Good as I Been to You (limited edition, numbered, remastered)

~ Release by Bob Dylan (see all versions of this release, 11 available)

Annotation

© 1992, 2023 Columbia Records.
℗ 1992 Columbia Records.

[On SACD]
All songs: Traditional (ASCAP) except: "Hard Times", "Tomorrow Night", "You're Gonna Quit Me" Public Domain (ASCAP).

Limited edition of 2,500.

Track durations are not printed on the release.

Other Identifiers
Rights Society: ASCAP
Matrix / Runout (SACD layer): 58385778/19658861272RD A0103465300-A911 1000 1A00
Mastering SID Code (SACD layer): IFPI LY23
Matrix / Runout (CD layer): 58385779/19658861272RD A0103465300-B911 12 A00
Mastering SID Code (CD layer): IFPI L556
Mould SID Code: IFPI 94B1

Annotation last modified on 2024-06-12 10:37 UTC.

Tracklist

| |
1▼Hybrid SACD (CD layer)
#TitleRatingLength
1Frankie & Albert
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
recording of:
Frankie & Albert (Bob Dylan arrangement)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
3.53:53
2Jim Jones
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
recording of:
Jim Jones (Mick Slocum / Bob Dylan arrangement)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
additional arranger:
Bob Dylan
arranger:
Mick Slocum
arrangement of:
Jim Jones at Botany Bay
43:55
3Blackjack Davey
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Blackjack Davey (arr. Bob Dylan et al.)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
arranger:
Bob Dylan, Woody Guthrie (American singer-songwriter) and Mike Seeger
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Black Jack Davey (arr. Mike Seeger)
version of:
Gypsy Davy (arr. Woody Guthrie)
35:50
4Canadee-i-o
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Canadee-i-o
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
additional lyricist:
Ephraim Braley (Canadian logger in the mid 1850's)
writer:
[traditional] (special purpose artist)
additional arranger:
Bob Dylan
arranger:
Nic Jones
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Canadee-i-o
44:23
5Sittin' on Top of the World
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
recording of:
Sittin’ on Top of the World (Bob Dylan arrangement)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
Lonnie Chatmon, Traditional ([traditional], special purpose artist) and Walter Vinson (performance name for Walter Vinson)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Sitting on Top of the World (“Now she’s gone, I don’t worry…”)
44:31
6Little Maggie
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Little Maggie (Bob Dylan version)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
is based on:
Little Maggie (catch-all for arrangements)
42:55
7Hard Times
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Hard Times
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
Traditional ([traditional], special purpose artist)
composer:
Stephen Foster (composer)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Hard Times Come Again No More
44:34
8Step It Up and Go
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Step It Up and Go (Bob Dylan arrangement)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
Blind Boy Fuller and Traditional ([traditional], special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Step It Up and Go
32:58
9Tomorrow Night
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Tomorrow Night (Bob Dylan version)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
lyricist:
Sam Coslow
writer:
Traditional ([traditional], special purpose artist)
composer:
Wilhelm Grosz (aka Hugh Williams)
arranger:
Bob Dylan
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Wilhelm Grosz Music Co
version of:
Tomorrow Night
3.53:43
10Arthur McBride
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Arthur McBride (arr. Paul Brady and Bob Dylan)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
additional arranger:
Bob Dylan
arranger:
Paul Brady
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Arthur McBride (arr. Paul Brady)
36:22
11You're Gonna Quit Me
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
You're Gonna Quit Me
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
Blind Blake (1920s blues singer) and Traditional ([traditional], special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
32:48
12Diamond Joe
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Diamond Joe (Starts "Now there’s a man you’ll hear about"; Bob Dylan arrangement)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Diamond Joe (Starts "Now there’s a man you’ll hear about")
33:17
13Froggie Went a Courtin'
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Froggie Went A-Courtin'
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Frog Went A‐Courtin’ (original version)
36:26
2▼Hybrid SACD (SACD layer)
#TitleRatingLength
1Frankie & Albert
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
recording of:
Frankie & Albert (Bob Dylan arrangement)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
