101 Number One Hit Records

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Manufactured by MCA Records, Inc.
70 Universal City Plaza
Universal City, CA 91608

Advertised and Distributed by the Beautiful Music Company
155 E. Main Street, Smithtown, NY 11787

Annotazione modificata l'ultima volta il 2019-07-21 22:29 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1The Great Pretender
registrata a:
Chicago, Illinois, Stati Uniti (nel 1955-09)
voce principale:
Tony Williams (lead singer for The Platters)
diritti fonografici (℗) detenuti da:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 352)
registrazione di:
The Great Pretender (nel 1955-09)
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
The Platters52:39
2Runaway
claviolino [musitron] solista :
Max Crook
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 100) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 466)
registrazione di:
Runaway (il 1961-01-24)
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Del Shannon4.42:21
3Lightnin’ Strikes
registrazione di:
Lightnin’ Strikes
autore:
Lou Christie e Twyla Herbert
editore:
Lightning Strikes Music, Songs of Universal, Inc. (BMI) e Spirit One Music
Lou Christie3:02
4Maggie Mae
produttore:
Rod Stewart
basso :
Andy Pyle (nel 1971-01)
batteria :
Micky Waller (nel 1971-01)
chitarra acustica :
Martell Brandy (nel 1971-01), Martin Quittenton (guitarist for Steamhammer) (nel 1971-01) e Rod Stewart (nel 1971-01)
chitarra basso, chitarra e chitarra pedal steel :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971-01)
chitarra slide :
Sam Mitchell (nel 1971-01)
contrabbasso :
Danny Thompson (English double bass player) (nel 1971-01)
organo :
Ian McLagan (nel 1971-01)
pianoforte :
Pete Sears (nel 1971-01)
violino :
Dick Powell (Violinist and double-bass player) (nel 1971-01)
voce:
Madeline Bell (nel 1971-01)
voce principale:
Rod Stewart (nel 1971-01)
raccolta di:
Henry di Rod Stewart e Maggie May (without “Henry” prelude) di Rod Stewart
video musicali:
Maggie May di Rod Stewart
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 130) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 141)
registrazione di:
Henry (prelude to “Maggie May”) (nel 1971-01)
compositore:
Martin Quittenton (guitarist for Steamhammer)
registrazione di:
Maggie May (nel 1971-01)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.155:47
5Tossin’ & Turnin’
registrazione di:
Tossin’ and Turnin’
autore:
Ritchie Adams e Malou Rene
editore:
EMI Grove Park Music, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bobby Lewis2:21
6You’re My Soul & Inspiration
The Righteous Brothers3:08
7It’s Only Make Believe
registrazione di:
It’s Only Make Believe
autore:
Jack Nance (nel 1958) e Conway Twitty (nel 1958)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty52:15
8Don’t Break the Heart That Loves You
voce:
Connie Francis (American former actress and chart-topping singer)
registrazione di:
Don’t Break the Heart That Loves You
paroliere:
Benny Davis (US vaudeville performer and songwriter)
compositore:
Murray Mencher (pianist, lyricist and songwriter)
editore:
Benny Davis Music, EMI Full Keel Music e Memory Lane Music Ltd.
Connie Francis3:05
9It’s All in the Game
direttore d'orchestra:
Leroy Holmes
arrangiatore:
Leroy Holmes
registrazione cover di:
It’s All in the Game
paroliere:
Carl Sigman (nel 1951)
compositore:
Charles Dawes (nel 1911)
editore:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
si basa su:
Melody in A major (instrumental)
registrazione di:
It’s All in the Game
paroliere:
Carl Sigman (nel 1951)
compositore:
Charles Dawes (nel 1911)
editore:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
si basa su:
Melody in A major (instrumental)
Tommy Edwards42:39
10This Diamond Ring
registrazione di:
This Diamond Ring
paroliere:
Bob Brass (American songwriter, collaborated with Irwin Levine, and also Al Kooper) e Irwin Levine
compositore:
Al Kooper
editore:
Warner/Chappell Music Ltd. (1996–2019)
Gary Lewis & the Playboys2:11
11Na Na Hey Hey Kiss Him Goodbye
registrazione di:
Na Na Hey Hey Kiss Him Goodbye (nel 1969)
autore:
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson e Graham Turner
editore:
Warner Chappell North America e Warner/Chappell North America
parte di:
Goodbye
Steam34:08
12My Boyfriend’s Back
registrazione di:
My Boyfriend’s Back
autore:
Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) e Richard Gottehrer (American songwriter and music executive)
editore:
EMI Blackwood Music Inc. e EMI Music (do not use as release label! this is a music publisher)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Angels2:39
13Will You Love Me Tomorrow
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:38
14Party Doll
registrazione di:
Party Doll
paroliere e compositore:
Buddy Knox (US country rocker, of The Rhythm Orchids)
autore:
Dave Alldred, Jimmy Bowen (producer, rockabilly musician and songwriter), Buddy Knox (US country rocker, of The Rhythm Orchids) e Don Lanier
editore:
EMI Longitude Music, Music of Stage Three e Patricia Music Publ. Corp.
