The Ultimate Retro Collection, Part 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Love Shack
assistant engineer:
Martin Kunitz
engineer:
Dave Cook (US engineer and producer)
producer:
Don Was
mixer:
Tom Durack
guest bass guitar:
Sara Lee (UK bassist, singer & songwriter)
guest drums (drum set):
Charley Drayton
guest horn:
Uptown Horns (US horn section, formed in 1980)
guitar:
Keith Strickland
keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) and Cindy Wilson
phonographic copyright (℗) by:
Reprise Records (in 1989)
recorded at:
Dreamland Studios in Hurley, New York, United States
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
additionally produced at:
Bearsville Studios in Bearsville, New York, United States
music videos:
Love Shack by The B‐52’s
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 243)
recording of:
Love Shack
writer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland and Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s4.25:22
2Dream Police
engineer:
Mike Beiriger and Gary Ladinsky (engineer)
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978, in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978, in 1979), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979) and Sony BMG Music Entertainment (2004–2008) (in 1979)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1978)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Dream Police (in 1978)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty. Limited (not for release label use!), Adult Music (from 1978 until 1979) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1978 until 1979)
Cheap Trick3.53:53
3Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (producer, aka “Merrick”)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) and Phonogram Ltd. (not for release label use!) (in 1985)
music videos:
Everybody Wants to Rule the World by Tears for Fears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears3.954:10
4Our House
producer:
Clive Langer & Alan Winstanley
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recording of:
Our House
lyricist:
Mike Barson, Mark Bedford, Carl Smyth, Graham McPherson, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness43:12
5Love and Pride
producer:
Richard James Burgess
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Love & Pride
writer:
Paul King (British-Irish singer/musician/VJ) and Mick Roberts
publisher:
EMI Songs Ltd. and King Songs
King43:22
6Fade to Grey
engineer:
John Hudson (producer, recording and mixing engineer)
producer:
Midge Ure and Visage (new romantic band from London)
performer:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) and Midge Ure
arranger:
Visage (new romantic band from London)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom
mixed at:
Mayfair Sound (England) in London (Greater London), England, United Kingdom
recording of:
Fade to Grey
writer:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) and Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) and Performance Music Ltd
Visage4.14:00
7Somewhere in My Heart
producer:
Michael Jonzun
recording of:
Somewhere in My Heart
lyricist and composer:
Roddy Frame
publisher:
Complete Music Ltd.
Aztec Camera3.653:56
8I Can’t Get No (Satisfaction)
engineer:
Conny Plank (German producer and sound engineer)
producer:
Brian Eno
recorded at and mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
part of:
New York Post: 100 Greatest Covers (2007) (number: 17)
cover recording of:
(I Can’t Get No) Satisfaction
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. and Essex Music International
recording of:
(I Can’t Get No) Satisfaction
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. and Essex Music International
DEVO4.62:40
9Stand and Deliver
engineer:
Alan Douglas (Scottish born engineer)
producer:
Chris Hughes (producer, aka “Merrick”)
bass guitar and lead vocals:
Adam Ant (English new wave singer and actor)
drums (drum set):
Chris Hughes (producer, aka “Merrick”) and Terry Lee Miall
guitar:
Marco Pirroni (British musician and producer)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1981) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
part of:
The Downloader’s Music Source Book (number: 145)
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:05
10The Passenger
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
cowbell, drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18)
background vocals:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18), Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977) and Virgin America (Virgin sublabel for EUROPEAN releases of artists signed by Virgin Records America, Inc.) (in 1990)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 179)
recording of:
The Passenger (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
Ricky Gardiner
publisher:
Ricky Gardiner Songs and Virgin Music (Publishers) Ltd.
Iggy Pop4.64:42
11Word Up
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
music videos:
Word Up! by Cameo (American soul-influenced funk group)
part of:
TV Cream: Real 100 Best Singles Ever (number: 70) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 81)
recording of:
Word Up!
writer:
Larry Blackmon and Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:20
12The Blood That Moves the Body
recording of:
The Blood That Moves the Body
lyricist and composer:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd.
a‐ha44:04
13Making Plans for Nigel
engineer:
Hugh Padgham
producer:
Steve Lillywhite
bass guitar and lead vocals:
Colin Moulding
drums (drum set):
Terry Chambers
electric guitar:
Dave Gregory (XTC) and Andy Partridge
background vocals:
Andy Partridge
part of:
Indie 88: Top 500 Indie Rock Songs (number: 477)
recording of:
Making Plans for Nigel
lyricist and composer:
Colin Moulding
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
XTC44:10
14Hymn
assistant engineer:
Jon Jacobs (UK producer/engineer)
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982, in 2025)
produced for:
AIR Studios Ltd.
additionally recorded at and additionally mixed at:
AIR Studios Montserrat in Saint Peter, Montserrat (from 1982-06 until 1982-08)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
edit of:
Hymn by Ultravox
music videos:
Hymn by Ultravox
recording of:
Hymn
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox54:24
15E = MC²
assistant engineer:
Renny Hill (engineer) and Johnny Shinas
engineer:
Paul ‘Groucho’ Smykle
producer:
Mick Jones (The Clash/Big Audio Dynamite)
bass:
Leo Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
keyboard:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Don Letts, Greg Roberts (British drummer) and Leo Williams (UK bassist aka E-Zee Kill)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
part of:
TV Cream: Real 100 Best Singles Ever (number: 23)
recording of:
E=mc²
writer:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite) and Don Letts
publisher:
B.A.D. Songs, Big Audio Dynamics Music, Inc., BMG Songs, Inc., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite4.55:56
16Love Missile
Sigue Sigue Sputnik33:46
17Flesh for Fantasy
producer:
Keith Forsey (drummer, producer and songwriter)
bass:
Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
keyboard:
Judi Dozier (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1983)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1983)
edit of:
Flesh for Fantasy by Billy Idol (English rock singer‐songwriter)
recording of:
Flesh for Fantasy (in 1983)
writer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music and Sitting Pretty Music
translated version of:
F.F.F. (Flesh for Fantasy) (German Version)
Billy Idol43:49
2CD
#TitleArtistRatingLength
1I Don’t Like MondaysThe Boomtown Rats44:14
2Young Guns (Go for It)
producer:
Steve Brown (engineer/music producer) and George Michael
background vocals:
Dee C. Lee
vocals:
George Michael
music videos:
Young Guns (Go for It!) by Wham! (British pop-duo)
recording of:
Young Guns (Go for It!)
