Jazz Classics

~ Release by Louis Armstrong and His Orchestra (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1When the Saints Go Marching In
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (on 1938-05-13)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
2:40
A2Bye and Bye
recorded in:
New York, New York, United States (on 1939-12-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-12-18)
bass:
George "Pops" Foster (on 1939-12-18)
drums (drum set):
Sid Catlett (on 1939-12-18)
guitar:
Lee Blair (on 1939-12-18)
piano:
Luis Russell (on 1939-12-18)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-12-18)
saxophone:
Joe Garland (saxophonist, composer) (on 1939-12-18)
tenor saxophone:
Bingie Madison (on 1939-12-18)
trombone:
Wilbur de Paris (on 1939-12-18), J.C. Higginbotham (on 1939-12-18) and George Washington (jazz trombonist) (on 1939-12-18)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-12-18), Louis Armstrong (on 1939-12-18), Bernard Flood (on 1939-12-18) and Shelton "Scad" Hemphill (on 1939-12-18)
vocals:
Louis Armstrong (on 1939-12-18)
orchestra:
Louis Armstrong & His Orchestra (on 1939-12-18)
recording of:
Bye and Bye (on 1939-12-18)
composer:
[traditional] (special purpose artist)
arranger:
Kenny Burrell
2:30
A3West End Blues
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-04-05), Joe Garland (saxophonist, composer) (on 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (jazz trombonist) (on 1939-04-05)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (trumpet) (on 1939-04-05)
vocals:
Louis Armstrong (on 1939-04-05)
orchestra:
Louis Armstrong and His Orchestra (in 1939) and Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
West End Blues (Armstrong recording) (on 1939-04-05)
composer:
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
arrangement of:
West End Blues (original instrumental)
3:07
A4Mahogany Hall Stomp
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Mahogany Hall Stomp (on 1936-05-18)
composer:
Spencer Williams (US jazz composer, pianist & singer)
3:03
A5Hear Me Talkin’ to Ya
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-04-05), Joe Garland (saxophonist, composer) (on 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (jazz trombonist) (on 1939-04-05)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (trumpet) (on 1939-04-05)
vocals:
Louis Armstrong (on 1939-04-05)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
Hear Me Talkin' to Ya (on 1939-04-05)
lyricist and composer:
Louis Armstrong
3:03
A6Savoy Blues
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-04-05), Joe Garland (saxophonist, composer) (on 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (jazz trombonist) (on 1939-04-05)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (trumpet) (on 1939-04-05)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
Savoy Blues (on 1939-04-05)
writer:
Kid Ory
3:10
B1Dippermouth Blues
trumpet:
Louis Armstrong
orchestra:
Louis Armstrong & His Orchestra
recording of:
Dippermouth Blues
composer:
Louis Armstrong and King Oliver (jazz cornetist)
2:43
B2Save It Pretty Mama
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-04-05), Joe Garland (saxophonist, composer) (on 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (jazz trombonist) (on 1939-04-05)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (trumpet) (on 1939-04-05)
vocals:
Louis Armstrong (on 1939-04-05)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
Save It, Pretty Mama (on 1939-04-05)
writer:
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) and Don Redman
2:55
B3(I’ll Be Glad When You’re Dead) You Rascal You
recorded in:
Chicago, Illinois, United States (on 1941-11-16)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1941-11-16) and Carl Frye (on 1941-11-16)
bass, double bass and double bass [bass]:
Hayes Alvis (on 1941-11-16)
drums (drum set) and drums (drum set) [drums]:
Sid Catlett (on 1941-11-16)
guitar:
Lawrence Lucie (on 1941-11-16)
piano:
Luis Russell (on 1941-11-16)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1941-11-16), Carl Frye (on 1941-11-16), Joe Garland (saxophonist, composer) (on 1941-11-16) and Prince Robinson (on 1941-11-16)
saxophone:
Joe Garland (saxophonist, composer) (on 1941-11-16)
tenor saxophone:
Joe Garland (saxophonist, composer) (on 1941-11-16) and Prince Robinson (on 1941-11-16)
trombone:
Henderson Chambers (on 1941-11-16), Norman Greene (on 1941-11-16) and George Washington (jazz trombonist) (on 1941-11-16)
trumpet:
Louis Armstrong (on 1941-11-16), Frank Galbreath (on 1941-11-16), Gene Price (big band jazz trumpeter) (on 1941-11-16), Gene Prince (on 1941-11-16) and Shelton Hemphill (on 1941-11-16)
vocals:
Louis Armstrong (on 1941-11-16)
orchestra:
Louis Armstrong & His Orchestra (on 1941-11-16)
recording of:
I’ll Be Glad When You’re Dead, You Rascal You
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
2:55
B4When It’s Sleepy Time Down South
recorded in:
Chicago, Illinois, United States (on 1941-11-16)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1941-11-16) and Carl Frye (on 1941-11-16)
bass and double bass:
Hayes Alvis (on 1941-11-16)
drums (drum set):
Sid Catlett (on 1941-11-16)
guitar:
Lawrence Lucie (on 1941-11-16)
piano:
Luis Russell (on 1941-11-16)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1941-11-16)
saxophone:
Joe Garland (saxophonist, composer) (on 1941-11-16)
tenor saxophone:
Joe Garland (saxophonist, composer) (on 1941-11-16) and Prince Robinson (on 1941-11-16)
trombone:
Henderson Chambers (on 1941-11-16), Norman Greene (on 1941-11-16) and George Washington (jazz trombonist) (on 1941-11-16)
trumpet:
Louis Armstrong (on 1941-11-16), Frank Galbreath (on 1941-11-16), Gene Prince (on 1941-11-16) and Shelton Hemphill (on 1941-11-16)
orchestra:
Louis Armstrong & His Orchestra (on 1941-11-16)
instrumental recording of:
When It’s Sleepy Time Down South (on 1941-11-16)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
3:08
B5Our Monday Date
recorded in:
New York, New York, United States (on 1939-04-25)
bass:
George "Pops" Foster (on 1939-04-25)
drums (drum set):
Sid Catlett (on 1939-04-25)
guitar:
Lee Blair (on 1939-04-25)
piano:
Luis Russell (on 1939-04-25)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-04-25), Joe Garland (saxophonist, composer) (on 1939-04-25), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-04-25) and Bingie Madison (on 1939-04-25)
trombone:
Wilbur de Paris (on 1939-04-25), J.C. Higginbotham (on 1939-04-25) and George Washington (jazz trombonist) (on 1939-04-25)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-04-25), Louis Armstrong (on 1939-04-25), Bernard Flood (on 1939-04-25) and Shelton "Scad" Hemphill (on 1939-04-25)
vocals:
Louis Armstrong (on 1939-04-25)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-25)
recording of:
My Monday Date (on 1939-04-25)
composer:
Earl Hines (jazz pianist and bandleader)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
adaptations:
My Monday Date (with lyrics)
2:27
B6Wolverine Blues
recorded in:
New York, New York, United States (on 1940-03-14)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1940-03-14)
bass:
George "Pops" Foster (on 1940-03-14)
drums (drum set):
Sid Catlett (on 1940-03-14)
guitar:
Lee Blair (on 1940-03-14)
piano:
Luis Russell (on 1940-03-14)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1940-03-14)
saxophone:
Joe Garland (saxophonist, composer) (on 1940-03-14)
tenor saxophone:
Bingie Madison (on 1940-03-14)
trombone:
Wilbur de Paris (on 1940-03-14), J.C. Higginbotham (on 1940-03-14) and George Washington (jazz trombonist) (on 1940-03-14)
trumpet:
Henry “Red” Allen (jazz musician) (on 1940-03-14), Louis Armstrong (on 1940-03-14), Bernard Flood (on 1940-03-14) and Shelton "Scad" Hemphill (on 1940-03-14)
orchestra:
Louis Armstrong & His Orchestra (on 1940-03-14)
recording of:
Wolverine Blues (on 1940-03-14)
lyricist:
Benjamin F Spikes (Benjamin Franklin "Reb" Spikes) and John Spikes
composer:
Jelly Roll Morton
3:17