Buddy Knox2:15
15Little Star
registrazione cover di:
Little Star
autore:
Vito Picone e Arthur Venosa (songwriter)
The Elegants2:41
16Kansas City
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 5)
registrazione cover di:
Kansas City (aka “K.C. Loving”)
paroliere:
Jerry Leiber (nel 1952)
autore:
J.Leiber, M.Stoller (songwriting team)
compositore:
Mike Stoller (nel 1952)
editore:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co., Peter Maurice Music Co. Ltd. e Sony/ATV Songs LLC
Wilbert Harrison32:29
17Honeycomb
registrazione cover di:
Honeycomb (nel 1957)
paroliere e compositore:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (nel 1954)
Jimmie Rodgers42:17
18Blue Moon
produttore:
Danny e Stu (US TV/film composer, conductor & producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961, nel 2004)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
The Marcels32:16
19Peppermint Twist
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
Peppermint Twist
autore:
Joey Dee e Henry Glover
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e FROST Music Corp
Joey Dee & the Starliters2:03
20Candy Man
Sammy Davis Jr.3:14
21Alley Oop
registrazione di:
Alley Oop
paroliere e compositore:
Dallas Frazier (American songwriter and musician)
The Hollywood Argyles2:45
22Let’s Stay Together
registrata presso:
Royal Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Al Green44:49
23Tequila
registrazione di:
Tequila
paroliere e compositore:
Daniel Flores (Daniel Flores)
editore:
Longitude Music Co. e Powerforce Music
sub-editore:
EMI Music Publishing France e Universal Music Publishing France (not for release label use!)
The Champs4.32:14
24Oh Girl
registrazione di:
Oh Girl
paroliere e compositore:
Eugene Record
editore:
Unichappell Music, Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites3:36
25Soldier Boy
registrazione di:
Soldier Boy
autore:
Luther Dixon, Bob Elgin, Florence Greenberg e Kay Rogers
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles2:41
2▼CD
#TitoloArtistaValutazioneDurata
1Monday, Monday
tecnico:
Bones Howe
produttore:
Lou Adler
esecutore:
The Mamas & the Papas (American folk rock vocal group) (il 1965-12-16)
diritti fonografici (℗) detenuti da:
Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1965-12-16)
registrazione di:
Monday, Monday (il 1965-12-16)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music e Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:26
2My Guy
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer) (nel 1964)
chitarra :
Robert White (US funk/soul guitarist) (nel 1964) e Eddie Willis (nel 1964)
organo :
Earl Van Dyke (nel 1964)
pianoforte :
Johnny Griffith (nel 1964)
strumenti:
The Funk Brothers (nel 1964)
tromba :
Russell Conway (trumpet player) (nel 1964) e Herbert Williams (trumpet player) (nel 1964)
trombone :
George Bohanon (nel 1964) e Paul Riser (nel 1964)
vibrafono :
Dave Hamilton (US guitar/vibraphone player) (nel 1964)
voce di accompagnamento:
The Andantes (nel 1964), Marlene Barrow (nel 1964), Louvain Demps (nel 1964) e Jackie Hicks (nel 1964)
voce principale:
Mary Wells (Motown singer) (nel 1964)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1964)
registrazione di:
My Guy (nel 1964)
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells4.22:54
3Yakety Yak
registrazione di:
Yakety Yak
paroliere:
Jerry Leiber
autore:
Jerry Leiber e Mike Stoller
compositore:
Mike Stoller
editore:
Sony/ATV Songs LLC
parte di:
Twins (1988)
The Coasters1:52
4Reach Out I’ll Be There
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (nel 1966)
voce di accompagnamento:
The Andantes (nel 1966), Marlene Barrow (nel 1966), Renaldo Benson (nel 1966), Louvain Demps (nel 1966), Abdul “Duke” Fakir (nel 1966), Jackie Hicks (nel 1966) e Lawrence Payton (nel 1966)
voce principale:
Levi Stubbs (nel 1966)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 78) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 206)
registrazione di:
Reach Out, I’ll Be There (nel 1966)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops43:01
5Take Good Care of My Baby
registrazione di:
Take Good Care of My Baby
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner/Chappell Music Ltd. (1996–2019)
Bobby Vee2:31
6Sheila
registrazione di:
Sheila
paroliere e compositore:
Tommy Roe
editore:
Low Twi Music Inc (publisher) e Sony/ATV Music Publishing (UK) Ltd.
