I Love Rock & Roll, Volume Three: Hits of the 70’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Take the Money and Run
assistant engineer:
Win Kutz (engineer/producer)
engineer:
Mike Fusaro
executive producer:
John Palladino
producer:
Steve Miller (leader of Steve Miller Band)
mixer:
Jim Gaines
bass:
Lonnie Turner
drums (drum set):
Gary Mallaber
guitar and lead vocals [vocals]:
Steve Miller (leader of Steve Miller Band)
phonographic copyright (℗) by:
Sailor Records (Steve Miller label), Sailor Productions (in 2006) and Haworth Enterprises (in 2016)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States
mixed at:
Kaye–Smith Studios in Seattle, Washington, United States
recording of:
Take the Money and Run
lyricist and composer:
Steve Miller (leader of Steve Miller Band)
publisher:
P and P Songs Limited and Sailor Music
part of:
East Coast Music Association Song of the Year Nominees (number: 2001 (Julian Austin))
The Steve Miller Band4.152:51
2What’s Your Name
producer:
Tom Dowd and Lynyrd Skynyrd
mixer:
Rodney Mills
drums (drum set):
Artimus Pyle (Lynyrd Skynyrd member)
electric bass guitar:
Leon Wilkeson
electric guitar:
Allen Collins, Steve Gaines (Lynyrd Skynyrd guitarist/vocalist) and Gary Rossington
keyboard:
Billy Powell
lead vocals:
Ronnie Van Zant
vocals:
Steve Gaines (Lynyrd Skynyrd guitarist/vocalist)
recorded at:
Criteria Studios in Miami, Florida, United States (in 1977-04) and Studio One (Doraville, GA) in Doraville, Georgia, United States (from 1977-07 until 1977-08: horn [horn overdubs])
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 70)
recording of:
What’s Your Name (in 1977-04)
writer:
Gary Rossington and Ronnie Van Zant
publisher:
Duchess Music Corporation (BMI-affiliated)
Lynyrd Skynyrd4.53:33
3Feels Like the First Time
associate engineer:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron and Randy Mason
engineer:
Gary Lyons (UK engineer & producer)
co-producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
producer:
Gary Lyons (UK engineer & producer) and John Sinclair (engineer)
mixer:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
bass guitar:
Ed Gagliardi (bass player (Foreigner))
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
keyboard:
Al Greenwood and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
synthesizer:
Al Greenwood
background vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) and Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Feels Like the First Time
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner4.23:52
4Black Water
additional recording engineer:
Lee Herschberg
recording engineer:
Donn Landee
miscellaneous support:
Benita Brazier (task: production coordinator)
producer:
Ted Templeman
autoharp:
Arlo Guthrie (American folk singer-songwriter)
congas and timbales:
Eddie Guzman
frame drum [pandeiro], marimba and tabla:
Milt Holland
keyboard:
Bill Payne
pedal steel guitar:
Jeff “Skunk” Baxter
viola:
Novi
arranger:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love and The Memphis Horns
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1974)
recording of:
Black Water
lyricist, writer and composer:
Patrick Simmons
publisher:
Lansdowne Music Publishers, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.24:20
5Roll With the Changes
additional engineer:
Gary Lubow
engineer:
Paul Grupp
producer:
Kevin Cronin (guitarist, singer and songwriter), Paul Grupp and Gary Richrath (guitarist and songwriter)
acoustic guitar, piano and lead vocals:
Kevin Cronin (guitarist, singer and songwriter)
bass guitar:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set) [drums]:
Alan Gratzer (drummer)
guitar [lead guitars]:
Gary Richrath (guitarist and songwriter)
Hammond organ:
Neal Doughty (keyboards)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
recorded at and mixed at:
Sound City in Van Nuys, California, United States
recording of:
Roll With the Changes (in 1977-10)
lyricist and composer:
Kevin Cronin (guitarist, singer and songwriter)
publisher:
Fate Music, Roliram Music and 大洋音楽 (Taiyō Music)
REO Speedwagon35:38
6American Woman
producer:
Nimbus 9 and Jack Richardson
phonographic copyright (℗) by:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1970) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 3) and Huffington Post: 100 Best Canadian Songs Ever (number: 4)
recording of:
American Woman (from 1969-08 until 1969-11)
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
The Guess Who4.15:09
7Up on Cripple Creek
engineer:
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) and Joe Zagarino
co-producer:
John Simon (US producer, arranger, composer, songwriter and musician)
producer:
The Band (Canadian-American rock band)
mixer:
Tony May (engineer) and Joe Zagarino
recording of:
Up on Cripple Creek
lyricist and composer:
Robbie Robertson
publisher:
Canaan Music Inc and Warner/Chappell Music, Inc.
The Band4.64:33
8Proud Mary
cover recording of:
Proud Mary
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner3:31
9Green Eyed Lady
engineer:
Paul Buff
producer:
Frank Slay Jr.
recording of:
Green‐Eyed Lady
writer:
Jerry Corbetta, John Collingwood Phillips and David Riordan
publisher:
Claridge Music Publishing Co. (publisher), MPL Music Publishing Inc., UA Music International Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sugarloaf53:42
10Never Been to Spain
cover recording of:
Never Been to Spain
lyricist and composer:
Hoyt Axton
publisher:
Rondor Music and Rondor Music (London) Ltd.
Three Dog Night4.253:46
11It’s So Easy
recording engineer:
Val Garay (from 1977-05-23 until 1977-07-22)
assistant engineer:
Mark Howlett
producer:
Peter Asher
mixer:
Val Garay
acoustic guitar:
Dan Dugmore (from 1977-05-23 until 1977-07-22)
bass guitar [bass]:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1977-05-23 until 1977-07-22)
clavinet:
Don Grolnick (from 1977-05-23 until 1977-07-22)
drums (drum set):
Rick Marotta (US drummer/percussionist) (from 1977-05-23 until 1977-07-22)
electric guitar:
Waddy Wachtel (from 1977-05-23 until 1977-07-22)
background vocals:
Peter Asher (from 1977-05-23 until 1977-07-22), Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1977-05-23 until 1977-07-22), Linda Ronstadt (from 1977-05-23 until 1977-07-22) and Waddy Wachtel (from 1977-05-23 until 1977-07-22)
lead vocals:
Linda Ronstadt (from 1977-05-23 until 1977-07-22)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1977, in 2017) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1977-05-23 until 1977-07-22)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 90)
cover recording of:
It’s So Easy (from 1977-05-23 until 1977-07-22)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
Linda Ronstadt42:28
12Still the One
lead vocals:
Larry Hoppen
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 18)
recording of:
Still the One
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:55
13Go All the Way
producer:
Jimmy Ienner (producer)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 181)
recording of:
Go All the Way
lyricist and composer:
Eric Carmen
publisher:
Round Hill Works, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Raspberries3.83:22
14Rock Me Gently
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 1992)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 91)
recording of:
Rock Me Gently
lyricist and composer:
Andy Kim (pop singer & songwriter)
Andy Kim53:31
15My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in The Knack) (in 1979-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack3.94:01
16Ballroom Blitz
engineer:
Peter Coleman (British engineer & producer)
producer:
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at and engineered at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
The Ballroom Blitz
writer:
Mike Chapman (Australian producer and songwriter), Chinn-Chapman (producer/songwriter duo Michael Donald "Mike" Chapman & Nicholas Barry "Nicky" Chinn) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Sweet4.64:03
17Hot Child in the City
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1976, in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 22)
recording of:
Hot Child in the City
writer:
Nick Gilder and Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
publisher:
Beechwood Music Canada and Beechwood Music Corp.
Nick Gilder53:08
18Spiders & Snakes
Jim Stafford3:09
19Temptation Eyes
recording of:
Temptation Eyes
writer:
Daniel Walsh (LA singer/songwriter, member of Price & Walsh) and Harvey Price (songwriting partner of Dan Walsh)
The Grass Roots2:35
20Miracles
recording engineer:
Jeffrey Husband and Steve Mantoani
engineer:
Larry Cox (US engineer/producer)
producer:
Larry Cox (US engineer/producer) and Jefferson Starship
phonographic copyright (℗) by:
BMG Entertainment (in 1975)
recorded at and mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States
recording of:
Miracles (Jefferson Starship song)
lyricist and composer:
Marty Balin
Jefferson Starship46:53

Credits

Release group

part of:I Love Rock & Roll (Hits of the...) (number: 3) (order: 3)