Decca Recordings, Volume 1: 1965-1972

~ Release by Leopold Stokowski (see all versions of this release, 1 available)

Tracklist

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1▼CD: Transcriptions
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1Toccata and Fugue in D minor, BWV 565 (Transcription: Leopold Stokowski)
engineer:
Arthur Lilley (engineer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
arranger:
Leopold Stokowski (conductor)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
live recording of:
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration) (from 1972-09-07 until 1972-09-08)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach10:19
2Prelude and Fugue in E-flat minor / D-sharp minor (WTK, Book I, No. 8), BWV 853: Prelude in E-flat minor (Arr. Stokowski)
engineer:
Arthur Lilley (engineer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
arranger:
Leopold Stokowski (conductor)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
live recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude (orch. Stokowski) (from 1972-09-07 until 1972-09-08)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
orchestration of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
Johann Sebastian Bach5:16
3Schemellis Gesangbuch: Mein Jesu! Was für Seelenweh, BWV 487
engineer:
Arthur Lilley (engineer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
arranger:
Leopold Stokowski (conductor)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
live recording of:
Mein Jesu, was für Seelenweh, BWV 487 (Stokowski orchestration) (from 1972-09-07 until 1972-09-08)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Geistliche Lied, BWV 487 "Mein Jesu, was für Seelenweh"
Johann Sebastian Bach5:31
4"Wir glauben alle an einen Gott", BWV 680
engineer:
Arthur Lilley (engineer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
live recording of:
Wir glauben all’ an einen Gott, BWV 680 "Giant Fugue" (Stokowski orchestration) (from 1972-09-07 until 1972-09-08)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Choralbearbeitung, BWV 680 "Wir glauben all' an einen Gott"
Johann Sebastian Bach3:32
5Easter Cantata: Chorale
engineer:
Arthur Lilley (engineer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
arranger:
Leopold Stokowski (conductor)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
live recording of:
Chorale from the Easter Cantata (orch. Stokowski) (from 1972-09-07 until 1972-09-08)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
orchestration of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“
Johann Sebastian Bach4:36
6Passacaglia & Fugue in C minor
engineer:
Arthur Lilley (engineer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
arranger:
Leopold Stokowski (conductor)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
live recording of:
Passacaglia and Fugue in C minor, BWV 582 (Stokowski orchestration) (from 1972-09-07 until 1972-09-08)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Passacaglia and Fugue in C minor, BWV 582
Johann Sebastian Bach15:03
7Pavan: The Earl of Salisbury & Galliard (after Francis Tregian)
recording engineer:
Arthur Lilley (engineer) (on 1972-06-15)
producer:
Raymond Few (Ray Few, producer)
orchestra:
London Symphony Orchestra (on 1972-06-15)
conductor:
Leopold Stokowski (conductor) (on 1972-06-15)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1972-06-15)
live recording of:
Pavane and Gigue (Stokowski orchestration) (on 1972-06-15)
orchestrator:
Leopold Stokowski (conductor)
composer:
William Byrd (English composer)
medley of:
Pavan, The Earl of Salisbury (Parthenia No. 6)
medley of:
The Fitzwilliam Virginal Book No. 181: A Gigg
William Byrd5:24
8Trumpet Voluntary
engineer:
Arthur Lilley (engineer)
producer:
Raymond Few (Ray Few, producer)
solo trumpet:
Howard Snell (trumpeter, arranger, bandleader, conductor, composer, teacher)
orchestra:
London Symphony Orchestra (in 1974)
conductor:
Leopold Stokowski (conductor) (in 1974)
recording of:
Trumpet Prelude (Stokowski orchestration of “Prince of Denmark/Trumpet Voluntary”) (in 1974)
orchestrator:
Leopold Stokowski (conductor)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
version of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Jeremiah Clarke2:29
9Moment musical in F minor, D. 780 no. 3
recording engineer:
Arthur Lilley (engineer) (on 1972-06-15)
producer:
Raymond Few (Ray Few, producer)
orchestra:
London Symphony Orchestra (on 1972-06-15)
conductor:
Leopold Stokowski (conductor) (on 1972-06-15)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1972-06-15)
recording of:
6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato (Stokowski orchestration) (on 1974-06-15)
orchestrator:
Leopold Stokowski (conductor)
composer:
Franz Schubert (composer)
orchestration of:
