The All Time Greatest R&B of the Last 3 Decades

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1No Diggity
Programmierung und Produzent(in):
Teddy Riley (US R&B singer & producer) und William "Skylz" Stewart (US hip-hop producer)
Instrumente:
Teddy Riley (US R&B singer & producer) und William "Skylz" Stewart (US hip-hop producer)
Gast-Interpret(in):
Dr. Dre (Andre Young, rap producer) und Queen Pen
Interpret(in):
Blackstreet
arranger:
Teddy Riley (US R&B singer & producer) und William "Skylz" Stewart (US hip-hop producer)
Samples:
Grandma’s Hands von Bill Withers
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 91) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 424)
recording of:
No Diggity
Verfasser(in):
Andre Young (Dr. Dre, Andre Young, rap producer), Chauncey Hannibal, Lynise Walters, Richard Vick, Teddy Riley (US R&B singer & producer), William "Skylz" Stewart (US hip-hop producer) und Bill Withers
publisher:
Ain't Nothin' Goin' But F...n' (aka Ain’t Nothin’ but F****n’ and other variations), Chauncey Black Music for Smokin' Sounds, City Housing Publishing, Donril Music, Interior Music Corp., Queen Pen Music (ASCAP), Sony Songs Inc., Universal Z Songs und Zomba Enterprises Inc.
quotes music from:
Grandma’s Hands
Blackstreet feat. Dr. Dre4.25:06
2All My Life
Produzent(in):
Rory Bennett und JoJo Hailey (R&B singer, member of K‐Ci & JoJo)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (vom 1997 bis heute) und MCA Records Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1997)
produced for:
Two Big Productions Inc.
recording of:
All My Life
Verfasser(in):
Rory Bennett, Joel “Jo‐Jo” Hailey (R&B singer, member of K‐Ci & JoJo) und Randy Waldman
publisher:
2 Big Productions, Inc., Cord Kayla Music, EMI April Music Inc., EMI Publishing Ltd, Hee Bee Dooinit Music und Warner Chappell Music Ltd (no slash; used 1988–1996)
K‐Ci & JoJo3.43:43
3Fantasy
Produzent(in):
Barbosa, Mariah Carey und Dave Hall (producer a.k.a. Jam)
Mix:
Tony Maserati (engineer / mixer)
remixer:
Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Interpret(in):
Mariah Carey und Ol’ Dirty Bastard (Wu‐Tang founder, NYC rapper/producer)
zusätzliche(r) Interpret(in):
Ol’ Dirty Bastard (Wu‐Tang founder, NYC rapper/producer)
arranger:
Mariah Carey und Dave Hall (producer a.k.a. Jam)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei und mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Remix von:
Fantasy von Mariah Carey
Samples:
Genius of Love von Tom Tom Club
Musikvideos:
Fantasy (remix video) von Mariah Carey feat. O.D.B. (Wu‐Tang founder, NYC rapper/producer)
recording of:
Fantasy
Texter:
Mariah Carey, Chris Frantz und Tina Weymouth
Komponist(in):
Adrian Belew, Mariah Carey, Chris Frantz, Dave Hall (producer a.k.a. Jam), Steven Stanley (audio engineer, record producer and keyboardist from Jamaica) und Tina Weymouth
publisher:
Metered Music, Inc., Ness Nitty and Capone Inc., Rye Songs, Sony Songs Inc., Sony/ATV Songs LLC, Stonejam Publishing Corp. und WB Music Corp. (1929–2019)
basiert auf:
Genius of Love
Mariah Carey4.354:42
4Nobody Knows
recording of:
Nobody Knows
Verfasser(in):
Don Dubosé und Joseph Richards (Joe Rich)
publisher:
Menace Music Ltd.
