Symphony no. 8

~ Veröffentlichung von Mahler; London Philharmonic Orchestra, Klaus Tennstedt (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼Digitales Medium: Part I. Hymn: Veni, Creator Spiritus
Nr.TitelKünstlerBewertungLänge
1Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Veni, creator spiritus
Chorgesang:
London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:30
2Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Imple superna gratia
Chorgesang:
London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Solo Baritongesang:
Eike Wilm Schulte (baritone) (am 1991-01-27)
Solo Bass-Gesang:
Hans Sotin (operatic bass) (am 1991-01-27)
Solo Hochgesang [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (am 1991-01-27)
Solo Hochgesang [Alto II]:
Jadwiga Rappé (alto) (am 1991-01-27)
Solo Soprangesang [Soprano I]:
Júlia Várady (soprano) (am 1991-01-27)
Solo Soprangesang [Soprano II]:
Jane Eaglen (soprano) (am 1991-01-27)
Solo Soprangesang [Soprano III]:
Susan Bullock (British operatic soprano) (am 1991-01-27)
Solo Tenor-Gesang:
Kenneth Riegel (tenor) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:18
3Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis
Chorgesang:
London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Solo Baritongesang:
Eike Wilm Schulte (baritone) (am 1991-01-27)
Solo Bass-Gesang:
Hans Sotin (operatic bass) (am 1991-01-27)
Solo Hochgesang [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (am 1991-01-27)
Solo Hochgesang [Alto II]:
Jadwiga Rappé (alto) (am 1991-01-27)
Solo Soprangesang [Soprano I]:
Júlia Várady (soprano) (am 1991-01-27)
Solo Soprangesang [Soprano II]:
Jane Eaglen (soprano) (am 1991-01-27)
Solo Soprangesang [Soprano III]:
Susan Bullock (British operatic soprano) (am 1991-01-27)
Solo Tenor-Gesang:
Kenneth Riegel (tenor) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:30
4Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Tempo I: Allegro, etwas hastig
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:17
5Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis
Chorgesang:
London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Solo Baritongesang:
Eike Wilm Schulte (baritone) (am 1991-01-27)
Solo Bass-Gesang:
Hans Sotin (operatic bass) (am 1991-01-27)
Solo Hochgesang [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (am 1991-01-27)
Solo Hochgesang [Alto II]:
Jadwiga Rappé (alto) (am 1991-01-27)
Solo Soprangesang [Soprano I]:
Júlia Várady (soprano) (am 1991-01-27)
Solo Soprangesang [Soprano II]:
Jane Eaglen (soprano) (am 1991-01-27)
Solo Soprangesang [Soprano III]:
Susan Bullock (British operatic soprano) (am 1991-01-27)
Solo Tenor-Gesang:
Kenneth Riegel (tenor) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:25
6Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Accende lumen sensibus
Chorgesang:
London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Solo Baritongesang:
Eike Wilm Schulte (baritone) (am 1991-01-27)
Solo Bass-Gesang:
Hans Sotin (operatic bass) (am 1991-01-27)
Solo Hochgesang [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (am 1991-01-27)
Solo Hochgesang [Alto II]:
Jadwiga Rappé (alto) (am 1991-01-27)
Solo Soprangesang [Soprano I]:
Júlia Várady (soprano) (am 1991-01-27)
Solo Soprangesang [Soprano II]:
Jane Eaglen (soprano) (am 1991-01-27)
Solo Soprangesang [Soprano III]:
Susan Bullock (British operatic soprano) (am 1991-01-27)
Solo Tenor-Gesang:
Kenneth Riegel (tenor) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler5:23
7Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Veni, creator spiritus
Chorgesang:
London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Solo Baritongesang:
Eike Wilm Schulte (baritone) (am 1991-01-27)
Solo Bass-Gesang:
Hans Sotin (operatic bass) (am 1991-01-27)
Solo Hochgesang [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (am 1991-01-27)
Solo Hochgesang [Alto II]:
Jadwiga Rappé (alto) (am 1991-01-27)
Solo Soprangesang [Soprano I]:
Júlia Várady (soprano) (am 1991-01-27)
Solo Soprangesang [Soprano II]:
Jane Eaglen (soprano) (am 1991-01-27)
Solo Soprangesang [Soprano III]:
Susan Bullock (British operatic soprano) (am 1991-01-27)
Solo Tenor-Gesang:
Kenneth Riegel (tenor) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler5:13
8Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Gloria sit Patri Domino
Chorgesang:
Eton College Boys Choir (am 1991-01-27), London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Solo Baritongesang:
Eike Wilm Schulte (baritone) (am 1991-01-27)
Solo Bass-Gesang:
Hans Sotin (operatic bass) (am 1991-01-27)
Solo Hochgesang [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (am 1991-01-27)
Solo Hochgesang [Alto II]:
Jadwiga Rappé (alto) (am 1991-01-27)
Solo Soprangesang [Soprano I]:
Júlia Várady (soprano) (am 1991-01-27)
Solo Soprangesang [Soprano II]:
Jane Eaglen (soprano) (am 1991-01-27)
Solo Soprangesang [Soprano III]:
Susan Bullock (British operatic soprano) (am 1991-01-27)
Solo Tenor-Gesang:
Kenneth Riegel (tenor) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:41
2▼Digitales Medium: Part II. Final Scene from Goethe's Faust
Nr.TitelKünstlerBewertungLänge
1Symphony no. 8: Part II. Final Scene from Goethe's Faust: Poco adagio
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler6:36
2Symphony no. 8: Part II. Final Scene from Goethe's Faust: Piu mosso: Allegro moderato
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler3:26
3Symphony no. 8: Part II. Final Scene from Goethe's Faust: Waldung, sie schwankt heran
Chorgesang:
London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler4:40
4Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ewiger Wonnebrand
Solo Baritongesang [Pater Ecstaticus]:
Eike Wilm Schulte (baritone) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler1:44
5Symphony no. 8: Part II. Final Scene from Goethe's Faust: Wie Felsenabgrund mir zu Füßen
Solo Bass-Gesang [Pater Profundus]:
Hans Sotin (operatic bass) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler4:55
6Symphony no. 8: Part II. Final Scene from Goethe's Faust: Gerettet ist das edle Glied - Hände verschlinget euch
Chorgesang:
London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler0:58
7Symphony no. 8: Part II. Final Scene from Goethe's Faust: Jene Rosen, aus den Händen
Chorgesang:
London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler1:57
8Symphony no. 8: Part II. Final Scene from Goethe's Faust: Uns bleibt ein Erdenrest
Chorgesang:
London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler2:21
9Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ich spür' soeben nebelnd um Felsenhöh' - Hier ist die Aussicht frei - Freudig empfangen wir
Chorgesang:
Eton College Boys Choir (am 1991-01-27), London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Solo Tenor-Gesang [Doctor Marianus]:
Kenneth Riegel (tenor) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler1:12
10Symphony no. 8: Part II. Final Scene from Goethe's Faust: Höchste Herrscherin der Welt!
