The Hits / The B‐Sides

~ Veröffentlichung von Prince (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Anmerkung

Made in Germany; No ISRCs present; MCN discid matrix/runout:
9362454310205 oUNnYXild6SBIXAiXRejrXSWFyQ- 936245440-2/1.3 WM "25" + W-logo
9362454350201 DARoSnW.hiHyfWF0MtkWLVIVzCM- 936245440-2/2.2 WM "42" + W-logo
9362454400203 yDZAwrepIXh_bcz1StOLnp3WmaQ- 936245440-2/3.2 WM "36" (no logo)

Anmerkung zuletzt geändert am 2013-06-11 11:00 UTC.

Titelliste

1▼CD: The Hits 1
Nr.TitelKünstlerBewertungLänge
1When Doves Cry
recording engineer:
David Leonard (US producer and engineer) (am 1984-03-01) und Peggy Mac (am 1984-03-01)
Produzent(in):
Prince (“The Artist Formerly Known as…”)
drum machine [Linn LM-1], E-Gitarre, Synthesizer [Oberheim OB-Xa], Synthesizer [Yamaha DX7], Hintergrundgesang und Sologesang:
Prince (“The Artist Formerly Known as…”) (am 1984-03-01)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984) und NPG Records, Inc. (in 2017)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1984-03-01)
Bearbeitung von:
When Doves Cry (album version) von Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
recording of:
When Doves Cry (am 1984-03-01)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions und Controversy Music
Prince4.53:49
2Pop Life
recording engineer:
Peggy McCreary (von 1984-02-19 bis 1984-02-20)
Mix:
Prince (“The Artist Formerly Known as…”) (am 1984-02-20)
Bratsche / Viola:
Denyse Buffum (am 1984-02-20) und Laury Woods (violinist) (am 1984-02-20)
drum machine [Linn LM-1] und Schlagzeug:
Sheila E. (von 1984-02-19 bis 1984-02-20)
E-Bass:
Prince (“The Artist Formerly Known as…”) (am 1984-02-19)
Geige / Violine:
Marcy Dicterow Vaj (am 1984-02-20) und Sid Page (am 1984-02-20)
Kontrabass:
Ann Atkinson (double bassist) (am 1984-02-20) und Tim Barr (am 1984-02-20)
Synthesizer [Oberheim OB-8] und Sologesang:
Prince (“The Artist Formerly Known as…”) (von 1984-02-19 bis 1984-02-20)
Tamburin:
Jonathan Melvoin (von 1984-02-19 bis 1984-02-20)
Hintergrundgesang:
Brownmark (von 1984-02-19 bis 1984-02-20), Lisa Coleman (US pianist/keyboardist & composer) (von 1984-02-19 bis 1984-02-20) und Wendy Melvoin (von 1984-02-19 bis 1984-02-20)
zusätzlich conductor:
Lisa Coleman (US pianist/keyboardist & composer) (am 1984-02-20: Saiteninstrumente) und Wendy Melvoin (am 1984-02-20: Saiteninstrumente)
phonographisches Urheberrecht (℗) von:
NPG Records, Inc. (in 1985) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985)
aufgenommen bei:
Sunset Sound, Studio 2 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02-19 bis 1984-02-20)
recording of:
Pop Life (von 1984-02-19 bis 1984-02-20)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince & The Revolution3.83:42
3Soft and Wet
Synthesizer-Programmierung:
Patrice Rushen (uncredited)
assistierende(r) Techniker(in):
Steve Fontano
Techniker(in):
Prince (“The Artist Formerly Known as…”) und Tommy Vicari
Audio-Engineering:
David Rivkin (uncredited) (producer/engineer David Rivkin)
leitende(r) Produzent(in):
Tommy Vicari
Produzent(in):
Prince (“The Artist Formerly Known as…”)
Clavinet, E-Gitarre, Minimoog, Schlagzeug, slapstick, Synthesizer [ARP Pro Soloist], Synthesizer [Oberheim 4-Voice], Synthesizer [Polymoog], Hintergrundgesang und Sologesang:
Prince (“The Artist Formerly Known as…”) (von 1977-10 bis 1977-12)
arranger:
