The Return of Super 70’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Crazy Little Thing Called Love
engineer:
Mack (German rock producer/engineer Reinhold Mack)
co-producer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
acoustic guitar [acoustic rhythm guitar] and lead vocals:
Freddie Mercury (from 1979-06 until 1979-07)
bass, bass guitar, guitar and keyboard:
John Deacon (from 1979-06 until 1979-07)
drums (drum set):
Roger Taylor (Queen drummer) (from 1979-06 until 1979-07)
electric guitar and solo guitar:
Brian May (Queen guitarist) (from 1979-06 until 1979-07)
handclaps:
John Deacon (from 1979-06 until 1979-07), Brian May (Queen guitarist) (from 1979-06 until 1979-07), Freddie Mercury (from 1979-06 until 1979-07) and Roger Taylor (Queen drummer) (from 1979-06 until 1979-07)
background vocals:
Brian May (Queen guitarist) (from 1979-06 until 1979-07), Freddie Mercury (from 1979-06 until 1979-07) and Roger Taylor (Queen drummer) (from 1979-06 until 1979-07)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1979, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1979, in 2011) and Raincloud Productions Ltd. (in 1979, in 2014)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1979-06 until 1980-05)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 371)
recording of:
Crazy Little Thing Called Love (from 1979-06 until 1979-07)
lyricist and composer:
Freddie Mercury (in 1979)
publisher:
EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. (, in 1979), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), Beechwood Music Corp. (in 1979) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.452:44
2Waterloo
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
acoustic guitar:
Björn Ulvaeus (on 1973-12-17)
bass guitar:
Rutger Gunnarsson (on 1973-12-17)
drums (drum set):
Ola Brunkert (on 1973-12-17, on 1974-02-20)
guitar:
Janne Schaffer (on 1973-12-17, on 1974-02-20)
Moog, mellotron and piano:
Benny Andersson (ABBA) (on 1973-12-17)
tenor saxophone:
Christer Eklund (on 1974-01-04)
phonographic copyright (℗) by:
Polar Music AB (in 1974) and Polar Music International AB (in 2014)
recorded at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden (on 1973-12-17, on 1974-01-04, on 1974-02-20)
part of:
Sweden in the Eurovision Song Contest (number: 1974) and Winners of the Eurovision Song Contest (number: 1974)
recording of:
Waterloo (English version) (from 1973-12-17 until 1974-01)
writer:
Stig Anderson (Stikkan), Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Overseas Songs (ended), Polar Music AB (ended), Bocu Music Ltd., EMI Grove Park Music, Inc., Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (from 1974 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1974 to present) and Universal/Union Songs Musikförlag AB (from 1974 to present)
translated version of:
Waterloo (Swedish version)
part of:
Mamma Mia! (1999 musical)
ABBA3.752:48
3See My Baby Jive
recording of:
See My Baby Jive
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. and Roy Wood Music Ltd.
Wizzard55:00
4Can’t Give You Anything (But My Love)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975)
recording of:
I Can’t Give You Anything (But My Love)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Abilene Music Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
The Stylistics23:16
5When Will I See You Again
vocals:
Sheila Ferguson, Valerie Holiday and Fayette Pinkney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
edit of:
When Will I See You Again (Ferguson, Holiday, Pinkney) by The Three Degrees
recording of:
When Will I See You Again
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees2:37
6Billy Don’t Be a Hero
co-producer:
Peter Callander (in 1974) and Mitch Murray (in 1974)
bass:
Cliff Fish (bassist for Paper Lace) (in 1974)
drums (drum set) and lead vocals:
Phil Wright (Lead singer and drummer of Paper Lace) (in 1974)
guitar:
Chris Morris (Member of Paper Lace) (in 1974) and Mick Vaughan (in 1974)
background vocals:
Cliff Fish (bassist for Paper Lace) (in 1974), Chris Morris (Member of Paper Lace) (in 1974) and Mick Vaughan (in 1974)
recorded at:
Majestic Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom (in 1974)
recording of:
Billy, Don’t Be a Hero
writer:
Peter Callander and Mitch Murray
publisher:
Universal–Songs of PolyGram International, Inc.