Tony Rich44:19
5Sexual Healing
assistierende(r) Techniker(in):
Henri Van Durme und Didier Leonard
Techniker(in):
Dan Bates (Blasinstrumente [horns]), Mike Butcher (recording engineer and guitarist) und John Kovorak
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marvin Gaye
Mix und Editing:
Harvey Fuqua
Blasinstrumente [horns]:
The L.A. Horn Section und David Stout (American trombonist)
Bongos, Conga, Glocken [bells], Glocken [orchestra bells], Glockenspiel, Hybrid-Piano [Fender Rhodes], Orgel, Schlagzeug, Synthesizer und Zimbel:
Marvin Gaye
Gitarre:
Gordon Banks
Hintergrundgesang:
Gordon Banks, Harvey Fuqua und Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (Blasinstrumente [horns])
Blasinstrumente [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
aufgenommen bei:
Arco Studios in München, Bayern, Deutschland (Sologesang, Hintergrundgesang), Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (Blasinstrumente [horns]), Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien und Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien (Sologesang, Hintergrundgesang)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien
edited at und remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 231)
recording of:
Sexual Healing
Verfasser(in):
Odell Brown, Marvin Gaye und David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und April Music Inc. (in 1982)
Marvin Gaye3.74:00
6Natural Woman
cover recording of:
(You Make Me Feel Like) A Natural Woman
Texter:
Gerry Goffin
Komponist(in):
Carole King und Jerry Wexler
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Mary J. Blige2:57
7Gangsta’s Paradise
Interpret(in):
L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
recording of:
Gangsta’s Paradise
Verfasser(in):
Artis L. Ivey Jr. (US rapper, actor, chef & record producer), Larry James Sanders (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”), Doug Rasheed und Stevie Wonder
publisher:
IQ Music Ltd., Jobete Music (appears also as: Jobete Msc.) und Polygram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
basiert auf:
Pastime Paradise
Coolio3:48
8Disco Lady
recording of:
Disco Lady
Verfasser(in):
Don Davis (American record producer), Harvey Scales und Albert Vance
Johnnie Taylor54:28
9My One Temptation
recording of:
My One Temptation
Verfasser(in):
Michael Leeson, Peter Vale (writer/arranger) und Miles Waters (songwriter)
publisher:
Abacus Publishing und Chappell Music Co. Inc.
Mica Paris43:40
10Wake Up Everybody
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
teilweise recording of:
Wake Up Everybody
Verfasser(in):
Victor Carstarphen (keyboardist, composer and producer), Gene McFadden und John Whitehead
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3:35
11Ascension (Don't Ever Wonder)
Maxwell3:45
12Be Careful
Interpret(in):
R. Kelly
zusätzliche(r) Interpret(in):
R. Kelly
recording of:
Be Careful
Texter und Komponist(in):
R. Kelly
publisher:
R. Kelly Publishing Inc. und Zomba Songs Inc.
Sparkle feat. R. Kelly5:17
13Me and Mrs. Jones
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:50
14Roof Garden
Al Jarreau5:29
15My Prerogative
Assistent recording engineer und assistierende(r) Mix:
Jim Hanneman
recording engineer:
Dennis Mitchell (engineer)
drum machine-Programmierung:
Markell Riley
Produzent(in):
Gene Griffin
Mix:
Gene Griffin, Dennis Mitchell (engineer) und Teddy Riley (US R&B singer & producer)
bass saxophone, Bass-Synthesizer und Synthesizer:
Teddy Riley (US R&B singer & producer)
Fingerschnippen:
Bobby Brown (R&B singer, New Edition member)
Hintergrundgesang:
Bernard Bill, Lee Drakeford, Aaron Hall (R&B singer) und Teddy Riley (US R&B singer & producer)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
G.R. Productions
aufgenommen bei:
Axis Studios in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Soundworks (New York) in New York, New York, Vereinigte Staaten
Musikvideos:
My Prerogative von Bobby Brown (R&B singer, New Edition member)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 98) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 460)
recording of:
My Prerogative
Verfasser(in):
Bobby Brown (R&B singer, New Edition member), Gene Griffin und Teddy Riley (US R&B singer & producer)
publisher:
Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., MCA Music Ltd., Unicity Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music–Z Tunes LLC und Virgin Music (Publishers) Ltd.
