| Nr. | Titel | Bewertung | Länge |
|---|
| 1 | Comin' Home | 4 | 5:32 |
| 2 | I Ain't the One | 4 | 3:55 |
| 3 | Gimme Three Steps | 4.55 | 4:29 |
| 4 | Tuesday's Gone | 4.65 | 7:33 |
| 5 | Simple Man | 4.65 | 5:58 |
| 6 | Sweet Home Alabama- sonstige Unterstützung:
- Ronnie Van Zant
- Techniker(in) und Produzent(in):
- Al Kooper
- E-Bass:
- Leon Wilkeson (in 1973-07)
- E-Gitarre:
- Allen Collins (in 1973-07), Ed King (in 1973-07) und Gary Rossington (in 1973-07)
- Keyboard:
- Billy Powell (in 1973-07)
- Schlagzeug:
- Bob Burns (in 1973-07)
- Hintergrundgesang:
- Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
- Sologesang:
- Ronnie Van Zant (in 1973-07)
- phonographisches Urheberrecht (℗) von:
- Geffen Records (in 1974), MCA Records (in 1974), MCA Records Ltd. (in 1974), MCA Records, Inc. (in 1974), UMG Recordings, Inc. (in 1974), Universal Music (in 1974), Union Square Music Ltd. (in 2018) und Universal Music Operations Ltd. (in 2018)
- produced for:
- Sounds of the South Productions
- aufgenommen bei:
- Studio One in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
- Teil von:
- Billboard Hot 100: 2026-07-18 (Nummer: 31), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 398)
- recording of:
- Sweet Home Alabama (in 1973-07)
- sonstige Unterstützung:
- Ronnie Van Zant
- Verfasser(in):
- Ed King , Gary Rossington und Ronnie Van Zant
- publisher:
- Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. , Universal Music Corp. , Universal Music Publishing Ltd. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
| 4.1 | 4:45 |
| 7 | The Ballad of Curtis Loew | 4.75 | 4:53 |
| 8 | Workin' for MCA | 4 | 4:49 |
| 9 | On the Hunt | 4.25 | 5:28 |
| 10 | Made in the Shade | 4.65 | 4:42 |
| 11 | Whiskey Rock-A-Roller (live at Capitol Theatre, Wales / 1975) | | 4:11 |
| 12 | All I Can Do Is Write About It (acoustic) | 5 | 4:24 |
| 13 | Gimme Back My Bullets | 4 | 3:31 |
| 14 | Double Trouble | 5 | 2:52 |