sub-publisher:
Imudico AB
Paper Lace4:01
7Gonna Make You a Star
producer:
Jeff Wayne (musician)
recording of:
Gonna Make You a Star
lyricist and composer:
David Essex
publisher:
April (publisher) and Rock On Music
David Essex43:40
8Substitute
producer:
Grahame Beggs
recording of:
Substitute (in 1978)
lyricist and composer:
Willie Wilson
publisher:
Discoton (German club label)
Clout43:26
9Love Train
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Love Train (in 1972)
lyricist and composer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:57
10When You’re in Love With a Beautiful Woman
recording of:
When You’re in Love With a Beautiful Woman
lyricist and composer:
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr Hook2:47
11Mississippi
phonographic copyright (℗) by:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
lyricist and composer:
Werner Theunissen (bass guitarist, guitar teacher, songwriter and composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:37
12Devil Woman
producer:
Bruce Welch (English guitarist, singer, songwriter and producer)
vocals:
Cliff Richard
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976, in 2001)
cover recording of:
Devil Woman
writer:
Terry Britten and Kristine Sparkle (UK singer and songwriter)
publisher:
Mushroom Music Pty. Ltd. and Warner/Chappell Music Australia Pty. Ltd.
Cliff Richard53:34
13Free Electric Band
producer:
Albert Hammond
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1973)
recording of:
The Free Electric Band
writer:
Albert Hammond and Mike Hazlewood
publisher:
Imagem Songs Ltd. and Landers‐Roberts Music
Albert Hammond3.53:25
14Beach Baby
phonographic copyright (℗) by:
Peermusic Ltd. (BMI) (in 1974)
recording of:
Beach Baby
writer:
John Carter (songwriter & producer, b. 1942) and Gillian Shakespeare (songwriter)
publisher:
Image Music (Australian) and Peermusic Pty. Ltd. (Australia)
First Class4.54:48
15Make Me Smile (Come Up and See Me)
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:56
16I Hear You Knocking
producer:
Dave Edmunds
phonographic copyright (℗) by:
EMI Records UK (company credits only; file no releases here!) (in 1970) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
lyricist and composer:
Dave Bartholomew and Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier and World Music (publisher)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
17California Man
producer:
Jeff Lynne and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
bass:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (on 1971-12-19)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (on 1971-12-19)
guitar and lead vocals:
Jeff Lynne (on 1971-12-19) and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (on 1971-12-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 2005)
recording of:
California Man (on 1971-12-19)
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Anne-Rachel Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), Intersong Music, Jet Music Ltd. (British branch), United Artists Music Co., Inc. and United Artists Music Ltd.
The Move53:38
18Dyna-Mite
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
RAK Records Ltd. (in 1973)
recording of:
Dyna-Mite
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Mud52:58
19Can the Can
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973), RAK Records Ltd. (in 1973) and RAK Records (copyrights holder) (in 1975)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Can the Can
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) and Universal Music Publishing MGB Australia
Suzi Quatro4.153:35
20I Love to Boogie
performer:
T. Rex (UK band)
recording of:
I Love to Boogie
lyricist and composer:
Marc Bolan
publisher:
Wizard (Bahamas) Ltd.
T-Rex2:15
21Every 1’s a Winner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and Infinity Records Inc. (in 1978)
recording of:
Every 1’s a Winner
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated) and RAK Music Publishing Ltd.
Hot Chocolate4.154:04
22Whole Lotta Love (theme from Top of the Pops)
producer:
Mickie Most (English record producer)
arranger:
John Cameron (British composer, arranger and conductor)
instrumental cover recording of:
Whole Lotta Love
additional lyricist:
Willie Dixon
writer:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page and Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB and WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
You Need Love
CCS53:35
23Theme From Magpie
recording of:
Theme From Magpie
writer:
Spencer Davis, Ray Fenwick and Eddie Hardin
Murgatroyd Band2:25
2▼CD
#TitleArtistRatingLength
1Bye Bye Baby
recording of:
Bye, Bye, Baby (Baby Goodbye)
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. and Seasons’ Four Music Inc.
