Ich mag keinen Jazz, aber das gefällt mir

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1What a Wonderful World
registrata a:
New York, New York, Stati Uniti (il 1970-05-26)
produttore:
Bob Thiele (producer & songwriter)
basso elettrico :
John Williams Jr. (bass) (il 1970-05-26)
batteria :
Bernard “Pretty” Purdie (il 1970-05-26)
chitarra :
Sam Brown (jazz guitarist) (il 1970-05-26) e Kenny Burrell (il 1970-05-26)
contrabbasso :
Richard Davis (American jazz bassist) (il 1970-05-26) e George Duvivier (il 1970-05-26)
flauto :
James Spaulding (jazz) (il 1970-05-26)
pianoforte :
Frank Owens (American pianist) (il 1970-05-26)
strumenti:
Allan Schulman (cellist and composer) (il 1970-05-26)
viola :
Julien Barber (il 1970-05-26), Alfred Brown (viola) (il 1970-05-26), David Schwartz (violist) (il 1970-05-26) e Emanuel Vardi (il 1970-05-26)
violino :
Arnold Black (il 1970-05-26), Winston Collymore (il 1970-05-26), Paul Gershman (il 1970-05-26), Harry Lookofsky (il 1970-05-26), Joe Malin (il 1970-05-26), Manny Green (il 1970-05-26), Gene Orloff (il 1970-05-26), Max Pollikoff (il 1970-05-26) e Selwart Richard Clarke (US violinist/violist) (il 1970-05-26)
violoncello :
Charles McCracken (cellist) (il 1970-05-26), Kermit Moore (il 1970-05-26) e George Ricci (il 1970-05-26)
voce:
Louis Armstrong (il 1970-05-26)
direttore d'orchestra:
Oliver Nelson (saxophone, arranger, composer) (il 1970-05-26)
arrangiatore:
Oliver Nelson (saxophone, arranger, composer)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1970)
registrazione di:
What a Wonderful World (il 1970-05-26)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong3:23
2Over the Rainbow
registrata a:
Roma, Roma, Lazio, Italia (il 1962-01-05)
tecnico:
Jean‐Pierre Chalbos (mastering engineer)
produttore:
Daniel Baumgarten
ance :
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (il 1962-01-05)
batteria :
Daniel Humair (il 1962-01-05)
chitarra :
René Thomas (Belgian jazz guitarist) (il 1962-01-05)
contrabbasso :
Benoît Quersin (Belgian jazz bassist) (il 1962-01-05)
pianoforte :
Amedeo Tommasi (Italian jazz pianist) (il 1962-01-05)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1962-01-05)
registrazione strumentale cover di:
Over the Rainbow (The Wizard of Oz) (il 1962-01-05)
paroliere:
Yip Harburg (nel 1938)
compositore:
Harold Arlen (nel 1938)
eseguita per la prima volta da:
Judy Garland (nel 1939)
editore:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 12th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1939 winner)
parte di:
The Wizard of Oz (1942 Arlen/Harburg musical)
parte di:
The Wizard of Oz (1939 film soundtrack)
Chet Baker13:30
3The Pink Panther Theme
tecnico di registrazione:
Jim Malloy
produttore:
Joe Reisman
sassofono tenore :
Plas Johnson (il 1963-09-16)
orchestra:
The Henry Mancini Orchestra (il 1963-09-16)
direttore d'orchestra:
Henry Mancini (US composer, conductor & arranger) (il 1963-09-16)
arrangiatore:
Henry Mancini (US composer, conductor & arranger)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (il 1963-09-16)
registrazione di:
The Pink Panther Theme (il 1963-09-16)
orchestratore e compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
EMI United Partnership Ltd., Northridge Music, Inc. e 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
Classic 100: Piano (2025) (numero: 61)
Henry Mancini4.12:40
4Time After Time
tecnico e tecnico di missaggio:
Ron Lorman e Tom Swift (engineer)
co-produttore:
Vince Wilburn, Jr. (drummer)
produttore:
Miles Davis (jazz trumpeter, bandleader, songwriter) e Robert Irving III (keyboardist)
basso :
Darryl Jones (bassist for The Rolling Stones) (il 1984-01-26)
batteria :
Al Foster (il 1984-01-26)
chitarra :
John Scofield (US guitarist/composer) (il 1984-01-26)
percussione :
Steve Thornton (percussionist) (il 1984-01-26)
sintetizzatore :
Robert Irving III (keyboardist) (il 1984-01-26)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1984-01-26)
arrangiatore:
Miles Davis (jazz trumpeter, bandleader, songwriter) e Robert Irving III (keyboardist)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (il 1984-01-26)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione strumentale cover di:
Time After Time (il 1984-01-26)
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Miles Davis4.653:38
5It's Oh So Quiet
registrazione di:
It’s Oh So Quiet
paroliere:
Erich Meder
compositore:
Hans Lang (Austrian composer) e Bert Reisfeld
traduttore:
Bert Reisfeld
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Peermusic (UK) Limited e Songs of PolyGram International, Inc.