Tommy Roe42:05
7Stop! In the Name of Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (dal 1965-01-05 al 1965-01-11)
voce di accompagnamento:
The Andantes (dal 1965-01-05 al 1965-01-11), Florence Ballard (dal 1965-01-05 al 1965-01-11) e Mary Wilson (dal 1965-01-05 al 1965-01-11)
voce principale:
Diana Ross (dal 1965-01-05 al 1965-01-11)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1965)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1965-01-05 al 1965-01-11)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 13) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 254)
registrazione di:
Stop! In the Name of Love (dal 1965-01-05 al 1965-01-11)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes4.152:50
8Cathy’s Clown
registrazione di:
Cathy’s Clown
paroliere e compositore:
Don Everly
autore:
Don Everly e Phil Everly
editore:
Acuff-Rose (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:25
9I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:12
10Cherish
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966)
registrazione di:
Cherish
paroliere e compositore:
Terry Kirkman
autore:
T. Kirkman
editore:
Beechwood Music Corp., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Association33:27
11Good Lovin’
registrazione di:
Good Lovin’
autore:
Rudy Clark (US songwriter) e Arthur Resnick (songwriter, producer)
editore:
Alley Music Corp., Carlin Music Corporation, Hudson Bay Music e Trio Music Company
The Rascals2:31
12I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:16
13Diana
voce:
Paul Anka (Canadian singer, songwriter and actor)
direttore d'orchestra:
Don Costa (US pop music arranger & producer)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 26)
registrazione di:
Diana (il 1957-05-20)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Pamco Music Inc. (conclusa), Epa Publishing, Robert Mellin Music Publishing Corp. e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.152:29
14You Can’t Hurry Love
tecnico di registrazione:
Russ Terrana
tecnico:
Lamont Dozier
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1966-06-11)
batteria :
Benny Benjamin (US drummer) (il 1966-06-11)
chitarra [Gibson L-5] :
Robert White (US funk/soul guitarist) (il 1966-06-11)
ottoni [horns] :
Detroit Symphony Orchestra (il 1966-06-11)
pianoforte :
Earl Van Dyke (il 1966-06-11)
strumenti:
The Funk Brothers (il 1966-06-11)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1966-06-11)
voce di accompagnamento:
Florence Ballard (il 1966-07-05) e Mary Wilson (il 1966-07-05)
voce principale:
Diana Ross (il 1966-07-05)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1966) e Motown Records (not for label use; use “Motown” instead) (nel 2015, nel 2017)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1966-06-11 al 1966-07-05)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 280)
registrazione di:
You Can’t Hurry Love (dal 1966-06-11 al 1966-07-05)
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music (UK) Ltd. (nel 1965) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes4.752:46
15Our Day Will Come
registrazione di:
Our Day Will Come
paroliere:
Bob Hilliard
compositore:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter, Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Ruby & the Romantics2:33
16(Sittin’ On) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:43
17I Can’t Help Myself (Sugar Pie Honey Bunch)
tecnico di registrazione:
Russ Terrana
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
archi :
Detroit Symphony Orchestra (nel 1965)
basso [1962 Fender Precision Bass] :
James Jamerson
batteria :
Richard "Pistol" Allen (nel 1965)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (nel 1965)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (nel 1965)
chitarra [Gibson L-5] :
Robert White (US funk/soul guitarist) (nel 1965)
pianoforte :
Earl Van Dyke (nel 1965)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (nel 1965)