Prince (“The Artist Formerly Known as…”)
aufgenommen bei:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California (Kalifornien), Vereinigte Staaten (von 1977-10 bis 1977-12)
mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-01)
recording of:
Soft and Wet (von 1977-10 bis 1977-12)
Verfasser(in):
C. Moon und Prince (“The Artist Formerly Known as…”)
Prince3.253:03
4I Feel for You
assistierende(r) Techniker(in):
Mark Ettel
Techniker(in):
Gary Brandt
Produzent(in):
Prince (“The Artist Formerly Known as…”)
Clavinet, E-Bass, E-Gitarre, elektronisches Schlagzeug / E-Drums [Pollard Syndrums], Händeklatschen, Schlagzeug, Synthesizer [Oberheim 4-Voice], Hintergrundgesang und Sologesang:
Prince (“The Artist Formerly Known as…”) (von 1979-04 bis 1979-05)
Solo-Synthesizer [Arp Pro Soloist]:
Prince (“The Artist Formerly Known as…”)
remixer:
Bob Mockler (engineer) und Prince (“The Artist Formerly Known as…”)
arranger:
Prince (“The Artist Formerly Known as…”)
aufgenommen bei:
Alpha Studios in Burbank, California (Kalifornien), Vereinigte Staaten (von 1979-04 bis 1979-05)
mixed at:
Hollywood Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1979-05 bis 1979-06-13)
recording of:
I Feel for You (von 1979-04 bis 1979-05)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince43:25
5Why You Wanna Treat Me So Bad?
assistierende(r) Techniker(in):
Mark Ettel
Techniker(in):
Gary Brandt
Produzent(in):
Prince (“The Artist Formerly Known as…”)
Mix:
Bob Mockler (engineer) und Prince (“The Artist Formerly Known as…”)
Clavinet, E-Bass, E-Gitarre, Hybrid-Piano [Yamaha CP-70], Schlagzeug, string synthesizer [ARP String Ensemble], Synthesizer [Oberheim 4-Voice], Hintergrundgesang und Sologesang:
Prince (“The Artist Formerly Known as…”) (von 1979-04 bis 1979-05)
zusätzlich Hintergrundgesang:
André Cymone (von 1979-04 bis 1979-05)
arranger:
Prince (“The Artist Formerly Known as…”)
aufgenommen bei:
Alpha Studios in Burbank, California (Kalifornien), Vereinigte Staaten (von 1979-04 bis 1979-05)
mixed at:
Hollywood Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1979-05 bis 1979-06-13)
recording of:
Why You Wanna Treat Me So Bad? (von 1979-04 bis 1979-05)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
Prince3.53:49
6When You Were Mine
Techniker(in):
Jamie Starr (Prince, “The Artist Formerly Known as…”)
Produzent(in):
Prince (“The Artist Formerly Known as…”)
E-Bass, E-Gitarre, Schlagzeug, Synthesizer [ARP Omni], Synthesizer [Oberheim OB-X] und Sologesang:
Prince (“The Artist Formerly Known as…”) (von 1980-05 bis 1980-06)
remixer:
Prince (“The Artist Formerly Known as…”)
zusätzlich remixer:
Mick Guzauski und Bob Mockler (engineer)
arranger:
Prince (“The Artist Formerly Known as…”)
aufgenommen bei:
Wayzata Home Studio (Prince's Home Studio) in Wayzata, Minnesota, Vereinigte Staaten (von 1980-05 bis 1980-06)
mixed at:
Hollywood Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980-06)
recording of:
When You Were Mine (von 1980-05 bis 1980-06)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, NPG Publishing, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Prince3.73:44
7Uptown
Produzent(in):
Prince (“The Artist Formerly Known as…”)
Clavinet, E-Bass, E-Gitarre, Schlagzeug, Synthesizer [ARP Omni], Synthesizer [Oberheim OB-X], Synthesizer [Polymoog], Hintergrundgesang und Sologesang:
Prince (“The Artist Formerly Known as…”)
Bearbeitung von:
Uptown von Prince (“The Artist Formerly Known as…”)
recording of:
Uptown (von 1980-05 bis 1980-06)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
Prince34:09
8Let’s Go Crazy
recording engineer:
David Leonard (US producer and engineer) und Susan Rogers (US sound engineer)
Programmierung und Produzent(in):
Prince (“The Artist Formerly Known as…”)
drum machine [Linn LM-1], elektronisches Schlagzeug / E-Drums [Pearl SY-1 Syncussion], elektronisches Schlagzeug / E-Drums [Simmons SDS-V] und Perkussion:
Bobby Z. (am 1983-08-07)
E-Bass:
Brown Mark (am 1983-08-07)
E-Gitarre:
Wendy Melvoin (am 1983-08-07) und Prince (“The Artist Formerly Known as…”) (am 1983-08-07)
Synthesizer:
Lisa Coleman (US pianist/keyboardist & composer) (am 1983-08-07) und Dr. Fink (am 1983-08-07)
Hintergrundgesang:
Brown Mark (am 1983-08-07), Lisa Coleman (US pianist/keyboardist & composer) (am 1983-08-07), Dr. Fink (am 1983-08-07), Wendy Melvoin (am 1983-08-07) und Prince (“The Artist Formerly Known as…”) (am 1983-08-07)
Sologesang:
Prince (“The Artist Formerly Known as…”) (am 1983-08-07)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und NPG Records, Inc. (in 2017)
aufgenommen bei:
The Warehouse in St. Louis Park, Minnesota, Vereinigte Staaten (am 1983-08-07)
recording of:
Let’s Go Crazy (am 1983-08-07)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
Prince & The Revolution3.94:40
91999
recording engineer:
Peggy McCreary (von 1982-07 bis 1982-08)
Produzent(in):
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
Becken, cowbell, drum machine [Linn LM-1], E-Bass, E-Gitarre, elektronisches Schlagzeug / E-Drums [Pearl SY-1 Syncussion], Händeklatschen, Synthesizer [ARP Omni-2], Synthesizer [Oberheim OB-Xa] und Tamburin:
Prince (“The Artist Formerly Known as…”) (von 1982-07 bis 1982-08)
Hintergrundgesang:
Jesse Johnson (original guitarist for The Time) (von 1982-07 bis 1982-08)
Sologesang:
Lisa Coleman (US pianist/keyboardist & composer) (von 1982-07 bis 1982-08), Dez Dickerson (von 1982-07 bis 1982-08), Jill Jones (American singer, songwriter, and actress) (von 1982-07 bis 1982-08) und Prince (“The Artist Formerly Known as…”) (von 1982-07 bis 1982-08)
arranger:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
Bearbeitung von:
1999 (album version) von Prince (“The Artist Formerly Known as…”)
Musikvideos:
1999 von Prince (“The Artist Formerly Known as…”)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 339)
recording of:
1999 (von 1982-07 bis 1982-08)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince43:38
10I Could Never Take the Place of Your Man
Produzent(in):
Prince (“The Artist Formerly Known as…”)
Akustikgitarre, drum machine [LinnDrum], E-Bass, E-Gitarre, Sampler [Fairlight CMI], Synthesizer [Oberheim OB-8] und Sologesang:
Prince (“The Artist Formerly Known as…”)
recording of:
I Could Never Take the Place of Your Man (am 1986-07-16)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
Prince33:41
11Nothing Compares 2 U (live)
Produzent(in):
Prince (“The Artist Formerly Known as…”)
baritone saxophone:
Kathy Jensen (saxophonist)
E-Bass:
Sonny T. (Prince bass player)
E-Gitarre:
Levi Seacer, Jr.
Keyboard:
Tommy Barbarella und Rosie Gaines
Posaune:
Michael B. Nelson (horn player, member of Hornheads)
Schlagzeug:
Michael B. (drummer aka Michael B.)
