Time Trip: Hits of the 70s, 80s and 90s

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1▼CD: Hits of the 70s
#TitoloArtistaValutazioneDurata
1Paradise by the Dashboard Light
registrazione di:
Paradise by the Dashboard Light
paroliere e compositore:
Jim Steinman
Meat Loaf5:32
2Too Much, Too Little, Too Late
produttore:
Jack Gold
esecutore:
Johnny Mathis (US pop/soul singer) e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1978)
registrazione di:
Too Much, Too Little, Too Late
autore:
Nat Kipner (Australian producer, songwriter, label owner & publisher) e John McIntyre Vallins
editore:
Homewood House Music e MCA Music Ltd.
Johnny Mathis & Deniece Williams43:00
3Used to Be My Girl
registrazione di:
Use ta Be My Girl
paroliere e compositore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays34:04
4Dust in the Wind
tecnico:
Jeff Glixman (dal 1977-06 al 1977-07)
tecnico aggiunto:
Terry Diane Becker (engineer)
produttore:
Jeff Glixman (nel 1977-06)
batteria , chimes , gong e timpani :
Phil Ehart (dal 1977-06 al 1977-07)
celesta , organo , sintetizzatore , vibrafono e voce principale:
Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
chitarra acustica e chitarra elettrica :
Kerry Livgren (dal 1977-06 al 1977-07) e Rich Williams (guitarist of Kansas) (dal 1977-06 al 1977-07)
chitarra basso :
Dave Hope (dal 1977-06 al 1977-07)
clavinet e sintetizzatore [synthesizers] :
Kerry Livgren (dal 1977-06 al 1977-07)
percussione [additional percussion] :
Phil Ehart (dal 1977-06 al 1977-07), Kerry Livgren (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
pianoforte :
Kerry Livgren (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
viola , violino [violins] e violoncello :
Robby Steinhardt (dal 1977-06 al 1977-07)
voce di accompagnamento:
Robby Steinhardt (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
arrangiatore:
Kansas (US prog rock band)
diritti fonografici (℗) detenuti da:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978)
registrata presso:
Studio in the Country in Bogalusa, Louisiana, Stati Uniti (dal 1977-06 al 1977-07) e Woodland Studios in Nashville, Tennessee, Stati Uniti (dal 1977-06 al 1977-07)
mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (nel 1977-08)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 39)
registrazione di:
Dust in the Wind (dal 1977-06 al 1977-07)
paroliere e compositore:
Kerry Livgren
editore:
Blackwood Music Publishing (1953-02-07–1987-12-30), Don Kirshner Music Inc., Kirshner CBS Music Publishing e Kirshner-Warner Bros Music Ltd.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adattamenti:
As the Sun Rises
Kansas4.13:25
5Lovely Day
produttore:
Clarence McDonald e Bill Withers
batteria e shaker :
Russell Kunkel (session drummer) (nel 1977)
chitarra :
Ray Parker (nel 1977)
chitarra basso :
Jerry Knight (nel 1977)
percussione :
Ralph MacDonald (nel 1977)
tastiera :
Clarence McDonald (nel 1977)
voce principale:
Bill Withers (nel 1977)
arrangiatore:
Clarence McDonald
primo violino:
Charles Veal (violinist, conductor and arranger) (nel 1977)
diritti fonografici (℗) detenuti da:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1977), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1977)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 402)
registrazione di:
Lovely Day (nel 1977)
autore:
Skip Scarborough e Bill Withers
editore:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.454:15
6I Ti Amo
registrazione di:
Ti amo
paroliere e compositore:
Giancarlo Bigazzi e Umberto Tozzi
Umberto Tozzi4.54:09
7Baby Hold On
tecnico di registrazione:
Andy Johns (nel 1977-06)
assistente tecnico:
Mike Clink (incarico: assistant), Roy Segal (incarico: assistant), Steven D. Smith (US recording engineer, mainly rock & game scores) (incarico: assistant) e Tom Lubin (incarico: assistant)
tecnico:
Andy Johns (incarico: recording & mixing)
produttore:
Bruce Botnick
tecnico di missaggio:
Andy Johns
armonica (a bocca) , sassofono e voce principale:
Eddie Money
basso :
Lonnie Turner