Bobby Brown44:49
16Don’t Stop ’til You Get Enough
recording engineer und Mix:
Bruce Swedien
Koproduzent(in):
Michael Jackson (“King of Pop”)
Produzent(in):
Quincy Jones
alto saxophone, flute und Tenorsaxophon:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
baritone saxophone, flute und Tenorsaxophon:
Kim Hutchcroft
E-Bass:
Louis Johnson (bass, member of Brothers Johnson)
Flügelhorn und Trompete:
Jerry Hey
Geige / Violine:
Gerald Vinci (American violinist and strings conductor)
Gitarre:
Marlo Henderson und David Williams (session guitarist and songwriter)
Klavier, Rhodes Piano und Synthesizer:
Greg Phillinganes
Perkussion:
Paulinho da Costa (Brazilian percussionist), Richard Heath, Michael Jackson (“King of Pop”), Randy Jackson (brother of Michael and Janet) und Sheila E.
Posaune:
Bill Reichenbach, Jr. (jazz trombonist)
Schlagzeug:
John “JR” Robinson (session drummer)
Trompete:
Gary Grant (brass)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”)
zusätzlich Hintergrundgesang:
Jim Gilstrap, Mortonette Jenkins, Augie Johnson, Paulette McWilliams und Zedric Williams
Horn arranger:
Jerry Hey
Perkussion arranger:
Michael Jackson (“King of Pop”)
Saiteninstrumente arranger:
Benjamin Wright
concertmaster:
Gerald Vinci (American violinist and strings conductor)
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1979)
aufgenommen bei:
Allen Zentz Recording in Encino, California (Kalifornien), Vereinigte Staaten (Sologesang, Hintergrundgesang), Cherokee Studios (studio 3) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (Blechblasinstrumente)
mixed at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Don’t Stop ’til You Get Enough von Michael Jackson (“King of Pop”)
Teil von:
Billboard Hot 100: 2026-05-23 (Nummer: 36), Billboard Hot 100: 2026-05-16 (Nummer: 42), Billboard Hot 100: 2026-06-06 (Nummer: 43), Billboard Hot 100: 2026-06-13 (Nummer: 45), Billboard Hot 100: 2026-06-20 (Nummer: 46) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 113)
recording of:
Don’t Stop ’Til You Get Enough (von 1978-12 bis 1979-04)
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
Teil von:
MJ: The Musical
Michael Jackson4.46:05
17Lean on Me
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1986)
cover recording of:
Lean on Me
Texter und Komponist(in):
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Club Nouveau3.354:00
18Yester-Me, Yester-You, Yesterday
Produzent(in):
Johnny Bristol und Harvey Fuqua
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recording of:
Yester‐Me, Yester‐You, Yesterday
Verfasser(in):
Ron Miller (Motown songwriter Ronald Norman Miller) und Bryan Wells
publisher:
Jobete Music (appears also as: Jobete Msc.)
Stevie Wonder4.83:05
2▼CD
Nr.TitelKünstlerBewertungLänge
1If I Could Turn Back the Hands of Time
Assistent recording engineer:
Jason Bacher, Rick Behrens und Trey Fratt
recording engineer:
Chris Brickley, Stephen George und Carl Robinson (US bassist, guitarist & recording engineer)
Programmierung:
Chris Brickley und Stephen George
zusätzliche(r) Techniker(in):
Tony Black (producer, engineer)
Produzent(in):
R. Kelly
assistierende(r) Mix:
Mark Johnson (engineer)
Mix:
Stephen George und R. Kelly
Editing:
Chaz Harper
zusätzlich Keyboard:
LaFayette Carthon, Jr.
