Uptown

~ Release by André Previn with Mundell Lowe & Ray Brown (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Between the Devil and the Deep Blue Sea
double bass:
Ray Brown (jazz bassist)
guitar:
Mundell Lowe
piano:
André Previn (pianist, conductor, composer, arranger)
recording of:
Between the Devil and the Deep Blue Sea
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
4:43
2A Sleepin’ Bee
double bass:
Ray Brown (jazz bassist)
guitar:
Mundell Lowe
piano:
André Previn (pianist, conductor, composer, arranger)
recording of:
A Sleepin’ Bee (House of Flowers)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
5:13
3Come Rain or Come Shine
double bass:
Ray Brown (jazz bassist)
guitar:
Mundell Lowe
piano:
André Previn (pianist, conductor, composer, arranger)
recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
4:10
4Stormy Weather
double bass:
Ray Brown (jazz bassist)
guitar:
Mundell Lowe
piano:
André Previn (pianist, conductor, composer, arranger)
cover recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
4:33
5Over the Rainbow
double bass:
Ray Brown (jazz bassist)
guitar:
Mundell Lowe
piano:
André Previn (pianist, conductor, composer, arranger)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
4:36
6Let’s Fall in Love
double bass:
Ray Brown (jazz bassist)
guitar:
Mundell Lowe
piano:
André Previn (pianist, conductor, composer, arranger)
instrumental recording of:
Let’s Fall in Love
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
3:21
7Day Dream / Prelude to a Kiss
double bass:
Ray Brown (jazz bassist)
guitar:
Mundell Lowe
piano:
André Previn (pianist, conductor, composer, arranger)
recording of:
Day Dream
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
4:44
8Good Queen Bess
double bass:
Ray Brown (jazz bassist)
guitar:
Mundell Lowe
piano:
André Previn (pianist, conductor, composer, arranger)
recording of:
Good Queen Bess
composer:
Johnny Hodges
4:22
9Things Ain’t What They Used to Be
double bass:
Ray Brown (jazz bassist)
guitar:
Mundell Lowe
piano:
André Previn (pianist, conductor, composer, arranger)
instrumental cover recording of:
Things Ain’t What They Used to Be
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
4:20
10It Don’t Mean a Thing If It Ain’t Got That Swing
double bass:
Ray Brown (jazz bassist)
guitar:
Mundell Lowe
piano:
André Previn (pianist, conductor, composer, arranger)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
3:06
11Five O’Clock Whistle
double bass:
Ray Brown (jazz bassist)
guitar:
Mundell Lowe
piano:
André Previn (pianist, conductor, composer, arranger)
recording of:
Five O’Clock Whistle
writer:
Kim Gannon, Gene Irwin (aranger, writer) and Josef Myrow
5:30
12Come Sunday
double bass:
Ray Brown (jazz bassist)
guitar:
Mundell Lowe
piano:
André Previn (pianist, conductor, composer, arranger)
recording of:
Come Sunday (1958 revision with lyrics)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
4:12
13C Jam Blues
double bass:
Ray Brown (jazz bassist)
guitar:
Mundell Lowe
piano:
André Previn (pianist, conductor, composer, arranger)
recording of:
“C” Jam Blues
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
4:51

Credits

Release

ASIN:US: B000003D32 [info]

Release group

Wikipedia:en: Uptown (André Previn album) [info]
Wikidata:Q7899420 [info]