70s: 130 Original Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Sunday Girl
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978, nel 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione di:
Sunday Girl (dal 1978-06 al 1978-07)
paroliere e compositore:
Chris Stein
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) e Rare Blue Music Inc (nel 1978)
Blondie3.83:12
2Love Is the Drug
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1975), Virgin EG Records Ltd. (nel 1975) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1975, nel 1999)
registrazione di:
Love Is the Drug
paroliere:
Bryan Ferry
compositore:
Andy Mackay (of Roxy Music)
editore:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs e E.G. Music Ltd. (publisher) (nel 1975)
Roxy Music4.24:08
3Roll Away the Stone
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (nel 1974)
registrazione di:
Roll Away the Stone
paroliere e compositore:
Ian Hunter (Mott the Hoople)
editore:
Island Music Limited (Island Music Ltd.) e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Mott the Hoople3.53:08
42‐4‐6‐8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band4.253:17
5Motor Bikin’
tecnico:
Douglas Hopkins (engineer)
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrazione di:
Motor Bikin’
paroliere e compositore:
Chris Spedding
Chris Spedding3.352:37
6Have I the Right
produttore:
Barry Blue (singer, producer, and songwriter)
registrazione cover di:
Have I the Right
autore:
Alan Blaikley e Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Ivy Music Ltd.
Dead End Kids43:12
7You Sexy Thing
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984)
registrazione di:
You Sexy Thing (nel 1975)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate (also credited as Choclat and Chokolate), EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.854:04
8Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.752:52
9Ain’t Gonna Bump No More (With No Big Fat Woman)
registrazione di:
Ain’t Gonna Bump No More (With No Big Fat Woman)
autore:
Buddy Killen e Bennie Lee McGinty
Joe Tex6:40
10Right Back Where We Started From
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1994)
registrazione di:
Right Back Where We Started From (nel 1975)
autore:
J. Vincent Edwards e Pierre Tubbs
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sony/ATV Songs LLC
Maxine Nightingale4.153:12
11This Will Be (An Everlasting Love)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 4) (numero: 3) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 316)
registrazione di:
This Will Be (an Everlasting Love)
autore:
Chuck Jackson (songwriter/producer) e Marvin Yancy (R&B/soul singer and pastor)
editore:
Chappell & Co., Inc. (USA) e Jay’s Enterprises Inc.
Natalie Cole3.52:50
12Get Up and Boogie (That's Right)
registrazione di:
Get Up and Boogie
paroliere:
Stephan Prager (songwriter, aka Michael Kunze)
compositore:
Sylvester Levay
Silver Convention3:00
13Boogie Oogie Oogie
produttore:
Fonce Mizell e Larry Mizell
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2002)
registrazione di:
Boogie Oogie Oogie
autore:
Janice Marie Johnson (member of "A Taste of Honey") e Perry L. Kibble (keyboardist and songwriter)
editore:
Conducive Music, Inc. e On Time Music, Inc.
A Taste of Honey2.653:35
14Queen of Clubs
produttore:
Harry Wayne Casey e Richard Finch
registrazione di:
Queen of Clubs
autore:
Harry Wayne Casey e Richard Finch
KC and the Sunshine Band53:18
15Play That Funky Music
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (2004–2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
edit di:
Play That Funky Music di Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
registrazione di:
Play That Funky Music (nel 1976)
paroliere e compositore:
Robert W. Parissi (Rob Parissi)
editore:
Bema Music (publisher), RWP Music, Sweet City Records Inc. e Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:09
16Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973), RAK Records Ltd. (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.153:34
17Magic
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974, nel 1975, nel 2003)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 41)
registrazione di:
Magic
autore:
Billy Lyall e David Paton (of Pilot)
editore:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Robbins Music Corp. Ltd.
Pilot4.753:04
18Some Girls
registrazione di:
Some Girls
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Downtown DLJ Songs, Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Racey3.53:24
19Rocket
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
registrazione di:
Rocket
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
Mud4:07
20Fancy Pants
registrazione di:
Fancy Pants
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
Kenny33:27
21A Touch Too Much
produttore:
Mickie Most (English record producer)
basso e voce principale:
Alan Merrill
batteria :
Paul Varley
chitarra :
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
registrazione di:
Touch Too Much (nel 1974)
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
Chinnichap (production company and publisher) e RAK Publishing Ltd.
