Modern Rock: Dance

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Label: Time-Life Music - Catalog #: 18602

Label: Time-Life Music - Catalog #: 18602

Anmerkung zuletzt geändert am 2012-02-11 22:12 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:33
2What I Like About You
Produzent(in):
Peter Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) und Nemperor Records, Inc. (in 1979)
aufgenommen bei:
Coconut Recording in Miami, Florida, Vereinigte Staaten (in 1979-10)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 97) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 483)
recording of:
What I Like About You (in 1979-10)
Verfasser(in):
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) und Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. und EMI Music Publishing Australia Pty. Limited (not for release label use!)
Teil von:
Freaky Friday (2003)
The Romantics4.552:59
3Mickey
phonographisches Urheberrecht (℗) von:
FFRC (in 2022)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 43), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 57) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 497)
cover recording of:
Kitty (more well known as "Mickey")
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
übersetzte Version von:
Mickey
Toni Basil3.84:16
4Electric Avenue
recording of:
Electric Avenue
Texter und Komponist(in):
Eddy Grant
publisher:
Warner/Chappell Music Ltd. (1996–2019)
was commissioned by:
Greenheart Music
Eddy Grant3:51
599 Luftballons
Techniker(in):
Imre Sereg (in 1982)
Produzent(in):
Reinhold Heil (in 1982) und Manfred Praeker (in 1982)
Mix:
Udo Arndt (in 1982)
E-Bass:
Jürgen Dehmel (in 1982)
E-Gitarre:
Carlo Karges (in 1982)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Schlagzeug:
Rolf Brendel (in 1982)
Sologesang:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983) und Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1983)
aufgenommen bei:
Spliff in Berlin, Deutschland (in 1982)
mixed at:
Audio-Studio in Berlin, Deutschland (in 1982)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 73) und Cachitos Nochevieja 2022 (Nummer: 105)
recording of:
99 Luftballons (in 1982)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Uwe Fahrenkrog-Petersen (in 1982)
publisher:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Musikverlag GmbH
sub-publisher:
EMI Songs France (27, rue de Berri)
Nena4.13:55
6The Politics of Dancing
recording of:
The Politics of Dancing
Texter und Komponist(in):
Paul Fishman (UK musician, songwriter and producer. One half of Goldfish Productions.)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited und Metric Music Ltd.
Re‐Flex3:58
7We Got the Beat
Assistent recording engineer:
Ted Blechta und John Terelle
recording engineer und Mix:
Rob Freeman (engineer)
zusätzlich Assistent recording engineer:
James Ball, Eric Kortee und Darroll Gustamachio
Produzent(in):
Rob Freeman (engineer) und Richard Gottehrer (American songwriter and music executive)
assistierende(r) Mix:
Gray Russell
Bassgitarre und Gitarre:
Kathy Valentine
Gitarre [lead guitar] und Keyboard:
Charlotte Caffey
Gitarre [rhythm guitar]:
Jane Wiedlin
Perkussion und Schlagzeug:
Gina Schock
Sologesang:
Belinda Carlisle
vocals:
Charlotte Caffey und Jane Wiedlin
phonographisches Urheberrecht (℗) von:
I.R.S., Inc. (in 1981)
aufgenommen bei:
Pennylane Studios in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Sound Mixers Studio in New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Sound Mixers Studio in New York, New York, Vereinigte Staaten
recording of:
We Got the Beat
Texter und Komponist(in):
Charlotte Caffey
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978)
publisher:
Daddy-Oh Music und Universal Music–MGB Songs
The Go‐Go’s4.52:33
8Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:43
9Rock This Town
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
recording of:
Rock This Town
Texter und Komponist(in):
Brian Setzer
publisher:
EMI Music Publishing (do not use as a release label!), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Windswept Pacific Music Ltd. (publishing company)
Stray Cats4.43:27
10The Look of Love
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Keyboard:
Mark White (ABC/Vice Versa)
Sologesang:
Martin Fry
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 43)
teilweise recording of:
The Look of Love
Verfasser(in):
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Teil von:
Mantrap (ABC long-form film)
ABC43:33
11The Safety Dance
Produzent(in):
Marc Durand (Canadian producer)
phonographisches Urheberrecht (℗) von:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2010)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 17)
recording of:
The Safety Dance (von 1982-01 bis 1982-03)
Texter und Komponist(in):
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) und Wintrup Musik (in 1982)
Men Without Hats4.54:36
12Der Kommissar
Bearbeitung von:
Der Kommissar von After the Fire
cover recording of:
Der Kommissar (English version) (in 1982)
Texter:
Johann Hölzel (Austrian pop & rock musician)
Komponist(in):
Robert Ponger
Übersetzer:
Andy Piercy
publisher:
IQ Music Ltd.
übersetzte Version von:
Der Kommissar
After the Fire4.355:45
2▼CD
Nr.TitelKünstlerBewertungLänge
1Lies
recording of:
Lies
Verfasser(in):
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
BMG Songs, Inc., CD Baby Publishing (publisher, not a release label!), Point Music Ltd. und Zomba Enterprises, Inc.
Thompson Twins5:24
2I Melt With You
Techniker(in) und Produzent(in):