strumenti:
The Funk Brothers (nel 1965)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (nel 1965)
vibrafono :
Jack Brokensha (nel 1965)
voce di accompagnamento:
The Andantes (nel 1965), Marlene Barrow (nel 1965), Renaldo Benson (nel 1965), Louvain Demps (nel 1965), Abdul “Duke” Fakir (nel 1965), Jackie Hicks (nel 1965) e Lawrence Payton (nel 1965)
voce principale:
Levi Stubbs (nel 1965)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 415) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 483)
registrazione di:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (nel 1965)
paroliere:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music Division
Four Tops3.62:45
18Knock Three Times
produttore:
Dave Appell e The Tokens
arrangiatore:
Norman Bergen
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975)
registrazione di:
Knock Three Times
autore:
Lawrence Russell Brown (lyricist) e Irwin Levine
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Tony Orlando & Dawn4.353:00
19Tighten Up
tecnico di registrazione:
Bert Frilot
produttore:
Skipper Lee Frazier
voce:
Billy Buttier (nel 1967-10), Joe Cross (nel 1967-10) e James Wise (singer in Archie Bell & The Drells) (nel 1967-10)
voce principale:
Archie Bell (vocals, of Archie Bell & the Drells) (nel 1967-10)
esecutore:
The TSU Toronadoes (nel 1967-10)
registrata presso:
Jones Town Studio in Houston, Texas, Stati Uniti (nel 1967-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Tighten Up (nel 1967-10)
paroliere:
Billy Butler (60-70s R&B singer)
compositore:
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & the Drells3:12
20Wedding Bell Blues
tecnico audio, tecnico e produttore:
Bones Howe
assistente produttore:
Ann McClelland
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
esecutore:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo e Ron Townson
arrangiatore:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e Bones Howe
arrangiatore voci:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
registrazione cover di:
Wedding Bell Blues
paroliere e compositore:
Laura Nyro
editore:
EMI Blackwood Music Inc., Tuna Fish Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The 5th Dimension32:46
21Stay
registrazione di:
Stay
paroliere e compositore:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
editore:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. e Cherio Corp. (nel 1960)
Maurice Williams1:41
22Why
diritti fonografici (℗) detenuti da:
Chancellor (dal 1959 a oggi) e Chancellor Records Inc. (nel 1959)
registrazione di:
Why (1959 song)
paroliere:
Robert P. Marcucci
compositore:
Peter de Angelis
editore:
Debmar Publishing Co., Inc.
Frankie Avalon2:39
23Someday We’ll Be Together
produttore:
Johnny Bristol
chitarra :
Robert White (US funk/soul guitarist)
voce di accompagnamento:
Merry Clayton, Julia Waters e Maxine Waters
voce ospite:
Johnny Bristol
voce principale:
Diana Ross
arrangiatore:
Wade Marcus
registrazione cover di:
Someday We’ll Be Together
paroliere:
Harvey Fuqua
compositore:
Jackey Beavers (rhythm and blues and gospel singer and songwriter) e Johnny Bristol
editore:
Fuqua Pub., Jobete Music Co., Inc., Quazical Music e Stone Agate Music
Diana Ross & The Supremes53:29
24All I Have to Do Is Dream
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 141) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 323)
registrazione di:
All I Have to Do Is Dream (il 1958-03-06)
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers42:21
25At the Hop
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors2:32
26Downtown
voce:
Petula Clark (English singer & actress) (nel 1964)
arrangiatore:
Tony Hatch
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1964)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 227)
registrazione di:
Downtown (nel 1964)
paroliere e compositore:
Tony Hatch
editore:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Welbeck Music Ltd.