batteria :
Gary Mallaber
chitarra :
Jimmy Lyon (rock guitarist, worked with Eddie Money)
chitarra basso :
Lonnie Turner
percussione :
Kevin Calhoun (percussionist), Gary Mallaber e Kevin Calhoun (composer)
sassofono contralto :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
sassofono tenore :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera :
Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols e Freddie Webb (keyboardist)
voce:
Eddie Money e Jo Baker (US singer, involved with Elvin Bishop)
voce di accompagnamento:
Randy Nichols
voce ospite:
Jo Baker (US singer, involved with Elvin Bishop)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978)
registrata presso:
CBS Studios (San Francisco) in San Francisco, California, Stati Uniti (nel 1977-06) e Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1977-06)
registrazione di:
Baby Hold On (nel 1977-06)
autore:
Jimmy Lyon (rock guitarist, worked with Eddie Money) e Eddie Money
editore:
Cashola Music e Three Wise Boys Music LLC
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.53:33
8Don’t Look Back
registrazione di:
Don’t Look Back
paroliere e compositore:
Tom Scholz
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Pure Songs (nel 1978)
Boston6:04
9She’s Always a Woman
tecnico:
Jim Boyer (producer/engineer) e Phil Ramone
produttore:
Phil Ramone
basso elettrico :
Doug Stegmeyer (bass player, aka Slug Douglas) (nel 1977)
chitarra acustica :
Steve Burgh (nel 1977) e Hugh McCracken (nel 1977)
flauto :
Richie Cannata (nel 1977)
pianoforte e voce principale:
Billy Joel (American singer‐songwriter and pianist) (nel 1977)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1977), Sony BMG Music Entertainment (2004–2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (nel 1977)
mixata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti
video musicali:
She’s Always a Woman di Billy Joel (American singer‐songwriter and pianist)
registrazione di:
She’s Always a Woman (nel 1977)
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
April Music Inc., EMI Songs Australia Pty. Ltd., Joelsongs (dal 1977 a oggi), CBS Songs Ltd. (nel 1977) e Impulsive Music (nel 1977)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel43:20
10Black Betty
produttore:
Jerry Kasenetz e Jeff Katz (music producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (dal 1977 a oggi) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (nel 1977)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam4.52:31
11Blame It on the Boogie
tecnico:
Don Murray (producer / engineer)
produttore esecutivo:
Mike Atkinson e Bobby Colomby
tecnico di missaggio:
John Luongo
basso :
Gary King (jazz bassist, arranger and songwriter) (nel 1978) e Nathan Watts (nel 1978)
batteria e percussione :
Rick Morotta (US drummer/percussionist) (nel 1978)
chitarra :
Roland Bautista (nel 1978), Tito Jackson (nel 1978) e Mike Sembello (nel 1978)
congas :
Laudir de Oliveira (nel 1978) e Claudio Slon (nel 1978)
flauto , sassofono e tromba :
Seawind Horns
tastiera :
Greg Phillinganes (nel 1978)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Marlon Jackson e Randy Jackson (brother of Michael and Janet)
voce principale:
Michael Jackson (“King of Pop”) (nel 1978)
arrangiatore corno :
Jerry Hey
arrangiatore:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Dawnbreakers Studios in Los Angeles, California, Stati Uniti, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, Stati Uniti, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti e Total Experience Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
registrazione cover di:
Blame It on the Boogie (nel 1978)
autore:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) e Elmar Krohn
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. e Peterman & Co. Ltd.
parte di:
MJ: The Musical
registrazione di:
Blame It on the Boogie
autore:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) e Elmar Krohn
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. e Peterman & Co. Ltd.
