogie Wonderland
registrazione di:
Boogie Wonderland
paroliere:
Allee Willis
compositore:
Jon Lind
editore:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) e Rondor Music (London) Ltd.
Earth, Wind & Fire4:47
10Walk Right In
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977, nel 2002)
registrazione cover di:
Walk Right In
autore:
Darling e Svanoe
compositore:
Gus Cannon e Hosea Woods
editore:
Southern Music (publisher), Southern Music Publ. Co. (A'Asia) e Southern Music Publishing Co. (publishing company)
Dr. Hook3:01
11Long Cool Woman in a Black Dress
tecnico:
John Punter
produttore:
The Hollies e Ron Richards
diritti fonografici (℗) detenuti da:
The Hollies Ltd. (nel 1971) e Sony BMG Music Entertainment (2004–2008) (nel 1972)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1971-07-16, dal 1971-07-27 al 1971-07-30)
registrazione di:
Long Cool Woman in a Black Dress (dal 1971-07-16 al 1971-07-30)
autore:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
The Hollies4.153:14
12Baker St
registrazione di:
Baker Street
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty5:52
13United We Stand
assistente tecnico:
Stephen Brown (assistant engineer, Deram, 1970s)
tecnico:
Terry Johnson (engineer)
produttore:
Brotherhood of Man e Tony Hiller (singer, songwriter)
arrangiatore:
Cy Payne
registrazione di:
United We Stand
compositore:
Tony Hiller (singer, songwriter) e Peter Simons (John Goodison)
editore:
Belwin-Mills Publishing Corp., Edition Corona, EMI April Music Inc., EMI Harmonies Ltd., EMI Mills Music Inc. (ASCAP-affiliated), Palace-Hiller Music e Rolf Budde GmbH & Co.
Brotherhood of Man4.52:46
14Hold the Line
produttore:
Toto (US rock group)
basso :
David Hungate
batteria e percussione :
Jeff Procaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
tastiera :
David Paich e Steve Porcaro
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (nel 1978)
registrazione di:
Hold the Line
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto3.73:29
15Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973), RAK Records Ltd. (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.153:32
2▼CD
#TitoloArtistaValutazioneDurata
1Lay Your Love on Me
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978), RAK Records (copyrights holder) (nel 1978) e RAK (nel 1979)
registrazione di:
Lay Your Love on Me
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music e Universal Music Publishing MGB Australia
Racey?:??
2Heart of Glass
assistente tecnico:
Grey Russell
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke
chitarra :
Frank Infante e Chris Stein
chitarra basso :
Nigel Harrison
tastiera :
Jimmy Destri
voce principale:
Deborah Harry
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (nel 1978), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1978)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1978-06)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.15?:??
3Livin' Thing
tecnico:
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) e Duane Scott
produttore:
Jeff Lynne
basso :
Kelly Groucutt (nel 1976-07)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1976-07)
chitarra :
Jeff Lynne (nel 1976-07) e Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1976-07)
clavinet , moog e pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1976-07)
violino :
Mik Kaminski (nel 1976-07)
violoncello :
Melvyn Gale (nel 1976-07) e Hugh McDowell (nel 1976-07)
voce di accompagnamento:
Brie Brandt (nel 1976-07), Kelly Groucutt (nel 1976-07), Addie Lee (nel 1976-07) e Patti Quatro (nel 1976-07)
voce principale:
Jeff Lynne (nel 1976-07)
direttore d'orchestra:
Louis Clark (nel 1976-07)
arrangiatore cori:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
orchestratore:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Jet Records (nel 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (nel 1976, nel 2005), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1976) e Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1994)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1976-07) e Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1976-07)
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
editing effettuato presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Livin’ Thing (nel 1976-07)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
ELO4.3?:??
4Rivers of Babylon
produttore:
Frank Farian
voce di accompagnamento e voce principale:
Marcia Barrett, Frank Farian e Liz Mitchell
diritti fonografici (℗) detenuti da:
Hansa (nel 1978)
registrazione cover di:
Rivers of Babylon (Boney M. version)
paroliere:
Brent Dowe e Trevor McNaughton
compositore:
Brent Dowe, Frank Farian, Trevor McNaughton e George Reyam
editore:
Blue Mountain Music e FAR Music (publisher for Frank Farian)
si basa su:
Rivers of Babylon
Boney M.4?:??
5Video Killed the Radio Star
Buggles?:??
6Cum on Feel the Noize
produttore:
Bryan “Chas” Chandler
parte di:
Q50 – December 2005 (numero: 34)
registrazione di:
Cum On Feel the Noize
autore:
Noddy Holder e Jim Lea
editore:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Slade4.15?:??