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.353:09
3▼CD
#TitoloArtistaValutazioneDurata
1Please Mr. Postman
produttore:
Robert Bateman (R&B singer/songwriter/record producer) e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (nel 1961-04)
batteria :
Benny Benjamin (US drummer) (nel 1961-04) e Marvin Gaye (nel 1961-04)
battimani :
Katherine Anderson (United States motown singer) (nel 1961-04), Wyanetta “Juanita” Cowart (nel 1961-04), Georgeanna Tillman (nel 1961-04) e Wanda Young (aka Wanda Young, singer in The Marvelettes) (nel 1961-04)
chitarra :
Eddie Willis (nel 1961-04)
percussione :
Eddie “Bongo” Brown (nel 1961-04)
pianoforte :
Richard ‘Popcorn’ Wylie (pianist, singer, producer, band director and songwriter) (nel 1961-04)
strumenti:
The Funk Brothers (nel 1961-04)
voce di accompagnamento:
Katherine Anderson (United States motown singer) (nel 1961-04), Wyanetta “Juanita” Cowart (nel 1961-04), Gladys Horton (nel 1961-04), Georgeanna Tillman (nel 1961-04) e Wanda Young (aka Wanda Young, singer in The Marvelettes) (nel 1961-04)
voce principale:
Gladys Horton (nel 1961-04)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1961-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 331) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 410)
registrazione di:
Please Mr. Postman (nel 1961-04)
autore:
Robert Bateman (R&B singer/songwriter/record producer) (nel 1961), Georgia Dobbins (nel 1961), William Garrett (nel 1961), Freddie Gorman (nel 1961) e Brian Holland (Motown producer & songwriter) (nel 1961)
editore:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
The Marvelettes4.62:29
2Tell It Like It Is
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 381)
registrazione di:
Tell It Like It Is
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Aaron Neville3:08
3Save the Last Dance for Me
registrata a:
New York, New York, Stati Uniti (il 1960-05-19)
produttore:
Leiber and Stoller (songwriting team)
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1960-05-19)
voce di baritono:
Doc Green (il 1960-05-19)
voce di basso:
Elsbeary Hobbs (il 1960-05-19)
voce di tenore:
Charlie Thomas (The Drifters) (il 1960-05-19) e Johnny Williams (soul/blues vocalist) (il 1960-05-19)
voce principale:
Benny Nelson (il 1960-05-19)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-05-19)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 12) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 182)
registrazione di:
Save the Last Dance for Me (il 1960-05-19)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters52:29
4My Girl
produttore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
archi :
Detroit Symphony Orchestra (dal 1964-09-25 al 1964-11-17)
basso :
James Jamerson (dal 1964-09-25 al 1964-11-17)
batteria :
Benny Benjamin (US drummer) (dal 1964-09-25 al 1964-11-17)
chitarra :
Robert White (US funk/soul guitarist) (dal 1964-09-25 al 1964-11-17)
strumenti:
The Funk Brothers (dal 1964-09-25 al 1964-11-17)
voce di accompagnamento:
Eddie Kendricks (dal 1964-09-25 al 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1964-09-25 al 1964-11-17) e Paul Williams (member of The Temptations) (dal 1964-09-25 al 1964-11-17)
voce principale:
David Ruffin (soul singer, member of The Temptations) (dal 1964-09-25 al 1964-11-17)
esecutore:
The Temptations (Motown soul vocal group) (dal 1964-09-25 al 1964-11-17)
arrangiatore archi :
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1964-09-25 al 1964-11-17)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 43) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 88)
registrazione di:
My Girl (dal 1964-09-25 al 1964-11-17)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations4.452:44
5Come See About Me
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (il 1964-07-13)
voce di accompagnamento:
Florence Ballard (il 1964-07-13) e Mary Wilson (il 1964-07-13)
voce principale:
Diana Ross (il 1964-07-13)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-07-13)
registrazione di:
Come See About Me (il 1964-07-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music Division
The Supremes52:44
6When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:53
7Everything Is Beautiful
tecnico:
Charlie Tallent
produttore:
Ray Stevens (US singer‐songwriter & comedian)
arrangiatore:
Ray Stevens (US singer‐songwriter & comedian)
diritti fonografici (℗) detenuti da:
Barnaby Records, Inc. (nel 1970)
registrazione di:
Everything Is Beautiful (1970 song)
paroliere e compositore:
Ray Stevens (US singer‐songwriter & comedian)
editore:
J. Albert & Son Pty. Ltd.
Ray Stevens3:29
8The Lion Sleeps Tonight
registrazione di:
The Lion Sleeps Tonight (nel 1961)
paroliere:
George David Weiss (nel 1961)
autore:
Luigi Creatore, Hugo Peretti e Albert Stanton (pseudonym for Al Brackman)
compositore:
Solomon Linda
editore:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) e Memory Lane Music Ltd.