Tenorsaxophon:
Brian Gallagher (jazz saxophonist)
Trompete:
Dave Jensen (trumpeter & flugelhornist) und Steve Strand
Sologesang:
Rosie Gaines und Prince (“The Artist Formerly Known as…”)
phonographisches Urheberrecht (℗) von:
Warner Music H.K. Ltd. (in 1997)
aufgenommen bei:
Paisley Park Studios in Chanhassen, Minnesota, Vereinigte Staaten (am 1992-01-27)
live recording of:
Nothing Compares 2 U (am 1992-01-27)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing und Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Prince & The New Power Generation34:58
12Adore
Produzent(in):
Prince (“The Artist Formerly Known as…”) (von 1986-11-19 bis 1986-11-24)
Bassgitarre, drum machine [Linn LM-1], Hammond-Orgel, Keyboard und Sologesang:
Prince (“The Artist Formerly Known as…”) (von 1986-11-19 bis 1986-11-24)
Bratsche / Viola:
Novi Novog (von 1986-11-19 bis 1986-11-24)
Sampler [Ensoniq Mirage], Sampler [Fairlight CMI] und Synthesizer [Prophet VS]:
Prince (“The Artist Formerly Known as…”)
Saxophon:
Eric Leeds (saxophonist) (von 1986-11-19 bis 1986-11-24)
Trompete:
Atlanta Bliss (von 1986-11-19 bis 1986-11-24)
arranger:
Prince (“The Artist Formerly Known as…”)
Bearbeitung von:
Adore von Prince (“The Artist Formerly Known as…”)
recording of:
Adore (von 1986-11-19 bis 1986-11-24)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
Prince34:41
13Pink Cashmere
Akustikgitarre, akustische Bassgitarre, drum machine [Dynacord ADD-One], drum machine [Linn LM-1], E-Gitarre, Synthesizer, Hintergrundgesang und Sologesang:
Prince (“The Artist Formerly Known as…”)
Orchestrator(in):
Clare Fischer
recording of:
Pink Cashmere
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music und NPG Publishing
Prince36:16
14Alphabet St.
recording engineer:
Eddie Miller (US recording engineer), Prince (“The Artist Formerly Known as…”) und Joe Blaney (am 1987-12-30)
Produzent(in):
Prince (“The Artist Formerly Known as…”)
Mix:
Joe Blaney, Eddie Miller (US recording engineer) und Prince (“The Artist Formerly Known as…”)
Cuíca, drum machine [Dynacord ADD-One], drum machine [Linn LM-1], E-Bass, E-Gitarre, Synthesizer [Roland D-50] und Sologesang:
Prince (“The Artist Formerly Known as…”) (am 1987-12-30)
Hammond-Orgel:
Boni Boyer (US vocalist) (am 1987-12-30)
Händeklatschen:
Prince (“The Artist Formerly Known as…”) (am 1987-12-30) und Sheila E. (am 1987-12-30)
Saxophon:
Eric Leeds (saxophonist) (am 1987-12-30)
Schlagzeug:
Sheila E. (am 1987-12-30)
Trompete:
Atlanta Bliss (am 1987-12-30)
Hintergrundgesang:
Boni Boyer (US vocalist) (am 1987-12-30), Cat (US choreographer & vocalist Cat Glover) (am 1987-12-30) und Prince (“The Artist Formerly Known as…”) (am 1987-12-30)
Sologesang [rap]:
Cat (US choreographer & vocalist Cat Glover) (am 1987-12-30)
Sprecher:
Ingrid Chavez (am 1987-12-30)
arranger:
Prince (“The Artist Formerly Known as…”)
aufgenommen bei:
Paisley Park Studios in Chanhassen, Minnesota, Vereinigte Staaten (am 1987-12-30)
mixed at:
Paisley Park Studios in Chanhassen, Minnesota, Vereinigte Staaten
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 29)
recording of:
Alphabet St. (am 1987-12-30)
Texter und Komponist(in):
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince3.65:40
15Sign ‘O’ the Times
Techniker(in):
Coke Johnson, Prince (“The Artist Formerly Known as…”) und Susan Rogers (US sound engineer)
Produzent(in):
Prince (“The Artist Formerly Known as…”)
drum machine [LinnDrum], E-Gitarre, Sampler [Fairlight CMI] und Sologesang:
Prince (“The Artist Formerly Known as…”)
arranger:
Prince (“The Artist Formerly Known as…”)
aufgenommen bei und mixed at:
Paisley Park Studios in Chanhassen, Minnesota, Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Sign “☮︎” the Times von Prince (“The Artist Formerly Known as…”)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 299)