Chorgesang:
London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Solo Tenor-Gesang [Doctor Marianus]:
Kenneth Riegel (tenor) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler4:28
11Symphony no. 8: Part II. Final Scene from Goethe's Faust: Dir, der Unberührbaren - Du schwebst zu Höhen der ewigen Reiche
Solo Soprangesang [Una Poenitentium]:
Jane Eaglen (soprano) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler3:54
12Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei der Liebe, die den Füßen
Solo Soprangesang [Magna Peccatrix]:
Júlia Várady (soprano) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k1. Bei der Liebe, die den Füssen (Magna Peccatrix) (Magna Peccatrix only) (am 1991-01-27)
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:12
13Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem Bronn, zu dem schon weiland
Solo Hochgesang [Mulier Samaritana]:
Trudeliese Schmidt (mezzo-soprano) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
teilweise recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k2. Bei dem Bronn, zu dem schon weiland (Mulier Samaritana) (Mulier Samaritana only) (am 1991-01-27)
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:42
14Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem hochgeweihten Orte
Solo Hochgesang [Maria Aegyptiaca]:
Jadwiga Rappé (alto) (am 1991-01-27)
Solo Hochgesang [Mulier Samaritana]:
Trudeliese Schmidt (mezzo-soprano) (am 1991-01-27)
Solo Soprangesang [Magna Peccatrix]:
Júlia Várady (soprano) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k3. Bei dem hochgeweihten Orte (Maria Aegyptiaca) (Maria Aegyptiaca only) (am 1991-01-27)
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k4. Die du großen Sünderinnen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (am 1991-01-27)
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler2:50
15Symphony no. 8: Part II. Final Scene from Goethe's Faust: Neige, neige, du Ohnegleiche
Solo Soprangesang [Una Poenitentium]:
Jane Eaglen (soprano) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler1:00
16Symphony no. 8: Part II. Final Scene from Goethe's Faust: Er überwächst uns schon - Vom edlen Geisterchor umgeben
Chorgesang:
Eton College Boys Choir (am 1991-01-27)
Solo Soprangesang [Mater Gloriosa]:
Susan Bullock (British operatic soprano) (am 1991-01-27)
Solo Soprangesang [Una Poenitentium]:
Jane Eaglen (soprano) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler3:55
17Symphony no. 8: Part II. Final Scene from Goethe's Faust: Komm! Hebe dich zu höhern Sphären! - Blicket auf zum Retterblick, alle reuig Zarten
Chorgesang:
Eton College Boys Choir (am 1991-01-27), London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Solo Tenor-Gesang [Doctor Marianus]:
Kenneth Riegel (tenor) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler7:55
18Symphony no. 8: Part II. Final Scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis
Chorgesang:
Eton College Boys Choir (am 1991-01-27), London Philharmonic Choir (am 1991-01-27) und London Symphony Chorus (am 1991-01-27)
Solo Baritongesang:
Eike Wilm Schulte (baritone) (am 1991-01-27)
Solo Bass-Gesang:
Hans Sotin (operatic bass) (am 1991-01-27)
Solo Hochgesang [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (am 1991-01-27)
Solo Hochgesang [Alto II]:
Jadwiga Rappé (alto) (am 1991-01-27)
Solo Soprangesang [Soprano I]:
Júlia Várady (soprano) (am 1991-01-27)
Solo Soprangesang [Soprano II]:
Jane Eaglen (soprano) (am 1991-01-27)
Solo Tenor-Gesang:
Kenneth Riegel (tenor) (am 1991-01-27)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1991-01-27)
conductor:
Klaus Tennstedt (conductor) (am 1991-01-27)
chorus master:
Richard Cooke (chorus master/conductor) (am 1991-01-27) und Stephen Westrop (chorus master) (am 1991-01-27)
aufgenommen bei:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Vereinigtes Königreich (am 1991-01-27)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (am 1991-01-27)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler6:13

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ASIN:UK: B004PNZ2TM [Info]
bestellen:http://shop.lpo.org.uk/shop/Recordings/detail.asp?7628,0,0,0,0 [Info]
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Allmusic:https://www.allmusic.com/album/mw0002112831 [Info]