The Chronological Classics: Artie Shaw and His Orchestra 1936-1937

~ Veröffentlichung von Artie Shaw and His Orchestra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Sobbin' Blues
Bratsche / Viola:
Sam Persoff (am 1936-12-23)
Cello:
Bill Schumann (am 1936-12-23)
Geige / Violine:
Jerry Gray (US big band arranger and conductor) (am 1936-12-23) und Frank Siegfield (am 1936-12-23)
Gitarre:
Tony Gottuso (Tony Gottuso, guitar) (am 1936-12-23)
Klarinette:
Artie Shaw (am 1936-12-23)
Klavier:
Joe Lipman (Joseph P. Lippman) (am 1936-12-23)
Kontrabass:
Ben Ginsberg (am 1936-12-23)
Posaune:
Buddy Morrow (am 1936-12-23)
Schlagzeug:
George Wettling (am 1936-12-23)
Tenorsaxophon:
Tony Pastor (am 1936-12-23)
Trompete:
Lee Castaldo (am 1936-12-23) und Rubin "Zeke" Zarchy (am 1936-12-23)
recording of:
Sobbin' Blues
Komponist(in):
Berton und Kassel
Artie Shaw and His Orchestra3:22
2Copenhagen
Bratsche / Viola:
Sam Persoff (am 1936-12-23)
Cello:
Bill Schumann (am 1936-12-23)
Geige / Violine:
Jerry Gray (US big band arranger and conductor) (am 1936-12-23) und Frank Siegfield (am 1936-12-23)
Gitarre:
Tony Gottuso (Tony Gottuso, guitar) (am 1936-12-23)
Klarinette:
Artie Shaw (am 1936-12-23)
Klavier:
Joe Lipman (Joseph P. Lippman) (am 1936-12-23)
Kontrabass:
Ben Ginsberg (am 1936-12-23)
Posaune:
Buddy Morrow (am 1936-12-23)
Schlagzeug:
George Wettling (am 1936-12-23)
Tenorsaxophon:
Tony Pastor (am 1936-12-23)
Trompete:
Lee Castaldo (am 1936-12-23) und Rubin "Zeke" Zarchy (am 1936-12-23)
recording of:
Copenhagen (am 1936-12-23)
Texter:
Walter Melrose
Komponist(in):
Charlie Davis (1920's Indianapolis Bandleader)
Artie Shaw and His Orchestra3:01
3Cream Puff
Bratsche / Viola:
Sam Persoff (am 1936-12-23)
Cello:
Bill Schumann (am 1936-12-23)
Geige / Violine:
Jerry Gray (US big band arranger and conductor) (am 1936-12-23) und Frank Siegfield (am 1936-12-23)
Gitarre:
Tony Gottuso (Tony Gottuso, guitar) (am 1936-12-23)
Klarinette:
Artie Shaw (am 1936-12-23)
Klavier:
Joe Lipman (Joseph P. Lippman) (am 1936-12-23)
Kontrabass:
Ben Ginsberg (am 1936-12-23)
Posaune:
Buddy Morrow (am 1936-12-23)
Schlagzeug:
George Wettling (am 1936-12-23)
Tenorsaxophon:
Tony Pastor (am 1936-12-23)
Trompete:
Lee Castaldo (am 1936-12-23) und Rubin "Zeke" Zarchy (am 1936-12-23)
recording of:
Cream Puff (am 1936-12-23)
Artie Shaw and His Orchestra2:53
4My Blue Heaven
Bratsche / Viola:
Sam Persoff (am 1936-12-23)
Cello:
Bill Schumann (am 1936-12-23)
Geige / Violine:
Jerry Gray (US big band arranger and conductor) (am 1936-12-23) und Frank Siegfield (am 1936-12-23)
Gitarre:
Tony Gottuso (Tony Gottuso, guitar) (am 1936-12-23)
Klarinette:
Artie Shaw (am 1936-12-23)
Klavier:
Joe Lipman (Joseph P. Lippman) (am 1936-12-23)
Kontrabass:
Ben Ginsberg (am 1936-12-23)
Posaune:
