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CD1: 5099746080921
CD2: 5099746081027

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Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Everything’s Coming Up Roses
recording of:
Everything’s Coming Up Roses
Texter und Komponist(in):
Colin Vearncombe
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation) und Copyright Control Shares (not for release label use! this is only for copyrights and publishing relationships)
Black4:05
2My Love Is a Tango
Produzent(in):
Siegfried Schwab (guitarist)
arranger:
Siegfried Schwab (guitarist)
phonographisches Urheberrecht (℗) von:
Melos Music Verlag (Melosmusik) und BMG-UFA Music Produktion (in 1988)
recording of:
My Love Is a Tango
Texter:
Frank Strecker (German actor, director and writer)
Komponist(in):
Siegfried Schwab (guitarist)
arranger:
Sigi Schwab (guitarist)
publisher:
BMG-Ufa (not for release label use! this is a music publisher)
Guillermo Marchena2:59
3Sign Your Name
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Saiteninstrumente arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (2004–2008), CBS Records (2006–2021) (in 1987) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1987)
recording of:
Sign Your Name
Texter:
Terence Trent D’Arby (now known as Sananda Maitreya)
Komponist(in):
Chris Cameron (British pianist, singer-songwriter, arranger and producer) und Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. und Young Terrence Music (Publisher)
Terence Trent D’Arby3.64:37
4Turn Back the Clock
recording of:
Turn Back the Clock
Texter und Komponist(in):
Clark Datchler
Saiteninstrumente arranger:
Anne Dudley (English score composer)
Johnny Hates Jazz4:30
5Here I Am
recording of:
Here I Am
Texter:
Robert Papst, Horst Rohrmüller und Jörg Sieber
Komponist(in):
Robert Papst und Jörg Sieber
publisher:
ROBA (publisher)
Dominoe3:16
6Stop Loving You
recording engineer:
Bill Payne, George Massenburg und Toto (US rock group)
Programmierung:
Steve Porcaro
assistierende(r) Techniker(in):
Duane Seykora (Aufgabe: assistant engineer), Greg Dennen (Aufgabe: assistant engineer), Ken Fowler (Aufgabe: assistant engineer), Mark McKenna (engineer) (Aufgabe: assistant engineer), Paul Dieter (American sound engineer and producer.) (Aufgabe: assistant engineer) und Scott Symington (Aufgabe: assistant engineer)
zusätzliche(r) Techniker(in):
John Jessel (Aufgabe: additional engineering by), Sharon Rice (Los Angeles sound engineer) (Aufgabe: additional engineering by) und Steve Porcaro (Aufgabe: additional engineering by)
Produzent(in):
Ivy Skoff, George Massenburg, Bill Payne und Toto (US rock group)
Mix:
George Massenburg
Bass:
Mike Porcaro
Bassgitarre:
Mike Porcaro
Blechblasinstrumente [horns]:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass), Gary Herbig, Jerry Hey und James Pankow
Gitarre [lead and rhythm guitars]:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Horn:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass), Gary Herbig, James Pankow, Jerry Hey, Jim Horn (saxophonist, hornist, flutist and oboist) und Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Keyboard:
Bill Payne, David Paich und Steve Porcaro
Perkussion:
Michael G. Fisher (percussionist) und Jeff Porcaro
Saxophon [brass]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug:
Jeff Porcaro
Synthesizer:
David Paich, Bill Payne und Steve Porcaro
Hintergrundgesang:
Steve Lukather (guitarist, vocalist, composer, producer and arranger), David Paich und Joseph Williams (vocalist for Toto, son of composer John Williams)
Sologesang:
Jean-Michel Byron und Joseph Williams (vocalist for Toto, son of composer John Williams)
vocals:
Jon Anderson (Yes/Jon & Vangelis), David Paich, Joseph Williams (vocalist for Toto, son of composer John Williams), Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
zusätzlich Hintergrundgesang:
Jon Anderson (Yes/Jon & Vangelis)
Blechblasinstrumente [horns] arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) und Toto (US rock group)
recording of:
Stop Loving You
Verfasser(in):
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und David Paich
publisher:
BMG Songs, Hudmar Publishing Co. Inc., Inactive und Rehtakul Veets Music
Toto3.454:30
7When You Love Me I Get LazyHelen Watson4:56
8In the Dutch Mountains
recording of:
In the Dutch Mountains
Texter:
Henk Hofstede
Komponist(in):
Henk Hofstede, Rob Kloet und Robert Jan Stips
publisher:
Soss Music (in 1987)
Nits3:26
9Karla With a K
recording of:
Karla With a K
Verfasser(in):
Eric Bazilian, Rob Hyman, Andy King (US bass player), John Lilley (guitarist for The Hooters) und David Uosikkinen
publisher:
Dub Notes Music (publisher) und Human Boy Music
The Hooters4:39
10Hazy Shade of Winter
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1987), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1987), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1987) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1987)
Musikvideos:
Hazy Shade of Winter von The Bangles
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 3)
cover recording of:
A Hazy Shade of Winter
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music und Universal/MCA Music Ltd. (not for release label use!)