Hintergrundgesang:
Bruce Kelly, R. Kelly und Sparkle (US R&B singer)
Sologesang:
R. Kelly
Orchester:
The Motown Romance Orchestra
conductor:
Paul Riser
zusätzliche(r) Interpret(in):
Hart Hollman (violist)
Horn arranger und Saiteninstrumente arranger:
Paul Riser
arranger:
R. Kelly
recording of:
If I Could Turn Back the Hands of Time
Texter und Komponist(in):
R. Kelly
publisher:
R. Kelly Publishing Inc. und Zomba Songs Inc.
R. Kelly2.754:57
2Teardrops
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack45:01
3Pony
Sologesang:
Ginuwine (US R&B singer)
Bearbeitung von:
Pony von Ginuwine (US R&B singer)
recording of:
Pony
Verfasser(in):
Ginuwine (US R&B singer), Static Major (US rapper, songwriter & producer, aka Static) und Timbaland
Ginuwine54:11
4I’ll Make Love to You
Schlagzeug-Programmierung:
Rayford Griffin
assistierende(r) Techniker(in):
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg und Jamie Seyberth
Techniker(in):
Brad Gilderman
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Mick Guzauski
Bass:
Reggie Hamilton
Synthesizer:
Babyface (R&B musician Kenny Edmonds)
produced for:
ECAF Productions, Inc.
aufgenommen bei:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 185)
recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.653:57
5Fu-Gee-La
recording of:
Fu-Gee-La
Komponist(in):
Ms. Lauryn Hill, Wyclef Jean (Haitian rapper, musician and actor), Pras Michel (Pras, American rapper, member of The Fugees) und Salaam Remi
Fugees3:31
6Nobody
Keith Sweat feat. Athena Cage4:13
7Coming Home
recording of:
Coming Home
Roméo3:33
8Never Knew Love Like This Before
Produzent(in):
Reggie Lucas und James Mtume (jazz/funk musician)
Blasinstrumente [Horn Arrangements] arranger und Saiteninstrumente arranger:
Wade Marcus
vocals arranger:
Tawatha Agee, Reggie Lucas und James Mtume (jazz/funk musician)
phonographisches Urheberrecht (℗) von:
20th Century-Fox Record Corporation (in 1977)
aufgenommen bei und mixed at:
Sigma Sound Studios (New York) in New York, New York, Vereinigte Staaten
recording of:
Never Knew Love Like This Before
Verfasser(in):
Reggie Lucas und James Mtume (jazz/funk musician)
publisher:
Frozen Butterfly Publishing Co.
Stephanie Mills5:19
9Best of My Love
Produzent(in):
Al McKay
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (2004–2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 334)
recording of:
Best of My Love
Verfasser(in):
Al McKay und Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:39
10For the Cool in You
recording of:
For the Cool in You
Verfasser(in):
Babyface (R&B musician Kenny Edmonds) und Daryl Simmons
publisher:
Boobie and DJ Songs Inc., Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Babyface4:52
11There’ll Be Sad Songs (To Make You Cry)
Produzent(in):
Wayne Brathwaite und Barry Eastmond
Mix:
Nigel Green (engineer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recording of:
There’ll Be Sad Songs (to Make You Cry)
Verfasser(in):
Wayne Brathwaite, Barry Eastmond und Billy Ocean
publisher:
Zomba Enterprises, Inc.
Billy Ocean3.354:50
12Just Kickin’ It
Xscape3:25
13Never Too Much
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
Bass:
Marcus Miller (jazz musician)
Conga:
Bashiri Johnson
Gitarre:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
Horn [horns] und Saiteninstrumente:
Paul Riser
Keyboard [keyboards]:
Nat Adderley, Jr.
Perkussion:
Crusher Bennett
Schlagzeug:
Buddy Williams (drummer)
Hintergrundgesang [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis und Sybil Thomas
Hintergrundgesang [male backup vocals] und Sologesang:
Luther Vandross
arranger:
Nat Adderley, Jr. und Paul Riser
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
Musikvideos:
Never Too Much von Luther Vandross
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 468) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 466)
recording of:
Never Too Much
Texter und Komponist(in):
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. und Uncle Ronnie’s Music Company Inc.
