Sounds of the Seventies: The Late ’70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Last Dance
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1978)
registrazione di:
Last Dance
paroliere e compositore:
Paul Jabara
editore:
EMI Blackwood Music Inc., Management Three Music, Olga Music e フジパシフィックミュージック (Fujipacific Music, Inc.)
parte di:
The 51st Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1978 winner)
Donna Summer3.73:23
2In the Navy
tecnico:
Michael Hutchinson (engineer)
produttore:
Jacques Morali
produttore esecutivo:
Henri Belolo
voce principale:
Victor Willis (member of the Village People)
direttore d'orchestra:
Horace Ott
arrangiatore archi e arrangiatore ottoni [horns] :
Horace Ott
diritti fonografici (℗) detenuti da:
Metronome GmbH (Manufacturing department of Metronome Records GmbH — not a label) (nel 1979)
è stato produttore per:
Can’t Stop Productions, Inc.
registrata presso e mixata presso:
Sigma Sound Studios (New York) in New York, New York, Stati Uniti
registrazione di:
In the Navy
paroliere:
Henri Belolo e Victor Willis (member of the Village People)
compositore:
Jacques Morali
editore:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group e Scorpio Music (French label and publisher) (nel 1979)
Village People43:47
3More Than a Feeling
produttore:
John Boylan e Tom Scholz
basso , chitarra acustica e chitarra elettrica :
Tom Scholz (dal 1975-10 al 1976-04)
batteria :
Sib Hashian (dal 1975-10 al 1976-04)
voce:
Brad Delp (dal 1975-10 al 1976-04)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Sony BMG Music Entertainment (2004–2008) (nel 1976), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 2002)
registrazione di:
More Than a Feeling (dal 1975-10 al 1976-04)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston4.83:27
4Magnet and Steel
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978)
registrazione di:
Magnet and Steel
autore:
Walter Egan
editore:
EMI April Music Inc.
Walter Egan3:22
5Sad Eyes
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1979) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1979)
registrazione di:
Sad Eyes
paroliere e compositore:
Robert John (US singer‐songwriter)
editore:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:33
6Happy Days
registrazione di:
Happy Days
paroliere:
Norman Gimbel
compositore:
Charles Fox (film/TV composer, also Latin pianist)
editore:
BMG Music e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
registrazione di:
Happy Days (Theme from “Happy Days”)
autore:
Charles Fox (film/TV composer, also Latin pianist) e Norman Gimbel
Pratt & McClain32:37
7Video Killed the Radio Star
produttore:
The Buggles
chitarra elettrica e voce principale:
Trevor Horn (nel 1979)
tastiera :
Geoff Downes (English keyboardist) (nel 1979)
cori:
Debi Doss (photographer and singer, Kinks) (nel 1979) e Linda Jardim (nel 1979)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1979)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 40)
registrazione di:
Video Killed the Radio Star
autore:
Geoff Downes (English keyboardist), Trevor Horn e Bruce Woolley
editore:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:23
8Sharing the Night Together
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978)
registrazione cover di:
Sharing the Night Together
autore:
Ava Aldridge e Eddie Struzick
editore:
Buddy Killen Music, Cal IV Songs, Fermata do Brasil, Hope -n- Cal Music, Killen Songs Inc. e Leosong (publisher)
Dr. Hook42:55
9I Go Crazy
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrazione di:
I Go Crazy
paroliere e compositore:
Paul Davis (American singer)
editore:
Paul and Jonathan Songs, Sony/ATV Songs LLC e Web IV Music Inc.
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis3:42
10I Want You
produttore:
T-Boy Ross e Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
produttore esecutivo:
Berry Gordy, Jr. e Marvin Gaye
voce:
Marvin Gaye (nel 1975)
arrangiatore:
Coleridge-Taylor Perkinson
registrata presso:
Marvin’s Room in Hollywood, Los Angeles, California, Stati Uniti (nel 1975)
registrazione di:
I Want You (nel 1975)
paroliere:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
compositore:
Arthur “T‐Boy” Ross e Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Jobete Music Co., Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Marvin Gaye13:58
11Lovin’ You
produttore:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) e Stevie Wonder
armonica (a bocca) , batteria , pianoforte e piatti :
El Toro Negro
batteria [drum kit] :
Ollie E. Brown (US drummer, session musician & record producer) e El Toro Negro
chitarra :
Marlo Henderson e Michael Sembello
chitarra basso :
Reggie McBride
congas :
Kwasi "Rocki" Dzidzornu
voce:
Minnie Riperton
voce di accompagnamento:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) e Yvonne Wright
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.53:26
12Making Our Dreams Come True
archi :
Sid Sharp and His Magic Strings
basso :
Max Bennett (US jazz bassist and session musician)
batteria :
Mike Baird (drummer)
chitarra :
Ben Benay
corno [horns] :
Dick Hyde, David Luell, William Peterson, Bobby Shew e Phillip Teele
flauto :
Clifford Shank e William Collette
percussione :
Victor Feldman (jazz musician)
sassofono solista :
David Luell
tastiera [keyboards] :
David Foster (Canadian music producer, arranger and composer)
voce:
The Ron Hicklin Singers