6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato
Franz Schubert2:11
10Mazurka no. 13 in A minor, op. 17 no. 4
recording engineer:
Arthur Lilley (engineer) (on 1972-06-13)
producer:
Raymond Few (Ray Few, producer)
orchestra:
London Symphony Orchestra (on 1972-06-13)
conductor:
Leopold Stokowski (conductor) (on 1972-06-13)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1972-06-13)
recording of:
Mazurka no. 13 in A minor, op. 17 no. 4 (orch. Stokowski) (on 1972-06-13)
orchestrator:
Leopold Stokowski (conductor)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Mazurka no. 13 in A minor, op. 17 no. 4
Frédéric Chopin5:59
11Chant sans paroles, op. 40, no. 6
recording engineer:
Arthur Lilley (engineer) (on 1972-06-15)
producer:
Raymond Few (Ray Few, producer) and Tim McDonald (producer)
orchestra:
London Symphony Orchestra (on 1972-06-15)
conductor:
Leopold Stokowski (conductor) (on 1972-06-15)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1972-06-15)
live recording of:
Chant sans paroles (orch. by Stokowski) (on 1972-06-15)
orchestrator:
Leopold Stokowski (conductor)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
orchestration of:
12 pieces, op. 40 no. 6: Chant sans paroles (for piano)
Pyotr Ilyich Tchaikovsky3:21
12Extase
recording engineer:
Arthur Lilley (engineer) (on 1972-06-13)
producer:
Raymond Few (Ray Few, producer)
solo horn:
David Gray (hornist) (on 1972-06-13)
orchestra:
London Symphony Orchestra (on 1972-06-13)
conductor:
Leopold Stokowski (conductor) (on 1972-06-13)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1972-06-13)
recording of:
Extase (orch. Stokowski) (on 1972-06-13)
orchestrator:
Leopold Stokowski (conductor)
composer:
Henri Duparc (French composer)
orchestration of:
Extase
Henri Duparc3:10
13Prélude in C-sharp minor, op. 3, no. 2
engineer:
Arthur Lilley (engineer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
live recording of:
Prelude in C-sharp minor (orch. by Stokowski) (from 1972-09-07 until 1972-09-08)
orchestrator:
Leopold Stokowski (conductor)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer)
orchestration of:
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow)
Sergei Rachmaninov4:44
14Préludes - Book 1, L. 117: 10. La cathédrale engloutie
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1965-09-11)
conductor:
Leopold Stokowski (conductor) (on 1965-09-11)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-09-11)
recording of:
La Cathédrale engloutie (orch. Stokowski) (on 1965-09-11)
orchestrator:
Leopold Stokowski (conductor)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
orchestration of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme
Claude Debussy6:41
2▼CD: Symphony no. 5 / Le Poème de l'Extase
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1Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1966-09-14 until 1966-09-16)
conductor:
Leopold Stokowski (conductor) (from 1966-09-14 until 1966-09-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-09-14 until 1966-09-16)
recording of:
Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima (from 1966-09-14 until 1966-09-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky15:50
2Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima
producer:
Tony D’Amato
solo horn:
Alan Civil (British horn player) (from 1966-09-14 until 1966-09-16)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1966-09-14 until 1966-09-16)
conductor:
Leopold Stokowski (conductor) (from 1966-09-14 until 1966-09-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-09-14 until 1966-09-16)
recording of:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza (from 1966-09-14 until 1966-09-16)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky15:05
3Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1966-09-14 until 1966-09-16)
conductor:
Leopold Stokowski (conductor) (from 1966-09-14 until 1966-09-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-09-14 until 1966-09-16)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (from 1966-09-14 until 1966-09-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky6:38
4Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1966-09-14 until 1966-09-16)
conductor:
Leopold Stokowski (conductor) (from 1966-09-14 until 1966-09-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-09-14 until 1966-09-16)
recording of:
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso (Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace) (from 1966-09-14 until 1966-09-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky12:58
5Le Poème de l'Extase, op. 54
engineer:
Arthur Lilley (engineer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1972-09)
conductor:
Leopold Stokowski (conductor) (in 1972-09)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (in 1972-09)