3.53:50
2Jim Jones
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
recording of:
Jim Jones (Mick Slocum / Bob Dylan arrangement)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
additional arranger:
Bob Dylan
arranger:
Mick Slocum
arrangement of:
Jim Jones at Botany Bay
43:54
3Blackjack Davey
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Blackjack Davey (arr. Bob Dylan et al.)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
arranger:
Bob Dylan, Woody Guthrie (American singer-songwriter) and Mike Seeger
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Black Jack Davey (arr. Mike Seeger)
version of:
Gypsy Davy (arr. Woody Guthrie)
35:49
4Canadee-i-o
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Canadee-i-o
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
additional lyricist:
Ephraim Braley (Canadian logger in the mid 1850's)
writer:
[traditional] (special purpose artist)
additional arranger:
Bob Dylan
arranger:
Nic Jones
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Canadee-i-o
44:22
5Sittin' on Top of the World
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
recording of:
Sittin’ on Top of the World (Bob Dylan arrangement)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
Lonnie Chatmon, Traditional ([traditional], special purpose artist) and Walter Vinson (performance name for Walter Vinson)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Sitting on Top of the World (“Now she’s gone, I don’t worry…”)
44:29
6Little Maggie
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Little Maggie (Bob Dylan version)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
is based on:
Little Maggie (catch-all for arrangements)
42:54
7Hard Times
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Hard Times
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
Traditional ([traditional], special purpose artist)
composer:
Stephen Foster (composer)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Hard Times Come Again No More
44:32
8Step It Up and Go
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Step It Up and Go (Bob Dylan arrangement)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
Blind Boy Fuller and Traditional ([traditional], special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Step It Up and Go
32:55
9Tomorrow Night
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Tomorrow Night (Bob Dylan version)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
lyricist:
Sam Coslow
writer:
Traditional ([traditional], special purpose artist)
composer:
Wilhelm Grosz (aka Hugh Williams)
arranger:
Bob Dylan
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Wilhelm Grosz Music Co
version of:
Tomorrow Night
3.53:41
10Arthur McBride
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Arthur McBride (arr. Paul Brady and Bob Dylan)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
additional arranger:
Bob Dylan
arranger:
Paul Brady
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Arthur McBride (arr. Paul Brady)
36:20
11You're Gonna Quit Me
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
You're Gonna Quit Me
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
Blind Blake (1920s blues singer) and Traditional ([traditional], special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
32:47
12Diamond Joe
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Diamond Joe (Starts "Now there’s a man you’ll hear about"; Bob Dylan arrangement)
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Diamond Joe (Starts "Now there’s a man you’ll hear about")
33:14
13Froggie Went a Courtin'
recording engineer and mixer:
Micajah Ryan
guitar, harmonica and vocal:
Bob Dylan
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Froggie Went A-Courtin'
miscellaneous support:
Debbie Gold (producer & manager) (task: supervised by)
writer:
[traditional] (special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
version of:
Frog Went A‐Courtin’ (original version)
36:26

Credits

Release

art direction and design:Dawn Patrol (Graphic Art & Design)
photography:Jimmy Wachtel (task: front cover)
miscellaneous support:Debbie Gold (producer & manager) (task: supervised by / production supervised by)
assistant mastering:Shawn R. Britton
mastering:Neal Harris
manufactured by:Sonopress (Sonopress GmbH, German vinyl, cassette, CD and DVD manufacturer. see annotations)
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP)
copyrighted (©) by and phonographic copyright (℗) by:Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
manufactured for:Mobile Fidelity Sound Lab
mastered at:Mobile Fidelity Sound Lab in Sebastopol, California, United States
glass mastered at:Sony DADC (optical disc manufacturing company)
part of:Ultradisc UHR (Series used by Mobile Fidelity Sound Lab for their SACD releases.) (order: 10)
Original Master Recording (order: 82)
Discogs:https://www.discogs.com/release/29677963 [info]