Aida

~ Release by Giuseppe Verdi; Accademia di Santa Cecilia, Rome, Alberto Erede (see all versions of this release, 5 available)

Annotation

The King: Fernando Corena
Aida: Renata Tebaldi
Amneris: Ebe Stignani
Radamès: Mario del Monaco
Amonasro: Aldo Protti
Ramphis: Dario Castelli
Choir & Orcestra of Accademia di Santa Cecilia, Rome

Annotation last modified on 2014-08-09 12:11 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Aida: Atto I. “Se quel guerrier io fossi … Celeste Aida”
tenor vocals [Radamès]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:30
2Aida: Atto I. “Or, di Vulcano al tempio”
bass vocals [Il Re]:
Fernando Corena (operatic bass)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Aida: Atto I, scena 1. “Or di Vulcano al tempio” (Il Re)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida: Atto I
Giuseppe Verdi3:24
3Aida: Atto I. “Ritorna vincitor”
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:32
4Aida: Atto I. “Mortal diletto ai Numi”
bass vocals [Ramfis]:
Dario Caselli (operatic bass)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:22
5Aida: Atto II. “Fu la sorte dell'armi”
mezzo-soprano vocals [Amneris]:
Ebe Stignani (mezzo soprano)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi7:34
6Aida: Atto III. “O patria mia”
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi5:24
7Aida: Atto III. “Rivedrò le foreste imbalsamate”
bass-baritone vocals [Amonasro]:
Aldo Protti (bass-baritone)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:48
8Aida: Atto III. “Nel fiero anelito”
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Aida: Atto III: Duetto: “Nel fiero anelito di nuova guerra” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi5:45
9Aida: Atto IV. “Vedi… di morte l'angelo… O terra addio”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
mezzo-soprano vocals [Amneris]:
Ebe Stignani (mezzo soprano)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi6:59