The Best of 1980–1990, Vol. III

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1I Want Your Sex
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1987)
teilweise recording of:
I Want Your Sex: Rhythm 1: Lust
Texter und Komponist(in):
George Michael
publisher:
Big Geoff Overseas Ltd., Morrison Leahy Music Ltd., Warner Chappell Music Limited (2019–present), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Golden Raspberry Award for Worst Original Song (Nummer: 1987)
Teil von:
I Want Your Sex (whole work; known as “The Monogamy Mix” when performed in its entirety)
recording of:
I Want Your Sex: Rhythm 1: Lust
Texter und Komponist(in):
George Michael
publisher:
Big Geoff Overseas Ltd., Morrison Leahy Music Ltd., Warner Chappell Music Limited (2019–present), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Golden Raspberry Award for Worst Original Song (Nummer: 1987)
Teil von:
I Want Your Sex (whole work; known as “The Monogamy Mix” when performed in its entirety)
George Michael34:46
2Sometimes
recording of:
Sometimes
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure4:58
3You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:20
4Big Bubbles No Troubles
Programmierung:
Simon Ellis (producer)
Produzent(in):
"Luxi" Lux und Ralph P. Ruppert
Chapman Stick:
Nick Beggs
Keyboard:
Simon Ellis (producer)
vocals:
Austin Howard
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1988)
produced for:
P.A.R.C.
recording of:
Big Bubbles No Troubles
Verfasser(in):
Nick Beggs, Simon Ellis (producer) und Austin Howard
publisher:
Ragged Music und SBK Songs Ltd.
Ellis, Beggs and Howard43:34
5Avalon
Produzent(in):
Rhett Davies und Roxy Music
Mix:
Bob Clearmountain
Bassgitarre:
Alan Spenner (von 1981 bis 1982)
Gitarre:
Neil Hubbard (von 1981 bis 1982) und Phil Manzanera (von 1981 bis 1982)
Keyboard und Sologesang:
Bryan Ferry (von 1981 bis 1982)
Perkussion:
Jimmy Maelen (percussion) (von 1981 bis 1982)
Saxophon:
Andy Mackay (of Roxy Music) (von 1981 bis 1982)
Schlagzeug:
Andy Newmark (von 1981 bis 1982)
Hintergrundgesang:
Yannick Etienne (von 1981 bis 1982) und Fonzi Thornton (von 1981 bis 1982)
Interpret(in):
Roxy Music (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (vom 1982 bis heute, in 1982), Virgin EG Records Ltd. (in 1982) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1999, in 2003)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1981 bis 1982)
recording of:
Avalon (von 1981 bis 1982)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4.154:17
6The Great Commandment
recording of:
The Great Commandment
Texter:
Marcus Meyn
Komponist(in):
Oliver Kreyssig, Heiko Maile und Marcus Meyn
publisher:
Blue Box Publishing Promotion Karin Wirthmann und Golden Cloud Ltd.
Camouflage3:13
7Crockett’s Theme
recording of:
Crockett’s Theme (Miami Vice)
Komponist(in):
Jan Hammer
publisher:
Involved Publishing Ltd, MCA Music Inc. (Universal Music Philippines’ legal name) und Universal/MCA Music Ltd. (not for release label use!)
Jan Hammer3.53:33
8Life’s What You Make It
Produzent(in):
Tim Friese‐Greene
Klavier:
Mark Hollis
mellotron und Orgel:
Tim Friese‐Greene
Perkussion:
Martin Ditcham
Schlagzeug:
Lee Harris (drummer, member of Talk Talk and .O.Rang)
Hintergrundgesang:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
vocals:
Mark Hollis
recording of:
Life’s What You Make It
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
Talk Talk3.84:29
9Midnight Man
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
Midnight Man
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
Flash and the Pan3.754:54
10All You Zombies
recording engineer:
John Agnello (engineer & producer) und William Wittman
assistierende(r) Techniker(in):
Carol Cafiero und Dan Nash
Produzent(in):
Rick Chertoff
Mix:
William Wittman
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
All You Zombies
Verfasser(in):
Eric Bazilian und Rob Hyman
The Hooters56:00
11Room With a View
recording of:
Room With a View
Texter und Komponist(in):
Tony Carey
publisher:
Red Rooster (publisher)
Teil von:
Reprise
Tony Carey3:22
12Is There Something I Should Know?
Koproduzent(in):
Duran Duran (English rock band) und Ian Little (producer, engineer, songwriter)
Produzent(in):
Duran Duran (English rock band) und Ian Little (producer, engineer, songwriter)
Mix:
Ian Little (producer, engineer, songwriter) und Alex Sadkin
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Is There Something I Should Know?
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran3.14:11
13Friday on My Mind
Schlagzeug-Programmierung:
Roland Vaughan Kerridge
Produzent(in):
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s) und Gary Moore (Thin Lizzy, blues guitar)
Bassgitarre:
Bob Daisley
Gitarre und Sologesang:
Gary Moore (Thin Lizzy, blues guitar)
Keyboard und Hintergrundgesang:
Neil Carter
cover recording of:
Friday on My Mind
Verfasser(in):
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. und Unart Music Corporation (in 1973)
Gary Moore3.54:13
14Another Holiday
recording of:
Holiday
Verfasser(in):
Stephan Gottwald, Uwe Hoffmann (producer ("Die Ärzte", ...), drummer), Alf Klimek, Jayney Klimek, Johnny Klimek (Australian score composer) und Andreas Schwarz-Ruszczynski
publisher:
Lunapark Edition
The Other Ones3:36
15Jeopardy