Buddy Morrow (am 1936-12-23)
Schlagzeug:
George Wettling (am 1936-12-23)
Tenorsaxophon:
Tony Pastor (am 1936-12-23)
Trompete:
Lee Castaldo (am 1936-12-23) und Rubin "Zeke" Zarchy (am 1936-12-23)
recording of:
My Blue Heaven (am 1936-12-23)
Texter:
George A. Whiting (popular songwriter) (in 1924)
Komponist(in):
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
komponiert bei:
New York Friars Club in New York, New York, Vereinigte Staaten (in 1924)
Artie Shaw and His Orchestra2:37
5Streamline
Bratsche / Viola:
Sam Persoff (am 1936-12-23)
Cello:
Bill Schumann (am 1936-12-23)
Geige / Violine:
Jerry Gray (US big band arranger and conductor) (am 1936-12-23) und Frank Siegfield (am 1936-12-23)
Klarinette:
Artie Shaw (am 1936-12-23)
Artie Shaw and His Orchestra2:23
6Sweet Lorraine
Bratsche / Viola:
Sam Persoff (am 1936-12-23)
Cello:
Bill Schumann (am 1936-12-23)
Geige / Violine:
Jerry Gray (US big band arranger and conductor) (am 1936-12-23) und Frank Siegfield (am 1936-12-23)
Klarinette:
Artie Shaw (am 1936-12-23)
recording of:
Sweet Lorraine (am 1936-12-23)
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
Artie Shaw and His Orchestra3:07
7Love Is Good for Anything That Ails You
Bratsche / Viola:
Sam Persoff (am 1937-02-15)
Cello:
Bill Schumann (am 1937-02-15)
Geige / Violine:
Jerry Gray (US big band arranger and conductor) (am 1937-02-15) und Frank Siegfield (am 1937-02-15)
Gitarre:
Tony Gottuso (Tony Gottuso, guitar) (am 1937-02-15)
Klarinette:
Artie Shaw (am 1937-02-15)
Klavier:
Joe Lipman (Joseph P. Lippman) (am 1937-02-15)
Kontrabass:
Ben Ginsberg (am 1937-02-15)
Posaune:
Buddy Morrow (am 1937-02-15)
Schlagzeug:
George Wettling (am 1937-02-15)
Tenorsaxophon:
Tony Pastor (am 1937-02-15)
Trompete:
Lee Castaldo (am 1937-02-15) und Rubin "Zeke" Zarchy (am 1937-02-15)
vocals:
Peg La Centra (am 1937-02-15)
recording of:
Love Is Good for Anything That Ails You (am 1936-02-15)
Verfasser(in):
Cliff Friend (US composer, lyricist & pianist) und Matty Malneck
Artie Shaw and His Orchestra2:31
8No More Tears
Bratsche / Viola:
Sam Persoff (am 1937-02-15)
Cello:
Bill Schumann (am 1937-02-15)
Geige / Violine:
Jerry Gray (US big band arranger and conductor) (am 1937-02-15) und Frank Siegfield (am 1937-02-15)
Gitarre:
Tony Gottuso (Tony Gottuso, guitar) (am 1937-02-15)
Klarinette:
Artie Shaw (am 1937-02-15)
Klavier:
Joe Lipman (Joseph P. Lippman) (am 1937-02-15)
Kontrabass:
Ben Ginsberg (am 1937-02-15)
Posaune:
Buddy Morrow (am 1937-02-15)
Schlagzeug:
George Wettling (am 1937-02-15)
Tenorsaxophon:
Tony Pastor (am 1937-02-15)
Trompete:
Lee Castaldo (am 1937-02-15) und Rubin "Zeke" Zarchy (am 1937-02-15)
vocals:
Peg La Centra (am 1937-02-15)
Artie Shaw and His Orchestra3:01
9Moonlight and Shadows
Bratsche / Viola:
Sam Persoff (am 1937-02-15)
Cello:
Bill Schumann (am 1937-02-15)
Geige / Violine:
Jerry Gray (US big band arranger and conductor) (am 1937-02-15) und Frank Siegfield (am 1937-02-15)
Gitarre:
Tony Gottuso (Tony Gottuso, guitar) (am 1937-02-15)
Klarinette:
Artie Shaw (am 1937-02-15)
Klavier:
Joe Lipman (Joseph P. Lippman) (am 1937-02-15)
Kontrabass:
Ben Ginsberg (am 1937-02-15)
Posaune:
Buddy Morrow (am 1937-02-15)
Schlagzeug:
George Wettling (am 1937-02-15)
Tenorsaxophon:
Tony Pastor (am 1937-02-15)
Trompete:
Lee Castaldo (am 1937-02-15) und Rubin "Zeke" Zarchy (am 1937-02-15)
vocals:
Peg La Centra (am 1937-02-15)
recording of:
Moonlight and Shadows (from the film “The Jungle Princess”) (am 1937-02-15)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Frederick Hollander
Artie Shaw and His Orchestra2:47
10Was It Rain?
Bratsche / Viola:
Sam Persoff (am 1937-02-15)
Cello:
Bill Schumann (am 1937-02-15)
Geige / Violine:
Jerry Gray (US big band arranger and conductor) (am 1937-02-15) und Frank Siegfield (am 1937-02-15)
Gitarre:
Tony Gottuso (Tony Gottuso, guitar) (am 1937-02-15)
Klarinette:
Artie Shaw (am 1937-02-15)
Klavier:
Joe Lipman (Joseph P. Lippman) (am 1937-02-15)
Kontrabass:
Ben Ginsberg (am 1937-02-15)
Posaune:
Buddy Morrow (am 1937-02-15)
Schlagzeug:
George Wettling (am 1937-02-15)
Tenorsaxophon:
Tony Pastor (am 1937-02-15)
Trompete:
Lee Castaldo (am 1937-02-15) und Rubin "Zeke" Zarchy (am 1937-02-15)
vocals:
Peg La Centra (am 1937-02-15)
Artie Shaw and His Orchestra2:41
11All Alone
alto saxophone:
Art Masters (am 1937-05-13) und Les Robinson (am 1937-05-13)
Gitarre:
Al Avola (am 1937-05-13)
Klarinette:
Artie Shaw (am 1937-05-13)
Klavier:
Les Burness (am 1937-05-13)
Kontrabass:
Ben Ginsberg (am 1937-05-13)
Posaune:
George Arus (am 1937-05-13) und Harry Rogers (US big-band trombonist and arranger) (am 1937-05-13)
Schlagzeug:
Cliff Leeman (am 1937-05-13)
Tenorsaxophon:
Tony Pastor (am 1937-05-13) und Fred Petry (am 1937-05-13)
Trompete:
Johnny Best (jazz trumpeter) (am 1937-05-13), Malcolm Crain (am 1937-05-13) und Tom DiCarlo (jazz trumpeter) (am 1937-05-13)
recording of:
All Alone (am 1937-05-13)
Texter und Komponist(in):
Irving Berlin (in 1924)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
Artie Shaw and His New Music2:32
12All God's Chillun Got Rhythm
alto saxophone:
Art Masters (am 1937-05-13) und Les Robinson (am 1937-05-13)
Gitarre:
Al Avola (am 1937-05-13)
Klarinette:
Artie Shaw (am 1937-05-13)
Klavier:
Les Burness (am 1937-05-13)
Kontrabass:
Ben Ginsberg (am 1937-05-13)
Posaune:
George Arus (am 1937-05-13) und Harry Rogers (US big-band trombonist and arranger) (am 1937-05-13)
Schlagzeug:
Cliff Leeman (am 1937-05-13)
Tenorsaxophon:
Tony Pastor (am 1937-05-13) und Fred Petry (am 1937-05-13)
Trompete:
Johnny Best (jazz trumpeter) (am 1937-05-13), Malcolm Crain (am 1937-05-13) und Tom DiCarlo (jazz trumpeter) (am 1937-05-13)
vocals:
Tony Pastor (am 1937-05-13)
recording of:
All God’s Chillun Got Rhythm (am 1937-05-13)
Texter:
Gus Kahn
Komponist(in):
Walter Jurmann und Bronisław Kaper
Artie Shaw and His New Music2:44
13It Goes to Your Feet
alto saxophone:
Art Masters (am 1937-05-13) und Les Robinson (am 1937-05-13)
Gitarre:
Al Avola (am 1937-05-13)
Klarinette:
Artie Shaw (am 1937-05-13)
Klavier:
Les Burness (am 1937-05-13)
Kontrabass:
Ben Ginsberg (am 1937-05-13)
Posaune:
George Arus (am 1937-05-13) und Harry Rogers (US big-band trombonist and arranger) (am 1937-05-13)
Schlagzeug:
Cliff Leeman (am 1937-05-13)
Tenorsaxophon:
Tony Pastor (am 1937-05-13) und Fred Petry (am 1937-05-13)
Trompete:
Johnny Best (jazz trumpeter) (am 1937-05-13), Malcolm Crain (am 1937-05-13) und Tom DiCarlo (jazz trumpeter) (am 1937-05-13)
vocals:
Tony Pastor (am 1937-05-13)
Artie Shaw and His New Music3:00
14Because I Love You
alto saxophone:
Art Masters (am 1937-05-13) und Les Robinson (am 1937-05-13)
Gitarre:
Al Avola (am 1937-05-13)
Klarinette:
Artie Shaw (am 1937-05-13)
Klavier:
Les Burness (am 1937-05-13)
Kontrabass:
Ben Ginsberg (am 1937-05-13)
Posaune:
George Arus (am 1937-05-13) und Harry Rogers (US big-band trombonist and arranger) (am 1937-05-13)
Schlagzeug:
Cliff Leeman (am 1937-05-13)
Tenorsaxophon:
Tony Pastor (am 1937-05-13) und Fred Petry (am 1937-05-13)
Trompete:
Johnny Best (jazz trumpeter) (am 1937-05-13), Malcolm Crain (am 1937-05-13) und Tom DiCarlo (jazz trumpeter) (am 1937-05-13)
Orchester:
Artie Shaw and His Orchestra (am 1937-05-13)
recording of:
Because I Love You (am 1937-05-13)
Texter und Komponist(in):
Irving Berlin
Artie Shaw and His New Music2:28
15Night and Day
alto saxophone:
Harry Freeman (American jazz saxophonist) (am 1937-05-18) und Les Robinson (am 1937-05-18)
Gitarre:
Al Avola (am 1937-05-18)
Klarinette:
Artie Shaw (am 1937-05-18)
Klavier:
Les Burness (am 1937-05-18)
Kontrabass:
Ben Ginsberg (am 1937-05-18)
Posaune:
George Arus (am 1937-05-18) und Harry Rogers (US big-band trombonist and arranger) (am 1937-05-18)
Schlagzeug:
Cliff Leeman (am 1937-05-18)
Tenorsaxophon:
Tony Pastor (am 1937-05-18) und Fred Petry (am 1937-05-18)
Trompete:
Johnny Best (jazz trumpeter) (am 1937-05-18), Malcolm Crain (am 1937-05-18) und Tom DiCarlo (jazz trumpeter) (am 1937-05-18)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1937-05-18)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Artie Shaw and His New Music2:54
16I Surrender, Dear
alto saxophone:
Harry Freeman (American jazz saxophonist) (am 1937-05-18) und Les Robinson (am 1937-05-18)
Gitarre:
Al Avola (am 1937-05-18)
Klarinette:
Artie Shaw (am 1937-05-18)
Klavier:
Les Burness (am 1937-05-18)
Kontrabass:
Ben Ginsberg (am 1937-05-18)
Posaune:
George Arus (am 1937-05-18) und Harry Rogers (US big-band trombonist and arranger) (am 1937-05-18)
Schlagzeug:
Cliff Leeman (am 1937-05-18)
Tenorsaxophon:
Tony Pastor (am 1937-05-18) und Fred Petry (am 1937-05-18)
Trompete:
Johnny Best (jazz trumpeter) (am 1937-05-18), Malcolm Crain (am 1937-05-18) und Tom DiCarlo (jazz trumpeter) (am 1937-05-18)
instrumental recording of:
I Surrender Dear (am 1937-05-18)
Texter:
Gordon Clifford (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
Artie Shaw and His New Music2:47
17Blue Skies
alto saxophone:
Harry Freeman (American jazz saxophonist) (am 1937-05-18) und Les Robinson (am 1937-05-18)
Gitarre:
Al Avola (am 1937-05-18)
Klarinette:
Artie Shaw (am 1937-05-18)
Klavier:
Les Burness (am 1937-05-18)
Kontrabass:
Ben Ginsberg (am 1937-05-18)
Posaune:
George Arus (am 1937-05-18) und Harry Rogers (US big-band trombonist and arranger) (am 1937-05-18)
Schlagzeug:
Cliff Leeman (am 1937-05-18)
Tenorsaxophon:
Tony Pastor (am 1937-05-18) und Fred Petry (am 1937-05-18)
Trompete:
Johnny Best (jazz trumpeter) (am 1937-05-18), Malcolm Crain (am 1937-05-18) und Tom DiCarlo (jazz trumpeter) (am 1937-05-18)
instrumental recording of:
Blue Skies (am 1937-05-18)
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Artie Shaw and His New Music2:20
18Someday, Sweetheart
alto saxophone:
Harry Freeman (American jazz saxophonist) (am 1937-05-18) und Les Robinson (am 1937-05-18)
Gitarre:
Al Avola (am 1937-05-18)
Klarinette:
Artie Shaw (am 1937-05-18)
Klavier:
Les Burness (am 1937-05-18)
Kontrabass:
Ben Ginsberg (am 1937-05-18)
Posaune:
George Arus (am 1937-05-18) und Harry Rogers (US big-band trombonist and arranger) (am 1937-05-18)
Schlagzeug:
Cliff Leeman (am 1937-05-18)
Tenorsaxophon:
Tony Pastor (am 1937-05-18) und Fred Petry (am 1937-05-18)
Trompete:
Johnny Best (jazz trumpeter) (am 1937-05-18), Malcolm Crain (am 1937-05-18) und Tom DiCarlo (jazz trumpeter) (am 1937-05-18)
instrumental recording of:
Someday Sweetheart (am 1937-05-18)
Texter und Komponist(in):
Benjamin Franklin Spikes (Benjamin Franklin "Reb" Spikes) und John Curry Spikes
publisher:
Spikes Bros. and Carter Music House (am 1919-12-26)
Artie Shaw and His New Music3:01
19Afraid to Dream
alto saxophone:
Harry Freeman (American jazz saxophonist) (am 1937-07-22) und Les Robinson (am 1937-07-22)
Gitarre:
Al Avola (am 1937-07-22)
Klarinette:
Artie Shaw (am 1937-07-22)
Klavier:
Les Burness (am 1937-07-22)
Kontrabass:
Ben Ginsberg (am 1937-07-22)
Posaune:
George Arus (am 1937-07-22) und Harry Rogers (US big-band trombonist and arranger) (am 1937-07-22)
Schlagzeug:
Cliff Leeman (am 1937-07-22)
Tenorsaxophon:
Tony Pastor (am 1937-07-22) und Fred Petry (am 1937-07-22)
Trompete:
Johnny Best (jazz trumpeter) (am 1937-07-22), Malcolm Crain (am 1937-07-22) und Tom DiCarlo (jazz trumpeter) (am 1937-07-22)
vocals:
Peg La Centra (am 1937-07-22)
recording of:
Afraid to Dream (am 1937-07-22)
Texter und Komponist(in):
Mack Gordon und Harry Revel (British-born American composer)
Artie Shaw and His New Music2:49
20If You Should Ever Leave
alto saxophone:
Harry Freeman (American jazz saxophonist) (am 1937-07-22) und Les Robinson (am 1937-07-22)
Gitarre:
Al Avola (am 1937-07-22)
Klarinette:
Artie Shaw (am 1937-07-22)
Klavier:
Les Burness (am 1937-07-22)
Kontrabass:
Ben Ginsberg (am 1937-07-22)
Posaune:
George Arus (am 1937-07-22) und Harry Rogers (US big-band trombonist and arranger) (am 1937-07-22)
Schlagzeug:
Cliff Leeman (am 1937-07-22)
Tenorsaxophon:
Tony Pastor (am 1937-07-22) und Fred Petry (am 1937-07-22)
Trompete:
Johnny Best (jazz trumpeter) (am 1937-07-22), Malcolm Crain (am 1937-07-22) und Tom DiCarlo (jazz trumpeter) (am 1937-07-22)
vocals:
Peg La Centra (am 1937-07-22)
recording of:
If You Should Ever Leave Me (am 1937-07-22)
Texter:
Sammy Cahn
Komponist(in):
Saul Chaplin
Artie Shaw and His New Music2:45
21Sweet Adeline
alto saxophone:
Harry Freeman (American jazz saxophonist) (am 1937-07-22) und Les Robinson (am 1937-07-22)
Gitarre:
Al Avola (am 1937-07-22)
Klarinette:
Artie Shaw (am 1937-07-22)
Klavier:
Les Burness (am 1937-07-22)
Kontrabass:
Ben Ginsberg (am 1937-07-22)
Posaune:
George Arus (am 1937-07-22) und Harry Rogers (US big-band trombonist and arranger) (am 1937-07-22)
Schlagzeug:
Cliff Leeman (am 1937-07-22)
Tenorsaxophon:
Tony Pastor (am 1937-07-22) und Fred Petry (am 1937-07-22)
Trompete:
Johnny Best (jazz trumpeter) (am 1937-07-22), Malcolm Crain (am 1937-07-22) und Tom DiCarlo (jazz trumpeter) (am 1937-07-22)
vocals:
Tony Pastor (am 1937-07-22)
recording of:
Sweet Adeline (am 1937-07-22)
Verfasser(in):
Richard Gerard und Harry Armstrong (US producer, singer, pianist and Tin Pan Alley composer)
Artie Shaw and His New Music2:52
22How Dry I Am
alto saxophone:
Harry Freeman (American jazz saxophonist) (am 1937-07-22) und Les Robinson (am 1937-07-22)
Gitarre:
Al Avola (am 1937-07-22)
Klarinette:
Artie Shaw (am 1937-07-22)
Klavier:
Les Burness (am 1937-07-22)
Kontrabass:
Ben Ginsberg (am 1937-07-22)
Posaune:
George Arus (am 1937-07-22) und Harry Rogers (US big-band trombonist and arranger) (am 1937-07-22)
Schlagzeug:
Cliff Leeman (am 1937-07-22)
Tenorsaxophon:
Tony Pastor (am 1937-07-22) und Fred Petry (am 1937-07-22)
Trompete:
Johnny Best (jazz trumpeter) (am 1937-07-22), Malcolm Crain (am 1937-07-22) und Tom DiCarlo (jazz trumpeter) (am 1937-07-22)
Artie Shaw and His New Music2:43

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Veröffentlichungsgruppe

Teil von:The Chronological Classics (Nummer: 886) (Reihenfolge: 395)