The King of Rock ’n’ Roll: The Complete 50’s Masters

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Please note that track 23 "Don't Leave Me Now" is a re-recording of track 12 "Don't Leave Me Now". The original is available on the "Loving You" soundtrack while the re-recording is available on the soundtrack for his next film, Jailhouse Rock.

Anmerkung zuletzt geändert am 2012-10-28 08:38 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1My Happiness
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1953-07)
aufgenommen bei:
Sun Records' Studio in Memphis, Tennessee, Vereinigte Staaten (in 1953-07)
cover recording of:
My Happiness (in 1953-07)
Texter:
Borney Bergantine (in 1933) und Betty Peterson (in 1948)
Komponist(in):
Borney Bergantine (in 1933)
publisher:
Chappell Music (UK) und Happiness Music Corp.
42:33
2That’s All Right
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Akustikgitarre:
Elvis Presley (“The King of Rock and Roll”)
Bass und Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und Sony BMG Music Entertainment (2004–2008) (in 2003)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 112)
cover recording of:
That’s All Right (am 1954-07-05)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
2.91:57
3I Love You Because
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954, in 1956, in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
cover recording of:
I Love You Because (am 1954-07-05)
Texter und Komponist(in):
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1949-10-12)
32:44
4Harbor Lights
cover recording of:
Harbour Lights
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Peter Maurice Music Co. Ltd.
42:36
5Blue Moon of Kentucky
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05, am 1954-07-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05, am 1954-07-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05, am 1954-07-07)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 49)
cover recording of:
Blue Moon of Kentucky (am 1954-07-05)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
cover recording of:
Blue Moon of Kentucky (am 1954-07-07)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2.652:04
6Blue Moon
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-08-19)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-08-19) und Elvis Presley (“The King of Rock and Roll”) (am 1954-08-19)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-08-19)
cover recording of:
Blue Moon (am 1954-08-19)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
3.652:41
7Tomorrow Night
cover recording of:
Tomorrow Night (in 1954-09)
Verfasser(in):
Sam Coslow und Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Wilhelm Grosz Music Co
43:00
8I’ll Never Let You Go (Little Darlin’)
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-09-10, von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-09-10) und Elvis Presley (“The King of Rock and Roll”) (am 1954-09-10, von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1956)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-09-10, von 1954-09-12 bis 1954-09-16)
cover recording of:
I’ll Never Let You Go Little Darlin’ (am 1954-09-10)
Texter und Komponist(in):
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) und Sunshine Music Co., Inc. (am 1941-11-17)
cover recording of:
I’ll Never Let You Go Little Darlin’ (von 1954-09-12 bis 1954-09-16)
Texter und Komponist(in):
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) und Sunshine Music Co., Inc. (am 1941-11-17)
2.352:26
9I Don’t Care If the Sun Don’t Shine
cover recording of:
I Don’t Care If the Sun Don’t Shine (in 1954-09)
Texter und Komponist(in):
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
52:29
10Just Because
cover recording of:
Just Because (am 1954-09-12)
Texter:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) und Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
Komponist(in):
Leon Chappelear und Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) und State Street Music Publ. Co. Inc. (am 1936-03-19)
12:34
11Good Rockin’ Tonight
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1954) und Elvis Presley (“The King of Rock and Roll”) (in 1954, von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und BMG Entertainment (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954, von 1954-09-12 bis 1954-09-16)
cover recording of:
Good Rockin’ Tonight (am 1954-09-10)
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
52:14
12Milkcow Blues Boogie
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1954-11 bis 1954-12)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-11 bis 1954-12)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1953)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1954-11 bis 1954-12)
cover recording of:
Milk Cow Blues (Kokomo Arnold's version) (von 1954-11 bis 1954-12)
Texter und arranger:
Kokomo Arnold
Komponist(in):
[traditional] (special purpose artist) und Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal Music Corp. (USA, affiliated with ASCAP)
Version von:
Milk Cow Blues
2.52:39
13You’re a Heartbreaker
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1954-11 bis 1954-12)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-11 bis 1954-12)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1954-11 bis 1954-12)
recording of:
You’re a Heartbreaker (von 1954-11 bis 1954-12)
Verfasser(in):
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
cover recording of:
You’re a Heartbreaker (von 1954-12 bis 1955-12)
Verfasser(in):
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2.52:13
14Baby Let’s Play House
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1955-01-30 bis 1955-02-04)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1955-01-30 bis 1955-02-04)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1953, in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1955-01-30 bis 1955-02-04)
cover recording of:
Baby Let’s Play House (von 1955-01-30 bis 1955-02-04)
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
recording of:
Baby Let’s Play House
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
3.852:17
15I’m Left, You’re Right, She’s Gone
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-04)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-04)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1955-04)
Schlagzeug:
Jimmie Lott (in 1955-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-04)
cover recording of:
I’m Left, You’re Right, She’s Gone (von 1954-07 bis 1955-07)
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
cover recording of:
I’m Left, You’re Right, She’s Gone (in 1955-04)
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2.652:38
16Mystery Train
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-07)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 77)