The Arrows53:02
2▼CD
#TitoloArtistaValutazioneDurata
1Wig‐Wam Bam
produttore:
Phil Wainman
registrazione di:
Wig Wam Bam
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
The Sweet53:01
2Shang‐A‐Lang
produttore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
arrangiatore:
Phil Coulter
registrazione di:
Shang‐A‐Lang
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
Martin-Coulter Music Ltd
Bay City Rollers33:04
3Tiger Feet
co-produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
esecutore:
Mud (UK glam rock band)
diritti fonografici (℗) detenuti da:
RAK (nel 1974)
registrazione di:
Tiger Feet
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) e BMG Music Publishing Ltd.
Mud53:51
4The Bump
registrazione di:
The Bump
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kenny3.52:35
5Girls, Girls, Girls
tecnico:
Jeffrey Lesser e Al Scott (Oysterband, engineer, song writer)
produttore:
Georg Kajanus, Jeffrey Lesser e Al Scott (Oysterband, engineer, song writer)
produttore associato:
Rupert Holmes
tecnico di missaggio:
Jeffrey Lesser
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1974)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1975-10)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 51)
registrazione di:
Girls, Girls, Girls (nel 1975-10)
paroliere e compositore:
Georg Kajanus
editore:
Chappell Morris Ltd.
registrazione di:
Girls, Girls, Girls
paroliere:
Nikki Sixx
compositore:
Tommy Lee (Mötley Crüe drummer), Mick Mars e Nikki Sixx
editore:
Mars Mountain Music, Sixx/Gunner Music, Tommyland Music e WB Music Corp. (1929–2019)
Sailor33:03
6Lay Your Love on Me
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978), RAK Records (copyrights holder) (nel 1978) e RAK (nel 1979)
registrazione di:
Lay Your Love on Me
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music e Universal Music Publishing MGB Australia
Racey3:13
7Na Na Na
registrazione di:
Na Na Na
paroliere e compositore:
John Cameron (British composer, arranger and conductor)
Cozy Powell3:28
848 Crash
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
48 Crash
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music
Suzi Quatro4.53:54
9Heart of Glass
assistente tecnico:
Grey Russell
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke
chitarra :
Frank Infante e Chris Stein
chitarra basso :
Nigel Harrison
tastiera :
Jimmy Destri
voce principale:
Deborah Harry
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (nel 1978), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1978)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1978-06)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.154:10
10Beach Baby
diritti fonografici (℗) detenuti da:
Peermusic Ltd. (BMI) (nel 1974)
registrazione di:
Beach Baby
autore:
John Carter (songwriter & producer, b. 1942) e Gillian Shakespeare (songwriter)
editore:
Image Music (Australian) e Peermusic Pty. Ltd. (Australia)
First Class4.54:46
11When You’re in Love With a Beautiful Woman
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
When You’re in Love With a Beautiful Woman
paroliere e compositore:
Even Stevens (singer / songwriter)
editore:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:57
12Feel the Need in Me
registrazione di:
Feel the Need in Me
paroliere e compositore:
Abrim Tilmon
editore:
Bridgeport Music, Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Detroit Emeralds43:22
13You’re My Everything
registrazione di:
You’re My Everything
autore:
Lee Garrett e Robert Taylor (Robert Percy Taylor, composer)
Lee Garrett32:58
14Boogie Wonderland
produttore:
Al McKay e Maurice White (Earth, Wind & Fire)
voce:
The Emotions (Chicago soul, disco and R&B female vocal group) (nel 1979)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (2004–2008) (nel 1979) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
campionamenti da:
I Am di Earth, Wind & Fire (nel 1979)
registrazione di:
Boogie Wonderland (nel 1979)
paroliere:
Allee Willis
compositore:
Jon Lind
editore:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) e Rondor Music (London) Ltd.