lyricist and composer:
George Michael
publisher:
Morrison Leahy Music Ltd.
Wham!5:12
3Goody Two Shoes
recording of:
Goody Two Shoes
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited and EMI Music Publishing Ltd. (PRS‐affiliated) (in 1982)
Adam Ant3:29
4Life in a Northern Town
The Dream Academy4:15
5Let’s Go
assistant engineer:
George Tutko (engineer, producer)
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer)
bass guitar and lead vocals:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set) and percussion:
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1979), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979) and Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Let’s Go
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corporation and Lido Music, Inc. (in 1979)
The Cars43:29
6Atomic
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Atomic (from 1979-05 until 1979-06)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc
Blondie3.84:37
7The Night You Murdered Love
assistant recording engineer and assistant mixer:
Tim Burrell
recording engineer:
Martyn Webster (engineer)
co-producer:
Bernard Edwards (American bassist and record producer)
producer:
Bernard Edwards (American bassist and record producer), Martin Fry and Mark White (ABC/Vice Versa)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
bass:
Brad Lang
double bass:
Danny Thompson (English double bass player)
drums (drum set):
Graham Broad
harmonica:
Judd Lander
keyboard:
David Clayton
percussion:
Pandit Dinesh and Louis Jardim
saxophone:
Howie Casey
strings arranger:
Richard Niles
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1987)
recorded at and mixed at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, United Kingdom
part of:
The Downloader’s Music Source Book (number: 74)
recording of:
The Night You Murdered Love
writer:
Martin Fry and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Neutron Music and Neutron Music Ltd.
ABC4.354:54
8Being Boiled
producer:
The Human League
lead vocals:
Philip Oakey
recording of:
Being Boiled
lyricist:
Philip Oakey
composer:
Ian Craig Marsh and Martyn Ware
The Human League3:35
9Tunnel of Love
engineer:
Jeremy Green
producer:
David Byrne (Talking Heads)
recording of:
Tunnel of Love
writer:
Fun Boy Three, Lynval Golding, Terry Hall and Neville Staple
Fun Boy Three3:07
10This Is Not a Lovesong
recording of:
This Is Not a Love Song
writer:
Martin Atkins (UK drummer), Keith Levene and John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing and Warner/Chappell Music Ltd. (1996–2019)
version of:
Love Song
Public Image Ltd4:28
11Heaven
additional engineer:
Dave Wittman
engineer:
Steve Hodge (engineer and producer)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Dave Wittman
bass:
Tim Butler (co‐founder of The Psychedelic Furs)
drums (drum set) and percussion:
Keith Forsey (drummer, producer and songwriter) and Tommy Price
guitar:
John Ashton
saxophone:
Mars Williams (US jazz and rock saxophonist)
vocals:
Richard Butler (singer)
remixer:
Dave Wittman
arranger:
The Psychedelic Furs
recording of:
Heaven
lyricist:
Richard Butler (singer)
writer:
Tim Butler (co‐founder of The Psychedelic Furs)
publisher:
EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
The Psychedelic Furs53:21
12Peter Gunn
producer:
Art of Noise, Anne Dudley (English score composer), J.J. Jeczalik and Gary Langan
guest guitar:
Duane Eddy
arranger:
Anne Dudley (English score composer), J.J. Jeczalik and Gary Langan
instrumental cover recording of:
Peter Gunn
lyricist and composer:
Henry Mancini (US composer, conductor & arranger)
part of:
Peter Gunn (American TV series 1958–1961)
recording of:
Peter Gunn
lyricist and composer:
Henry Mancini (US composer, conductor & arranger)
part of:
Peter Gunn (American TV series 1958–1961)
Art of Noise43:55
13The Eton Rifles
recording of:
The Eton Rifles
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam3:28
14Yeh Yeh
cover recording of:
Yeh, Yeh
lyricist:
Jon Hendricks
composer:
Rodgers Grant and Pat Patrick (American jazz musician)
publisher:
Mongo Music
Matt Bianco5:22
15Panic
producer:
John Porter (producer and musician US and UK)
additional guitar:
Craig Gannon
bass guitar:
Andy Rourke
drums (drum set):
Mike Joyce (UK drummer)
guitar and slide guitar:
Johnny Marr
lead vocals:
Morrissey (English singer‐songwriter)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1986) and Warner Music UK Ltd. (not for release label use!) (in 1986)
music videos:
Panic by The Smiths (1980s English rock band)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 21) and Indie 88: Top 500 Indie Rock Songs (number: 366)
recording of:
Panic
lyricist:
Morrissey (English singer‐songwriter)
composer:
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths4.62:17
16Waiting for a Train
recording of:
Waiting for a Train
lyricist and composer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
Flash and the Pan3:43
17Vicious Game
vocals:
Rush Winters
recording of:
Vicious Games
lyricist:
Dieter Meier (member of Yello)
composer:
Boris Blank
Yello54:21