Anthology: The Colpix Years

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Label: Rhino/WEA - Cat#: 72567 - ASIN: B0000033WH

Label: Rhino/WEA - Cat#: 72567 - ASIN: B0000033WH

Anmerkung zuletzt geändert am 2012-03-04 12:00 UTC.

Titelliste

| |
1▼CD
Nr.TitelBewertungLänge
1Blue Prelude
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
Blue Prelude (in 1959-04)
Texter:
Gordon Jenkins
Komponist(in):
Joe Bishop
43:22
2That’s Him Over There
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
That’s Him Over There (in 1959)
Texter:
Marilyn Bergman
Komponist(in):
Lew Spence
4.252:33
3Theme From “Middle of the Night”
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
recording of:
Theme from “Middle of the Night” (in 1959)
Verfasser(in):
George Bassman und Paddy Chayefsky
32:31
4Willow Weep for Me
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3.253:14
5Solitaire
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Solitaire (in 1959)
Verfasser(in):
Reneé Borek, King Guion (jazz tenor saxophonist, clarinetist and bass clarinetist) und Carl Nutter
53:26
6Black Is the Color of My True Love’s Hair
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall")
Bass:
Jimmy Bond (am 1959-09-12)
Klavier:
Nina Simone (am 1959-09-12)
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
vocals:
Nina Simone (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
live cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (am 1959-09-12)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
Arrangement von:
Black Is the Colour (of My True Love’s Hair)
43:37
7Exactly Like You
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (am 1959-09-12)
Klavier:
Nina Simone (am 1959-09-12)
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
vocals:
Nina Simone (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
live cover recording of:
Exactly Like You (am 1959-09-12)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
33:19
8The Other Woman
recorded in:
New York, New York, Vereinigte Staaten (in 1959-10)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
vocals:
Nina Simone (in 1959-10)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-15)
cover recording of:
The Other Woman (in 1959-10)
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
4.653:01
9You Can Have Him
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (am 1959-09-12)
Klavier und Sologesang:
Nina Simone (am 1959-09-12)
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
live cover recording of:
You Can Have Him (am 1959-09-12)
Texter und Komponist(in):
Irving Berlin (in 1949)
5:56
10Cotton‐Eyed Joe
recorded in:
New York, New York, Vereinigte Staaten (in 1959-10)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
vocals:
Nina Simone (in 1959-10)
cover recording of:
Cotton‐Eyed Joe (traditional song) (in 1959-10)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 942)
22:59
11Fine and Mellow
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (am 1959-09-12)
Klavier und Sologesang:
Nina Simone (am 1959-09-12)
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
live cover recording of:
Fine and Mellow (am 1959-09-12)
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:30
12Nobody Knows You When You’re Down and Out
conductor:
Stu Phillips (US TV/film composer, conductor & producer)
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (in 1960)
Texter und Komponist(in):
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
enthalten in:
The Real Book (compilation of jazz standards, volume I)
2:41
13Trouble in Mind
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Instrumente:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
Klavier:
Nina Simone (am 1960-06-30)
vocals:
Nina Simone (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
Bearbeitung von:
Trouble in Mind (live, 1960‐06‐30: Newport, Rhode Island, USA) von Nina Simone
live cover recording of:
Trouble in Mind (am 1960-06-30)
Texter und Komponist(in):
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) und Universal‐MCA Music Publishing (US)
45:31
14Porgy
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Klavier:
Nina Simone (am 1960-06-30)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
vocals:
Nina Simone (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live recording of:
Blues for Porgy (am 1960-06-30)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
1.55:07
15Little Liza Jane
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Klavier:
Nina Simone (am 1960-06-30)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
vocals:
Nina Simone (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live cover recording of:
Little Liza Jane (am 1960-06-30)
Texter und Komponist(in):
[traditional] (special purpose artist)
4:34
16Rags and Old Iron
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
remixer:
Layo & Bushwacka! (DJs Layo Paskin & Matthew Benjamin)
cover recording of:
Rags and Old Iron (in 1961)
Texter und Komponist(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
4.654:12
17No Good Man
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
No Good Man (in 1961)
Texter:
Sammy Gallop
Komponist(in):
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) und Irene Higginbotham
43:42
18Gin House Blues
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier und Sologesang:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
cover recording of:
Gin House Blues (in 1961)
Komponist(in):
Fletcher Henderson (in 1925) und Henry Troy (in 1925)
publisher:
Carlin Music Corp
33:06
19Work Song
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier und Sologesang:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1961)