The Bangles4.62:46
11Kiss and Tell
recording of:
Kiss and Tell
Verfasser(in):
Bryan Ferry
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Virgin-Nymph Music Inc. und Virgin Music (Publishers) Ltd. (in 1988)
Bryan Ferry4:54
12Rise to the Occasion
Techniker(in):
John Gallen (UK music producer, recording & mix engineer.) und David Jacob
Produzent(in):
Climie Fisher und Stephen Hague
zusätzlich Perkussion:
Frank Ricotti (percussionist)
Hintergrundgesang:
View From the Hill
recording of:
Rise to the Occasion
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
Climie Fisher24:47
13On Fire
recording of:
On Fire
Verfasser(in):
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) und Lisa Stansfield
Blue Zone3:45
14Soul Food to Go (Sina)
recording of:
Soul Food to Go (Sina)
Texter:
Doug Fieger (in The Knack)
Komponist(in):
Djavan (Brazilian singer-songwriter and guitarist)
Version von:
Sina
The Manhattan Transfer4:27
15All Day and All of the Night
Produzent(in):
Ted Hayton und The Stranglers
Mix:
Jet Black (UK drummer Brian Duffy, member of The Stranglers) und Ted Hayton
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Musikvideos:
All Day and All of the Night von The Stranglers
cover recording of:
All Day and All of the Night
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd., Jay Boy und Kassner Associated Publishers Ltd.
recording of:
All Day and All of the Night
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd., Jay Boy und Kassner Associated Publishers Ltd.
The Stranglers42:31
16My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne‐Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone4.053:35
2▼CD
Nr.TitelKünstlerBewertungLänge
1So lang’ man Träume noch leben kann
recording of:
Solang’ man Träume noch leben kann
Verfasser(in):
Aron Strobel und Stefan Zauner (pop vocalist and keyboardist)
Münchener Freiheit4:16
2I Think We’re Alone Now
zusätzlich recording engineer:
John Kerns (US engineer)
drum machine [drum]-Programmierung:
John Duarte
Techniker(in):
Bill Smith (US recording engineer)
Produzent(in):
George E. Tobin
Gitarre:
Chuck Yamek
Synthesizer:
John Duarte
Hintergrundgesang und Sologesang:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin und Bill Smith (US recording engineer)
arranger:
John Duarte
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 7)
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:44
3Touched by the Hand of God
recording of:
Touched by the Hand of God
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
New Order3:41
4Mandinka
Techniker(in):
Kevin Moloney
Koproduzent(in):
Kevin Moloney
Produzent(in):
Sinéad O’Connor (Irish singer‐songwriter)
Mix:
Chris Birkett, Lloyd Phillips und Terence Morris a.k.a. t.roy
Akustikgitarre [ac. gtrs.] und E-Gitarre [elec. gtrs]:
Marco Pirroni (British musician and producer)
Bassgitarre [bass gtrs.]:
‘Spike’ Hollifield
drum machine [machines] und Schlagzeug [drum kit]:
John Reynolds (Irish producer, drummer for Jah Wobble)
E-Gitarre [elec. gtr.] und Sologesang [all vocals]:
Sinéad O’Connor (Irish singer‐songwriter)
Keyboard [keyboards] und Synthesizer [synths.]:
Mike Clowes
arranger:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1987), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1987) und Ensign Records Ltd. (company; do NOT use as release label) (in 1987)
aufgenommen bei:
Oasis Studio (Camden, London) in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Tapestry Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Mandinka
Texter und Komponist(in):
