Apollo 13

~ Pubblicazione di James Horner (visualizza tutte le versioni di questa pubblicazione: 14 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Main Title
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Main Title (Apollo 13)
compositore:
James Horner (American score composer)
parte di:
Apollo 13
James Horner2:28
2One Small Step
voce parlata:
Neil Armstrong (astronaut) e Walter Cronkite
[dialogue]0:43
3Night Train
registrazione cover di:
Night Train (James Brown lyrics version)
paroliere:
James Brown (The Godfather of Soul)
compositore:
Jimmy Forrest
versione di:
Night Train (Jimmy Forrest’s original instrumental version)
James Brown3:27
4Groovin’
produttore:
The Rascals (US soul & rock group, formerly known as The Young Rascals)
voce di accompagnamento:
David Brigati
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Groovin’
autore:
Eddie Brigati e Felix Cavaliere (American singer, songwriter, record producer, and musician)
editore:
Slacsar
The Young Rascals2:26
5Somebody to Love
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce:
Marty Balin (dal 1966-10-31 al 1966-11-22) e Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967) e RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 274)
registrazione di:
Somebody to Love (Jefferson Airplane song) (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.62:55
6I Can See for Miles
produttore:
Kit Lambert
produttore esecutivo:
Chris Stamp
batteria e percussione :
Keith Moon (drummer)
chitarra :
Pete Townshend (of The Who)
chitarra basso :
John Entwistle
voce principale:
Roger Daltrey
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1967)
registrata presso:
CBS Studios (London, 1967 - 1972) in London (Greater London), England, Regno Unito (dal 1967-05-28 al 1967-05-29), Talent Masters Studios in New York, New York, Stati Uniti (nel 1967-07) e Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1967-09)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 258)
registrazione di:
I Can See for Miles (dal 1967-05-28 al 1967-05-29)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) e TRO-Essex Music, Inc.
registrazione di:
I Can See for Miles (nel 1967-07)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) e TRO-Essex Music, Inc.
registrazione di:
I Can See for Miles (nel 1967-09)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) e TRO-Essex Music, Inc.
The Who4.454:09
7Purple Haze
tecnico:
Dave Siddle (De Lane Lea) (engineer) (il 1967-01-11) e Eddie Kramer (Olympic) (engineer) (il 1967-02-03)
produttore:
Chas Chandler
basso elettrico e voce di accompagnamento:
Noel Redding (dal 1967-01-11 al 1967-02-03)
batteria :
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (dal 1967-01-11 al 1967-02-03)
chitarra elettrica e voce principale:
Jimi Hendrix (dal 1967-01-11 al 1967-02-03)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1968) e Experience Hendrix, L.L.C. (nel 2010)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1967-01-11) e Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (il 1967-02-03, dal 1967-02-03 al 1967-02-08)
prodotta presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (il 1967-01-11)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 17) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 250)
registrazione di:
Purple Haze (dal 1967-01-11 al 1967-02-03)
paroliere e compositore:
Jimi Hendrix
editore:
Bella Godiva Music, Chappell Music (UK), Chappell Musikverlag GmbH, Experience Hendrix, L.L.C., Interworld Music Ltd., Sea-Lark Enterprises, Inc. e Yameta Co. Ltd.
cita la musica di:
The Ballad of Jimi Hendrix
Jimi Hendrix4.22:46
8Launch Control
voce parlata:
Ed Harris (American actor)
[dialogue]0:32
9All Systems Go – The Launch
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
All Systems Go - The Launch (Apollo 13)
compositore:
James Horner (American score composer)
parte di:
Apollo 13
James Horner10:04
10Welcome to Apollo 13
voce parlata:
Tom Hanks
[dialogue]0:26
11Spirit in the Sky
registrazione di:
Spirit in the Sky
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Norman Greenbaum3:50
12House Cleaning / Houston, We Have a Problem
voce parlata:
Kevin Bacon (actor, member of Bacon Brothers), Brett Cullen, Tom Hanks e Gary Sinise
[dialogue]0:54
13Master Alarm
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Master Alarm
compositore:
James Horner (American score composer)
James Horner3:36
14What’s Going On?
voce parlata:
Tom Hanks e Gary Sinise
[dialogue]0:51
15Into the LEM
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
James Horner4:18
16Out of Time / Shut Her Down
voce parlata:
Kevin Bacon (actor, member of Bacon Brothers), Brett Cullen, Tom Hanks e Ed Harris (American actor)
[dialogue]0:34
17The Darkside of the Moon
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
voce:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
The Darkside of the Moon (Apollo 13)
compositore:
James Horner (American score composer)
parte di:
Apollo 13
James Horner feat. Annie Lennox4:49
18Failure Is Not an Option
voce parlata:
Ed Harris (American actor)
[dialogue]0:23
19Honky Tonkin’
registrazione di:
Honky Tonkin’
paroliere e compositore:
Hank Williams (country music legend)
editore:
Acuff-Rose Publications, Inc. (BMI) (il 1948-11-16)
Hank Williams2:42
20Blue Moon
tecnico:
Greg Droman (American producer, mixing and audio engineer)
produttore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
basso :
Robert Reynolds (US bassist, member of The Mavericks)
chitarra acustica :
Billy Joe Walker, Jr.