parte di:
MJ: The Musical
The Jackson 54.33:37
12Let Me Take You in My Arms Again
registrazione di:
Let Me Take You in My Arms Again
paroliere e compositore:
Neil Diamond
Neil Diamond2:58
13Whenever I Call You "Friend"
produttore:
Bob James (US jazz keyboardist, arranger and producer)
voce:
Kenny Loggins
voce ospite:
Stevie Nicks
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
è stato produttore per:
Tappan Zee Productions
registrata presso:
Sound Mixers in New York, New York, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 83)
registrazione di:
Whenever I Call You “Friend”
paroliere:
Ken Loggins e Melissa Manchester
compositore:
Ken Loggins
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Milk Money Music (nel 1978) e Rumanian Pickleworks Company (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Loggins54:00
14Fantasy
registrazione di:
Fantasy
autore:
Eduardo Del Barrio (Eduardo Gutiérrez del Barrio), Maurice White (Earth, Wind & Fire) e Verdine White
editore:
Criga Music, EMI Songs Australia Pty. Ltd. e Saggifire Music
Earth, Wind & Fire3.654:39
15Piece of the Rock
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (nel 1977)
registrazione di:
Piece of the Rock
autore:
Berry Borden, Michael Keck, Joyce Kennedy (American singer), Gary "Mo" Moore (of Mother's Finest), Glenn Murdock e Jerry Seay
Mother’s Finest3:27
16Just the Way You Are
registrazione cover di:
Just the Way You Are
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (dal 1977 a oggi), CBS Songs Ltd. (nel 1977) e Impulsive Music (nel 1977)
sub-editore:
Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
Johnny Mathis & Deniece Williams3:45
17The Eve of the War
registrazione di:
The Eve of the War
paroliere e compositore:
Jeff Wayne (musician)
librettista:
Doreen Wayne
editore:
April Music Ltd.
si basa su:
The War of the Worlds: Book 1, Chapter 1: The Eve of the War
parte di:
Jeff Wayne’s Musical Version of “The War of the Worlds”
Jeff Wayne4:35
18She’s Not There
produttore:
Tom Coster e Carlos Santana
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1977), RCA/Jive Label Group (holding company, not a release label) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrazione cover di:
She’s Not There
paroliere e compositore:
Rod Argent
editore:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA e Parker Music
sub-editore:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana34:05
2▼CD: Hits of the 80s
#TitoloArtistaValutazioneDurata
1Beat It
tecnico di registrazione:
Donn Landee e Bruce Swedien
programmazione degli strumenti:
Steve Porcaro
co-produttore:
Michael Jackson (“King of Pop”)
produttore:
Quincy Jones
tecnico di missaggio:
Bruce Swedien
basso elettrico e chitarra elettrica :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
batteria :
Jeff Porcaro
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
chitarra elettrica solista :
Edward Van Halen
percussione [drum case beater] , voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”)
piano Rhodes e sintetizzatore :
Greg Phillinganes
sintetizzatore :
Steve Porcaro
sintetizzatore [Synergy synthesizer] :
Greg Smith (Producer/Keyboards)
synclavier :
Tom Bahler
tastiera :
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibraslap :
Chris Shepard
arrangiatore percussione :
Michael Jackson (“King of Pop”) e Quincy Jones
arrangiatore:
Rod Temperton
diritti fonografici (℗) detenuti da:
MJJ Productions Inc. (rights holder, not an imprint) (nel 1982)
registrata presso:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti (nel 1982)
campionamenti:
Untitled (side A) di Denny Jaeger
video musicali:
Beat It di Michael Jackson (“King of Pop”)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 12), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 18), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 21), Billboard Hot 100: 2026-05-23 (numero: 29), Billboard Hot 100: 2026-05-16 (numero: 32), Billboard Hot 100: 2026-05-30 (numero: 47), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 185), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 209) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 337)
registrazione di:
Beat It
paroliere e compositore:
Michael Jackson (“King of Pop”)
editore:
Mijac Music e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
MJ: The Musical
Michael Jackson4.354:17
299 Luftballons
tecnico:
Imre Sereg (nel 1982)
produttore:
Reinhold Heil (nel 1982) e Manfred Praeker (nel 1982)
tecnico di missaggio:
Udo Arndt (nel 1982)
basso elettrico :
Jürgen Dehmel (nel 1982)
batteria :
Rolf Brendel (nel 1982)
chitarra elettrica :
Carlo Karges (nel 1982)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
voce principale:
Nena Kerner (the person, performing solo since 1987) (nel 1982)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983) e Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 1983)
registrata presso:
Spliff in Berlin, Germania (nel 1982)
mixata presso:
Audio-Studio in Berlin, Germania (nel 1982)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 73) e Cachitos Nochevieja 2022 (numero: 105)
registrazione di:
99 Luftballons (nel 1982)
paroliere:
Carlo Karges (nel 1982)
compositore:
Uwe Fahrenkrog-Petersen (nel 1982)
editore:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. e EMI Songs Musikverlag GmbH
sub-editore:
EMI Songs France (27, rue de Berri)
Nena4.13:53
3Fall in Love With Me
registrazione di:
Fall in Love With Me
autore:
Wayne Vaughn e Maurice White (Earth, Wind & Fire)
Earth, Wind & Fire3:55
4It’s Raining Men
tecnico di missaggio:
Randy Tominaga
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 36)
registrazione di:
It’s Raining Men
autore:
Paul Jabara e Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
editore:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:32
5Young Guns (Go for It)
produttore:
Steve Brown (engineer/music producer) e George Michael
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
registrazione di:
Young Guns (Go for It!)