Earth, Wind & Fire4.154:48
15I Can’t Leave You Alone
diritti fonografici (℗) detenuti da:
T.K. Records Ltd. (Miami‐based disco label) (nel 1974)
registrazione di:
I Can’t Leave You Alone
autore:
Harry Wayne Casey e Richard Finch
editore:
Peer Music
George McCrae3:08
16Haven’t Stopped Dancing Yet
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
I Haven’t Stopped Dancing Yet
compositore:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
editore:
Buckwheat Music, Old Eye Music e Wizard (Bahamas) Ltd.
Gonzalez44:11
17Don’t Take Away the Music
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1976)
edit di:
Don’t Take Away the Music di Tavares (US R&B, funk and soul music)
registrazione di:
Don’t Take Away the Music
autore:
Freddie Perren, Keni St. Lewis (singer, songwriter) e Christine Yarian
editore:
Songs of PolyGram International, Inc. e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Tavares3:39
18Do Ya Wanna Get Funky With Me
Peter Brown34:35
19(You Gotta Walk) Don’t Look Back
voce principale:
Mick Jagger (The Rolling Stones) e Peter Tosh
registrazione cover di:
Don’t Look Back
autore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
Peter Tosh3:43
20I Can See Clearly Now
produttore:
Johnny Nash (US reggae/pop singer-songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1972) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 165)
registrazione di:
I Can See Clearly Now (nel 1972)
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Cash4.152:47
21Why Can’t We Live Together
registrazione di:
Why Can’t We Live Together (nel 1972-08)
paroliere e compositore:
Timmy Thomas
editore:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas44:49
22The Air That I Breathe
tecnico:
Mike Jarratt (recording, mixing and lacquer cutting engineer) e Alan Parsons (of The Alan Parsons Project)
produttore:
The Hollies e Ron Richards
voce:
Allan Clarke (of The Hollies) (dal 1973-11-15 al 1973-11-22), Tony Hicks (dal 1973-11-15 al 1973-11-22) e Terry Sylvester (singer and guitarist) (dal 1973-11-15 al 1973-11-22)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (2004–2008) (nel 1973), The Hollies Ltd. (nel 1973, nel 1974, nel 2008) e Polydor International GmbH (not for release label use!) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-11-15 al 1973-11-22)
registrazione cover di:
The Air That I Breathe (dal 1973-11-15 al 1973-11-22)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:02
3▼CD
#TitoloArtistaValutazioneDurata
1Let’s Stick Together
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist) e Jon Walls
tecnico:
Steve Nye (producer, engineer and pianist) e John Punter
produttore:
Bryan Ferry e Chris Thomas (UK record producer / remixer)
armonica (a bocca) e tastiera :
Bryan Ferry (dal 1973 al 1976)
basso :
John Wetton (dal 1973 al 1976)
batteria :
Paul Thompson (Roxy Music drummer) (dal 1973 al 1976)
chitarra :
Chris Spedding (dal 1973 al 1976)
percussione :
Morris Pert (dal 1973 al 1976)
sassofono soprano :
Mel Collins (dal 1973 al 1976)
sassofono tenore :
Chris Mercer (British saxophonist) (dal 1973 al 1976)
sintetizzatore e violino :
Eddie Jobson (dal 1973 al 1976)
tromba :
Martin Drover (dal 1973 al 1976)
cori:
Vicki Brown (English pop, rock & contemporary classical singer) (dal 1973 al 1976), Doreen Chanter (dal 1973 al 1976), Helen Chappelle (dal 1973 al 1976), Jackie Sullivan (vocals & songwriter) (dal 1973 al 1976), Martha Walker (Vocalist) (dal 1973 al 1976) e Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (dal 1973 al 1976)
voce:
Bryan Ferry (dal 1973 al 1976)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1976), Virgin EG Records Ltd. (nel 1976) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1976, nel 1999)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito e Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (dal 1973 al 1976)
registrazione cover di:
Let’s Stick Together (dal 1973 al 1976)
paroliere e compositore:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
editore:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. e SBK/U Catalog (nel 1969)
Bryan Ferry3.352:58
2She’s Not There
produttore:
Tom Coster, David Rubinson & Friends, Inc. e Carlos Santana
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrazione cover di:
She’s Not There
paroliere e compositore:
Rod Argent
editore:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA e Parker Music
sub-editore:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana2.53:20
3Life in a Day
tecnico e produttore:
John Leckie
batteria e percussione :
Brian McGee (UK drummer)
chitarra :
Charlie Burchill
chitarra basso :
Derek Forbes
tastiera :
Michael MacNeil (Primary keyboardist and a main songwriter/composer for Simple Minds from 1978 until 1990.)
