| # | Title | Artist | Rating | Length |
|---|
| 1 | Addicted to Love | Robert Palmer | | 5:49 |
| 2 | Breakfast at Tiffany’s | Deep Blue Something | 3.7 | 4:18 |
| 3 | I Was Made for Loving You- recording engineer and mixer:
- Jay Messina
- assistant engineer:
- Jim Galante and Jon Mathias
- producer:
- Vini Poncia
- drums (drum set):
- Anton Fig
- keyboard and background vocals:
- Vini Poncia
- lead vocals:
- Paul Stanley
- phonographic copyright (℗) by:
- Casablanca Record & FilmWorks, Inc. (in 1979), PolyGram Records, Inc. (in 1979) and The Island Def Jam Music Group (in 1979)
- produced for:
- Mad Vincent Productions
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recording of:
- I Was Made for Lovin’ You
- writer:
- Desmond Child, Vini Poncia and Paul Stanley
- publisher:
- Desmobile Inc., Hori Productions America Inc., Universal Music Publishing , Universal Polygram International Publishing I , Universal–Songs of PolyGram International, Inc., Kiss (in 1979) and Mad Vincent Music (in 1979)
- sub-publisher:
- Taiyō Music, Universal Music Publishing France , Universal Music Publishing GmbH and Universal Music Publishing Ltd.
| KISS | 4.45 | 4:26 |
| 4 | Hole Hearted | Extreme | 3.4 | 3:36 |
| 5 | Babe | Styx | 3 | 3:59 |
| 6 | Cats in the Cradle- engineer and mixer:
- Mark Dodson and Randy Long
- producer:
- Mark Dodson
- bass guitar:
- Cordell Crockett (in 1992)
- drums (drum set):
- Mark Davis (in 1992)
- guitar:
- Klaus Eichstadt (in 1992) and Dave Fortman (in 1992)
- background vocals:
- Jennifer Barry (in 1992)
- lead vocals:
- Whitfield Crane (in 1992)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1992) and UMG Recordings, Inc. (in 1992)
- cover recording of:
- Cat’s in the Cradle (in 1992)
- writer:
- Sandra Campbell Chapin and Harry F Chapin
- publisher:
- Neue Welt Musikverlag GmbH & Co. KG , Story Songs, Ltd, Warner Bros., Inc. , Warner Chappell Music , Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited
| Ugly Kid Joe | 3.75 | 4:01 |
| 7 | Baby I Don’t Care | Transvision Vamp | | 4:27 |
| 8 | Chance | Big Country | | 4:38 |
| 9 | Since You Been Gone- recording engineer:
- Leigh Mantle (in 1979-04) and Dr. Michael Palmer (in 1979-04)
- engineer:
- Gary Edwards
- producer:
- Roger Glover
- bass guitar:
- Roger Glover (in 1979-04)
- drums (drum set):
- Cozy Powell (in 1979-04)
- guitar:
- Ritchie Blackmore (in 1979-04)
- keyboard:
- Don Airey (in 1979-04)
- lead vocals:
- Graham Bonnet (in 1979-04)
- phonographic copyright (℗) by:
- Polydor Incorporated (in 1979), Polydor Records Inc. (in 1979), PolyGram Records, Inc. (in 1979), UMG Recordings, Inc. (in 1979) and Universal Records Inc. (in 1979)
- recorded at:
- Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, France (in 1979-04) and Maison Rouge Mobile Studio (in 1979-04)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 82)
- cover recording of:
- Since You Been Gone (in 1979-04)
- lyricist and composer:
- Russ Ballard
- publisher:
- BMG Gold Songs, BMG Rights Management GmbH , Complete Music Ltd., EMI Virgin Music Ltd. , Island Music , Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. and Virgin Music (Publishers) Ltd.