7Dreadlock Holiday
produttore:
Graham Gouldman e Eric Stewart
batteria e tamburello :
Stuart Tosh
chitarra basso e chitarra e voce di accompagnamento e voce principale:
Graham Gouldman
chitarra e organo :
Rick Fenn
congas, campanaccio, marimba, timbales e triangolo :
Paul Burgess (UK rock drummer)
pianoforte elettrico, maracas e organo :
Eric Stewart
sintetizzatore :
Duncan Mackay (UK keyboardist/synthesizerist)
voce di accompagnamento:
Rick Fenn, Eric Stewart e Stuart Tosh
registrata da:
Phonogram Ltd. (London) (company name, NOT a label!)
registrata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito (nel 1977)
registrazione di:
Dreadlock Holiday (nel 1977)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. e St. Anne’s Music Ltd.
10cc4?:??
8Maggie May
produttore:
Rod Stewart
celesta :
Pete Sears (nel 1971)
chitarra a 12 corde , chitarra basso e chitarra elettrica :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971)
chitarra acustica :
Martin Quittenton (guitarist for Steamhammer) (nel 1971)
mandolino :
Ray Jackson (nel 1971) e David Lindley (nel 1971)
membranofono e piatti :
Micky Waller (nel 1971)
organo Hammond :
Ian McLagan (nel 1971)
voce principale:
Rod Stewart (nel 1971)
diritti fonografici (℗) detenuti da:
Mercury Records Inc. (copyrights use only) (nel 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.2?:??
9Hot Stuff
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
voce:
Donna Summer (soul/disco diva)
arrangiatore:
Harold Faltermeyer
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2003) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2003)
registrazione di:
Hot Stuff
autore:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer3.5?:??
10Living Next Door to Alice
produttore:
Mike Chapman (Australian producer and songwriter) e G. Kasper (German sound engineer & producer, “Mr. Cool”)
produttore associato:
Nicky Chinn
diritti fonografici (℗) detenuti da:
Chinnichap Records Ltd. (nel 1976) e RAK Records Ltd. (nel 1976)
è stato produttore per:
Chinnichap (production company and publisher)
registrazione cover di:
Living Next Door to Alice
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton GmbH e Universal Music Publishers MGB Australia Pty Ltd
Smokie4?:??
11Island Girl
assistente tecnico:
Mark Guercio (Engineer)
tecnico:
Jeff Guercio
produttore:
Gus Dudgeon
banjo, chitarra elettrica, chitarra slide e chitarra steel :
Davey Johnstone
chitarra acustica :
Caleb Quaye
chitarra basso :
Kenny Passarelli (Bass, piano)
congas, marimba e tamburello :
Ray Cooper (percussionist)
mellotron solista e sintetizzatore :
James Newton Howard (American score composer)
membranofono :
Roger Pope
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
voce di accompagnamento:
Ann Orson (English singer, songwriter, pianist, and composer), Kiki Dee, Davey Johnstone, Kenny Passarelli (Bass, piano) e Caleb Quaye
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1975) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1996)
registrata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti
registrazione di:
Island Girl
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Universal-On Backstreet Music, Inc., Universal–Songs of PolyGram International, Inc. e Big Pig Music Ltd. (publisher) (nel 1975)
Elton John3.15?:??
12Bat Out of Hell
batteria :
Max Weinberg
chitarra e chitarra [Motorcycle guitar] :
Todd Rundgren
chitarra basso :
Kasim Sulton
percussione :
Jim Steinman
pianoforte :
Roy Bittan
sintetizzatore :
Roger Powell (US musician, programmer, and columnist, band "Utopia")
tastiera :
Roy Bittan, Todd Rundgren e Jim Steinman
voce di accompagnamento:
Todd Rundgren e Kasim Sulton
voce di accompagnamento aggiuntiva:
Rory Dodd e Ellen Foley
voce principale:
Meat Loaf
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
edit di:
Bat Out of Hell di Meat Loaf
registrazione di:
Bat out of Hell
paroliere e compositore:
Jim Steinman
editore:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music e Peg Music Co.
Meat Loaf4.65?:??
13My Sharona
tecnico di registrazione:
Pete Coleman
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Bruce Gary
chitarra :
Berton Averre e Doug Fieger (in The Knack)
chitarra basso :
Prescott Niles
voce:
Berton Averre
voce principale:
Doug Fieger (in The Knack)
remixer:
Dave Jerden
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 1994, nel 2013)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 18), TV Cream: Real 100 Best Singles Ever (numero: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 72) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 201)
registrazione di:
My Sharona
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.1?:??
14You to Me Are Everything
produttore:
Ken Gold
diritti fonografici (℗) detenuti da:
Pye Records (nel 1976) e Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1976)
registrazione di:
You to Me Are Everything
autore:
Michael Denne e Ken Gold
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Screen Gems–EMI Music Ltd.
The Real Thing3.65?:??
15Le Freak
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrazione di:
Le Freak (nel 1978)
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.4?:??

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