paroliere e compositore:
George Michael
editore:
Morrison Leahy Music Ltd.
Wham!3:41
6Nescio
registrazione di:
Nescio
paroliere e compositore:
Henk Hofstede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Nitsongs
Nits4:47
7They All Went to Mexico
registrazione di:
They All Went to Mexico
autore:
Greg Brown (American folk singer)
Carlos Santana4:45
8Overkill
tecnico e produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1982), CBS Productions Pty. Limited (nel 1983), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 2003)
registrazione di:
Overkill (Men at Work song)
paroliere e compositore:
Colin Hay
editore:
April Music Inc., EMI April Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia e EMI Songs Australia Pty. Ltd.
Men at Work4.753:46
9Ben
registrazione di:
Ben
paroliere:
Don Black (English lyricist)
compositore:
Walter Scharf
editore:
Jobette Music (nel 1972)
parte di:
The 45th Academy Award for Best Original Song (numero: 2)
The Jackson 53:00
10Tell Her About It
assistente tecnico:
Scott James (US recording engineer) e Mike Mairé
tecnico e tecnico di missaggio:
Jim Boyer (producer/engineer)
produttore:
Phil Ramone
basso elettrico :
Doug Stegmeyer (bass player, aka Slug Douglas)
batteria :
Liberty DeVitto (US drummer) (nel 1983)
chitarra elettrica :
Russell Javors (nel 1983)
pianoforte [acoustic piano] ospite :
Richard Tee (nel 1983)
sassofono baritono ospite :
Ronnie Cuber (nel 1983)
sassofono tenore ospite :
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (nel 1983)
tromba ospite :
John Gatchell (nel 1983) e Joe Shepley (nel 1983)
voce principale:
Billy Joel (American singer‐songwriter and pianist) (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Sony BMG Music Entertainment (2004–2008) (nel 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
mixata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti
video musicali:
Tell Her About It di Billy Joel (American singer‐songwriter and pianist)
registrazione di:
Tell Her About It (nel 1983)
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
CBS Songs Ltd. (nel 1983) e Joelsongs (nel 1983)
Billy Joel3.653:47
11Wham Rap!
registrazione di:
Wham Rap! (Enjoy What You Do?)
paroliere e compositore:
George Michael e Andrew Ridgeley
editore:
Morrison Leahy Music Ltd.
Wham!3:31
12Sexual Healing
assistente tecnico:
Henri Van Durme e Didier Leonard
tecnico:
Dan Bates (strumenti a fiato [horns]), Mike Butcher (recording engineer and guitarist) e John Kovorak
produttore:
Marvin Gaye
produttore esecutivo:
Larkin Arnold
tecnico di missaggio e editor:
Harvey Fuqua
batteria , bonghi , campana [bells] , campana [orchestra bells] , cimbalini a dita , congas , glockenspiel , organo , pianoforte elettrico [Fender Rhodes] e sintetizzatore :
Marvin Gaye
chitarra :
Gordon Banks
strumenti a fiato [horns] :
The L.A. Horn Section e David Stout (American trombonist)
voce:
Marvin Gaye
voce di accompagnamento:
Gordon Banks, Harvey Fuqua e Marvin Gaye
direttore d'orchestra:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (strumenti a fiato [horns])
arrangiatore strumenti a fiato [horns] :
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment Inc. (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrata presso:
Arco Studios in München (Munich), Bayern (Baviera), Germania (voce principale, voce di accompagnamento), Kendun Recorders in Burbank, California, Stati Uniti (strumenti a fiato [horns]), Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio e Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio (voce principale, voce di accompagnamento)
mixata presso:
Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio
editing effettuato presso e remixata presso:
Devonshire Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 198) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 231)
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye3.74:08
13Just Be Good to Me
registrazione di:
Just Be Good to Me
compositore:
James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The S.O.S. Band5:44
14Cry Just a Little Bit
registrazione di:
Cry Just a Little Bit
paroliere e compositore:
Bob Heatlie (songwriter)
Shakin’ Stevens33:10
15Give It Up
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982, nel 1983)
registrazione di:
Give It Up
autore:
Deborah Carter (writer, backing vocalist) e Harry Wayne Casey
editore:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.254:13
16I’m Specialized in You
registrazione di:
I'm Specialized in You
paroliere e compositore:
Alides Hidding
editore:
EMI SONGS HOLLAND BV e Sony Music Publishing (worldwide except Japan, ended 1995)
Time Bandits3:52
17Total Eclipse of the Heart
voce:
Bonnie Tyler (nel 1983)
esecutore:
Rory Dodd (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1983) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione di:
Total Eclipse of the Heart (nel 1983)
paroliere e compositore:
Jim Steinman
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) e Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:30
18Reggae Night
registrazione di:
Reggae Night
autore:
Amir Bayyan e La Toya Jackson
editore:
Amirfull Music e Bayyan Internationale Music
Jimmy Cliff3:51
3▼CD: Hits of the 90s
#TitoloArtistaValutazioneDurata
1Don’t Chain My Heart
tecnico di registrazione:
Anas Allaf, Bart Stevens, Bob Edwards (US producer/engineer), Darian Sahanaja, Dick Kaneshiro, Ed Korengo, Fred Kelly Jr. (audio engineer), Jeff Graham, Jeff Lorenzen (Engineer - studio technician), Ken Deranteriasian, Kyle Bess, Mick Stern (engineer), Mike Arvold, Rail Rogut, Randy Long, Randy Wine, Rick Plant (US bassist), Rob Jaczko, Shawn Berman e Thom Russo
programmazione aggiuntiva:
John Jessel
tecnico:
Greg Ladanyi (incarico: engineered by), Jess Sutcliffe (incarico: engineered by), John Jessel (incarico: engineered by) e Niko Bolas (incarico: engineered by)
produttore:
Toto (US rock group)
tecnico di missaggio:
Bob Clearmountain
basso :
Mike Porcaro
batteria e percussione :
Jeff Procaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
sintetizzatore :
John Jessel e Steve Porcaro
tastiera :
David Paich
voce:
David Paich e Steve Lukather (guitarist, vocalist, composer, producer and arranger)
voce di accompagnamento:
Alex Brown (US soul vocalist, member of Raelets), Angel Rogers (American singer), Fred White (soul singer, songwriter, arranger and producer) e Philip Ingram (Soul and R&B singer-songwriter and keyboardist)
registrazione di:
Don’t Chain My Heart (dal 1991-02 al 1992-05-07)
autore:
Toto (US rock group)
editore:
Buddy Love Music, Davlo Music, Freesongs (use Feesongs for Fee Waybill publisher), Micheluce Music e Rising Storm Music
Toto44:47
2Gonna Make You Sweat (Everybody Dance Now)
assistente produttore:
Ricky Crespo e Alan Friedman
produttore:
Robert Clivillés (record producer, songwriter, arranger, music video director) e David Cole (US musician/producer, member of C+C Music Factory)
batteria e percussione :
Robert Clivillés (record producer, songwriter, arranger, music video director)
batteria aggiunto:
Alan Friedman
tastiera :
Ricky Crespo e Dave Cole (US musician/producer, member of C+C Music Factory)
voce:
Martha Wash e Freedom Williams
arrangiatore tastiera :
Robert Clivillés (record producer, songwriter, arranger, music video director)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1990)
parte di:
Cachitos Nochevieja 2022 (numero: 116) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 402)
registrazione di:
Gonna Make You Sweat (Everybody Dance Now)
autore:
Robert Clivillés (record producer, songwriter, arranger, music video director) e Frederick B. Williams (UK dance vocalist aka Freedom Williams)
editore:
Cole/Clivillés Music, EMI Virgin Music Ltd. (do not use this as a release label!), R.B.G. Dome Music, WB Music Corp. (1929–2019), Cole/Clivillés Music Enterprises (dal 1990 al ????) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (dal 1990 al ????)