| Rainbow | 4 | 3:14 |
| 10 | Don’t Know What You Got (Till It’s Gone)- assistant recording engineer:
- Thom Cadley and Ryan Dorn
- engineer:
- Andy Johns
- producer:
- Eric Brittingham, Andy Johns and Tom Keifer
- assistant mixer:
- George Cowan
- mixer:
- Michael Barbiero and Steve Thompson
- acoustic guitar, harmonica, steel guitar [national steel guitar] and lead vocals:
- Tom Keifer (from 1987 until 1988)
- additional drums (drum set):
- Denny Carmassi (from 1987 until 1988) and Cozy Powell (from 1987 until 1988)
- additional guest Hammond organ [B3], additional guest piano and additional guest synthesizer:
- Rick Criniti (from 1987 until 1988)
- additional keyboard:
- Kurt Shore (from 1987 until 1988) and John Webster (from 1987 until 1988)
- additional pedal steel guitar:
- Jay Levine (from 1987 until 1988)
- additional percussion:
- Paulinho da Costa (from 1987 until 1988)
- bass guitar [12 string bass], electric bass guitar and background vocals:
- Eric Brittingham (from 1987 until 1988)
- drums (drum set):
- Fred Coury (from 1987 until 1988)
- electric guitar:
- Tom Keifer (from 1987 until 1988) and Jeff LaBar (from 1987 until 1988)
- phonographic copyright (℗) by:
- PolyGram Records, Inc.
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1987 until 1988) and Kajem/Victory Studios in Philadelphia, Pennsylvania, United States (from 1987 until 1988)
- mixed at:
- Bearsville Studios in Bearsville, New York, United States
- recording of:
- Don’t Know What You Got (Till It’s Gone) (from 1987 until 1988)
- lyricist and composer:
- Tom Keifer
| Cinderella | 5 | 5:51 |
| 11 | What’s Up- recording engineer:
- David Tickle (in 1992)
- mastering:
- Stephen Marcussen
- additional engineer:
- Jessie Kanner , Kent Mactke, Laurent Tardy and Paul Dieter
- engineer:
- Mark Hensley
- producer and mixer:
- David Tickle
- acoustic guitar and electric guitar:
- Linda Perry (in 1992)
- bass:
- Christa Hillhouse (in 1992)
- drums (drum set):
- Dawn Richardson (in 1992)
- guitar:
- Louis Metoyer (in 1992) and Roger Rocha (in 1992)
- vocals:
- Christa Hillhouse (in 1992) and Linda Perry (in 1992)
- phonographic copyright (℗) by:
- Interscope Records (in 1992, in 1993)
- recorded at:
- Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios in Sausalito, California, United States (in 1992)
- mixed at:
- The Bunker
- recording of:
- What’s Up? (in 1992)
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corporation , Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC , Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
| 4 Non Blondes | 4.15 | 4:11 |
| 12 | Womankind | Little Angels | 3 | 4:38 |
| 13 | Show Me the Way | Peter Frampton | | 3:15 |
| 14 | Black Hole Sun | Soundgarden | 4 | 4:32 |
| 15 | Let’s Make a Night to Remember | Bryan Adams | | 4:34 |
| 16 | Wind of Change- assistant engineer:
- Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher
- engineer:
- Erwin Musper and Keith Olsen
- producer:
- Keith Olsen and Scorpions
- mixer:
- Shay Baby, Erwin Musper and Keith Olsen
- acoustic guitar:
- Rudolf Schenker (in 1990)
- bass guitar:
- Francis Buchholz (in 1990)
- drums (drum set) and percussion:
- Herman Rarebell (in 1990)
- electric guitar [lead guitar] and electric guitar [rhythm guitar]:
- Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
- guest keyboard:
- Koen van Baal (in 1990)
- slide guitar:
- Matthias Jabs (in 1990)
- background vocals:
- Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (in 1990) and Rudolf Schenker (in 1990)
- lead vocals:
- Klaus Meine (in 1990)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1990, in 1991) and The Island Def Jam Music Group (in 1990)
- recorded at:
- Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands (in 1990)
- mixed at:
- Wisseloord Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands
- recording of:
- Wind of Change (in 1990)
- lyricist and composer:
- Klaus Meine
- publisher:
- BMG Rights Management GmbH , Copyright Control , PolyGram International Publishing, Inc. , Polygram Music, PRI Music, Inc. and Universal PolyGram International Publishing, Inc.
| Scorpions | 3.4 | 5:09 |
| 17 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989), The David Geffen Company (in 1989), Union Square Music Ltd. (in 2018) and Universal Music Operations Limited (in 2018)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.75 | 3:53 |
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