The Musicals Collection 8: Cabaret (1993 London studio cast highlights)

~ Release by Kander & Ebb; National Symphony Orchestra, John Owen Edwards (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1Willkommen
recording engineer:
John Kurlander (engineer) (from 1993-11-12 until 1993-11-23)
producer:
John Yap (founder of Jay Records)
lead vocals [M.C.]:
Jonathan Pryce (from 1993-11-12 until 1993-11-23)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings) (from 1993-11-12 until 1993-11-23)
conductor:
John Owen Edwards (from 1993-11-12 until 1993-11-23)
phonographic copyright (℗) by:
Jay Productions Ltd. (record company; for release label, please use “Jay Records”) (in 1994)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-11-12 until 1993-11-23)
recording of:
Willkommen (Cabaret) (from 1993-11-12 until 1993-11-23)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb55:15
2Don’t Tell Mama
recording engineer:
John Kurlander (engineer) (from 1993-11-12 until 1993-11-23)
producer:
John Yap (founder of Jay Records)
lead vocals [Sally Bowles]:
Maria Friedman (from 1993-11-12 until 1993-11-23)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings) (from 1993-11-12 until 1993-11-23)
conductor:
John Owen Edwards (from 1993-11-12 until 1993-11-23)
phonographic copyright (℗) by:
Jay Productions Ltd. (record company; for release label, please use “Jay Records”) (in 1994)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-11-12 until 1993-11-23)
recording of:
Don’t Tell Mama (from 1993-11-12 until 1993-11-23)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
translator:
Jelle de Vries
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb4:36
3The Telephone Song
recording engineer:
John Kurlander (engineer) (from 1993-11-12 until 1993-11-23)
producer:
John Yap (founder of Jay Records)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings) (from 1993-11-12 until 1993-11-23)
conductor:
John Owen Edwards (from 1993-11-12 until 1993-11-23)
phonographic copyright (℗) by:
Jay Productions Ltd. (record company; for release label, please use “Jay Records”) (in 1994)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-11-12 until 1993-11-23)
recording of:
Telephone Song (from 1993-11-12 until 1993-11-23)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb2:18
4Perfectly Marvellous
recording engineer:
John Kurlander (engineer) (from 1993-11-12 until 1993-11-23)
producer:
John Yap (founder of Jay Records)
lead vocals [Clifford Bradshaw]:
Gregg Edelman (from 1993-11-12 until 1993-11-23)
lead vocals [Sally Bowles]:
Maria Friedman (from 1993-11-12 until 1993-11-23)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings) (from 1993-11-12 until 1993-11-23)
conductor:
John Owen Edwards (from 1993-11-12 until 1993-11-23)
phonographic copyright (℗) by:
Jay Productions Ltd. (record company; for release label, please use “Jay Records”) (in 1994)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-11-12 until 1993-11-23)
recording of:
Perfectly Marvelous (from 1993-11-12 until 1993-11-23)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb5:10
5Two Ladies
recording engineer:
John Kurlander (engineer) (from 1993-11-12 until 1993-11-23)
producer:
John Yap (founder of Jay Records)
lead vocals [Kit Kat Club Girl #1]:
Louise Gold (UK musical vocalist) (from 1993-11-12 until 1993-11-23)
lead vocals [Kit Kat Club Girl #2]:
Claire Moore (from 1993-11-12 until 1993-11-23)
lead vocals [M.C.]:
Jonathan Pryce (from 1993-11-12 until 1993-11-23)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings) (from 1993-11-12 until 1993-11-23)
conductor:
John Owen Edwards (from 1993-11-12 until 1993-11-23)
phonographic copyright (℗) by:
Jay Productions Ltd. (record company; for release label, please use “Jay Records”) (in 1994)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-11-12 until 1993-11-23)
recording of:
Two Ladies (from 1993-11-12 until 1993-11-23)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb2:29
6Tomorrow Belongs to Me
recording engineer:
John Kurlander (engineer) (from 1993-11-12 until 1993-11-23)
producer:
John Yap (founder of Jay Records)
lead vocals [German Youth]:
John Mark Ainsley (tenor) (from 1993-11-12 until 1993-11-23)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings) (from 1993-11-12 until 1993-11-23)
conductor:
John Owen Edwards (from 1993-11-12 until 1993-11-23)
phonographic copyright (℗) by:
Jay Productions Ltd. (record company; for release label, please use “Jay Records”) (in 1994)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-11-12 until 1993-11-23)
recording of:
Tomorrow Belongs to Me (Cabaret) (from 1993-11-12 until 1993-11-23)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb2:09
7Why Should I Wake Up?
recording engineer:
John Kurlander (engineer) (from 1993-11-12 until 1993-11-23)
producer:
John Yap (founder of Jay Records)
lead vocals [Clifford Bradshaw]:
Gregg Edelman (from 1993-11-12 until 1993-11-23)
lead vocals [Sally Bowles]:
Maria Friedman (from 1993-11-12 until 1993-11-23)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings) (from 1993-11-12 until 1993-11-23)
conductor:
John Owen Edwards (from 1993-11-12 until 1993-11-23)
phonographic copyright (℗) by:
Jay Productions Ltd. (record company; for release label, please use “Jay Records”) (in 1994)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-11-12 until 1993-11-23)
recording of:
Why Should I Wake Up? (from 1993-11-12 until 1993-11-23)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb3:23
8Maybe This Time
recording engineer:
John Kurlander (engineer) (from 1993-11-12 until 1993-11-23)
producer:
John Yap (founder of Jay Records)
lead vocals [Sally Bowles]:
Maria Friedman (from 1993-11-12 until 1993-11-23)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings) (from 1993-11-12 until 1993-11-23)
conductor:
John Owen Edwards (from 1993-11-12 until 1993-11-23)
phonographic copyright (℗) by:
Jay Productions Ltd. (record company; for release label, please use “Jay Records”) (in 1994)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-11-12 until 1993-11-23)
recording of:
Maybe This Time (Cabaret) (from 1993-11-12 until 1993-11-23)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb3:33
9Sitting Pretty
recording engineer:
John Kurlander (engineer) (from 1993-11-12 until 1993-11-23)
producer:
John Yap (founder of Jay Records)
lead vocals [M.C.]:
Jonathan Pryce (from 1993-11-12 until 1993-11-23)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings) (from 1993-11-12 until 1993-11-23)
conductor:
John Owen Edwards (from 1993-11-12 until 1993-11-23)
phonographic copyright (℗) by:
Jay Productions Ltd. (record company; for release label, please use “Jay Records”) (in 1994)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-11-12 until 1993-11-23)
recording of:
Sitting Pretty (The Money Song) (Cabaret, original Broadway version) (from 1993-11-12 until 1993-11-23)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb2:29
10If You Could See Her
recording engineer:
John Kurlander (engineer) (from 1993-11-12 until 1993-11-23)
producer:
John Yap (founder of Jay Records)
lead vocals [M.C.]:
Jonathan Pryce (from 1993-11-12 until 1993-11-23)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings) (from 1993-11-12 until 1993-11-23)
conductor:
John Owen Edwards (from 1993-11-12 until 1993-11-23)
phonographic copyright (℗) by:
Jay Productions Ltd. (record company; for release label, please use “Jay Records”) (in 1994)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-11-12 until 1993-11-23)
recording of:
If You Could See Her (Cabaret) (from 1993-11-12 until 1993-11-23)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb2:49
11Cabaret
recording engineer:
John Kurlander (engineer) (from 1993-11-12 until 1993-11-23)
producer:
John Yap (founder of Jay Records)
lead vocals [Sally Bowles]:
Maria Friedman (from 1993-11-12 until 1993-11-23)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings) (from 1993-11-12 until 1993-11-23)
conductor:
John Owen Edwards (from 1993-11-12 until 1993-11-23)
phonographic copyright (℗) by:
Jay Productions Ltd. (record company; for release label, please use “Jay Records”) (in 1994)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-11-12 until 1993-11-23)
recording of:
Cabaret (title song from the Kander & Ebb musical) (from 1993-11-12 until 1993-11-23)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb4:24
12Finale
recording engineer:
John Kurlander (engineer) (from 1993-11-12 until 1993-11-23)
producer:
John Yap (founder of Jay Records)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings) (from 1993-11-12 until 1993-11-23)
conductor:
John Owen Edwards (from 1993-11-12 until 1993-11-23)
phonographic copyright (℗) by:
Jay Productions Ltd. (record company; for release label, please use “Jay Records”) (in 1994)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-11-12 until 1993-11-23)
recording of:
Finale (Cabaret) (from 1993-11-12 until 1993-11-23)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb4:19

Credits

Release

manufactured in:UK
copyrighted (©) by:Orbis Publishing Ltd. (renamed on 1999-04-30 as De Agostini UK Ltd.) (in 1994)
part of:The Musicals Collection (a TER/Orbis series) (number: 8) (order: 12)
other databases:http://castalbums.org/recordings/Cabaret-1993-London-Studio-Cast/2904#12356 [info]

Release group

excerpt from:Cabaret (1993 London studio cast) by Kander (composer) & Ebb (lyricist); National Symphony Orchestra (of London, predominantly in musical theatre recordings), John Owen Edwards