Luther Vandross3.93:51
14Tha Crossroads
recording of:
Tha Crossroads (DJ U‐Neek’s Mo Thug remix)
Verfasser(in):
Byron McCane, Charles Scruggs, Anthony Henderson (aka Krayzie Bone), Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley, Chris Jasper und Steve Howse
gewidmet:
Eazy‐E
publisher:
Bovina Music Inc., EMI April Music Inc., Keenu Songs, Mo Thugs Muzik und Ruthless Attack Muzick
basiert auf:
Crossroad (different from "Tha Crossroads")
Bone Thugs‐n‐Harmony3:46
15Kiss and Say Goodbye
Instrumente:
MFSB (Mother Father Sister Brother)
Hintergrundgesang:
Carla Benson, Evette Benton, Barbara Ingram und The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
Sologesang [singing voice on 1st lead]:
Gerald Alston
Sprecher [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
recording of:
Kiss and Say Goodbye
Texter und Komponist(in):
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. und EMI Songs Ltd.
The Manhattans3.54:27
16Fire
recording engineer:
Kevin McMahon (producer, engineer) und Barry Mraz
Produzent(in):
Kevin McMahon (producer, engineer) und Ohio Players
Mix:
Kevin McMahon (producer, engineer)
agogô, Conga und Timbales:
James “Diamond” Williams (US drummer for Ohio Players)
Bassgitarre:
Sandy Davis
Gitarre:
Amy Klein
Perkussion und Sologesang:
Clarence "Satch" Satchell, Leroy "Sugarfoot" Bonner (funk guitarist, aka Sugarfoot), William "Billy" Beck und James “Diamond” Williams (US drummer for Ohio Players)
Rhodes Piano [Fender Rhodes]:
William "Billy" Beck
Schlagzeug:
Colin Brooks (US guitarist/drummer)
Tenorsaxophon:
Clarence "Satch" Satchell
Trompete:
Ralph “Pee Wee” Middlebrooks und Marvin “Merv” Pierce
Hintergrundgesang:
Clarence "Satch" Satchell, Leroy "Sugarfoot" Bonner (funk guitarist, aka Sugarfoot), Ralph “Pee Wee” Middlebrooks, Marvin “Merv” Pierce, William "Billy" Beck und James “Diamond” Williams (US drummer for Ohio Players)
vocals:
Amy Klein
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1991) und Don Giovanni Records (in 2016)
aufgenommen bei und mixed at:
Marcata Recording in New York, Vereinigte Staaten
produced at:
Marcata Recording in New York, Vereinigte Staaten
recording of:
Fire
Texter, Verfasser(in) und Komponist(in):
Billy Beck, Leroy Bonner (funk guitarist, aka Sugarfoot), Marshall Jones (US bassist & songwriter, member of Ohio Players), Ralph “Pee Wee” Middlebrooks, Marvin “Merv” Pierce, Clarence Satchell und James “Diamond” Williams (US drummer for Ohio Players)
publisher:
Charlotte Phillips Publishing (BMI), Rick’s Music, Inc. (publishing company associated with Casablanca) und Segundo Sueños LLC
Ohio Players4:22
17Don’t Let Go (Love)
recording of:
Don't Let Go (Love)
Verfasser(in):
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) und Rico Wade
En Vogue4:04
18Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Back Stabbers (in 1972)
Verfasser(in):
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden und John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:06
19Everyday People
Bassgitarre:
Larry Graham (US bassist & singer) (in 1968)
Gitarre:
Freddie Stone (in 1968)
Gitarre und Keyboard:
Sly Stone (in 1968)
Keyboard:
Rose Stone (in 1968)
Saxophon:
Jerry Martini (in 1968)
Schlagzeug:
Greg Errico (in 1968)
Trompete:
Cynthia Robinson (in 1968)
vocals:
Larry Graham (US bassist & singer) (in 1968), Jerry Martini (in 1968), Freddie Stone (in 1968), Rose Stone (in 1968) und Sly Stone (in 1968)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 109), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 145) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 293)
recording of:
Everyday People (in 1968)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.152:22

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