Sinéad O’Connor (Irish singer‐songwriter)
publisher:
Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label)
Sinéad O’Connor3.83:46
5Letter From America
recording of:
Letter From America
Verfasser(in):
Charlie Reid und Craig Reid
The Proclaimers3:59
6True Devotion
Produzent(in):
Steve Lovell (record producer and musical director; aka Bernard Gazda) und Steve Power
phonographisches Urheberrecht (℗) von:
Zomba Productions Limited (in 1987)
aufgenommen bei und mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
recording of:
True Devotion
Verfasser(in):
Lol Mason und Mark Shreeve
Samantha Fox4:31
7When Will I Be Famous
recording engineer:
John Brand (engineer), Simon Humphrey und Robin Sellers
assistierende(r) Techniker(in):
Richard Edwards (sound engineer) und Alex Osman
Techniker(in):
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in) und Mix:
Nicky Graham
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
aufgenommen bei:
Hot Nights Studio in London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
When Will I Be Famous?
Verfasser(in):
Nicky Graham und Thomas Watkins
publisher:
Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Bros34:00
8G.T.O.
Produzent(in):
Stock-Aitken-Waterman
recording of:
G. T. O.
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Sinitta3:29
9I Need You
recording of:
I Need You
Verfasser(in):
Frederick Eugene Byrd, Percy Nathan Rodgers und Steven Bernard Hill (performs as Stevie B)
B.V.S.M.P.13:19
10Packjammed
recording of:
Packjammed (With the Party Posse)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Stock Aitken Waterman3:28
11House Arrest
recording of:
House Arrest
Verfasser(in):
Cassius Campbell, Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mark Gamble, Mick Jones (The Clash/Big Audio Dynamite), Ruth Joy, Don Letts und Greg Roberts (British drummer)
publisher:
Big Audio Dynamics Music, Inc.
Krush3:35
12Come Into My LifeJoyce Sims3:47
13China in Your Hand
Techniker(in):
Jerry Napier
Produzent(in):
Roy Thomas Baker (producer)
andere Instrumente [other bits] und Solo-Gitarre [guitar solos]:
Taj Wyzgowski
andere Instrumente [some bits] und Gitarre [rhythm guitar]:
Ron Rogers (Ronald Phillip Rogers, T'Pau)
Bass:
Paul Jackson (T'Pau bassist)
Keyboard [keyboards]:
Michael Chetwood
Perkussion und Schlagzeug [drums]:
Tim Burgess (T'Pau drummer)
vocals:
Carol Decker
phonographisches Urheberrecht (℗) von:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987)
produced for:
RTB Audio Visual Productions USA (Also credited as R.T.B. Audio Visual Productions Inc., RTB Audio Visual Productions (USA) Inc. and other similar variants)
recording of:
China in Your Hand
Verfasser(in):
Carol Decker und Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. und Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau4.25:05
14How Ya Like Me Now
recording of:
How Ya Like Me Now
Verfasser(in):
Mohandas Dewese und Teddy Riley (US R&B singer & producer)
Kool Moe Dee4:59
15Stop for a Minute
recording of:
Stop for a Minute
Texter:
Klaus Hirschburger
Komponist(in):
Michael Cretu (Romanian-born German musician, composer and record producer)
Sandra4:03
16Jingo
cover recording of:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo)
Texter und Komponist(in):
Babatunde Olatunji
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. und EMI Songs Ltd.
Jellybean4:06

Nennungen

Veröffentlichungsgruppe

Teil von:Ronny’s Pop Show (Nummer: 11) (Reihenfolge: 20)
Discogs:https://www.discogs.com/master/366284 [Info]