voce:
Charlie Burchill, Derek Forbes, Michael MacNeil (Primary keyboardist and a main songwriter/composer for Simple Minds from 1978 until 1990.) e Brian McGee (UK drummer)
voce principale:
Jim Kerr (of Simple Minds)
arrangiatore:
John Leckie e Simple Minds (Scottish rock band)
registrata presso:
Farmyard Studios in Amersham, Buckinghamshire, England, Regno Unito (nel 1979-01)
mixata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1979-02-19 al 1979-02-28)
registrazione di:
Life in a Day
paroliere e compositore:
Charlie Burchill e Jim Kerr (of Simple Minds)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) (dal 1979 al 2007), Hornall Music (limited company) (dal 2008 al 2014), JKMC-Bucks Music Group Ltd (Bucks Music Group) (dal 2008 al 2014) e BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (dal 2015 a oggi)
Minds54:05
4My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack3.94:00
5Dreaming
tecnico:
Peter Coleman (British engineer & producer) e David Tickle
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1979-05 al 1979-06)
chitarra :
Frank Infante (dal 1979-05 al 1979-06) e Chris Stein (dal 1979-05 al 1979-06)
chitarra basso :
Nigel Harrison (dal 1979-05 al 1979-06)
tastiera :
Jimmy Destri (dal 1979-05 al 1979-06)
voce di accompagnamento:
Ellie Greenwich (dal 1979-05 al 1979-06)
voce principale:
Deborah Harry (dal 1979-05 al 1979-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1979), Chrysalis Records, Inc. (not for release label use!) (nel 1979, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (dal 1979-05 al 1979-06), Mediasound Studios in New York, New York, Stati Uniti (dal 1979-05 al 1979-06) e Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1979-05 al 1979-06)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 4) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 414)
registrazione di:
Dreaming (dal 1979-05 al 1979-06)
autore:
Deborah Harry e Chris Stein
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) e EMI Music Publishing Ltd. (PRS‐affiliated)
Blondie3.553:05
6Ever Fallen in Love (With Someone You Shouldn’t’ve)
tecnico:
Doug Bennett (producer, engineer) e Martin Rushent
produttore e tecnico di missaggio:
Martin Rushent
arrangiatore:
Buzzcocks (English punk band)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1989)
registrata presso e mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 276)
registrazione di:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
paroliere e compositore:
Pete Shelley (Buzzcocks lead singer) (nel 1977-11)
editore:
Complete Music Ltd.
Buzzcocks4.42:41
7Sound of the Suburbs
registrazione di:
The Sound of the Suburbs
paroliere:
Jean-Marie Carroll e Nicky Tesco
compositore:
Jean-Marie Carroll
The Members53:53
8Into the Valley
produttore:
David Batchelor
registrazione di:
Into the Valley
paroliere:
Richard Jobson
compositore:
Stuart Adamson
The Skids53:11
9Babylon’s Burning
tecnico e tecnico di missaggio:
Mick Glossop (producer & engineer)
produttore:
Mick Glossop (producer & engineer) e The Ruts
basso :
Segs (nel 1979)
chitarra :
Paul Fox (of The Ruts) (nel 1979)
percussione :
Dave Ruffy (nel 1979)
sassofono :
Gary Barnacle (nel 1979)
tromba :
Luke Tunney (nel 1979)
voce:
Malcolm Owen (nel 1979)
arrangiatore:
Mick Glossop (producer & engineer) e The Ruts
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1979)
registrazione di:
Babylon’s Burning (nel 1979)
autore:
Paul Fox (of The Ruts), John Jennings (The Ruts), Malcolm Owen e Dave Ruffy
editore:
Virgin Music (Publishers) Ltd.