recording of:
Le Poème de l'extase, op. 54 "Symphony no. 4" (in 1972-09)
composer:
Александр Николаевич Скрябин (Alexander Scriabin, pianist and composer) (from 1905 until 1908)
part of:
Works of Alexander Scriabin by opus number (number: op. 54)
Alexander Scriabin19:19
3▼CD: Franck: Symphony in D minor / Elgar: Enigma Variations
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1Symphony in D minor: I. Lento - Allegro ma non troppo - Allegro
engineer:
Arthur Lilley (engineer)
producer:
Tony D’Amato
orchestra:
Radio Filharmonisch Orkest (Netherlands Radio Philharmonic Orchestra) (in 1970-09)
conductor:
Leopold Stokowski (conductor) (in 1970-09)
recorded at:
Hilversum Radio Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1970-09)
recording of:
Symphonie en ré mineur: I. Lento - Allegro non troppo (Symphony in D minor: I. Lento - Allegro non troppo) (in 1970-09)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck18:09
2Symphony in D minor: II. Allegretto
engineer:
Arthur Lilley (engineer)
producer:
Tony D’Amato
orchestra:
Radio Filharmonisch Orkest (Netherlands Radio Philharmonic Orchestra) (in 1970-09)
conductor:
Leopold Stokowski (conductor) (in 1970-09)
recorded at:
Hilversum Radio Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1970-09)
recording of:
Symphonie en ré mineur: II. Allegretto (Symphony in D minor: II. Allegretto) (in 1970-09)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck12:36
3Symphony in D minor: III. Allegro non troppo
engineer:
Arthur Lilley (engineer)
producer:
Tony D’Amato
orchestra:
Radio Filharmonisch Orkest (Netherlands Radio Philharmonic Orchestra) (in 1970-09)
conductor:
Leopold Stokowski (conductor) (in 1970-09)
recorded at:
Hilversum Radio Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1970-09)
recording of:
Symphonie en ré mineur: III. Allegro non troppo (Symphony in D minor: III. Allegro non troppo) (in 1970-09)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck12:51
4Variations on an Original Theme, op. 36 "Enigma": Theme (Andante)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:27
5Variations on an Original Theme, op. 36 "Enigma": 1. C.A.E. (L'istesso tempo)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:02
6Variations on an Original Theme, op. 36 "Enigma": 2. H.D.S.-P. (Allegro)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:47
7Variations on an Original Theme, op. 36 "Enigma": 3. R.B.T. (Allegretto)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:38
8Variations on an Original Theme, op. 36 "Enigma": 4. W.M.B. (Allegro di molto)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:31
9Variations on an Original Theme, op. 36 "Enigma": 5. R.P.A. (Moderato)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:05
10Variations on an Original Theme, op. 36 "Enigma": 6. Ysobel (Andantino)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:59
11Variations on an Original Theme, op. 36 "Enigma": 7. Troyte (Presto)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:58
12Variations on an Original Theme, op. 36 "Enigma": 8. W.N. (Allegretto)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:39
13Variations on an Original Theme, op. 36 "Enigma": 9. Nimrod (Adagio)
engineer:
Arthur Lilley (engineer)
orchestra:
Czech Philharmonic Orchestra (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1972-09-07 until 1972-09-08)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:08
14Variations on an Original Theme, op. 36 "Enigma": 10. Intermezzo: Dorabella (Allegretto)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:00
15Variations on an Original Theme, op. 36 "Enigma": 11. G.R.S. (Allegro di molto)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:05
16Variations on an Original Theme, op. 36 "Enigma": 12. B.G.N. (Andante)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:00
17Variations on an Original Theme, op. 36 "Enigma": 13. Romanza *** (Moderato)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:15
18Variations on an Original Theme, op. 36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto)
engineer:
Arthur Lilley (engineer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1972-09-07 until 1972-09-08)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar5:25
4▼CD: Symphonie fantastique / Daphnis et Chloë (Suite no. 2)
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1Symphonie fantastique, op. 14: I. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai)
engineer:
Arthur Lilley (engineer)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1968-06)
conductor:
Leopold Stokowski (conductor) (in 1968-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-06)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (in 1968-06)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz14:07
2Symphonie fantastique, op. 14: II. Un bal (Valse: Allegro non troppo)