cover recording of:
Mystery Train (am 1955-07-11)
Verfasser(in):
Junior Parker und Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Hilo Music Inc. (in 1953)
3.152:26
17I Forgot to Remember to Forget
cover recording of:
I Forgot to Remember to Forget (am 1955-07-11)
Verfasser(in):
Charlie Feathers und Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
32:30
18Trying to Get to You
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07, am 1955-07-11)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07, am 1955-07-11) und Scotty Moore (American guitarist and recording engineer) (am 1955-07-11)
Schlagzeug:
Johnny Bernero (in 1955-07, am 1955-07-11)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-07) und Sun Studios in Memphis, Tennessee, Vereinigte Staaten (am 1955-07-11)
cover recording of:
Trying to Get to You (am 1955-07-11)
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific und You Look Good Music Publishing
cover recording of:
Trying to Get to You (in 1955-07)
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific und You Look Good Music Publishing
3.352:33
19When It Rains, It Really Pours
cover recording of:
When It Rains It Pours (in 1955-11)
Texter und Komponist(in):
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
publisher:
Hi Lo Music Inc. (BMI-affiliated) und Riverline Music
32:03
20I Got a Woman
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
cover recording of:
I Got a Woman (am 1956-01-10)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
32:25
21Heartbreak Hotel
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-10)
Herausgeber:
Sony/ATV Songs LLC
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (2004–2008) (in 2002)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
recording of:
Heartbreak Hotel (am 1956-01-10)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3.652:10
22Money Honey
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
cover recording of:
Money Honey (am 1956-01-10)
Texter und Komponist(in):
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) und ZFC Music
3.352:36
23I’m Counting on You
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-11)
Gitarre:
Chet Atkins (am 1956-01-11), Scotty Moore (American guitarist and recording engineer) (am 1956-01-11) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-11)
Schlagzeug:
D.J. Fontana (am 1956-01-11)
recording of:
I’m Counting on You (am 1956-01-11)
Texter und Komponist(in):
Don Robertson (“Happy Whistler” songwriter)
publisher:
Carlin Music Corporation, Don Robertson Music Corp. und Ross Jungnickel, Inc.
2.652:26
24I Was the One
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-11)
Gitarre:
Chet Atkins (am 1956-01-11), Scotty Moore (American guitarist and recording engineer) (am 1956-01-11) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-11)
Klavier:
Floyd Cramer (am 1956-01-11)
Schlagzeug:
D.J. Fontana (am 1956-01-11)
vocals:
Brock Speer (am 1956-01-11), Ben Speer (am 1956-01-11) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-11)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-11)
recording of:
I Was the One (am 1956-01-11)
Verfasser(in):
Hal Blair, Claude Demetrius, Bill Peppers und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. und Rachel’s Own Music
42:35
25Blue Suede Shoes
assistierende(r) Techniker(in):
Dror Mohar
Mix:
Ray Bardani
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-30) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30)
Schlagzeug:
D.J. Fontana (am 1956-01-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (2004–2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 423)
cover recording of:
Blue Suede Shoes (am 1956-01-30)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
42:00
26My Baby Left Me
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10, von 1956-01-30 bis 1956-02-03) und Scotty Moore (American guitarist and recording engineer) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Schlagzeug:
D.J. Fontana (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956) und BMG Music (in 1956)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-30, von 1956-01-30 bis 1956-01-31, am 1956-02-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 29)
cover recording of:
My Baby Left Me (von 1956-01-30 bis 1956-02-03)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
recording of:
My Baby Left Me
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
3.252:13
27One‐Sided Love Affair
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10) und Scotty Moore (American guitarist and recording engineer) (am 1956-01-30)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-30)
Schlagzeug:
D.J. Fontana (am 1956-01-30)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1957)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-30)
recording of:
One-Sided Love Affair (am 1956-01-30)
Texter und Komponist(in):
Bill Campbell (US songwriter)
publisher:
EMI Unart Catalog Inc. und Sheldon Music
2.52:11
28So Glad You’re Mine
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10) und Scotty Moore (American guitarist and recording engineer) (am 1956-01-30)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-30)
Schlagzeug:
D.J. Fontana (am 1956-01-30)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-30)
cover recording of:
So Glad You’re Mine (am 1956-01-30)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Elvis Presley Music und Elvis Presley Music Inc.
2.352:22
29I’m Gonna Sit Right Down and Cry (Over You)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-31)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-31) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-31)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-31)
Schlagzeug:
D.J. Fontana (am 1956-01-31)
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You) (am 1956-01-31)
Texter und Komponist(in):
Howard Biggs und Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Angle Music, Coblin Music Co., Copyright Records und EMI Music Publishing Ltd. (PRS‐affiliated)
3.52:03
30Tutti Frutti
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-31)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-31) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-31)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-31)
Schlagzeug:
D.J. Fontana (am 1956-01-31)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1956)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-31)
cover recording of:
Tutti Frutti (am 1956-01-31)
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
2.51:59
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Nennungen

Veröffentlichung

Produzent(in):Ernst Jørgensen
Roger Semon
Audio-Engineering:Dick Baxter (Mastering engineer at BMG / RCA Studios, New York)
zusätzliches Audio-Engineering:Paul Brizzi
Discogs:https://www.discogs.com/release/975793 [Info]
ASIN:US: B000002WMH [Info]