versione tradotta di:
Und jetzt ist es still
Lisa Ekdahl2:39
6Dont Let Me Be MisunderstoodLyambiko54:56
7Now's the Time
batteria :
John Guerin
contrabbasso :
Ron Carter (US jazz double-bassist)
pianoforte :
Walter Davis Jr. (American hard bop pianist)
sassofono contralto :
Charles McPherson e Charlie Parker (aka “Bird”, jazz alto saxophonist)
tromba :
Red Rodney
registrazione di:
Now’s the Time
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
editore:
Atlantic Music Corp. (BMI)
Charlie Parker3:22
8Smooth Sailing
batteria :
Johnny Blowers (il 1951-06-26)
chitarra :
Everett Barksdale (il 1951-06-26)
chitarra basso :
Arnold Fishkind (il 1951-06-26)
voce:
Ella Fitzgerald (American jazz singer) (il 1951-06-26)
voce di accompagnamento:
The Ray Charles Singers (il 1951-06-26)
registrazione strumentale cover di:
Smooth Sailing (Instrumental) (il 1951-06-26)
compositore:
Arnett Cobb
editore:
Wayne Music (smooth sailing - Cobb)
Ella Fitzgerald43:07
9You've Changed
arpa :
Janet Putnam (harpist) (dal 1958-02-19 al 1958-02-21)
basso :
Milt Hinton (dal 1958-02-19 al 1958-02-21)
batteria :
Osie Johnson (dal 1958-02-19 al 1958-02-21)
chitarra :
Barry Galbraith (dal 1958-02-19 al 1958-02-21)
flauto :
Danny Bank (reeds) (dal 1958-02-19 al 1958-02-21), Phil Bodner (Woodwind player) (dal 1958-02-19 al 1958-02-21), Thomas Parshley (dal 1958-02-19 al 1958-02-21) e Romeo Penque (dal 1958-02-19 al 1958-02-21)
pianoforte :
Mal Waldron (American jazz pianist) (dal 1958-02-19 al 1958-02-21)
tromba :
Billy Butterfield (dal 1958-02-19 al 1958-02-21), Mel Davis (US jazz trumpeter) (dal 1958-02-19 al 1958-02-21) e Bernie Glow (dal 1958-02-19 al 1958-02-21)
trombone :
Jack Green (dal 1958-02-19 al 1958-02-21), Urbie Green (dal 1958-02-19 al 1958-02-21) e J.J. Johnson (jazz/bop trombonist/session leader) (dal 1958-02-19 al 1958-02-21)
trombone basso :
Tom Mitchell (US jazz trombonist) (dal 1958-02-19 al 1958-02-21)
viola :
Sidney Brecher (dal 1958-02-19 al 1958-02-21) e Richard Dickler (dal 1958-02-19 al 1958-02-21)
violino :
Emmanual Green (dal 1958-02-19 al 1958-02-21), Harry Hoffman (violinist) (dal 1958-02-19 al 1958-02-21), Harry Katzman (dal 1958-02-19 al 1958-02-21), Leo Kruczek (dal 1958-02-19 al 1958-02-21), Milton Lomask (dal 1958-02-19 al 1958-02-21), Harry Melnikoff (dal 1958-02-19 al 1958-02-21), George Ockner (dal 1958-02-19 al 1958-02-21) e Sam Rand (violinist) (dal 1958-02-19 al 1958-02-21)
violoncello :
Maurice Brown (jazz cellist) (dal 1958-02-19 al 1958-02-21) e David Soyer (dal 1958-02-19 al 1958-02-21)
voce di accompagnamento:
Elise Bretton (dal 1958-02-19 al 1958-02-21) e Miriam Workman (dal 1958-02-19 al 1958-02-21)
voce principale:
Billie Holiday (dal 1958-02-19 al 1958-02-21)
orchestra:
Ray Ellis and His Orchestra (dal 1958-02-19 al 1958-02-21)
direttore d'orchestra:
Ray Ellis (US producer, arranger and conductor) (dal 1958-02-19 al 1958-02-21)
registrazione cover di:
You’ve Changed (dal 1958-02-19 al 1958-02-21)
paroliere:
Bill Carey (US songwriter)
compositore:
Carl T. Fischer (Native American jazz pianist and composer)
editore:
Peer International (BMI; Peer Int'l or Peer-International) e Southern Music Publishing Company
Billie Holiday3:21
10It Ain't Necessarily So
produttore:
John Hammond (producer)
basso :
Bill Lee (bassist, composer, father of Spike Lee) (il 1960-12-19)
batteria :
Belton Evans (il 1960-12-19)
chitarra :
Lord Westbrook (il 1960-12-19)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1960-12-19)
sassofono tenore :
Warren Luckey (il 1960-12-19)
voce:
Aretha Franklin (il 1960-12-19)
arrangiatore:
J. Leslie McFarland (composer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1961)
registrazione cover di:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (il 1960-12-19)
paroliere:
Ira Gershwin, Dorothy Heyward (playwright) e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09)
è stata commissionata da:
Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Aretha Franklin42:56
11Waltz for Debby
registrazione di:
Waltz for Debby (instrumental)
compositore:
Bill Evans (pianist)
editore:
Acorn Music Corp., Folkways Music Publishers Inc. e Kensington Music Ltd.