The Ruts52:35
10Sheena Is a Punk Rocker (live)
produttore:
Daniel Rey e Ed Stasium (US record producer & audio engineer)
registrazione dal vivo di:
Sheena Is a Punk Rocker (il 1996-02-29)
autore:
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman e John Cummings
editore:
Bleu Disque Music Co., Inc. (publisher), Taco Tunes Inc. e Warner/Chappell North America
Ramones2.51:48
11King Rocker
produttore:
Ian Hunter (Mott the Hoople)
registrazione di:
King Rocker
autore:
Billy Idol (English rock singer‐songwriter) e Tony James (UK bassist/guitarist)
Generation X4.652:17
12Public Image
produttore:
Pil
registrazione di:
Public Image
autore:
John Wardle, Keith Levene, John Lydon (Johnny Rotten of the Sex Pistols) e Jim Walker (PIL member)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI/Virgin Music Publishing Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd.4.652:56
13Making Plans for Nigel
tecnico:
Hugh Padgham
produttore:
Steve Lillywhite
batteria :
Terry Chambers
chitarra basso e voce principale:
Colin Moulding
chitarra elettrica :
Dave Gregory (XTC) e Andy Partridge
voce di accompagnamento:
Andy Partridge
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 477)
registrazione di:
Making Plans for Nigel
paroliere e compositore:
Colin Moulding
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (Publishers) Ltd.
XTC44:15
14Money
registrazione cover di:
Money (That’s What I Want)
autore:
Janie Bradford e Berry Gordy
editore:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
The Flying Lizards42:30
15Peaches
tecnico:
Alan Winstanley (English record producer)
produttore:
Martin Rushent
assistente tecnico di missaggio:
Benny King (engineer)
tecnico di missaggio:
Doug Bennett (producer, engineer)
batteria :
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (dal 1976-12-20 al 1977-01-28)
chitarra e voce principale:
Hugh Cornwell (English rock musician) (dal 1976-12-20 al 1977-01-28)
chitarra basso :
Jean‐Jacques Burnel (dal 1976-12-20 al 1977-01-28)
tastiera :
Dave Greenfield (dal 1976-12-20 al 1977-01-28)
editore:
EMI April Music Inc.
registrata presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1976-12-20 al 1977-01-28)
mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
prodotta presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1977-01 al 1977-02)
registrazione di:
Peaches (dal 1976-12-20 al 1977-01-28)
autore:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton GmbH e Universal Music Publishing MGB Ltd.
The Stranglers4.154:05
16Down at the Doctors
registrazione di:
Down at the Doctors
paroliere e compositore:
Mickey Jupp
editore:
Bluebeard Music Ltd., Chrysalis Music (music publisher, ASCAP-affiliated) e Rondor Music (Ldn) Ltd.
Dr. Feelgood3:12
17Whole Lotta Love
produttore:
Mickie Most (English record producer)
arrangiatore:
John Cameron (British composer, arranger and conductor)
registrazione strumentale cover di:
Whole Lotta Love
paroliere aggiunto:
Willie Dixon
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
You Need Love
CCS53:34
18Ships in the Night
produttore:
John Leckie e Bill Nelson (English experimental musician)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1975-10)
registrazione di:
Ships in the Night (nel 1975-10)
paroliere e compositore:
Bill Nelson (English experimental musician)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Beechwood Music Corp., EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated) e Henrees Music co.
Be Bop Deluxe54:08
19Fireball
tecnico:
Louis Austin (engineering), Martin Birch e Alan O’Duffy
produttore:
Deep Purple
basso elettrico :
Roger Glover (dal 1970-09 al 1971-06)
batteria :
Ian Paice (dal 1970-09 al 1971-06)
chitarra elettrica :
Ritchie Blackmore (dal 1970-09 al 1971-06)
organo Hammond :
Jon Lord (dal 1970-09 al 1971-06)
voce principale:
Ian Gillan (dal 1970-09 al 1971-06)
diritti fonografici (℗) detenuti da:
HEC Enterprises Ltd. (nel 1971)
registrazione di:
Fireball (dal 1970-09 al 1971-06)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
Deep Purple4.253:23
20Doctor Doctor
registrazione di:
Doctor Doctor
autore:
Phil Mogg e Michael Schenker
editore:
Intersong Music Ltd. e Rudolf Slezak Musikverlag GmbH (publisher)
sub-editore:
Schubert Music Europe GmbH e Warner Chappell Music France
UFO42:45
21Silver Machine
produttore:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) e Hawkwind
batteria :
Simon King (drummer) (il 1972-02-13)
chitarra :
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13)
chitarra aggiunto e chitarra basso aggiunto:
Guy Pratt (il 1972-02-13)
chitarra basso e voce principale:
Lemmy Kilmister (“Lemmy” from Motörhead) (il 1972-02-13)
flauto e sassofono :
Nik Turner (il 1972-02-13)
sintetizzatore :
Dik Mik Davies (il 1972-02-13) e Del Dettmar (il 1972-02-13)
voce:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (il 1972-02-13) e Nik Turner (il 1972-02-13)
remixer:
The Scourge of the Earth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972)
registrata presso:
Roundhouse in Camden Town, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1972-02-13)
mixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
edit di:
Silver Machine (12″ mix) di Hawkwind infected by The Scourge of the Earth
registrazione dal vivo di:
Silver Machine (il 1972-02-13)
paroliere:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd., United Artists Music e United Partnership Ltd.