engineer:
Arthur Lilley (engineer)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1968-06)
conductor:
Leopold Stokowski (conductor) (in 1968-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-06)
recording of:
Symphonie fantastique, op. 14: II. Un bal (in 1968-06)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:22
3Symphonie fantastique, op. 14: III. Scène aux champs (Adagio)
engineer:
Arthur Lilley (engineer)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1968-06)
conductor:
Leopold Stokowski (conductor) (in 1968-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-06)
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs (in 1968-06)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz17:24
4Symphonie fantastique, op. 14: IV. Marche au supplice (Allegretto non troppo)
engineer:
Arthur Lilley (engineer)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1968-06)
conductor:
Leopold Stokowski (conductor) (in 1968-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-06)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (in 1968-06)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:18
5Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso)
engineer:
Arthur Lilley (engineer)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1968-06)
conductor:
Leopold Stokowski (conductor) (in 1968-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-06)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (in 1968-06)
composer:
Hector Berlioz (French composer) (in 1830)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz10:31
6La Damnation de Faust, op. 24, part 2: Ballet des Sylphes
engineer:
Arthur Lilley (engineer) (in 1970-06)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (in 1970-06)
conductor:
Leopold Stokowski (conductor) (in 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-06)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Ballet des sylphes (Orchestre) (in 1970-06)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz3:20
7Fanfare from "L'Eventail de Jeanne"
engineer:
Arthur Lilley (engineer)
producer:
Tony D’Amato
orchestra:
Radio Filharmonisch Orkest (Netherlands Radio Philharmonic Orchestra) (in 1970-09)
conductor:
Leopold Stokowski (conductor) (in 1970-09)
recorded at:
Hilversum Radio Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1970-09)
recording of:
L'éventail de Jeanne: I. Fanfare (in 1970-09)
composer:
Maurice Ravel (French composer) (in 1927)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 80)
part of:
L'éventail de Jeanne (Ballet in one act by ten French composers)
Maurice Ravel2:14
8Daphnis & Chloë - Suite no. 2: I. Lever du jour
engineer:
Arthur Lilley (engineer)
producer:
Tony D’Amato
choir vocals:
London Symphony Chorus (in 1970-06)
orchestra:
London Symphony Orchestra (in 1970-06)
conductor:
Leopold Stokowski (conductor) (in 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-06)
recording of:
Daphnis et Chloé, Suite no. 2: I. Lever du jour (in 1970-06)
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
publisher:
Durand S.A. Editions Musicales (1909–1947)
part of:
Daphnis et Chloé, Suite no. 2
Maurice Ravel9:22
9Daphnis & Chloë - Suite no. 2: II. Pantomime
engineer:
Arthur Lilley (engineer)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (in 1970-06)
conductor:
Leopold Stokowski (conductor) (in 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-06)
recording of:
Daphnis et Chloé, Suite no. 2: II. Pantomime (in 1970-06)
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
publisher:
Durand S.A. Editions Musicales (1909–1947)
part of:
Daphnis et Chloé, Suite no. 2
Maurice Ravel3:50
10Daphnis & Chloë - Suite no. 2: III. Danse générale
engineer:
Arthur Lilley (engineer)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (in 1970-06)
conductor:
Leopold Stokowski (conductor) (in 1970-06)
performer:
London Symphony Chorus (in 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-06)
recording of:
Daphnis et Chloé, Suite no. 2: III. Danse générale (in 1970-06)
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
publisher:
Durand S.A. Editions Musicales (1909–1947)
part of:
Daphnis et Chloé, Suite no. 2
Maurice Ravel3:45
5▼CD: The Firebird / Prélude à l'après-midi d'un faune / La Mer / L'Ascension
#TitleArtistRatingLength
1The Firebird (L'Oiseau de feu) Suite (1919): Introduction
engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
L’Oiseau de feu: I. Introduction (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
recording of:
L’Oiseau de feu: I. L’Oiseau de feu et sa danse (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:36
2The Firebird (L'Oiseau de feu) Suite (1919): Dance of the Firebird
engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
L’Oiseau de feu: I. Variation de l’Oiseau de feu (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky1:09