Bay City Rollers3:06
2Knock Three Times
producer:
Dave Appell and The Tokens
arranger:
Norman Bergen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
recording of:
Knock Three Times
writer:
Lawrence Russell Brown (lyricist) and Irwin Levine
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dawn4.352:58
3Living Next Door to Alice
associate producer:
Nicky Chinn
producer:
Mike Chapman (Australian producer and songwriter) and G. Kasper (German sound engineer & producer, “Mr. Cool”)
phonographic copyright (℗) by:
Chinnichap Records Ltd. (in 1976) and RAK Records Ltd. (in 1976)
produced for:
Chinnichap (production company and publisher)
cover recording of:
Living Next Door to Alice
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton GmbH and Universal Music Publishers MGB Australia Pty Ltd
Smokie43:30
4Dancing in the City
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
writer:
Kit Hain and Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) and Rondor Music (London) Ltd.
Marshall Hain3:47
5Let ’Em In
assistant recording engineer and assistant mixer:
Mark Vigars (engineer) (from 1976-02-03 until 1976-03)
recording engineer and mixer:
Pete Henderson (engineer) (from 1976-02-03 until 1976-03)
producer:
Paul McCartney (The Beatles)
bass:
Jimmy McCulloch (from 1976-02-03 until 1976-03)
drums (drum set):
Joe English (from 1976-02-03 until 1976-03)
flute and horn:
Howie Casey (from 1976-02-03 until 1976-03), Steve Howard (trumpeter) (from 1976-02-03 until 1976-03) and Thaddeus Richard (from 1976-02-03 until 1976-03)
horn:
Tony Dorsey (from 1976-02-03 until 1976-03)
piano and background vocals and lead vocals:
Paul McCartney (The Beatles) (from 1976-02-03 until 1976-03)
background vocals:
Denny Laine (from 1976-02-03 until 1976-03) and Linda McCartney (from 1976-02-03 until 1976-03)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 2014) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2014)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-02-03, from 1976-02-03 until 1976-03)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-02-03 until 1976-03)
recording of:
Let ’Em In (from 1976-02-03 until 1976-03)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
McCartney Music Ltd.
Paul McCartney & Wings3.45:11
6Fog on the Tyne
producer:
Bob Johnston (US record producer and early rockebilly singer)
bass and fiddle:
Rod Clements
drums (drum set) and percussion:
Ray Laidlaw
guitar:
Rod Clements, Alan Hull and Si Cowe
harmonica:
Ray Jackson
vocals:
Alan Hull, Ray Jackson and Si Cowe
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1971)
recording of:
Fog on the Tyne
lyricist and composer:
Alan Hull
publisher:
Charisma Music (generic publishing entity, relating to Charisma Music Publishing Co. Ltd. or Charisma Music Publishing USA, Inc.) and Hazy Music
Lindisfarne53:25
7When I’m Dead and Gone
miscellaneous support:
Chris Kimsey
engineer and producer:
Glyn Johns
bass guitar and guitar:
Benny Gallagher, Graham Lyle and Tom McGuinness
keyboard [keyboards]:
Dennis Coulson and Benny Gallagher
mandolin:
Graham Lyle
percussion:
Hughie Flint
lead vocals [vocals]:
Dennis Coulson, Benny Gallagher and Graham Lyle
phonographic copyright (℗) by:
Capitol Recording (imprint of Capitol Records, Inc.) (in 1971)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
When I’m Dead and Gone
writer:
Benny Gallagher and Graham Lyle
publisher:
Gallagher & Lyle Music (publisher; do NOT use as release label)
McGuinness Flint3:41
8Banner Man
recording of:
Banner Man
writer:
Roger Cook (US‐based British singer, songwriter and producer), Herbie Flowers and Roger Greenaway
Blue Mink3:29
9Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 41)
recording of:
Magic
writer:
Billy Lyall and David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Robbins Music Corp. Ltd.