registrazione di:
Silver Machine
paroliere:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd., United Artists Music e United Partnership Ltd.
Hawkwind3.654:38
4▼CD
#TitoloArtistaValutazioneDurata
1See My Baby Jive
produttore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 1973)
registrazione di:
See My Baby Jive
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. e Roy Wood Music Ltd.
Wizzard54:58
2Devil Gate Drive
registrazione di:
Devil Gate Drive
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing Ltd. e Universal Music Publishing MGB Australia
Suzi Quatro4.753:47
3January
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrazione di:
January
orchestratore:
Andrew Powell (producer, arranger & conductor)
paroliere e compositore:
David Paton (of Pilot)
editore:
EMI Music Publishing (do not use as a release label!) e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:30
4Crazy
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
è stato produttore per:
Chinnichap Ltd. (production company)
registrazione di:
Crazy
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
Mud3:11
5Dance With the Devil
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1973)
registrazione di:
Dance With the Devil
compositore:
Phil Dennys e Michael Hayes
editore:
RAK Publishing Ltd.
Cozy Powell23:33
610538 Overture
tecnico:
Peter Olliff e Roger Wake (engineer)
produttore:
Bob Irwin, Jeff Lynne e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
basso :
Jeff Lynne (dal 1970-07-12 al 1971-06) e Rick Price (the Move and Electric Light Orchestra bassist) (dal 1970-07-12 al 1971-06)
batteria :
Bev Bevan (English rock drummer) (dal 1970-07-12 al 1971-06)
chitarra :
Jeff Lynne (dal 1970-07-12 al 1971-06) e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (dal 1970-07-12 al 1971-06)
corno francese :
Bill Hunt (UK keyboards, horn player) (dal 1970-07-12 al 1971-06)
violino :
Steve Woolam (dal 1970-07-12 al 1971-06)
violoncello :
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (dal 1970-07-12 al 1971-06)
voce:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (dal 1970-07-12 al 1971-06)
voce principale:
Jeff Lynne (dal 1970-07-12 al 1971-06)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971, nel 2001), Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (nel 1971) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (dal 1971 al 1972)
registrata presso:
Philips Studios in London (Greater London), England, Regno Unito (dal 1970-07-12 al 1971-06)
registrazione di:
10538 Overture (dal 1970-07-12 al 1971-06)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra3.55:28
7California Man
produttore:
Jeff Lynne e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
basso :
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (il 1971-12-19)
batteria e percussione :
Bev Bevan (English rock drummer) (il 1971-12-19)
chitarra e voce principale:
Jeff Lynne (il 1971-12-19) e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (il 1971-12-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 2005)
registrazione di:
California Man (il 1971-12-19)
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Anne-Rachel Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), Intersong Music, Jet Music Ltd. (British branch), United Artists Music Co., Inc. e United Artists Music Ltd.
The Move53:36
8The Witch Queen of New Orleans
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (nel 1971) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrazione di:
The Witch Queen of New Orleans (1971 song)
autore:
Lolly Vegas e Pat Vegas
editore:
EMI Songs Ltd.