recording of:
Sign “☮︎” the Times (von 1986-07-15 bis 1986-07-16)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Shanachie
Prince43:44
16Thieves in the Temple
recording engineer:
Tom Garneau und Michael Koppelman (Minneapolis producer and engineer)
Produzent(in) und Mix:
Prince (“The Artist Formerly Known as…”)
drum machine [Dynacord ADD-One], drum machine [LinnDrum], E-Gitarre, Synthesizer [Roland D-50], Hintergrundgesang und Sologesang:
Prince (“The Artist Formerly Known as…”)
arranger:
Prince (“The Artist Formerly Known as…”)
aufgenommen bei:
Paisley Park Studios in Chanhassen, Minnesota, Vereinigte Staaten (am 1990-02-11)
mixed at:
Paisley Park Studios in Chanhassen, Minnesota, Vereinigte Staaten (von 1990-02-11 bis 1990-07)
Samples:
I Can’t Stand It von The Chambers Brothers
Musikvideos:
Thieves in the Temple (video) von Prince (“The Artist Formerly Known as…”)
recording of:
Thieves in the Temple (am 1990-02-11)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince3.253:21
17Diamonds and Pearls
recording engineer und Mix:
Michael Koppelman (Minneapolis producer and engineer)
zusätzliche(r) Techniker(in):
Tim Penn
Produzent(in):
The New Power Generation und Prince (“The Artist Formerly Known as…”)
drum machine [Roland R-8] und E-Gitarre:
Prince (“The Artist Formerly Known as…”)
E-Bass:
Sonny T. (Prince bass player)
Schlagzeug:
Michael B. (drummer aka Michael B.)
Synthesizer:
Tommy Barbarella und Prince (“The Artist Formerly Known as…”)
zusätzlich elektronisches Schlagzeug / E-Drums:
Sheila E.
Hintergrundgesang und Sologesang:
Rosie Gaines und Prince (“The Artist Formerly Known as…”)
arranger:
The New Power Generation und Prince (“The Artist Formerly Known as…”)
aufgenommen bei:
Paisley Park Studios in Chanhassen, Minnesota, Vereinigte Staaten
recording of:
Diamonds and Pearls
Texter und Komponist(in):
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince & The New Power Generation34:20
187
Programmierung:
Prince (“The Artist Formerly Known as…”)
Akustikgitarre, E-Bass, Händeklatschen, Perkussion, Synthesizer, Zimbel, Hintergrundgesang und Sologesang:
Prince (“The Artist Formerly Known as…”)
Bearbeitung von:
7 (album version) von Prince (“The Artist Formerly Known as…”) and The New Power Generation
recording of:
7 (von 1990-12 bis 1992)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
zusätzliche(r) Verfasser(in):
Lowell Fulson und Jimmy McCracklin (blues singer, songwriter)
Prince & The New Power Generation35:09
2▶CD: The Hits 2
3▶CD: The B‐Sides

Nennungen

Veröffentlichung

hergestellt in:Deutschland
art direction:Jeff Gold
Greg Ross (graphic designer and art director at Orabor Creative)
Fotografie:Herb Ritts
liner notes:Alan Leeds (in 1993)
Produzent(in):Gregg Geller
mastering:Lee Herschberg
zusätzlich mastering:Dave Friedlander
Stephen Marcussen (mastering engineer)
design:David Carson (visual artist)
Jeff Gold
Greg Ross (graphic designer and art director at Orabor Creative)
Verwertungsgesellschaft:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
hergestellt von:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
Warner Music Manufacturing Europe (aka WMME Alsdorf; manufacturing company; not for release label use!)
vertrieben von:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
urheberrechtlich geschützt (©) von:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (vom 1993 bis heute)
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (vom 1993 bis heute)
phonographisches Urheberrecht (℗) von:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (vom 1978 bis heute)
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (vom 1978 bis heute)
additionally mastered at:Precision Mastering (formerly Precision Lacquer) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/1360290 [Info]
ASIN:UK: B000002MNF [Info]