Hugh Jones (UK producer)
Bassgitarre [bass] und Geige / Violine:
Michael Conroy
Gitarre:
Gary McDowell
Keyboard [keyboards]:
Stephen Walker (of Modern English)
Perkussion und Schlagzeug [drums]:
Richard Brown (Modern English)
vocals:
Robbie Grey
engineered at:
Rockfield in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 7)
recording of:
I Melt With You
Verfasser(in):
Richard Brown (Modern English), Michael Conroy, Robbie Grey, Gary McDowell und Stephen Walker (of Modern English)
publisher:
Universal–Songs of PolyGram International, Inc.
Modern English4.253:51
3Wake Me Up Before You Go-Go
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Keyboard:
Tommy Eyre
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
Musikvideos:
Wake Me Up Before You Go-Go von Wham! (British pop-duo)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 28) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 269)
recording of:
Wake Me Up Before You Go‐Go
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:54
4She Bop
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
She Bop
Verfasser(in):
Rick Chertoff, Gary Corbett, Cyndi Lauper und Steve Lunt (British musician, songwriter, music executive also credited as Stephen Broughton)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), ATV/Sony Songs, LLC, Concord Copyrights (BMI), Hobbler Music, Mushroom Music Pty. Ltd., Noyb Music Company, Perfect Punch Music (publisher), Rellla Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spirit One Music, Twenty Twenty 6 Music, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Wall to Wall Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 15)
Cyndi Lauper4.13:49
5If You Leave
Techniker(in):
Tom Lord‐Alge
Produzent(in):
Tom Lord‐Alge und Orchestral Manoeuvres in the Dark
Herausgeber:
A&M Records und Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recording of:
If You Leave
Verfasser(in):
Martin Cooper (OMD and The Listening Pool), Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. Albert & Son Pty. Ltd., Virgin Music, Inc. (US arm of Virgin’s publishing company), Warner/Chappell Music Australia Pty. Ltd. und WB Music Corp. (1929–2019)
Orchestral Manoeuvres in the Dark3.94:29
6Love Shack
assistierende(r) Techniker(in):
Martin Kunitz
Techniker(in):
Dave Cook (US engineer and producer)
Produzent(in):
Don Was
Mix:
Tom Durack
Gast-Bassgitarre:
Sara Lee (UK bassist, singer & songwriter)
Gast-Horn:
Uptown Horns (US horn section, formed in 1980)
Gast-Schlagzeug:
Charley Drayton
Gitarre:
Keith Strickland
Keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) und Cindy Wilson
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1989)
aufgenommen bei:
Dreamland Studios in Hurley, New York, Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
additionally produced at:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten
Musikvideos:
Love Shack von The B‐52’s
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 243)
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s4.25:25
7Sex (I'm a...)
assistierende(r) Techniker(in):
Charles Ramirez (DJ, Producer) und Jon St. James (American guitarist, songwriter, and producer)
Techniker(in) und Produzent(in):
Daniel R. Van Patten
Mix:
The Maomen
elektronisches Schlagzeug / E-Drums [electronic percussion] und Schlagzeug [drums]:
Daniel R. Van Patten
phonographisches Urheberrecht (℗) von:
Berlin Era Music BMI, Malladin Music BMI und Xytyryan Rex Music
recording of:
Sex (I’m A…)
Verfasser(in):
John Crawford (Berlin bassist), David Diamond (member of Berlin) und Terri Nunn (Berlin singer)
Berlin45:08
8Dance Hall Days
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Geffen Records und The David Geffen Company (legal rights relating to Geffen Records) (in 1984)
recording of:
Dance Hall Days
Verfasser(in):
Darren Costin, Nick Feldman und Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.24:00
9Shout
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984) und Chris Hughes (producer, aka “Merrick”) (in 1984)
Hintergrundgesang:
Sandy McLelland (in 1984)
Sologesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1984, in 1985) und Mercury Records Ltd. (not for release label use!) (in 1985, in 2014)
Musikvideos:
Shout von Tears for Fears
recording of:
Shout (in 1984)
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears4.46:35
10You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:19
11Oh Yeah
Produzent(in):
Yello (Swiss electronica duo)
Gast-Gitarre:
Chico Hablas
Gast-Schlagzeug:
Beat Ash
phonographisches Urheberrecht (℗) von:
Phonogram GmbH (in 1985)
aufgenommen bei:
Yello Studio in Zurich (Zürich), Zürich (Kanton Zürich), Schweiz
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 48)
recording of:
Oh Yeah
Texter:
Dieter Meier (member of Yello)
Komponist(in):
Boris Blank
publisher:
Datasound AG, TBU Music, Warner/Chappell Music, Inc. und Neue Welt (in 1985)
Yello43:08
12You Keep Me Hangin' On
recorded in:
England, Vereinigtes Königreich
Techniker(in):
Peter Wade Schwier (producer, mixing and recording engineer)
Produzent(in):
Ricky Wilde
Gitarre:
Steve Byrd
Keyboard:
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
aufgenommen bei und mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten, Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Cachitos Nochevieja 2022 (Nummer: 108)
cover recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kim Wilde3.454:16

Nennungen

Veröffentlichungsgruppe

Teil von:Modern Rock (Time-Life Music) (Nummer: 5) (Reihenfolge: 5)