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Annotation last modified on 2006-11-05 14:42 UTC.

Tracklist

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1Water Music Suite No. 2 in D, HWV 349: Alla Hornpipe
orchestra and performer:
Linde Consort (Swiss ensemble led by Hans-Martin Linde)
conductor:
Hans-Martin Linde (flutist and conductor) and Martin Linde
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel4:04
2Solomon, HWV 67: Act Three: The arrival of the Queen of Sheba
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1983-06-27 until 1983-06-28)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
Georg Friedrich Händel42:48
3Horn Concerto No. 4 in E-flat major, K. 495: III. Rondo
producer:
David Groves (classical music producer at EMI)
horn:
Radovan Vlatković (hornist) (from 1985-11-07 until 1985-11-09)
orchestra:
English Chamber Orchestra (from 1985-11-07 until 1985-11-09)
conductor:
Jeffrey Tate (conductor) (from 1985-11-07 until 1985-11-09)
balance engineer:
Mark Vigars (engineer) (from 1985-11-07 until 1985-11-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-07 until 1985-11-09)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (from 1985-11-07 until 1985-11-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:46
4El amor brujo, G. 68: Danza ritual del fuego
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
El amor brujo: VIII. Danza ritual del fuego
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla4:14
5L'Arlésienne, Suite No. 2: VIII. Farandole
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
arrangement of:
Theme of mihimaLIVE 2
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:17
6Jesu, Joy of Man's Desiring
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
oboe:
Celia Nicklin (oboist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Jesu, Joy of Man’s Desiring (from 1983-06-27 until 1983-06-28)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1983-06-27 until 1983-06-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach5:14
7Peer Gynt Suite No. 1, Op. 46: I. Morning
producer:
Lawrance Collingwood
choir vocals:
Beecham Choral Society
soprano vocals:
Ilse Hollweg (soprano)
orchestra:
Royal Philharmonic Orchestra (from 1956-11-05 until 1957-04-01, in 1957)
conductor:
Sir Thomas Beecham (conductor) (from 1956-11-05 until 1957-04-01, in 1957)
chorus master:
Denis Vaughan
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1956-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-11-05 until 1957-04-01)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1956-11-05 until 1957-04-01)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg54:12
8String Quartet in E, Op. 13 No. 5: III. Minuet
engineer:
Stuart Eltham (engineer)
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1986)
conductor:
Sir Neville Marriner (conductor) (in 1986)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orch. Woodhouse) (in 1986)
orchestrator:
Charles Woodhouse (violinist, arranger, composer)
composer:
Luigi Boccherini (Italian composer) (in 1771)
orchestration of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:54
9Royal Fireworks Music, HWV 351: IV. La Réjouissance
orchestra:
Menuhin Festival Orchestra (in 1968)
conductor:
Yehudi Menuhin (violinist) (in 1968)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1968)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel2:22
10Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
flute:
William Bennett (flautist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:27
11Romance No. 2 in F major, Op. 50
producer:
Christopher Bishop (conductor/producer) and Christopher Bishop (conductor/producer) (task: recording producer)
solo violin:
Josef Suk (violinist/conductor, 1929–2011)
violin:
Josef Suk (violinist/conductor, 1929–2011) (in 1970-03)
orchestra:
Academy of St Martin in the Fields (in 1970-03)
conductor:
Neville Marriner (conductor) (in 1970-03)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1970-03-21 until 1970-03-22)
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile) (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Ludwig van Beethoven8:27
12Pomp & Circumstance March, Op. 39 No. 1 in D
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1988)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-08-29)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (on 1962-08-29)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:38
13The Four Seasons: Allegro
harpsichord:
Paul Crocker (harpsichord) (in 1979-12)
violin:
Yehudi Menuhin (violinist) (in 1979-12)
orchestra:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-12)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1979-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:41
14Adagio in G Minor for Strings and Organ
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni47:24
15Carmina Burana: O Fortuna
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
chorus master:
Norbert Pallatsch
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:40