voce principale:
Cyndi Grecco
arrangiatore:
Charles Fox (film/TV composer, also Latin pianist)
registrazione di:
Making Our Dreams Come True (Theme From Laverne & Shirley)
paroliere:
Norman Gimbel e Ellen Weston
autore:
Laurie Maitland
compositore:
Charles Fox (film/TV composer, also Latin pianist)
editore:
Bruin Music Company
Cyndi Grecco52:32
13Gold
basso :
Brian Garofalo
batteria :
Michael Botts
chitarra elettrica :
Lindsey Buckingham (guitarist, singer, songwriter and producer) e John Stewart (singer-songwriter (Kingston Trio))
tastiera [keyboards] :
Joey Carbone
voce di accompagnamento:
Stevie Nicks
voce principale:
John Stewart (singer-songwriter (Kingston Trio))
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979)
registrazione di:
Gold
paroliere e compositore:
John Stewart (singer-songwriter (Kingston Trio))
editore:
Bugle Publishing e Unichappell (publisher)
John Stewart4:24
14Dreaming
tecnico:
Peter Coleman (British engineer & producer) e David Tickle
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1979-05 al 1979-06)
chitarra :
Frank Infante (dal 1979-05 al 1979-06) e Chris Stein (dal 1979-05 al 1979-06)
chitarra basso :
Nigel Harrison (dal 1979-05 al 1979-06)
tastiera :
Jimmy Destri (dal 1979-05 al 1979-06)
voce di accompagnamento:
Ellie Greenwich (dal 1979-05 al 1979-06)
voce principale:
Deborah Harry (dal 1979-05 al 1979-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1979), Chrysalis Records, Inc. (not for release label use!) (nel 1979, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (dal 1979-05 al 1979-06), Mediasound Studios in New York, New York, Stati Uniti (dal 1979-05 al 1979-06) e Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1979-05 al 1979-06)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 4) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 414)
registrazione di:
Dreaming (dal 1979-05 al 1979-06)
autore:
Deborah Harry e Chris Stein
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) e EMI Music Publishing Ltd. (PRS‐affiliated)
Blondie3.553:04
15We Just Disagree
assistente tecnico:
Michael Beiriger e Rick Smith (engineer)
produttore:
Ron Nevison
batteria :
Rick Jaeger (drummer)
chitarra basso [bass] :
Gerald Johnson
percussione :
Bobbye Hall
tastiera :
Mike Finnigan (keyboardist)
voce:
Mike Finnigan (keyboardist)
arrangiatore archi :
Alan MacMillan
arrangiatore:
Dave Mason (co‐founder of Traffic)
primo violino:
James Getzoff (American concertmaster and violinist)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Sony BMG Music Entertainment (2004–2008) (nel 1977)
è stato produttore per:
Gadget Productions Inc.
registrata presso e mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
We Just Disagree
paroliere e compositore:
Jim Krueger
editore:
Bruiser Music, EMI Blackwood Music Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Dave Mason3.653:02
16You Don’t Have to Be a Star (to Be in My Show)
registrazione di:
You Don't Have to Be a Star (To Be in My Show)
autore:
James Dean (US soul songwriter) e John Glover (US Funk/disco/soul producer & songwriter)
Marilyn McCoo & Billy Davis Jr.53:54
17Kiss and Say Goodbye
registrazione di:
Kiss and Say Goodbye
paroliere e compositore:
Winfred Lovett (Lovett Winfred Lorenzo)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e EMI Songs Ltd.
The Manhattans3:36
18Lonely Boy
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1977)
registrazione di:
Lonely Boy
paroliere e compositore:
Andrew Gold
editore:
Luckyu Music
Andrew Gold4.53:59
19Ebony Eyes
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 96)
registrazione di:
Ebony Eyes
paroliere e compositore:
Bob Welch (early member of Fleetwood Mac)
editore:
Cigar Music, EMI Music Publishing Australia Pty Ltd (not for release label use!) e Glenwood Music Corp.
Bob Welch3:35
20Right Time of the Night
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1976)
registrazione di:
Right Time of the Night
paroliere e compositore:
Peter McCann
editore:
Universal Tunes, Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e American Broadcasting Music, Inc. (dal 1976 a oggi)
Jennifer Warnes22:55
21Undercover Angel
registrazione di:
Undercover Angel
paroliere e compositore:
Alan O’Day
Alan O’Day3:27
22Bluer Than Blue
assistente tecnico di registrazione:
Rich Schirmer
tecnico di registrazione:
Brent Maher
produttore:
Steve Gibson (US country vocalist and guitarist) e Brent Maher
batteria :
Kenny Malone (session drummer/percussion)
chitarra basso [bass] :
Jack Williams (US multi-instrumentalist and arranger)
percussione :
Farrell Morris
pianoforte :
Shane Keister
voce principale:
Michael Johnson (singer, songwriter & guitarist)
arrangiatore:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
diritti fonografici (℗) detenuti da:
EMI America Records, Inc. (holding – file NO releases here!) (nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1978) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1978)
registrata presso:
Creative Workshop in Nashville, Tennessee, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 81)
registrazione di:
Bluer Than Blue
paroliere e compositore:
Randy Goodrum
editore:
Let There Be Music e Springcreek Music, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Michael Johnson2:54

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parte di:Sounds of the Seventies (Time-Life Music) (numero: 34) (ordine: 34)