MTV Closet Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Who Can It Be Now?
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Colin Hay e Ron Strykert
sassofono :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (nel 1981, nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982) e Sony BMG Music Entertainment (2004–2008) (nel 1996)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
registrazione di:
Who Can It Be Now?
paroliere e compositore:
Colin Hay
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Men at Work4.23:24
2Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:46
3Our Lips Are Sealed
assistente tecnico di registrazione:
Ted Blechta e John Terelle
assistente tecnico di registrazione aggiunto:
James Ball, Eric Kortee e Darroll Gustamachio
tecnico di registrazione e tecnico di missaggio:
Rob Freeman (engineer)
produttore:
Rob Freeman (engineer) e Richard Gottehrer (American songwriter and music executive)
assistente tecnico di missaggio:
Gray Russell
batteria e percussione :
Gina Schock
chitarra e chitarra basso :
Kathy Valentine
chitarra [lead guitar] e tastiera :
Charlotte Caffey
chitarra [rhythm guitar] :
Jane Wiedlin
voce:
Charlotte Caffey e Jane Wiedlin
voce principale:
Belinda Carlisle
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981) e I.R.S., Inc. (nel 1981)
registrata in aggiunta presso:
Sound Mixers Studio in New York, New York, Stati Uniti e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrata presso:
Pennylane Studios in New York, New York, Stati Uniti
mixata presso:
Sound Mixers Studio in New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 25), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 317) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 477)
registrazione di:
Our Lips Are Sealed
paroliere e compositore:
Terry Hall e Jane Wiedlin
editore:
BMG Music Pty Ltd, Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music, Matthews Music Pty. Ltd. e Plangent Visions Music
The Go‐Go’s3.82:46
4Total Control
registrazione di:
Total Control
autore:
Martha Davis (of The Motels) e Jeff Jourard
editore:
Bug Music (music publishing), Clean Sheets Music (nel 1979) e Frettssongs (nel 1979)
The Motels3:52
5Wuthering Heights
registrazione di:
Wuthering Heights
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush (il 1977-03-05)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated) (dal 1978 a oggi)
Kate Bush4:30
6Piano Man
registrazione di:
Piano Man
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (nel 1973) e Joelsongs (nel 1973)
Billy Joel3:44
7Dream Police
registrazione di:
Dream Police
paroliere e compositore:
Rick Nielsen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty. Limited (not for release label use!), Adult Music (dal 1978 al 1979) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1978 al 1979)
Cheap Trick3:50
8You Took the Words Right Out of My Mouth
registrazione di:
You Took the Words Right Out of My Mouth (Hot Summer Night)
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation e J. Albert & Son Pty. Ltd.
Meat Loaf3:49
9Turn! Turn! Turn! (To Everything There Is a Season)
produttore:
Terry Melcher
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 95)
registrazione cover di:
Turn! Turn! Turn! (To Everything There Is a Season)
paroliere:
[traditional] (special purpose artist)
compositore:
Pete Seeger (nel 1959)
editore:
Melody Trails e TRO Essex Music Ltd.
The Byrds4.853:45
10It's Along Way to the Top (If You Want to Rock and Roll)
registrazione di:
It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll)
autore:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) e Malcolm Young (guitar player for AC/DC)
editore:
J. Albert & Son (USA) Inc. e J. Albert & Son Pty. Ltd.
AC/DC45:15
11Sorry
produttore:
Ted Albert (producer) (nel 1966) e Tony Geary (Australia producer and A&R producer for Albert Productions.) (nel 1966)
basso elettrico :
Dick Diamonde (nel 1966)
batteria :
Snowy Fleet (nel 1966)
chitarra elettrica e voce di accompagnamento:
Harry Vanda (Australian musician) (nel 1966) e George Young (Australian musician and producer) (nel 1966)
voce principale:
Stevie Wright (nel 1966)
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1966, nel 1967)
registrata presso:
EMI Studios Sydney in Sydney, New South Wales, Australia (nel 1966)
registrazione di:
Sorry (nel 1966)
autore:
Stevie Wright e George Young (Australian musician and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Easybeats42:36
12Don't Let Me Be Misunderstood
registrazione cover di:
Don’t Let Me Be Misunderstood
autore:
Bennie Benjamin, Gloria Caldwell, Sol Marcus e Horace Ott
editore:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) e Unichappell Music, Inc. (nel 1981)
The Animals2:20
13Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:38
14Pretty Woman
registrazione di:
Pretty Woman
autore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
traduttore:
Henk van Broekhoven e Tom Peters (80s Dutch pop producer/composer)
Roy Orbison3:01
15Sunshine Superman
registrazione di:
Sunshine Superman
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music Ltd. e Peer International Corporation (BMI)
Donovan4:36
16Are You Old Enough
basso :
Todd Hunter (Todd Stuart Hunter of Dragon)
batteria :
Kerry Jacobson
chitarra :
Robert Taylor (singer-songwriter and guitarist)
tastiera :
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
voce:
Marc Hunter
diritti fonografici (℗) detenuti da:
Sony Music Productions Pty. Ltd. (for copyrights use only) e Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1976, nel 1978)
registrazione di:
Are You Old Enough
paroliere e compositore:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
editore:
EMI Songs e EMI Songs Australia Pty. Ltd.
Dragon4:06
17Can the Can
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro3:37
18Bus Stop
The Hollies2:56