compresa in:
The Real Book (compilation of jazz standards, volume I)
Bill Evans5:14
12Milou
Stéphane Grappelli3:48
13Bluesette
registrazione di:
Bluesette (Original instrumental version)
compositore:
Toots Thielemans
Toots Thielemans4:36
14Girl Talk
Neal Hefti42:54
15Beauty and the Beast
assistente tecnico:
Joe Tuzen
tecnico:
Rob Fraboni (US record producer & audio engineer)
produttore:
Jim Price (horn session musician)
batteria :
Roberto Silva (Brazilian singer and composer) (il 1974-09-12)
chitarra basso :
Jay Graydon (il 1974-09-12)
percussione :
Airto Moreira (percussionist) (il 1974-09-12)
pianoforte :
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (il 1974-09-12)
pianoforte elettrico :
Wagner Tiso (il 1974-09-12)
sassofono soprano :
Wayne Shorter (US jazz saxophonist and composer) (il 1974-09-12)
registrata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (il 1974-09-12)
registrazione di:
Beauty and the Beast (il 1974-09-12)
compositore:
Wayne Shorter (US jazz saxophonist and composer)
Wayne Shorter5:07
16St. Thomas
Sonny Rollins3:59
17I Can't Explain
Triosence feat. Sara Gazarek3:35
18Fly Me to the Moon
produttore:
David Lai (dal 2004-04-06 al 2004-04-07)
tecnico di missaggio:
Al Schmitt (dal 2004-04-06 al 2004-04-07)
basso elettrico [electric bass] e contrabbasso [acoustic bass] :
John Patitucci (dal 2004-04-06 al 2004-04-07)
batteria e percussione :
Todd Strait (dal 2004-04-06 al 2004-04-07)
pianoforte e sintetizzatore :
Eldar (jazz pianist) (dal 2004-04-06 al 2004-04-07)
arrangiatore:
Eldar Djangirov (jazz pianist) (dal 2004-04-06 al 2004-04-07)
registrata presso:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Stati Uniti (dal 2004-04-06 al 2004-04-07)
registrazione strumentale cover di:
Fly Me to the Moon (dal 2004-04-06 al 2004-04-07)
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Eldar3:24
19I Got It Bad (And That Ain't Good)
registrata a:
New York, New York, Stati Uniti (il 1956-01-27)
batteria :
Sonny Greer (il 1941-06-26) e Sam Woodyard (il 1956-01-27)
chitarra :
Fred Guy (il 1941-06-26)
clarinetto :
Barney Bigard (il 1941-06-26)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1956-01-27)
contrabbasso :
Jimmy Woode (il 1956-01-27)
contrabbasso [bass] :
Jimmy Blanton (il 1941-06-26)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1941-06-26, il 1956-01-27)
sassofono baritono :
Harry Carney (il 1941-06-26, il 1956-01-27)
sassofono contralto :
Otto Hardwick (il 1941-06-26) e Johnny Hodges (il 1941-06-26, il 1956-01-27)
sassofono contralto e clarinetto :
Russell Procope (il 1956-01-27)
sassofono tenore :
Ben Webster (il 1941-06-26) e Paul Gonsalves (il 1956-01-27)
tromba :
Wallace Jones (il 1941-06-26), Rex Stewart (il 1941-06-26), Cootie Williams (il 1941-06-26, il 1956-01-27), William “Cat” Anderson (il 1956-01-27), Willie Cook (US jazz trumpeter) (il 1956-01-27) e Ray Nance (il 1956-01-27)
trombone :
Lawrence Brown (jazz trombonist) (il 1941-06-26), Joe "Tricky Sam" Nanton (il 1941-06-26), Juan Tizol (il 1941-06-26), Quentin Jackson (il 1956-01-27) e Britt Woodman (il 1956-01-27)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1956-01-27)
voce principale:
Rosemary Clooney (il 1956-01-27)
orchestra:
Duke Ellington and His Orchestra (il 1956-01-23)
registrazione di:
I Got It Bad (and That Ain’t Good) (il 1956-01-27)
paroliere:
Paul Francis Webster (nel 1941)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1941)
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony e Webster Music Co.
compresa in:
The Real Book (compilation of jazz standards, volume I)
Rosemary Clooney3:10
20In the Mood
registrazione di:
In the Mood
paroliere:
Andy Razaf
compositore:
Wingy Manone
editore:
Shapiro Bernstein and Co. Limited e Shapiro, Bernstein & Co., Inc.
sub-editore:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
si basa su:
Tar Paper Stomp
compresa in:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller Orchestra43:30

Accreditamenti