3The Firebird (L'Oiseau de feu) Suite (1919): Round Dance of the Princesses
engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
L’Oiseau de feu: II. Ronde des princesses (Khorovode) (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky5:42
4The Firebird (L'Oiseau de feu) Suite (1919): Infernal Dance of King Kaschei
engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky4:31
5The Firebird (L'Oiseau de feu) Suite (1919): Berceuse
engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
L’Oiseau de feu: III. Berceuse (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:46
6The Firebird (L'Oiseau de feu) Suite (1919): Finale
engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
L’Oiseau de feu: III. Finale (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:24
7Prélude à l'après-midi d'un faune, L. 86
recording engineer:
Arthur Lilley (engineer) (from 1972-06-14 until 1972-06-15)
producer:
Raymond Few (Ray Few, producer)
orchestra:
London Symphony Orchestra (from 1972-06-14 until 1972-06-15)
conductor:
Leopold Stokowski (conductor) (from 1972-06-14 until 1972-06-15)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1972-06-14) and Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1972-06-15)
live recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1972-06-14 until 1972-06-15)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy11:53
8La Mer, L.109: I. From Dawn Till Noon on the Sea (De l'aube à midi sur la mer)
engineer:
Arthur Lilley (engineer)
orchestra:
London Symphony Orchestra (in 1970-06)
conductor:
Leopold Stokowski (conductor) (in 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-06)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (in 1970-06)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy9:53
9La Mer, L.109: II. Play of the Waves (Jeux de vagues)
engineer:
Arthur Lilley (engineer)
orchestra:
London Symphony Orchestra (in 1970-06)
conductor:
Leopold Stokowski (conductor) (in 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-06)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (in 1970-06)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy7:59
10La Mer, L.109: III. Dialogue of the Wind and the Sea (Dialogue du vent et de la mer)
engineer:
Arthur Lilley (engineer)
orchestra:
London Symphony Orchestra (in 1970-06)
conductor:
Leopold Stokowski (conductor) (in 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-06)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (in 1970-06)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:51
11L'Ascension (Four symphonic meditations for orchestra): I. Majesté du Christ demandant sa gloire à son père
engineer:
Arthur Lilley (engineer)
orchestra:
London Symphony Orchestra (in 1970-06)
conductor:
Leopold Stokowski (conductor) (in 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-06)
recording of:
L’Ascension: I. Majesté du Christ demandant sa gloire à son Père. Très lent et majestueux (for orchestra) (in 1970-06)
composer:
Olivier Messiaen (composer and organist) (from 1932 until 1933)
part of:
L’Ascension (for orchestra)
Olivier Messiaen3:49
12L'Ascension (Four symphonic meditations for orchestra): II. Alléluias sereins d'un âme qui désire le ciel
engineer:
Arthur Lilley (engineer)
orchestra:
London Symphony Orchestra (in 1970-06)
conductor:
Leopold Stokowski (conductor) (in 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-06)
recording of:
L’Ascension: II. Alléluias sereins d’une âme qui désire le ciel. Bien modéré, clair (for orchestra) (in 1970-06)
composer:
Olivier Messiaen (composer and organist) (from 1932 until 1933)
part of:
L’Ascension (for orchestra)
Olivier Messiaen5:07
13L'Ascension (Four symphonic meditations for orchestra): III. Alléluia sur la trompette, alléluia sur la cymbale
engineer:
Arthur Lilley (engineer)
orchestra:
London Symphony Orchestra (in 1970-06)
conductor:
Leopold Stokowski (conductor) (in 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-06)
recording of:
L’Ascension: III. Alléluia sur la trompette, alléluia sur la cymbale. Vif et joyeux (for orchestra) (in 1970-06)
composer:
Olivier Messiaen (composer and organist) (from 1932 until 1933)
part of:
L’Ascension (for orchestra)
Olivier Messiaen6:15
14L'Ascension (Four symphonic meditations for orchestra): IV. Prière du Christ montant vers son père
engineer:
Arthur Lilley (engineer)
orchestra:
London Symphony Orchestra (in 1970-06)
conductor:
Leopold Stokowski (conductor) (in 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-06)
recording of:
L’Ascension: IV. Prière du Christ montant vers son Père. Extrêmement lent, ému et solennel (for orchestra) (in 1970-06)
composer:
Olivier Messiaen (composer and organist) (from 1932 until 1933)
part of:
L’Ascension (for orchestra)
Olivier Messiaen4:43