chitarra elettrica :
Nick Kane (US guitarist and producer)
membranofono :
Paul Deakin (drummer for The Mavericks)
organo :
Jerry Dale McFadden
voce:
Raul Malo (The Mavericks lead singer, country music)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
The Mavericks4:01
21Waiting for Disaster / A Privilege
voce parlata:
Tom Hanks, Ed Harris (American actor) e Gary Sinise
[dialogue]0:30
22Re‐Entry & Splashdown
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Re-Entry & Splashdown (Apollo 13)
compositore:
James Horner (American score composer)
parte di:
Apollo 13
James Horner8:53
23End Titles
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
voce:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
End Titles (Apollo 13)
compositore:
James Horner (American score composer)
parte di:
Apollo 13
James Horner feat. Annie Lennox3.57:01
2▼CD: More Songs from the Apollo Era!
#TitoloArtistaValutazioneDurata
1Rescue Me
produttore:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
voce principale:
Fontella Bass
arrangiatore:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 31)
registrazione di:
Rescue Me
paroliere e autore:
Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass4.352:57
2Bend Me, Shape Me
registrazione cover di:
Bend Me, Shape Me
autore:
Scott English e Larry Weiss (American singer-songwriter)
editore:
Carlin Music Corporation, Ebony Musikverlag, Helios Music Company e シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
The American Breed2:15
3Eve of Destruction
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965)
registrazione di:
Eve of Destruction (nel 1965)
paroliere e compositore:
P.F. Sloan
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.53:34
4Treat Her Right
registrazione di:
Treat Her Right
autore:
Roy Head (singer and songwriter) e Gene Kurtz (bassist, guitarist, vocalist and songwriter)
The Traits2:05
5Summertime
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billy Stewart4:57
6She’s Got You
voce:
Patsy Cline
registrazione di:
She’s Got You
paroliere e compositore:
Hank Cochran (Nashville singer and songwriter)
Patsy Cline3:01
7One
registrazione cover di:
One
paroliere e compositore:
Harry Nilsson (US singer-songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Australia Pty. Ltd.
Three Dog Night4.753:02
8Dream a Little Dream of Me
registrazione cover di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
compresa in:
The Real Book (compilation of jazz standards, volume I)
The Mamas & the Papas4.153:12
9Beyond the Sea
registrazione di:
Beyond the Sea
paroliere:
Jack Lawrence (US songwriter)
compositore:
Charles Trenet
editore:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International (UK publisher, 1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
versione tradotta di:
La Mer
Bobby Darin2:53
101,2,3
registrazione di:
1‐2‐3
autore:
Leonard Borisoff, John Madara e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
autore aggiunto:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Mijac Double Diamond Music, Songs of Universal, Inc. (BMI), Stone Agate Music Division, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Welbeck Music Ltd.
Len Barry2:27
11Waiting
tecnico:
Bob Breault e Eric Prestidge
produttore:
Brent Dangerfield e Santana (US Latin, blues, & rock band)
batteria :
Michael Shrieve (drummer) (nel 1969-05)
chitarra :
Carlos Santana (nel 1969-05)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (nel 1969-05)
congas e percussione :
Michael Carabello (percussionist) (nel 1969-05)
congas, percussione e timbales :
José “Chepito” Áreas (nel 1969-05)
organo :
Gregg Rolie (keyboardist and vocalist) (nel 1969-05)
arrangiatore:
Alberto Gianquinto
registrata presso:
Pacific Recording Studio in San Mateo, California, Stati Uniti (nel 1969-05)
mixata presso:
Pacific Recording Studio in San Mateo, California, Stati Uniti
registrazione di:
Waiting (nel 1969-05)
compositore:
Santana (US Latin, blues, & rock band)
editore:
Petra Music
Santana3.354:04
12Lemon Tree
Trini Lopez2:49
13No Particular Place to Go
produttore:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) e Willie Dixon
basso elettrico :
Louis Satterfield (il 1964-03-26)
batteria :
Odie Payne (American Chicago blues drummer) (il 1964-03-26)
chitarra :
Chuck Berry (il 1964-03-26)
pianoforte :
Paul Williams (US blues/jazz saxophonist) (il 1964-03-26)
voce:
Chuck Berry (il 1964-03-26)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (il 1964-03-26)
registrazione di:
No Particular Place to Go (il 1964-03-26)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.52:43
14Magic Carpet Ride
produttore:
Gabriel Mekler
registrazione di:
Magic Carpet Ride
autore:
John Kay (lead singer of Steppenwolf) e Rushton Moreve
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. e Universal/MCA Music Publishing Pty Ltd
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:24
15The “In” Crowd
registrazione cover di:
The “In” Crowd
orchestratore:
Gene Page (conductor, composer, arranger and record producer)
paroliere e compositore:
Billy Page (US soul/pop songwriter & producer)
editore:
Cross Music Ltd., American Music, Inc. (nel 1964), Elvis Presley Music Inc. (nel 1964) e Unichappell Music, Inc. (nel 1964)
Ramsey Lewis3:50