phonographisches Urheberrecht (℗) von:
Castle Communications PLC (not for label use, copyright holder) (in 1983)
recording of:
Jeopardy
Verfasser(in):
Greg Kihn und Steve Wright (bassist for the Greg Kihn Band)
Greg Kihn Band3.353:51
16Celebrate Youth
recording of:
Celebrate Youth
Texter und Komponist(in):
Rick Springfield
publisher:
Super Ron Music
Rick Springfield43:54
2▼CD
Nr.TitelKünstlerBewertungLänge
1Teardrops
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack45:04
2You Sexy Thing
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1975) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
You Sexy Thing
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate (also credited as Choclat and Chokolate), EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.53:46
3Back to Life
Techniker(in):
Arabella Rodriguez
Produzent(in) und Mix:
Nellee Hooper und Jazzie B
Gast Sologesang:
Caron Wheeler (English singer, songwriter, and record producer)
vocals und Interpret(in):
Caron Wheeler (English singer, songwriter, and record producer)
phonographisches Urheberrecht (℗) von:
10 Records (in 1989)
aufgenommen bei und mixed at:
Brittania Row (first location, 1975–1995 Islington) in Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Back to Life
Verfasser(in):
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo und Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul4.153:50
4Don’t Go
Techniker(in):
John Fryer (British producer and engineer) und Eric Radcliffe (UK producer / engineer / musician)
Produzent(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) und Daniel Miller (British music producer and founder of Mute Records)
vocals:
Alison Moyet
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Don’t Go
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing Scandinavia KB
Yazoo4.53:04
5I’m Not Scared
Keyboard-Programmierung:
Ian Curnow
Produzent(in):
Phil Harding (engineer, producer and remixer) und Pet Shop Boys
vocals:
Patsy Kensit (actress and singer)
phonographisches Urheberrecht (℗) von:
CBS Records (2006–2021) (in 1988)
recording of:
I’m Not Scared
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd. (in 1988) und Cage Music Ltd. (in 1988)
Eighth Wonder3:49
6Straight Up
Koproduzent(in):
Keith Cohen
Produzent(in):
Elliot Wolff
arranger:
Elliot Wolff
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 11), The Downloader’s Music Source Book (Nummer: 90), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 64) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 361)
recording of:
Straight Up
Texter und Komponist(in):
Elliot Wolff
publisher:
Elliot Wolff Music und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Paula Abdul3.554:10
7Riding on a Train
recording of:
Riding on a Train
Verfasser(in):
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner und Hammish Seelochan
publisher:
CBS Music Publishing und CBS Songs
The Pasadenas4:16
8It’s Raining Men
recording of:
It’s Raining Men
Verfasser(in):
Paul Jabara und Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls45:27
9Slave to Love
assistierende(r) Techniker(in):
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs und Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Rhett Davies
zusätzliche(r) Techniker(in):
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita und Bryan McGee (sound engineer)
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
Sologesang:
Bryan Ferry
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999, in 2004)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Vereinigte Staaten, RPM Studios in New York, New York, Vereinigte Staaten, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und The White House in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
Slave to Love von Bryan Ferry
recording of:
Slave to Love
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.654:27
10Gold
recording of:
Gold
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet34:49
11Sunglasses at Night
Techniker(in):
Jon Astley, Phil Chapman (engineer) und Andy MacPherson
Produzent(in):
Jon Astley und Phil Chapman (engineer)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 30)
recording of:
Sunglasses at Night
Texter und Komponist(in):
Corey Hart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Edition Meridian
Corey Hart3.75:19
12Rise to the Occasion
Techniker(in):
John Gallen (UK music producer, recording & mix engineer.) und David Jacob
Produzent(in):
Climie Fisher und Stephen Hague
zusätzlich Perkussion:
Frank Ricotti (percussionist)
Hintergrundgesang:
View From the Hill
recording of:
Rise to the Occasion
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
Climie Fisher24:45
13Brand New Toy
recording of:
Brand New Toy
Verfasser(in):
Dirk Darmstaedter und Christoph Maria Kaiser
publisher:
Antenna Musik GmbH
The Jeremy Days4:02
14Dance Hall Days
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Geffen Records und The David Geffen Company (legal rights relating to Geffen Records) (in 1984)
recording of:
Dance Hall Days
Verfasser(in):
Darren Costin, Nick Feldman und Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.24:00
15Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:29

Nennungen

Veröffentlichungsgruppe

Teil von:The Best of 1980–1990 (Nummer: 3) (Reihenfolge: 3)