si basa su:
Mbube
si basa su:
Wimoweh
si basa su:
Wimoweh (The Lion Sleeps Tonight) (Laurie Berkner arrangement)
versione di:
Wimoweh
parte di:
The Lion King (stage musical)
parte di:
The Lion King (2019 film soundtrack)
The Tokens4.52:42
9Love Is Here and Now You’re Gone
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
Love Is Here and Now You’re Gone
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
The Supremes2:46
10Lonely Boy
registrazione di:
Lonely Boy
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Spanka Music (conclusa), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Epa Publishing
Paul Anka2:32
11Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:30
12Help Me Rhonda
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1965-02-24)
chitarra :
Carl Wilson (Beach Boys) (il 1965-02-24)
chitarra basso :
Carol Kaye (il 1965-02-24)
organo Hammond [Hammond B3 organ] e pianoforte [acoustic piano] :
Brian Wilson (Beach Boys co‐founder) (il 1965-02-24)
voce di accompagnamento:
Mike Love (Beach Boys) (il 1965-02-24), Brian Wilson (Beach Boys co‐founder) (il 1965-02-24), Carl Wilson (Beach Boys) (il 1965-02-24) e Dennis Wilson (Beach Boys) (il 1965-02-24)
voce principale:
Al Jardine (guitarist and singer) (il 1965-02-24)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1965-02-24) e Universal Recording Studios (unidentified, possibly a mix of different studios) (il 1965-02-24)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 16)
registrazione di:
Help Me, Rhonda (il 1965-02-24)
paroliere e compositore:
Brian Wilson (Beach Boys co‐founder)
paroliere aggiunto:
Mike Love (Beach Boys)
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys42:48
13I’m Sorry
registrazione di:
I’m Sorry (Brenda Lee song, 1960)
autore:
Dub Albritton (manager and songwriter) e Ronnie Self (rockabilly singer and songwriter)
editore:
Songs of Universal (SOCAN)
Brenda Lee2:40
14That’ll Be the Day
registrazione di:
That’ll Be the Day
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
Buddy Holly2:17
15Back in My Arms Again
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
voce principale:
Diana Ross
registrazione di:
Back in My Arms Again
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
The Supremes32:52
16Groovin’
registrazione di:
Groovin’
autore:
Eddie Brigati e Felix Cavaliere (American singer, songwriter, record producer, and musician)
editore:
Slacsar
The Rascals2:32
17Windy
produttore:
Bones Howe
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 310)
registrazione di:
Windy
paroliere e compositore:
Ruthann Friedman
editore:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:58
18The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.151:55
19It’s My Party
produttore:
Quincy Jones
arrangiatore:
Claus Ogerman
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 353)
registrazione di:
It’s My Party (il 1963-03-30)
autore:
John Gluck, Jr., Wally Gold, Seymour Gottlieb e Herb Weiner
editore:
A. Schroeder Music Ltd. e Chappell & Co., Inc. (USA)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore4.352:16
20Come Softly to Me
arrangiatore:
Bonnie Guitar
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1959)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 14)
registrazione di:
Come Softly to Me
autore:
Gretchen Christopher, Barbara Ellis e Gary Troxel (The Fleetwoods’ lead singer and songwriter)
editore:
Chappell Morris, EMI Unart Catalog Inc. e Unart Music Corp. (nel 1958, nel 1959)
The Fleetwoods32:24
21Smoke Gets in Your Eyes
registrata a:
Paris, Île-de-France, Francia (il 1958-09-24)
produttore:
Buck Ram
voce principale:
Tony Williams (lead singer for The Platters)
esecutore:
The Platters
registrazione cover di:
Smoke Gets in Your Eyes (il 1958-09-24)
paroliere:
O. Harbach
compositore:
J. Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
registrazione di:
Smoke Gets in Your Eyes
paroliere:
O. Harbach
compositore:
J. Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
The Platters3.752:42
22Honey
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1968)
registrazione cover di:
Honey (il 1968-01-30)
paroliere e compositore:
Bobby Russell
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Bobby Goldsboro43:59
23I Will Follow Him
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1963) e ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (nel 2009)
registrazione di:
I Will Follow Him (il 1963-01-07)
paroliere:
Norman Gimbel e Jacques Plante
compositore:
Paul Mauriat e Franck Pourcel
editore:
Universal MCA Music Publishing (France) e Universal Music Corporation (USA, affiliated with ASCAP)
versione di:
Chariot
Peggy March4.22:30
24(We’re Gonna) Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:13
25Where Did Our Love Go
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-04-08)
batteria :
Richard "Pistol" Allen (il 1964-04-08)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-04-08)
chitarra :
Robert White (US funk/soul guitarist) (il 1964-04-08) e Eddie Willis (il 1964-04-08)
pianoforte :
Earl Van Dyke (il 1964-04-08)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-04-08)
strumenti:
The Funk Brothers (il 1964-04-08)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-04-08)
voce di accompagnamento:
Florence Ballard (il 1964-04-08) e Mary Wilson (il 1964-04-08)
voce principale:
Diana Ross (il 1964-04-08)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-04-08)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 29) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 472)
registrazione di:
Where Did Our Love Go (il 1964-04-08)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
The Supremes52:31
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