C+C Music Factory4.154:06
3Heaven Knows
Luther Vandross5:02
4I’ve Got a Little Something for You (radio edit)
registrazione di:
I've Got a Little Something for You
paroliere e compositore:
Denis Ingoldsby e Markantoney Taylor
MN83:42
5Someone to Hold
registrazione di:
Someone to Hold
autore:
Walter Afanasieff, Mariah Carey e Trey Lorenz
editore:
WB Music Corp. (1929–2019), Rye Songs (nel 1992), Smitty's Sons Publishing (nel 1992), Sony Music Publishing (worldwide except Japan, ended 1995) (nel 1992) e Wallyworld Music (nel 1992)
Trey Lorenz4:43
6Love Rears It’s Ugly Head
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (2004–2008) (nel 1990) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (nel 1990)
registrazione di:
Love Rears Its Ugly Head
paroliere e compositore:
Vernon Reid (English-born US guitarist and songwriter)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Living Colour24:21
7Mr Loverman (radio mix)
registrazione di:
Mr. Loverman
autore:
Mikey Bennett, Hopeton Lindo e Shabba Ranks
editore:
Greensleeves Publishing Ltd.
Shabba Ranks3:40
8Time Stood Still
batteria :
Deen Castronovo
chitarra basso :
Ricky Phillips
famiglia delle chitarre :
Neal Schon
tastiera :
Jonathan Cain
voce di accompagnamento:
Jonathan Cain, Deen Castronovo, Tommy Funderburk, Ricky Phillips e Mark Spiro
voce principale:
John Waite
registrazione di:
Time Stood Still
autore:
Jesse Harms, Ricky Phillips e John Waite
Bad English35:23
9I Can See Clearly Now
registrazione di:
I Can See Clearly Now
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jimmy Cliff3:08
10Piece of My Heart
produttore:
Bert Russell Berns
voce:
Erma Franklin (nel 1967-08)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (nel 1967-08)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
Piece of My Heart (nel 1967-08)
autore:
Bert Russell e Jerry Ragovoy
editore:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09), Web IV Music Inc. e Wren Music Co.
Erma Franklin3.752:36
11Knockin’ Boots
registrazione di:
Knockin' Boots
autore:
Candyman (American rapper, known for "Knockin' Boots"), Willie Clarke, Anthony Hamilton (US R&B/soul singer & producer), Betty Wright (American soul and R&B singer) e Richard ‘Popcorn’ Wylie (pianist, singer, producer, band director and songwriter)
Candyman3:54
12The World Is Stone
registrazione di:
The World Is Stone
paroliere:
Luc Plamondon
compositore:
Michel Berger
traduttore:
Tim Rice
editore:
PolyGram Music Publishing Ltd. (conclusa) e Sixty Fours Square Music Ltd.
versione tradotta di:
Le monde est stone
Cyndi Lauper54:26
13You
programmazione:
Niels Hermes
tecnico:
Michiel Hoogeboezem
produttore:
Niels Hermes e Michiel Hoogeboezem
strumenti:
Niels Hermes
voce:
Marcel Kapteijn
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 1991)
registrata presso:
Spitsbergen in Zuidbroek, Groningen, Paesi Bassi, Kingdom of the Netherlands e Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
mixata presso:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
registrazione di:
You (Ten Sharp song)
paroliere:
Ton Groen
compositore:
Niels Hermes
editore:
Sony Music Publishing (worldwide except Japan, ended 1995)
Ten Sharp44:33
14Martika’s Kitchen
tecnico di registrazione:
Michael Cruz (pop producer/writer) e Michael Koppelman (Minneapolis producer and engineer)
produttore:
Paisley Park (Prince, “The Artist Formerly Known as…”)
produttore aggiunto:
Martika (American singer‐songwriter and actress)
tecnico di missaggio:
Bob Rosa
chitarra :
Paul Pesco
voce di accompagnamento:
Marlen Landin e Martika (American singer‐songwriter and actress)
voce principale:
Martika (American singer‐songwriter and actress)
arrangiatore organo :
Jeffery (C.J.) Vanston
arrangiatore:
Paisley Park (Prince, “The Artist Formerly Known as…”)
registrata presso:
Paisley Park Studios in Chanhassen, Minnesota, Stati Uniti
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
Martika’s Kitchen
autore:
Prince (“The Artist Formerly Known as…”) e Levi Seacer, Jr.
Martika5:05

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