Pilot4.753:04
10Ballroom Blitz
engineer:
Peter Coleman (British engineer & producer)
producer:
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at and engineered at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
The Ballroom Blitz
writer:
Mike Chapman (Australian producer and songwriter), Chinn-Chapman (producer/songwriter duo Michael Donald "Mike" Chapman & Nicholas Barry "Nicky" Chinn) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Sweet4.64:03
11Denis
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
cover recording of:
Denise (from 1977-06 until 1977-07)
lyricist and composer:
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. and Taking Care of Business Music Inc. (BMI)
Blondie3.552:18
12She’s a Lady
phonographic copyright (℗) by:
Decca Records Co. Ltd. (Decca Records) (in 1971) and Tom Jones Enterprises Ltd. (in 1971)
cover recording of:
She’s a Lady (in 1971)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. and Spanka Music Corp.
recording of:
She’s a Lady
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. and Spanka Music Corp.
Tom Jones3.72:53
13That’s the Way (I Like It)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) and T.K. Records (Miami‐based disco label) (in 1975)
edit of:
That’s the Way (I Like It) by KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Mushroom Music (Mushroom label’s publishing company)
KC & the Sunshine Band4.43:02
14Heaven Must Be Missing an Angel
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1976)
edit of:
Heaven Must Be Missing an Angel by Tavares (US R&B, funk and soul music)
recording of:
Heaven Must Be Missing an Angel
writer:
Freddie Perren and Keni St. Lewis (singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:29
15(You’ve Got Me) Dangling on a String
recording of:
(You’ve Got Me) Dangling on a String
lyricist and composer:
Edith Wayne (songwriting pseudonym used by Holland‐Dozier‐Holland)
publisher:
Universal/MCA Music Ltd. (not for release label use!)
Chairmen of the Board2:59
16Rock Your Body
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae3.253:16
17I Love to Love (But My Baby Loves to Dance)
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Biddu (composer, songwriter, producer and musician)
arranger:
Biddu (composer, songwriter, producer and musician)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) and Arista Records Ltd. (not for release label use!) (in 1986)
cover recording of:
I Love to Love
lyricist:
Philo Jack Robinson (disco songwriter, producer, composer)
composer:
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) and Rolf Baierle Music
Tina Charles4.653:05
18Emotions
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
synthesizer [synthesizers]:
James Newton Howard (American score composer)
background vocals:
Barry Gibb and Robin Gibb
vocals:
Samantha Sang
phonographic copyright (℗) by:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (in 1977) and Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1978)
produced for:
CAM Productions (US)
recorded at and remixed at:
Criteria Sound in Miami, Florida, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 14)
cover recording of:
Emotion
writer:
Barry Gibb and Robin Gibb
publisher:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia and Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang3.43:55
19I’ll Be There
producer:
Nickolas Ashford, Hal Davis and Valerie Simpson
arranger:
Bob West (US session bassist, producer & songwriter)
recording of:
I’ll Be There (in 1970-06)
writer:
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy and Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. and Stone Diamond Music Corporation
part of:
MJ: The Musical
The Jackson 54.353:53
20Summer (The First Time)
recording of:
Summer (The First Time)
lyricist and composer:
Bobby Goldsboro
Bobby Goldsboro4:39
21Vincent
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
recording of:
Vincent (Starry Starry Night)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal/MCA Music Ltd. (not for release label use!)
translated version of:
Wim
Don McLean4.44:01
22Time in a Bottle
producer:
Terry Cashman and Tommy West
vocals:
Jim Croce (on 1971-10-11)
phonographic copyright (℗) by:
R2M Music (BMI) (in 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973), Lastrada Entertainment Co., Ltd. (in 1973) and LeFrak-Moelis Records (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1971-10-11)
recording of:
Time in a Bottle (on 1971-10-11)
lyricist and composer:
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.352:26