Texter:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Komponist(in):
Nat Adderley
publisher:
Upam Music Co. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Version von:
Work Song (original instrumental)
4.652:36
20Forbidden Fruit
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier und Sologesang:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
recording of:
Forbidden Fruit (in 1961)
Verfasser(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
33:48
21Come on Back, Jack
conductor:
Ralph Burns
arranger:
Ralph Burns
cover recording of:
Come on Back, Jack
Texter:
Earl S. Shuman (composer / lyricist)
Komponist(in):
Leon Carr
2:15
2▼CD
Nr.TitelBewertungLänge
1He Was Too Good to Me
aufgenommen bei:
The Village Gate in Greenwich Village, New York, New York, Vereinigte Staaten (in 1961-04)
live cover recording of:
He Was Too Good to Me (in 1961-04)
Texter:
Lorenz Hart (in 1930)
Komponist(in):
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Williamson Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Simple Simon
4:57
2House of the Rising Sun
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
Sologesang:
Nina Simone (in 1961)
aufgenommen bei:
The Village Gate in Greenwich Village, New York, New York, Vereinigte Staaten (in 1961-04)
live cover recording of:
House of the Rising Sun (in 1961-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music und Sonet Publishing Ltd.
54:35
3Brown Baby
aufgenommen bei:
The Village Gate in Greenwich Village, New York, New York, Vereinigte Staaten (in 1961-04)
live cover recording of:
Brown Baby (in 1961-04)
Texter und Komponist(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMHA, Knock Music und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
25:48
4Children Go Where I Send You
aufgenommen bei:
The Village Gate in Greenwich Village, New York, New York, Vereinigte Staaten (in 1961-04)
live cover recording of:
Children Go Where I Send Thee (in 1961-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 133)
7:46
5Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
3.652:48
6I Got It Bad
Sologesang:
Nina Simone (in 1962)
vocals:
Nina Simone
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
enthalten in:
The Real Book (compilation of jazz standards, volume I)
2.54:04
7Hey, Buddy Bolden
Sologesang:
Nina Simone
recording of:
Hey, Buddy Bolden
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
32:28
8Solitude
Chorgesang:
The Malcom Dodds Singers (in 1962)
Sologesang:
Nina Simone (in 1962)
conductor:
Ralph Burns (in 1962)
arranger:
Ralph Burns
cover recording of:
(In My) Solitude (in 1962)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
53:42
9The Gal From Joe’s
cover recording of:
The Gal From Joe’s
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
4.652:11
10Blackbird
Produzent(in):
Jack Lewis (jazz producer)
arranger:
Nina Simone
recording of:
Blackbird
Verfasser(in):
Herbert Sacker und Nina Simone
3:54
11If You Knew
recording engineer:
Dick Alderson
Produzent(in):
Jack Lewis (jazz producer)
Gitarre:
Phil Orlando und Al Schackman
Kontrabass:
Lisle Atkinson
membranophone:
Montego Joe
vocals:
Nina Simone
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-04-12)
live recording of:
If You Knew (am 1963-04-12)
Texter und Komponist(in):
Nina Simone
3:20
12The Twelfth of Never
recording engineer:
Dick Alderson
Produzent(in):
Jack Lewis (jazz producer)
Gitarre:
Phil Orlando und Al Schackman
Kontrabass:
Lisle Atkinson
membranophone:
Montego Joe
Sologesang:
Nina Simone (am 1963-04-12)
vocals:
Nina Simone
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-04-12)
live cover recording of:
The Twelfth of Never (am 1963-04-12)
Texter:
Paul Francis Webster
Komponist(in):
Jerry Livingston (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Webster Music Co.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
basiert auf:
The Riddle Song (aka “I Gave My Love a Cherry”)
3.53:30
13When I Was a Young Girl
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-04-12)
live cover recording of:
When I Was a Young Girl (am 1963-04-12)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) und Delabel Éditions (publisher; do NOT use as release label)
55:59
14Erets Zavat Chalav
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-04-12)
Bearbeitung von:
Eretz Zavat Chalav (live, 1963‐04‐12: Carnegie Hall, New York City, NY, USA, with Nina Simone speaking at the beginning) von Nina Simone
live recording of:
Eretz zavat chalav u’dvash (am 1963-04-12)
44:17
15The Young Knight
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-04-12)
live recording of:
The Young Knight (am 1963-04-12)
3.655:29
16Spring Is Here
Bearbeitung von:
Spring Is Here ('Nina Simone with Strings' unedited version, without strings and horns) von Nina Simone
cover recording of:
Spring Is Here
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
52:38
17Falling in Love Again (Can’t Help It)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966)
cover recording of:
Falling in Love Again (Can’t Help It)
Texter und Komponist(in):
Friedrich Hollaender
Übersetzer:
Reginald Connelly und Sammy Lerner
publisher:
Campbell Connelly, BMG Songs, Inc. (in 1930) und Samuel M. Lerner Publications (in 1930)
übersetzte Version von:
Ich bin von Kopf bis Fuß auf Liebe eingestellt
42:36
18That’s All
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
cover recording of:
That’s All
Texter:
Alan Brandt
Komponist(in):
Alan Brandt und Bob Haymes
publisher:
Mixed Bag Music Inc. und Travis Music
42:23
19Porgy, I Is Your Woman (Bess You Is My Woman)
cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp
basiert auf:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
43:20

Nennungen

Veröffentlichung

ASIN:US: B0000033WH [Info]