Redbone4.252:44
9Let’s Work Together
tecnico di registrazione e tecnico di missaggio:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
tecnico:
Joe Bellamy, Paul du Gré e Willie "Bass" Rice (engineer)
produttore:
Canned Heat, Fito de la Parra e Skip Taylor
armonica (a bocca) , corno [horns] e flauto :
Stanley Behrens (dal 2001-03 al 2002-12)
batteria , percussione e timbales :
Fito de la Parra (dal 2001-03 al 2002-12)
chitarra [rhythm guitar] :
Harvey Mandel (American guitarist) (dal 2001-03 al 2002-12)
chitarra basso :
Larry Taylor (US bassist) (dal 2001-03 al 2002-12)
chitarra slide :
John Paulus (dal 2001-03 al 2002-12)
voce:
Dallas Hodge (dal 2001-03 al 2002-12)
diritti fonografici (℗) detenuti da:
Liberty Records, Inc. (nel 1970)
registrata presso e mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione cover di:
Let’s Work Together (dal 2001-03 al 2002-12)
paroliere:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
editore:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. e United Artists Musik GmbH
Canned Heat42:46
10I Hear You Knocking
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records UK (company credits only; file no releases here!) (nel 1970) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:47
11Oh, Babe What Would You Say
registrazione di:
Oh Babe, What Would You Say
paroliere e compositore:
Eileen Smith (wrote “Oh Babe, What Would you Say”)
editore:
Beechwood Music Corp., Chappell & Co., Inc. (USA) e Warner/Chappell Music Ltd. (1996–2019)
Hurricane Smith33:28
12Tap Turns on the Water
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1971)
registrazione di:
Tap Turns on the Water
autore:
John Cameron (British composer, arranger and conductor) e Alexis Korner
CCS23:42
13Spanish Stroll
basso :
Rubén Sigüenza
chitarra :
Willy DeVille e Louis X. Erlanger
membranofono :
Thomas R. "Manfred" Allen, Jr.
pianoforte :
Bobby Leonards
voce principale:
Willy DeVille
diritti fonografici (℗) detenuti da:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (nel 2015)
registrazione di:
Spanish Stroll
paroliere e compositore:
Willy DeVille
editore:
Jockamo Music
sub-editore:
Budde Music France
Mink DeVille53:40
14Judy Teen
registrazione di:
Judy Teen
paroliere e compositore:
Steve Harley
Steve Harley & Cockney Rebel53:42
15Walk on By
produttore:
Martin Pontius Rushent
registrazione cover di:
Walk On By
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Stranglers46:21
16A Message to You Rudy
produttore:
Elvis Costello
trombone ospite :
Rico Rodriguez (Jamaican trombonist)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 132)
registrazione cover di:
A Message to You, Rudy
paroliere e compositore:
Dandy Livingstone
The Specials42:55
17The Tears of a Clown
produttore:
Bob Sargeant
registrazione cover di:
The Tears of a Clown
paroliere:
Smokey Robinson
compositore:
Henry Cosby, Smokey Robinson e Stevie Wonder
editore:
Black Bull Music, Inc., Jobete Music Ltd e Jobette Music (UK) Ltd.
The Beat32:41
18Do What You Wanna Do
T-Connection33:31
19Movin’
registrazione di:
Movin’
paroliere e compositore:
Randy Muller e Wade Williamston (bassist)
editore:
Bravo and Encore Music, Music in Three e State Music Ltd. (publisher) (dal 1985 a oggi)
Brass Construction3:24
20More Than a Woman
produttore:
Freddie Perren
batteria :
James Gadson (American drummer)
chitarra :
Bob Bowles
percussione :
Bob Zimmitti e Paulinho da Costa (Brazilian percussionist)
pianoforte :
Sonny Burke (soul/jazz/funk keyboardist)
diritti fonografici (℗) detenuti da:
POLYGRAM International Music (not for release label use!) (nel 1977)
registrazione cover di:
More Than a Woman
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music e Stigwood Music, Inc.
Tavares4.53:15
21Every 1’s a Winner
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Infinity Records Inc. (nel 1978)
registrazione di:
Every 1’s a Winner
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated) e RAK Music Publishing Ltd.
Hot Chocolate4.153:55
22That’s the Way (I Like It)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:04
5▶CD
6▶CD

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